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Lot 1054
Oak thirty hour longcase clock, the 12" square brass dial signed Richard Midgley, with Roman and Arabic numerals, the matted centre with calendar apertures, moon phase and false winding holes, the case with beaded long door crossbanded with rosewood and mahogany, surmounted by a stepped cornice, 81" high
Lot 1060
MAHOGANY EIGHT DAY THREE TRAIN LONGCASE CLOCK, circa 1920, the movement playing Westminster/ Whittington/ St Michael chimes on nine tubular bells, the 10" arched brass dial with silvered chapter ring with silent/strike and chime/silent levers, the matted centre with subsidiary seconds dial and chime dial to the arch, within an arched top panelled case with long glazed door, 83.5" high
Lot 1061
MAHOGANY EIGHT DAY LONGCASE CLOCK, the 13" arched painted dial signed Charles Taylor, Bristol, with subsidiary seconds dial over date aperture and decorated with figures in rural landscapes, within an arched top flamed mahogany inlaid case with wrythen reeded pillars and surmounted by brass eagle and ball finials, 90" high
Lot 1066
MARQUETRY EIGHT DAY LONGCASE CLOCK, the 12" square brass dial signed Stephen Willmott, In Token House Yard, London with matted centre, subsidiary seconds dial and calendar aperture, the walnut case with floral marquetry front, the square hood with barley twist pillars over a long door inset with a lenticle and supported upon bun feet, 83.5" high.
Lot 1068
Mahogany eight day longcase clock, the 13" painted arched dial signed David Dewar, ...borne, with subsidiary seconds and calendar dials, within a large crossbanded case with short panelled door flanked by ring turned quarter pillars and surmounted by a pierced foliate fretwork arched cornice, 95" high
Lot 1072
Oak and mahogany eight day longcase clock, the 13" arched painted dial signed Heny Cox, Nottingham, with moon phase to the arch over subsidiary seconds dial and date aperture, the spandrels painted with ladies depicting the four seasons, the crossbanded inlaid case with a single ogee door inlaid with an oval reserve depicting Britannia, with canted sides and surmounted by a swan neck pediment, 88" high
Lot 1080
OAK EIGHT DAY LONGCASE CLOCK, the 12" square brass dial signed John Kimpton, Maldon. fecit., the chapter ring with Roman and Arabic numerals, the matted dial with subsidiary seconds dial and calendar aperture, engraved with birds and foliage, within a plain case surmounted by a pagoda top with two ball finials, 78" high
Lot 1082
Oak eight day longcase clock, the 13" square brass dial signed Coats, Wigan, with subsidiary seconds dial and calendar aperture to the diaper matted centre, the case with long wavy crossbanded door flanked by quarter fluted columns under a blind fret carved Gothic frieze surmounted by a broken arch swan neck pediment, 88" high
Lot 1086
MAHOGANY EIGHT DAY LONGCASE CLOCK, the 12" silvered arched dial signed Thomas Hughes, London, with subsidiary seconds dial, calendar aperture and strike/silent dial to the arch, the case with long moulded arched door and surmounted by an arched pediment with line fret carved frieze, 90" high
Lot 1088
MARQUETRY THREE TRAIN LONGCASE CLOCK, the six pillar movement chiming on two bells and striking the hours, the 11" square brass dial signed John Barnett, London, the matted centre engraved with a Tudor rose and with subsidiary seconds dial and calendar aperture, the walnut case with floral marquetry and bird inlaid front, the square hood with barley twist pillars over a long door inset with a lenticle and upon bun feet, 80" high.
Lot 1089
MULBERRY AND BURR WALNUT LONGCASE CLOCK the six pillar movement with inside countwheel, the 12" square brass dial signed Daniel Quare, London, the matted centre with subsidiary seconds dial, calendar aperture and ringed winding holes, the case replished but with orignal veneers, with ebony mouldings and feature mulberry panels, the long door inset with a lenticle, the case with opening side doors, fretwork panels and square top, later bun feet and plinth, 91.5" high.
Lot 1090
MAHOGANY EIGHT DAY MUSICAL LONGCASE CLOCK, the 13" arched painted dial signed J. Hinderwell, Norton, with subsidiary seconds dial and four tunes to the arch (Easter Hymn, Brit Stirke Home, George’s Minuet, Tweed Side), the three train six pillar movement striking the hours on a bell, with a 3.5" diameter musical pin barrel and striking twelve hammers on ten graduated bells, the case with a flat top hood and cast Corinthian capitals over a crossbanded lancet door with canted corners over a plinth base, 87" high.
Lot 1140
A Longcase Clock, the 32 cm square arched brass dial signed Jn Walker Newcastle, the silvered chapter ring and centre with Arabic and Roman numerals, subsidiary and seconds dial with date aperture, fitted an 8 day movement striking on a gong, in a mahogany case, 218 cm high See illustration
Lot 297
A George III period mahogany longcase clock the twin train movement with anchor escapement striking the hours on a bell, the swan neck pediment with eagle finial above an arched brass dial signed Thos. Spence, Dysert (sic.) to the arch, with roman and arabic chapters, the matted centre with subsidiary seconds and calendar dials, between rococo-cast spandrels, the case with fluted quadrant corners above a plinth base, on bracket feet, the whole decorated with flower-filled urns, rosettes and shell paterae 211cm high
Lot 298
A Scottish George IV mahogany longcase clock by Jason Coutts, Perth the arched dial with figural painted decoration emblematic of the season and a courting couple, with subsidiary second and date dials, the eight day train movement with anchor escapement and striking of a bell, the hood with a broken swan neck pediment and twin turned pilasters, above a panelled case raised on bracket feet united by a shaped apron 47 cm wide, 218 cm high, 23 cm deep
Lot 300
An early 20th century mahogany chiming longcase clock by Thomas McNeil, Greenock the arched dial with silvered lunar calendar above a moon phase dial painted with a masted ship and riverside castle view over terrestrial hemispheres, the gilt engraved face with silvered chapter ring, subsidiary second dial and ornated fret pierced spandrels, the three train movement chiming on a toothed cylinder revolving to activate hammers striking on four tubular gongs, the canted arched hood and conforming case with a panelled apron, raised on a plinth base 49cm wide, 220cm high, 34cm deep
Lot 302
A George IV oak longcase clock the arched dial painted with flowering urns, a fruiting basket and exotic birds, the eight-day twin train movement with anchor escapement and striking on a bell, the hood with a broken swan neck pediment flanked by turned pilasters, the canted rectangular case raised on bracket feet 49cm wide, 218cm high, 24cm deep
Lot 303
A Scottish William IV mahogany longcase clock the figural painted arched dial entitled 'Queen Marys Escape', with subsidiary second and date dials, the twin train eight-day movement with anchor escapement and striking on a bell, the hood with a broken swan neck pediment flanked by turned pilasters, over a panelled trunk with quarter columns, raised on bracket feet united by a shaped apron 48cm wide, 209cm high, 23cm deep
Lot 977
Willm Clark, London, an oak longcase clock, the arched 12 inch dial inscribed to a boss in the arch flanked by dolphin mounts, above silvered chapter ring and seconds dial, date aperture, boys and crown spandrels, having an 8 day five pillar movement, in an associated later oak case with built up plinth, 228cm high (pine seat board, repolished and varnished case)
Lot 983
John Pepper, Biggleswade, an oak longcase clock, the painted arched 12 inch dial with gilt scroll spandrels and urn motif, with seconds dial and calendar aperture, with four pillar 8 day movement, the case with break arch trunk door upon a moulded rectangular plinth, late 18th century, 204cm high
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44425 item(s)/page