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A George III mahogany eight day longcase clock, probably Cheshire/Lancashire, the 13’ arched brass dial with subsidiary seconds dial, chapter ring of Arabic and Roman numerals with inner ring of Arabic numerals to the chapter ring for a sweeping date hand under a rolling moon to the arch, the hood with swan neck pediment, fluted tapering front corner hood pilasters over a shaped long trunk door flanked by two fluted quarter pilasters on a box base with canted corners, 220 cm high
A late George III oak crossbanded mahogany eight day longcase clock, the 13’ square painted dial signed John Grosvenor, Cotten, Wem, with subsidiary seconds dial and date aperture, outer ring of Arabic numerals, inner ring of Roman numerals, between painted spandrels depicting castles and churches (dial repainted), over a long shaped trunk door flanked by fluted quarter pilasters on a box base and cut out plinth, 196 cm high Literature:John Grosvenor, Coton, Wem, is listed in ‘Shropshire Clock and Watch Makers’ by Douglas J Elliott as 1783-1861, born 1783 in Whitchurch, Salop
A late George III crossbanded mahogany eight day longcase clock, the 12’ arch painted dial signed Harper, Salop, the hood with swan neck pediment over a shaped trunk door with central marquetry decoration on a crossbanded box base and cut out plints, 215 cm high Literature: Harper & Son, Salop, are listed in ‘Shropshire Clock and Watch Makers’ by Douglas J Elliott as circa 1775
A George III oak crossbanded eight day longcase clock, the 12’ square brass dial signed Samuel Wright, Northwich, with subsidiary seconds dial and date aperture, the hood with turned front corner pilasters over a long trunk door, on a box base and later skirting plinth, 218 cm high Literature: Samuel Wright, Northwich, is listed in ‘Watchmakers and Clockmakers of the World’ by G H Baillie as circa 1757
A George III oak crossbanded eight day longcase clock, the 12’ square brass dial signed John Jones, Wrexham, with date aperture and subsidiary seconds dial, the hood with silhouette cut pediment over leaf carved frieze and square glazed hood door, above a long shaped trunk door, crossbanded box base on cut out plinth, 205 cm high Literature:John Jones, Wrexham, is listed in ‘Watchmakers and Clockmakers of the World’, by G H Baillie, vol 1, as circa 1778
An early Victorian mahogany eight day longcase clock, the 14’ arch painted dial signed John Owen, Holyhead, the spandrels decorated with Biblical scenes under a rolling moon, the hood with swan neck pediment over a short Gothic arch trunk door and crossbanded box base, on shaped bracket feet, 228 cm high
A George III oak eight day longcase clock, the 12’ square brass dial signed Joseph Cooper, Whitchurch, (movement at fault), the hood with front corner fluted pilasters over a short shaped crossbanded trunk door on a box base with canted corners, 201 cm high Literature: Joseph Cooper, clockmaker, is noted in ‘Shropshire clocks and watchmakers’ by Douglas E Elliott, as Whitchurch 1765-1773
A George III oak crossbanded eight day longcase clock, the 12’ arch painted dial signed ‘Thomas Chune, Shiffnall,’ under a subsidiary seconds dial and date aperture, the arch painted with summer blooms, the case with architectural pediment over fluted side pilasters on a box base and later skirting, 225 cm high Literature: Thomas Chune, clockmaker, is noted in ‘Watchmakers and Clockmakers of the World’, vol 1, by G H Baillie, as of Shifnal, circa 1795
A George III oak crossbanded thirty hour longcase clock, the 13’ square painted face signed W Evans, Machynlleth, with subsidiary seconds dial, date aperture and false winding holes, the associated movement striking on a single bell, the hood with swan neck pediment over short trunk door on a box base and cut out plinth, 207 cm high
An early 19th Century oak cased 8-day Longcase Clock, D Wenham of Dereham, the arched hood surmounted by three later turned spherical finials, over freestanding reeded columns to an ogee throat and trunk with canted corners, a long trunk door to a plinth base, to a 12" third period painted dial, signed to the arch, over a Roman chapter ring with outside five minute track and subsidiary seconds, to a Walker & Hughes false plate and movement with anchor escapement and strike on a bell, (associated), height 84"
An early Victorian North Country longcase clock, veneered in mahogany with Brazilian rosewood banding, the eight day movement with an arch painted dial having moon phase aperture above subsidiary dials, makers name indistinct, probably Wolverhampton, painted figures to the corners for the four Seasons, the hood with swan neck pediment and turned pillars, the trunk with a triple arch top door, trade label inside for Bromwich Watch & Clock repairer, Coventry, turned side pilasters the banded canted corner base on a later plinth. 7ft.9in. (236cm) high.
A George III oak 8-day longcase clock, maker Robert Welsh of Dalkeith, the arched 12inch brass dial with silvered Arabic and roman numeral chapter ring, the hood with swan neck pediment and brass capped columns above a trunk with shaped door and pedestal base on a plinth foot, 210cm high, 45cm wide and 23cm deep
A George III line inlaid mahogany 8-day longcase clock, maker Cameron of Selkirk, the arched 13-inch painted dial with painted river scene and romal numberal, the hood with broken swan neck pediment and globe finials above two brass capped columns, the trunck with flame mahogany door flanked by reeded quarter columns on a plinth base and bracket feet, 223cm high, 51cm wide and 25cm deep
A 19thC provincial oak and inlaid mahogany longcase clock, the painted face with Roman numerals, seconds dial, painted to the arch with a kilted figure and signed xxx Nottingham, of eight day movement, the hood with swan neck pediment, turned pilasters, the broad trunk with a triple pointed door flanked by ¼ round columns, 86½" high.
A George III lacquered and japanned longcase clock, the restored brass dial with silvered chapter ring, seconds dial and calendar aperture, signed James Nesmyth Staines, moon boss to the arch with foliate spandrels, of eight day movement, striking on a bell, the caddy top hood with cavetto moulded arch, faux bamboo pilasters, the slender trunk with arched door, reduced plinth, 77½" high.
Oak two train mantel clock, the 4.5" white dial signed Fattorini & Son, Bradford, patent no. 16226, within a carved case with bosses, 12.5" high; also a two train mantel clock, the Japy Freres movement with outside countwheel and striking on a bell (missing) the 4" white circular dial within an ebonised and yew wood drumhead angular case, 9" high, two clock movements and two longcase clock weights etc
Mahogany eight day longcase clock, the 14" arched dial with subsidiary seconds and calendar dials, painted with figures of ladies emblematic of the four seasons and with rolling moon phase to the arch, within a chequered inlaid case surmounted by a swan neck pediment over a triple pointed arch short door, case 93" high
Mahogany eight day longcase clock, the 14" painted arched dial signed Dalton, Bristol St, Birmingham, with painted moon phase mechanism to the arch, within a flamed mahogany case with short wavy top door flanked by fluted quarter pilasters and surmounted by a swan neck pediment over baluster turned columns, 90" high
Oak eight day longcase clock, the 12" brass square dial signed Thomas Bullock, Bath, with subsidiary seconds dial and calendar aperture, the long door crossbanded with mahogany and inlaid with an ebony and boxwood star, surmounted by a stepped pediment with foliate blind fret carved panels, 78" high

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44426 item(s)/page