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George III mahogany longcase clock with boxwood string inlay, the hood with swan neck pediment and reeded Corinthian columns, the circular dial with calendar aperture signed T. Gerrans, Wortley - eight day striking movement, 215cm high

An antique oak Longcase Clock, by Skarratt, Kington having swan neck pediment, painted dial, 30 hour movement, 6ft 10in H

An early Victorian Longcase Clock with 8-day movement, white enamelled dial painted floral spandrels and moon movement to arch, in wide mahogany case inlaid Tunbridgeware banding, with cluster column corner pilasters, and break arch to hood, by Robert Wigan-Colne, Lancashire c.1842

A late 18th Century mahogany longcase clock by John Wyke of Liverpool, the thirteen arched brass dial showing phases of the moon to the arch, with subsidiary seconds dial and date aperture, the wide chapter ring with Roman and Arabic numerals to the eight day two train movement striking on a bell, contained in case with moulded scroll pediment and inset with three gilt decorated glass frieze panels, turned and fluted columns to hood, blind fret frieze above shaped and figured trunk door, flanked by fluted quarter columns, plinth base with raised astragal centre panel and blind fret ornament to the cant corners, on ogee bracket feet, 93ins high (dial now painted in copper finish paint, with repairs, the case with restoration and repolished). Note: John Wyke of Liverpool recorded working 1766-1781, and later in partnership as Wyke & Green at Liverpool 1781-1805

A minature mahogany & inlaid longcase clock timepiece, the dial signed 'Westerton - Hyde Park Corner', 32cm height, also a regency painted papier mache desk stand, fitted with moulded glass inkwell, 21cm width, (2).

A George I walnut and parcel gilt longcase clock by Johnathon Lowndes, London, circa 1705, the guilloche decorated caddy top hood with acanthus clasped urn finials and three quarter columns, enclosing 12 inch square brass dial, with date aperture subsidiary second ring and signed silvered chapter ring, within pierced cherub and crown spandrels, the eight day five pillar count wheel movement, over trunk with leaf scrolling brackets, rectangular door with D-mouled edge and on plinth base, 257cm tall.

A George III oak and mahogany longcase clock, by Henry Gamble, Bramley, the arched hood with brass cupped columns enclosing brass break arch dial, the eight day rack striking movement with anchor escapement, the trunk with shaped door and panelled plinth, (later weights), 220cm tall.

A George III mahogany longcase clock,by John Russell, Costessey, the 11" square silvered dial with open frame, 30 hour counter wheel movement, the trunk with arch door, upon plinth base, 210cm tall.

A George IV mahogany longcase clock, circa 1825, the swan neck hood with reeded columns, above conforming trunk columns flanking an inlaid gothic door, and panelled veneered plinth, the painted dial signed E Radford, Hanley, with spandrels emblematic of four continents, a military scene in the arch, eight day Birmingham movement, 225cm tall.

AN OAK AND MAHOGANY LONGCASE CLOCK, having a brass dial 12in. (30. 5cms), Arabic and Roman numerals to the chapter ring, moonphase and calendar aperture to the dial centre, engraved 'George Womersley', two covered winding holes, foliate spandrels, thirty hour movement striking on a bell, the case having a swan neck pediment with later finials, the trunk having a short door with scalloped top, square cluster columns, on bracket feet, 89.5in. (227.5cms)

AN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, having a 12in. (30. 5cms) white dial painted with a bird to the arch and rose spandrels, the Arabic and Roman numerals now faded, of thirty hour movement striking on a bell, the case having a swan neck pediment with pressed brass roundels, the trunk door with ogee canted sides, on bracket foot, 76in. (193cms) high

An early 19th century mahogany 8-day longcase clock, the 14inch arched painted Roman dial, with moonphase and subsidiary seconds and date dials, 7ft 9ins

A George III oak and mahogany 30 hour longcase clock, the square brass eight day dial with silvered Roman chapter ring and date aperture, signed Rbt Hampson, Warrington, 7ft 2ins

An Edwardian mahogany and marquetry chiming 8 day longcase clock, the arched brass dial with strike / silent, silvered Roman chapter ring and subsidiary seconds, signed Kemp Bros. Bristol, movement striking on gongs, 7ft 10ins

A George III mahogany longcase clock case, with swans neck pediment, blind fret carving and fluted quarter pilasters, 8ft 5ins

A mid 18th century walnut 8 day longcase clock, the square brass dial with silvered Roman chapter ring, subsidiary seconds and date aperture, signed Robert Hodgkin, London, 7ft

A George III oak day longcase clock with 14 inch painted square dial with moonphase, signed J Banks, Oldham, 7 ft 4 ins.

A George III oak 30 hour longcase clock, the 12 inch arched painted dial with subsidiary seconds and date dials, signed R Longhurst, Steyning, 6ft 7ins

Oak-cased 30-hour longcase clock, brass face and spandrels with chapter ring, Taylor, Bridgnorth 355, with weights, pendulum and key.

An oak-cased Georgian longcase clock, circa 1800, the square enamel face signed Jno (John) Deacon, Leicester, both Roman and Arabic numerals, hand-painted gilt scroll spandrels and pheasant, date aperture, the case approx. 7ft, with column sides, 'S' scroll pierced top under break-top pediment with beaded detail, the mechanism activated by pulling rope with weight. The front with diamond-shaped decoration stringing to centre of casing (some minor losses to case).

A Gothic Revival mahogany longcase clock by John Hall & Co., Manchester, early 20th century, the circular dial with a second subsidiary dial, within a Gothic tracery and foliate carved case with blind fret trefoil motifs and a glazed door, on a plinth base, the massive three train movement with dead beat escapement and maintaining power, chiming on eight tubular bells and striking on a further tubular bell, the pendulum with lenticular bob and graduated rating nut, dial engraved 'John Hall & Co., 56 King Street, Manchester', 230cm. high

A Continental mahogany longcase clock, circa 1900, the circular brass dial with a subsidiary second dial, the twin barrel movement striking on a bell, above two weights and a pendulum, the shaped case with bevelled glass panels and stylised carved decoration, 206cm. high

A 19c mahogany longcase clock with swan neck pediment, plain columns to the hood over a cross-banded shaped door with fluted columns to the sides over a plain base on short bracket feet; the painted dial inscribed "J.Watson, Blackburn" with seconds dial and eight day movement, 220 cms.

An early 19c mahogany and oak longcase clock with shaped and inlaid pediment, plain turned columns to the hood over a shaped door with inlaid shell motif, flanked by fluted columns over a cross-banded trunk; the painted dial with Arabic numerals and floral spandrels with seconds and date dials and eight-day movement [uninscribed], 199 cms.

A GEORGE III MAHOGANY LONGCASE CLOCK by John Henderson of Dumfermline, the circular white painted dial with Roman numerals and Arabic minutes with seconds sweep, the swan-neck pediment with central inlaid oval panel of thistle, the dial flanked by bellied fluted columns, the trunk with long arched top door between quarter recessed fluted columns, the base with circular inlaid veneers, on short bracket feet, the eight day movement striking on a bell, 87" high

A GEORGE III OAK LONGCASE CLOCK, the associated brass dial signed "Gamnel, Stockton", the chapter ring with Roman numerals and Arabic minutes, the central seconds dial and date aperture with pierced cast spandrels to the corners and engraved compass face to the arch, the eight day movement striking on a bell, the arched top hood with conforming door and twin turned columns, the case with recessed quarter brass capped columns, 81" high

AN EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK, the white enamel dial signed "Robb. Lobel" with subsidiary seconds dial and date aperture, painted with a scene of St. Matthew to the arch with picturesque ruins to the spandrels, the eight day movement striking on a bell, the arch top hood with twin turned columns flanking the door, the trunk with similar conforming decoration, 92" high

AN EDWARDIAN MAHOGANY AND MARQUETRY LONGCASE CLOCK, the arched dial with sunburst motif between dolphin-head spandrels, the silvered chapter ring with Roman numerals and Arabic minutes, the arch top hood with inlaid scrolling foliate decoration, the door and base similarly decorated, on shortened bracket feet, the eight day movement striking on a gong, 86" high

A VICTORIAN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the white enamel dial signed "Evesham" with subsidiary seconds dial and date aperture, the spandrels with floral decoration, the eight day movement striking on a bell, the hood with swan-neck pediment and carved patera, the dial flanked by twin applied columns, the arch top door flanked by conforming columns, with central burr inlay on conforming base, 89" high

A GEORGE III OAK LONGCASE CLOCK, the white enamel arched dial signed "R. Clarke, Cerne Abbas" with subsidiary seconds dial and date aperture, the arch painted with a Royal landscape, the spandrels with sheaves of corn, the arch top hood with twin turned columns, the trunk with arch top crossbanded door, on conforming base, the eight day movement striking on a bell, 88" high

An oak and mahogany crossbanded longcase clock, first half 19th century, the broken scroll pediment centred by a later brass ball and eagle finial, above an arched glazed door enclosing a 13'' white painted arched enamel dial with roman numerals, subsidiary seconds dial and date aperture and marked 'David Jones, Newtown', painted with a shepherdess and sheep in the arch and sheep to each corner, eight-day movement striking on a bell, between turned pilasters over a crossbanded frieze and ogee arched top, lozenge centred, three-quarter length trunk door flanked by fluted quarter pilasters over a further panel, ogive moulding and lozenge centred base panel and raised on bracket feet, restoration, 83'' high

A George III elm cased longcase clock, late 18th century, the ogive cornice above a lacquered frieze and square glazed door enclosing a 10'' brass dial with roman numerals and inscribed 'G Payne, Ludlow', and engraved with a rural cottage and castle scene, pieced mask head spandrels, 30-hour movement striking on a bell between turned pilasters above a full length bevelled square trunk door, ogive moulding, plain baseboard and plinth, plinth damaged, 78'' high.

A George III mahogany and boxwood strung longcase clock, late 18th century, the broken scroll pediment with stamped gilt brass flowerhead terminals above a boxwood and ebony strung frieze over an arched glazed door enclosing a 14'' silvered dial with rolling moon phase in the arch showing the moon and three masted ship, roman numerals, subsidiary seconds dial and date aperture and marked 'Bloor, Newcastle', eight-day movement striking on a bell, flanked by fluted brass capped pilasters over a shaped top, boxwood strung door flanked by fluted brass capped quarter pilasters above a stepped moulding and raised panel baseboard with concave corners and raised on shaped bracket feet, restorations, 92.5'' high

AN OAK LONGCASE CLOCK, early Victorian, swan neck hood with bobbin turned columns, painted Roman dial signed 'J.N. Williams, Newcastle', subsidiary date and seconds dials, landscape spandrels and lunar equation, ball strike, height 226cm, (two weights and pendulum)

A MAHOGANY LONGCASE CLOCK, early 19th Century, swan neck pediment, oval painted Arabic dial signed 'Joseph Gent, Walsall', subsidiary seconds and date dials, bell strike, ogee gothic door, height 260cm, (pendulum and two weights)

Miniature Longcase Clock with porcelain dial, Roman numerals and gilt metal centre, with Continental movement and contained within a pokerwork case, with swan neck pediment, the whole decorated with an owl and crescent moon, cockerel, shoals and flowers, on a plain base, 34cms, (13.5”).

George III Longcase Clock with brass arched dial, inscribed, “William Salmon of Horncastle”, with secondary seconds dial and date aperture, pierced and cast spandrels, the arch inscribed, “Tempus rerum imporator” and with moving figure, eight-day movement and contained within a oak case with arched hood, moulded cornice, supported by fluted tapered columns with gilt highlights, above an arched door with moulded edge and on a plain base, 213cms, (7’).

Late 18th Century Longcase Clock, with painted square dial, with Roman numerals, date aperture, the spandrels decorated with rural scenes, thirty-hour movement and contained within an oak and mahogany case, with plain hood, with fluted columns above a plain door with moulded edge, inlaid in various woods with a conch and with fluted column corners and on a plain base, 191cms, (6’3”).

18th Century Longcase Clock with arched brass dial, inscribed, “Jos Wood - Scarborough” with date aperture, cast and pierced spandrels, thirty-hour movement, contained within an oak case, with swan neck pediment, turned column supports, arched panel door and on plain base, 216cms, (7’1”).

An early 18th Century longcase clock, the square brass dial with subsidiary seconds dial and date aperture, and an 8 day movement, the dial inscribed 'Langley Bradley, London', with later pine case, dial diameter 28cm

An early 18th Century oak longcase clock, by William Cockey, Yeovil, the circular brass dial with a calendar aperture and pierced brass work to the spandrels, a 30 hour movement and a plain moulded hood with star inlay to the door, 207cm high

A George III mahogany longcase clock, case in the style of Gillows. The eight day movement supported by an arched moonphase dial inscribed Robert Douglas, Bolton, the spandrels painted with courting couples, and a subsidiary seconds dial, flanked with painted floral sprays and birds, the broken pediment over fluted columns and an inlaid case, the Gothic arched door flanked by cluster columns, the base inlaid with fan decorated spandrels, on ogee bracket feet, dial 35cm diameter, 240cm high

A mahogany cased longcase clock, the eight day movement striking on a bell, the dial signed Jas Wood, Dorchester, the silvered chapter ring with black Roman hour numerals and black Arabic minute numerals, subsidiary seconds dial beneath twelve o'clock and with a date of the month aperture.

An oak and marquetry cased clock, shaped as a miniature longcase clock, the movement detailed eight days, the enamelled chapter ring with black Arabic numerals, the case inlaid with a vase of flowers, with a key.

A 19th Century Longcase Clock with painted arched dial having moon movement, 8-day mechanism, subsidiary seconds dial in mahogany case having swan neck surmount

A longcase clock, the eight day striking movement with seconds dial and silvered chapter ring to the brass dial inscribed Wm. Westbrook, London; contained in a later white painted case with trailing flowers.

A 19th century mahogany longcase clock, arched painted dial, black Roman numerals, date aperture and subsidiary seconds, (defective), inscribed 'Wetherell Dudley Port', triple arched Gothic crossbanded door enclosed by half turned baluster pilasters, panel base on tapering bracket feet, 8 day movement striking on a bell, 234cm high overall

Four assorted longcase clock movements for restoration

A thirty hour longcase clock dial and movement with a painted arched dial signed J & T Hallam

A thirty hour longcase clock movement with a twelve silvered arch dial signed Johan Moller 1750

A 30 hour longcase clock with a painted 12" dial in an oak and mahogany crossbanded case

A good quality 20th century longcase clock with a three train movement with Westminster and Whittington chimes striking on gongs in a mahogany case 87" tall

An antique pine 30 hour longcase clock with a circular painted dial signed Skipton Cirencester

A 1920s oak three train longcase clock the hood with barleytwist supports the brass dial having shell and foliate spandrels Ht 74"

A mahogany 8 day longcase clock with swan neck pediment and brass finial above a painted 12" arched dial with seconds hand and calendar aperture, signed Bn Brock, Bristol Ht 7' 5"

A Regency mahogany longcase clock, having a pagoda top above the arched hood in turn above the 12in. circular silvered dial with subsidiary date and seconds dial and eight-day striking movement by Pitt & Goater, London, having a five-pillar movement and with brass bezel to the convex glass flanked on either side by canted fluted corners with brass insets and in turn above an arched trunk door with applied moulding and well figured flame mahogany veneers also flanked by canted angles being fluted and with brass inserts and with conforming base raised on bracket feet. Height 85ins.

A George III oak longcase clock, having a moulded cornice above a blind fretwork frieze in turn above the 9.5in. silvered brass dial with Roman numerals, subsidiary date aperture and cherub spandrels and inscribed "Will Snow 222" and with thirty-hour movement, the glazed door flanked by half round pillars and with arched trunk door beneath and conforming base raised on bracket feet. Height 80ins.

A 19th century mahogany longcase clock, of large form, having a swans neck pediment above the glazed door enclosing the 14in. arched painted dial with Roman numerals, subsidiary date and seconds dials and eight-day striking movement by R. Sutton, Whitehaven and with sheaf binding scene to the arch and windmills to each spandrels, flanked by turned columns and in turn above the short shaped trunk door also flanked by turned columns and with conforming base raised on bracket feet. Height 91ins.

A George III oak and mahogany crossbanded longcase clock, having a moulded cornice above the glazed door enclosing the 12in. square brass dial with Roman numerals, subsidiary Arabic numerals, date aperture and subsidiary seconds dial and with eight-day striking movement and inscribed "Torkington, Newcastle", flanked by fluted pillars with brass capitals with shaped crossbanded trunk door also flanked by fluted columns and with conforming base raised on bracket feet. Height 81ins.

A small walnut longcase clock, circa 1680, 9.5-inch latched dial with cherub spandrels, narrow chapter ring, finely matted centre with seconds dial and calendar aperture, signed Eduardus East, Londini along the lower edge, the bell striking movement with seven ring-turned knopped latched pillars, outside count wheel and external detent, bolt and shutter maintaining power, the associated but contemporary case with moulded flat top rising hood, spiral pilasters and long glazed side panels, long rectangular trunk door, the plinth with later bun feet 190.5cm., 6ft.3in. high.