We found 44426 price guide item(s) matching your search

A mahogany case longcase clock with arch glazed hood and trunk door with quarter column sides, the 12 inch arch painted dial with rocking ship in arch and Roman numerals and date and seconds indicators, the eight day movement striking on a bell, 220cm high

A George III oak and mahogany banded longcase clock with arch glazed hood and shaped trunk door and quarter column reeded sides, the 13 inch arch brass dial with 'Tempus Fugit' in arch and silverised chapter ring with Roman and Arabic numerals and date indicator with mask spoundrels, the eight day movement striking on a bell, 230cm high

A 'Grandmother' longcase clock, the arch brass dial signed Moore, London, the black lacquered case decorated with gilt fish and turtles, the hood with glazed door and trunk with long door, the 7 inch brass dial with silverised chapter ring and Roman numerals and cherub mask spoundrels, the eight day movement striking on a bell, 162cm high

A 19th century oak longcase clock with glazed hood and long trunk door, the 11 inch square painted dial signed Henry Ash, Dartmouth, with Roman numerals and conch shell spoundrels, the 30 hour movement striking on a bell, 194cm high

A George III mahogany longcase clock, the break arch hood with brass scale side frets, the silvered one piece flat dial with strike/silent to arch, seconds and calendar dials, inscribed James Hicks White Chapel, with adapted 4 pillar movement (now gong striking), the trunk with break arch door, upon a rectangular plinth, the case probably associated, all in need of attention, 202cm high

Broderick, Spalding, an oak longcase clock circa 1800, the painted arched 12 inch dial with subsidiary seconds, the 8 day movement with shaped plates (one dial foot lacking), the hood with pierced cresting, three brass finials and reeded columns, the trunk with shaped top door flanked by reeded canted corners (movement possibly associated) 216cm high

Baddely, Tong, a late 18th century oak longcase clock, the 11 inch square dial with unusual seasonal figure spandrels, silvered chapter ring and calendar dial, matted centre, with 8 day bell striking movement, within a plain varnished oak case, 191cm high

A stained wood longcase clock, the early 18th century 12 inch dial signed Ricd Taylor London, with seconds dial and date aperture, boys and crown spandrels, chevron border, ringed winding holes, with four pillar (formerly with a fifth pillar) 8 day movement, the plain later case associated, 214cm high

An oak and mahogany longcase clock, the swan neck pediment above 13.5inch dial with eagle motif to the arch, inscribed 'Josh Bayley Newcastle', with silvered chapter ring and seconds dial, urn spandrels, with 8 day bell striking movement, the case associated, 213cm high

A LONGCASE CLOCK by John Spencer, Colne, the thirty hour movement with anchor escapment and outside count wheel, 12 square brass dial chased with foliage, and with calendar dial chased with buildings, in oak case, the arched pediment with turned finials, verre eglomise frieze on turned columns, arched door flanked by fluted quarter columns, panel base and bracket feet, the whole later profusely carved with flowers, dragon and geometric motifs, 91 3/4 high

A LONGCASE CLOCK, the eight day movement with anchor escapement and square brass dial inscribed Howard, Chester, in oak case with moulded cornice, frieze with applied carved foliage on turned columns, plain trunk with moulded edged door, panel base on plinth, 76 high

A LONGCASE CLOCK, the eight day movement with anchor escapement, arched 12 brass dial inscribed Tempus Fugit, secondary dial, in oak case, the scrolled pediment with turned brass finials on fluted columns, arched door flanked by quarter columns, panel base and bracket feet, 19th century, 87 1/4 high

A LONGCASE CLOCK by T Benbow, Northwood, the eight day movement with anchor escapement arched 12 1/2 dial painted with flowers and moonphase, secondary dial and calendar aperture, in mahogany case , the scrolled pediment with arched surmount and brass finials on fluted columns, frieze inlaid with hearts, arched door with shell marquetry patera, flanked by fluted quarter columns, panel base with shell patera and fluted corners, on bracket feet, 88 1/2 high

A LONGCASE CLOCK by Peter Morris, Leigh, the eight day movement with anchor escapement and 12 brass dial chased with foliage, seconds dial and calendar aperture, in oak case with moulded cornice on turned pilasters, panelled door, the base with raised panel having incurved corners, on bracket feet, 80 3/4 high

A LONGCASE CLOCK by Michael Wild, Wakefield, the thirty hour movement with anchor escapement and outside count wheel, arched brass 12 dial chased with urn and foliate scrolls, calendar dial, in oak case, the scrolled pediment with gilded flame finials on fluted columns, arched door flanked by quarter columns, panel base on plinth, 87 high

A LONGCASE CLOCK, the thirty hour movement with anchor escapement and outside count wheel, 12 square dial painted with flowers and with moonphase and secondary dial, in oak case with mahogany columns and quarter columns, scrolled pediment, arched door, panel base and bracket feet, 89 1/4 wide

A LONGCASE CLOCK by A Cranstone, Scarborough, the thirty hour movement with anchor escapement and count wheel striking on a bell, 12 arched dial painted with flower and bird on fruiting branch, calendar aperture, in oak and mahogany banded case with scrolled pediment on turned columns, canted trunk with arched door, panel base, 84 high

A LONGCASE CLOCK by John Barraclough of Haworth, the eight day movement with anchor escapement and 14 1/2 arched dial painted with a figure scene and four allegorical maidens representing the seasons, secondary dial, in mahogany case, the scrolled pediment on baluster turned columns, arched door flanked by quarter columns, panelled base, shaped apron and splayed bracket feet, 93 1/2 high

18th Century Longcase Clock, the painted dial inscribed, "W. Carpenter, Banbury", with secondary seconds dial, painted spandrels, thirty-hour movement, contained within an oak and mahogany crossbanded case, with swan neck pediment, the door inlaid with a.

18th Century Longcase Clock, with square brass dial, 28cms, (11"), inscribed, "Joseph Donisthorpe - Loughborough", secondary seconds dial, cast and embossed spandrels, thirty-hour movement striking on a bell, contained within an oak case, the hood with th.

18th Century Longcase Clock, with brass circular dial painted with Spring flowers and with date aperture, eight-day movement, striking on a bell, contained within an oak case, with swan-neck pediment, reeded supports above a moulded frieze, arched door wi.

Regency mahogany Longcase Clock, the painted dial with secondary seconds dial and date aperture and indistinctly inscribed, "J. Watson, Blackburn", the spandrels painted with Spring flowers and a shooting scene in the arch, eight-day movement, contained w.

George III Longcase Clock, the square brass dial 24cms,(13"), silvered chapter ring, inscribed, "Mackie-Richhill", secondary seconds dial, the cast spandrels decorated with putti and a coronet, eight-day movement striking on a bell, contained within a mah.

An Oak Three Panel Coffer, on stile legs, 20 cm, an Arts and Crafts oak umbrella stand, a mahogany drop leaf table, a mahogany Sutherland table and a dwarf longcase clock (5)

A Longcase Clock, the 33 cm arched square brass dial with silvered chapter ring, subsidiary second dial and date aperture, fitted an eight day movement in a mahogany case

A Longcase Clock, the 33 cm arched square painted dial with Roman numerals, with subsidiary seconds dial and calendar aperture, signed Willm Bishop, fitted an eight day movement, striking on a bell, in a mahogany case with boxwood and ebony stringing

An oak and mahogany thirty-hour longcase clock, T.W. Cade, Northallerton, early 19th century The outside countwheel bell-striking movement with 13 inch cream painted Roman numeral dial with subsidiary seconds dial and signed T.W. CADE Northallerton to centre, the spandrels polychrome painted with church and cottage views and with equestrian huntsman and hounds to arch, the swan neck pedimented case with baluster turned pilasters to hood above inlaid shaped-top short trunk door flanked by rounded angles, on conforming plinth base with bracket feet, 224cm high.

An oak cased eight-day longcase clock, Thomas Kefford, Royston, circa 1750 The five-pillar rack and bell striking movement with 12 inch square brass dial with calendar aperture and subsidiary seconds dial to the foliate engraved matted centre within an applied Roman numeral chapter ring with fleur de lys half hour markers, Arabic five minutes and signed Thomas Kefford, ROYSTON to lower edge, the angles with bird and urn pattern spandrels, the case with domed caddy above blind fret frieze and integral pilasters to hood, rectangular trunk door and on reduced plinth base with bracket feet, 207cm high. Thomas Kefford is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Royston during the early 18th century.

An inlaid mahogany thirty-hour longcase clock, Indistinctly signed, early 19th century The outside countwheel bell-striking movement with 12 inch white painted break-arch Roman numeral dial with subsidiary seconds dial, arched calendar aperture indistinctly signed and inscribed Oxford to centre, with castle ruin and cottage painted spandrels and conforming picturesque view to arch, now in a Bristol area case with shaped crest to the arch top above spiral twist pilasters and wavy edge door to hood, the trunk with short door flanked by canted angles, on conforming base with tall bracket feet, 216cm high.

A carved oak eight-day longcase clock, Jno Richards, Wisbech, 18th century The four-pillar rack-striking movement now sounding on a gong, with 12 inch square brass dial with calendar aperture, star centre engraved subsidiary seconds dial and silvered oval plaque signed Jno Richards Wisbech within an applied silvered Roman numeral chapter ring with Arabic five minutes and bird and urn cast spandrels to angles, the case with swan neck pediment above shaped-top trunk door and conforming plinth base, now carved with foliate designs throughout, on ogee bracket feet, 227cm high.

A mahogany crossbanded oak eight-day longcase clock, Blurton, Stourbridge, early 19th century The four-pillar rack and bell striking movement with 13 inch white painted Roman numeral dial with arched calendar aperture, subsidiary seconds dial and indistinctly signed Blurton, STOURBRIDGE to centre, with fruit painted spandrels and scene of a naval engagement to arch, the swan neck pedimented case with fluted pilasters to hood above short door flanked by quarter columns to trunk, on plinth base with later bracket feet, 235cm high. Probably John Blurton who is recorded in Loomes, Brian Watchmakers and Clockmakers of the World Volume 2 as working in Stourbridge 1828-50.

An oak eight-day longcase clock, Daniel Keddon, London, 18th century The five finned pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture and subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with diamond half hour markers and Arabic five minutes with female mask and scroll cast spandrels to angles, the arch with boss signed Daniel Keddon, London between dolphin cast mounts, in a case with break-arch pediment and integral pilasters to hood, rectangular trunk door and plain plinth base, 202cm high.

A japanned eight-day longcase clock, 18th century and later The four-pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial and bearing silvered plaque inscribed John Worthington LONDON to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and twin cherub and crown pattern spandrels to angles, with strike/silent dial between dolphin mounts to arch, now in a pagoda pedimented case with integral pilasters to hood and break-arch trunk door finely polychrome and gilt decorated with figures within pagoda terraces on a dark background within hatched and foliate trail borders, on conforming landscape panel decorated plinth base with double moulded skirt, case circa 1770, movement and dial 19th century, 232cm high.

A Scottish oak eight-day longcase clock, D. Morison, Aughtermughty, late 18th century The four-pillar rack and bell striking movement with 12 inch single-sheet Roman numeral brass break-arch dial with star centred subsidiary seconds dial and calendar aperture to the scroll engraved centre and with Arabic five minutes, the angles with further foliate scroll engraved decoration beneath signature D. Morison AUGHTERMUGHTY within leafy scrolls to arch, the case with moulded cornice and geometric blind fret infill above integral reeded pilasters to hood, break-arch trunk door, on plinth base with moulded skirt, 201cm high excluding later feet.

A mahogany crossbanded oak eight-day longcase clock, Brandreth Middlewich, circa 1780 The four-pillar rack-striking movement with 11 inch square brass dial with oval nameplate Brandreth Middlewich incorporating calendar aperture to the matted and lozenge hatched centre within an applied Roman numeral chapter ring with Arabic five minutes and foliate scroll cast spandrel applied angles, the case with moulded cornice and blind fret frieze above turned hood pilasters and rectangular trunk door, on raised panel fronted plinth base, 202cm high. Obadiah Brandreth is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working 1766-95.

A carved oak eight-day longcase clock, Part 18th century The nineteenth century four-pillar rack and bell striking movement with earlier 10 inch square brass dial bearing signature Charles King, Winston to the foliate scroll engraved centre within an applied silvered Roman numeral chapter ring and foliate scroll cast spandrels, the case with moulded caddy, blind fret frieze and turned pilasters to hood above rectangular trunk door and panel fronted plinth base, now carved with foliate designs throughout, 207cm high.

An inlaid oak eight-day longcase clock with moonphase Indistinctly signed, early 19th century The four-pillar rack and bell striking movement with WALKER & HUGHES falseplate, the 12 inch white painted Arabic numeral break-arch dial with subsidiary seconds dial and arched calendar aperture to centre, with polychrome and gilt floral painted spandrels and rolling moonphase to arch, the case with turned pilasters to hood above conch shell inlaid shaped-top trunk door, on raised panel fronted plinth base, hood reduced in height, 206cm high.

An oak thirty-hour longcase clock with moonphase Savage, Huddersfield, circa 1790 The outside countwheel bell-striking movement with 13 inch square brass dial with subsidiary calendar dial, false winding squares, rolling moonphase and signed Savage HUDDERSFIELD to the silvered scroll-engraved centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes and foliate scroll cast spandrel applied angles, the case with swan neck pediment above turned pilasters to hood and shaped-top door flanked by quarter columns to trunk, on raised panel fronted plinth base with bracket feet, 218cm high. Probably George Savage who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Huddersfield in the late 18th century, moving to London in 1808 and then emigrating to Montreal, Canada in 1823. He died in 1855.

An oak and mahogany crossbanded eight-day longcase clock 18th century and later The nineteenth century four-pillar rack and bell striking movement with early 18th century 11 inch square brass dial with ringed winding holes, subsidiary seconds dial and blanked-off apertures to the elaborate foliate scroll engraved centre, within an applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes and bearing signature Jonathan Farrar to lower edge, with twin cherub and crown pattern spandrels to angles within moulded surround, in a case with swan neck pediment with reeded pilasters to hood above swollen frieze to throat and shaped-top trunk door flanked by quarter columns, on conforming plinth base, 225cm high.

An inlaid mahogany eight-day longcase clock with passing half hour strike John Gruchy, Jersey, circa 1670 and later The five-pillar rack and bell striking movement with anchor escapement and passing half hour strike on a smaller bell, the 12 inch brass break-arch Roman numeral dial with subsidiary seconds dial and calendar aperture to the Hoho bird and foliate scroll engraved matted centre within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and Arabic five minutes, the angles with female mask and scroll cast spandrels beneath silvered boss signed John Gruchy, JERSEY within herringbone border and flanked by dolphin cast mounts, now in an early 19th century break arch top case with Corinthian pilasters to hood above satinwood banded and later ivorine line inlaid break-arch long trunk door, on conforming plinth base with splayed bracket feet, 220cm high.

A Queen Anne black japanned eight-day longcase clock Roger Dunster, London, circa 1710 The five finned pillar inside countwheel bell-striking movement with external detent and 12 inch square brass dial with subsidiary seconds dial and finely engraved grotesque mask and scroll surround calendar aperture to the matted centre, within an applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes and signed Rogr Dunster, London to lower edge, the angles with twin cherub and crown pattern spandrels within herringbone engraved border to edge of dial, in a case with moulded cornice above integral pilasters to hood and rectangular trunk door with circular lenticle, on plinth base with moulded skirt, the whole now decorated with gilt chinoiseries on a black ground, 210cm high. Roger Dunster is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London circa 1700, Loomes in Vol. 2 lists him moving to Amsterdam in 1722 where he went into partnership with Christopher Clarke (successor to the Fromanteel family) until 1730, he then worked alone until he died in 1747. The fact that the trunk door is veneered in fruitwood beneath the current lacquer work indicates that the case was originally ebonised, the chinoiserie decoration was probably added in the early 19th century.

An oak thirty-hour longcase clock John Inkpen, Horsham, circa 1730 The posted countwheel bell-striking movement with rectangular section posts and 10 inch square brass dial signed Jn.o Inkpen, Horsham within a shaped cartouche to the Hoho bird decorated matted centre within an applied Roman numeral chapter ring with fleur de lys half hour markers and twin cherub and crown pattern spandrels to angles, the slender case with moulded cornice and plain pilasters to hood above ogee moulded throat and long trunk door with oval lenticle, on reduced plinth base, 202cm high. John Inkpen is recorded in Loomes, Brian Watchmakers and Clockmakers of the World Volume 2 as working in Horsham circa 1726-1745.

A figured mahogany longcase clock case Late 18th century The hood with carved rosettes to the swan neck pediment above integral reeded Corinthian pilasters flanking 17 inch x 12 inch break-arch dial aperture, the trunk with flame figured break-arch long door, on conforming plinth base with bracket feet, 227cm high.

A Victorian quarter chiming longcase clock movement and dial 19th century The substantial four-pillar triple train movement chiming the quarters on four large bells and the hour on a further bell, the 12 inch brass break-arch dial with subsidiary seconds dial to the sunflower engraved centre within an applied silvered Roman numeral chapter ring and female mask and scroll cast spandrels to angles, the arch with silvered boss bearing signature John Finch, London flanked by dolphin cast mounts.

A large quantity of mainly longcase clock hands Early 18th century and later

A large quantity of clock keys 18th century and later Including longcase clock crank keys, double-ended carriage clock keys, bracket and mantel clock keys and two turret clock winding handles.

An inlaid mahogany eight-day longcase clock with moonphase Unsigned, Bristol area, early 19th century The four-pillar rack and bell striking movement with 14 inch white painted Roman numeral dial with subsidiary seconds dial and arched calender aperture to centre, floral painted spandrels and rolling moonphase to arch decorated with maritime views, the arch-top case with shaped crest above wavy edge door and twist turned pilasters to hood, short trunk door flanked by conforming columns to trunk, on panel inlaid plinth base with bracket feet, 227cm high excluding finial.

A mahogany eight-day longcase clock Unsigned, movement and dial circa 1720, case later The four ring turned pillar rack and bell striking movement with 12 inch square brass dial with ringed winding holes, calendar aperture and subsidiary seconds dial to the matted centre, within an applied Roman numeral chapter ring with fleur de lys half hour markers and Arabic five minutes, the angles applied with mask and scroll cast spandrels, now in a purpose made early 19th century West Country case with swan neck pediment and fluted pilasters to hood above long line-edged trunk door and plain plinth base, 206cm high.

An oak and mahogany eight-day longcase clock William Clift, Beaminster, late 18th century The four-pillar rack and bell striking movement with 12 inch brass break-arch dial with arched calendar aperture and subsidiary seconds dial to the foliate engraved centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and signed Willm Clift, Beaminster to lower edge, the angles with scroll cast spandrels beneath arch with silvered boss engraved with an eagle above TEMPUS FUGIT flanked by dolphin cast mounts, in a break arch top case with integral pilasters to hood above parquetry star centred and crossbanded break-arch trunk door, on conforming plinth base, 206cm high.

An inlaid mahogany eight-day longcase clock James Williams, Bath, circa 1800 The four-pillar rack and bell striking movement with 12 inch single-sheet Roman numeral brass break-arch dial with subsidiary seconds dial, arched calendar aperture and signed James Williams BATH to the foliate engraved centre, with flowerhead and scroll engraved spandrels and eagle above banner inscribed TEMPUS FUGIT flanked by floral trails to arch, in a swan neck pedimented case with floral inlaid cartouche to frieze above reeded hood pilasters and line inlaid rectangular trunk door, on rosette centred plinth base with bracket feet, 228cm high. James Williams is recorded in Moore, A.J. The Clockmakers of Bristol 1650-1900 as working in Bath 1799-1805.

A pine thirty-hour longcase clock David Nicholas, Hartrey, early 18th century The posted countwheel bell-striking movement with turned posts and 10.75 inch square brass dial with false ringed winding holes and calendar aperture to the matted centre within an applied Roman numeral chapter ring with stylised fleur de lys half hour markers and twin cherub and crown pattern spandrels to angles, with a pine case with blind fret fronted upstand, moulded cornice and conforming frieze above integral pilasters to hood, rectangular trunk door with lenticle, on plain plinth base, movement part dismantled, case distressed, 198cm high. David Nicholas is recorded in Moore, A.J. The Clockmakers of Somerset 1650-1900 as working in West Harptree 1717-32.

A mahogany thirty-hour longcase clock George Gould, South Molton, circa 1790 The four-pillar outside countwheel two-handed movement with 11 inch square brass dial, the centre with engraved view of two gentlemen in 18th century dress standing before two ranges of buildings with horizon beyond, within an applied silvered Roman numeral chapter ring with Arabic five minutes and signed Geo. Gould South Molton to lower edge, with female mask and scroll pattern spandrels applied to angles, the case with cavetto cornice and blind fret frieze above integral turned pilasters to hood and long rectangular trunk door, on plinth base with moulded skirt, 196cm high. George Gould is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in South Molton 1784-95.

An inlaid mahogany eight-day longcase clock Edward Bilbie, Chew Stoke, circa 1745 and later The four-pillar rack and bell striking movement with 12 inch square brass dial with subsidiary seconds dial and foliate engraved calendar aperture to the matted centre, within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers, Arabic five mintes and signed Edward Bilbie CHEW STOKE to lower edge with female mask and scroll cast spandrels to angles, now in a swan neck pedimented case with twist pilasters to hood above oval fan cartouche centred crossbanded rectangular trunk door and conch shell inlaid plinth with shaped apron skirt, 205cm high. The movement and dial are almost certainly by Edward Bilbie III who, according to Moore, Rice & Hucker in Bilbie and The Chew Valley Clock Makers is recorded as working 1736-86.

An early 18th century walnut longcase clock, the eight day five pillar movement striking on a bell, to a 12in (30.5cm) brass dial with subsidiary seconds dial and pierced date aperture, with a foliage engraved centre, the silvered chapter ring inscribed 'Zac. Mountford, St Albans,' with cast crown and cherub spandrels, the hood with pierced fret frieze and glazed panel sides above a rectangular waist door with glazed lenticle raised on bracket feet, 80in (203.5cm) high. Restoration to case.

An oak Tempus Fugit longcase clock, the arched hood with silvered chapter ring and pierced spandrels, above astragal gazed trunk door upon plinth base with bun feet, 187cm high, three weights and pendulum.

A 19th century oak longcase clock, with painted enamel 11" dial, the thirty hour movement with count wheel strike, crossbanded trunk door and on plinth base, 194cm high, one weight.

An 18th century oak longcase clock by Daniel Dalton Church Lawford, the hood with blind fret frieze over three quarter columns and 10" brass dial with silvered chapter ring, the thirty hour movement with outside count wheel strike, the trunk with lip moulded door and on plinth base, one weight and pendulum, 188cm high.

A George III mahogany and oak longcase clock with white enamel dial and eight day movement

A George III oak longcase clock by J Kenway of Bridport

A large late 18th Century mahogany and brass inlaid eight day longcase clock, with painted dial inscribed Wm. Davis Oaken Gates 7ft. 10in.