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Early eighteenth century eight day longcase clock with brass and silvered square dial signed John Dunlop, Glasgow with cherub spandrels, subsidiary seconds and date aperture in walnut veneered case with feather banding, lenticle glass to door on platform base, 206cm high

George II eight day longcase clock by Nat Upjohn, Plymouth with gilt and silvered arched dial with rococo scroll spandrels, engraved windmill and ship scene, subsidiary seconds and date aperture on original black and gilt chinoiserie lacquered case with brass ball and spike and eagle finials, 239cm high

Early nineteenth century eight day longcase clock with arched painted dial with floral spandrels, subsidiary seconds and date aperture in oak case (cut down), 168cm high

George III Scottish eight day longcase clock with arched silvered dial signed Alex Mitchel, Gorbals, Glasgow engraved floral scroll spandrels, subsidiary seconds and date dials in inlaid mahogany case with blind fretwork and spiral twist pilaster decoration on bracket feet, 210cm high

AN EARLY 19TH CENTURY INLAID OAK LONGCASE CLOCK, THE PAINTED BREAK ARCH DIAL SIGNED THOS ALMEY SHEEPSHEAD

SOLD ON BEHALF OF A NATIONAL CHARITY. A GEORGE III OAK LONGCASE CLOCK THE ASSOCIATED BREAK ARCHED AND SILVERED DIAL SIGNED CORNS MUZZELL HORSHAM WITH THIRTY HOUR MOVEMENT

An ebony and white metal mounted dressing table set together with other similar items to include miniature longcase clock, barometer, jewellery box etc.

A longcase clock having moonphase silvered dial supporting an eight day movement in a Victorian carved oak case. The arched dial named Samuel Fletcher, Dewsbury.

An Oak Thirty Hour Longcase Clock, signed Wm Lawson, Keighley, circa 1800, case with swan neck pediment, turned columns, trunk door flanked by plain inset pilasters, rectangular plinth with raised quatre form panel and upon later bracket feet, 12-inch square white painted dial with Arabic and Roman chapter ring, dial centre with date aperture and signed, floral decorated spandrels, four pillar movement with anchor escapement and outside countwheel striking on a bell, 220cm high see illustration

An Oak and Mahogany Eight Day Longcase Clock, signed Prince, Leeds, circa 1810, case with swan neck pediment, fluted columns, trunk door flanked by inset fluted pilasters, rectangular plinth raised upon bracket shaped feet, 13-inch arched painted dial with a Arabic and Roman chapter, dial centre with two subsidiary dials for seconds and date, painted figural spandrels and the arch depicting a lady and gentleman within a landscape scene, four pillar movement with attached false plate stamped Walker & Finnemore, anchor escapement and rack striking on a bell, 227cm high see illustration

An Oak Eight Day Longcase Clock, signed Jno Stokes & Son, Bewdley, circa 1770, the nicely coloured case with flat top pediment, turned columns, plain rectangular trunk door, rectangular base upon bracket shaped feet, 12-inch square brass dial with Arabic and Roman chapter ring signed, matted dial centre with subsidiary dials for seconds and date aperture, later hands, four pillar movement with anchor escapement and rack striking on a bell, 210cm high see illustration

An Oak and Mahogany Eight Day Longcase Clock, signed Geo.Goodall, Abberford, circa 1780, case with swan neck pediment, later inlaid door, turned columns, mahogany crossbanded trunk door flanked by fluted inset pilasters, rectangular plinth with raised panel and upon later bracket feet, 13-1/4-inch arched brass dial with silvered chapter ring and inner date ring with corresponding central date hand, centre seconds, dial centre signed and with engraved scroll work, centre seconds, the arch with rolling moonphase, four pillar movement with deadbeat escapement, rack striking on a bell, 230cm high see illustration

An Oak Thirty Hour Longcase Clock, signed Tho Lister, circa 1760, flat top pediment with turned columns, wavy trunk door with inset pilasters, rectangular plinth with raised front panel and upon later feet, 12-inch square brass dial with silvered Arabic and Roman chapter ring, dial centre with so called "Halifax" moonphase aperture, date aperture and signed, four pillar movement with anchor escapement and outside countwheel striking on a bell, 200cm high see illustration

An Oak Eight Day Longcase Clock, signed Natl Plimer, Wellington, circa 1790, case with swan neck pediment, fluted columns, later inlay throughout, rectangular trunk door flanked by canted corners and upon bracket feet, 12-inch arch brass dial with silvered Arabic and Roman chapter ring, dial centre with seconds and date aperture, the arch with silvered disc signed, four pillar movement with anchor escapement and rack striking on a bell, 236cm high see illustration

An Oak Eight Day Longcase Clock, signed Barber, Winster, No.391, circa 1760, case with flat top pediment, turned columns with gilt painted capitals, trunk door with mahogany crossbanding, rectangular plinth with crossbanding and raised upon later bracket feet, 12-inch square brass dial with silvered Arabic and Roman chapter ring signed, dial centre finely engraved with scroll work, date aperture and seconds dial, four pillar movement with anchor escapement and rack striking on a bell, movement frontplate with latched pillars and frontplate numbered 391, later seatboard, 206cm high see illustration. Jonas Barber Jnr (b.c.1718-20) was one of the finest clockmakers in the North West. Circa 1748 he began numbering his clocks, engraving the serial number on the movement frontplate (and sometimes with the date of manufacture alongside). His clocks can therefore be dated using these numbers. Barber numbered to the mid 1400s until 1800 when his successor (and former journeyman) Henry Philipson continued the system. See Loomes (Brian) Clockmakers of Northern England, pg 83-84.

A Mahogany Chiming Longcase Clock, signed Jos Farrer, Pontefract, circa 1890, the nicely figured case with flat top pediment, pierced side sound fret opening doors, trunk door with an oval shaped bevelled glass panel and flanked by recessed pilasters, 16-inch arched silvered dial with Roman and Arabic chapter, finely engraved with bird and scroll decoration throughout, subsidiary seconds, the arch with Cambridge/Westminster selections, the massive triple weight driven movement with deadbeat escapement, chiming eight hammers striking on to eight tubular bells and a further hammer striking a tubular bell for the hours, 235cm high see illustration

A Fine Mahogany Eight Day Longcase Clock with Deadbeat Centre Seconds, signed Wm Bickerstaff, Liverpool, circa 1800, the nicely figured case with swan neck pediment, hood with front painted gilt floral glazed windows, six fluted columns, flame mahogany trunk door flanked by fluted column pilasters, rectangular frame moulded plinth with canted corners and raised upon bracket shaped feet, 14-inch arched painted dial with Arabic and Roman chapter, dial centre with a finely painted oval scene and signed, centre seconds, painted figural spandrels and the arch with rolling moonphase, four pillar movement with attached falseplate stamped Wilson, deadbeat escapement and rack striking on a bell, 260cm high see illustration. William Bickerstaff is recorded working in Liverpool 1790-1829. See Baillie (GH) Watchmakers & Clockmakers of the World, pg27.

A Walnut Eight Day Longcase Clock, signed Rich Martyn, Northampton, circa 1700, case with flat top pediment, barley twist columns, side viewing windows, convex throat moulding above the rectangular moulded trunk door with lenticle, reduced plinth upon a later wooden skirting, 11-inch square brass dial with silvered chapter ring signed, matted dial centre with subsidiary seconds, date aperture, ringed winding holes, (minute hand broken), five pillar movement with anchor escapement and outside countwheel striking on a bell, 194cm high see illustration

A Walnut Eight Day Longcase Clock, signed Saml Harris, London, circa 1730, the nicely figured case with flat top pediment, hood with blind fretted front, brass capped columns, arched moulded trunk door, re-built rectangular plinth, 12-inch arched brass dial with silvered Arabic and Roman chapter ring, matted dial centre with seconds dial, date aperture and signed on a arched silvered plaque, engraved arch with rolling moonphase, later hands, five pillar movement with anchor escapement and inside countwheel striking on a bell, later seatboard, 223cm high see illustration

A Mahogany Chiming Longcase Clock, signed William Page, West End, chime & turret clock manufacturer, Gt Portland St, London, No.559, circa 1860, the case with pagoda pediment and eagle finials, brass capped fluted columns, shaped trunk door inset with reeded pilasters, moulded quatre form rectangular plinth raised on bracket feet, 12-inch arched brass dial with silvered chapter ring signed, matted dial centre, silent/chime selection lever positioned above 12 o`clock, pierced ornate cast filigree work in the arch, the massive triple weight driven movement with anchor escapement and chiming eight hammers on eight bells and a further hammer striking a bell for the hours, 268cm high see illustration

A Robert "Mouseman" Thompson Oak Longcase Clock, the movement with 10 1/2" square brass dial and silvered Roman chapter ring, twin weight driven, striking the hours and halves with three hammers striking three gong rods, movement backplate stamped E.Schmeckenbecher, the case with a flat top and carved running detail to the sides, glazed rectangular trunk door and moulded plinth, with carved mouse signature, 194cm See illustration

An early 19th century regulator longcase clock. The silvered dial engraved James Hardy, Aberdeen, with central second and hour dials to the eight day movement, steel pendulum rod and steel framed mercury compensated cylindrical bob, single brass cased weight, contained in an arch topped case. The single glazed door with floral fret carved decoration, glazed sides, panelled plinth and on a block foot.

An oak longcase clock, the broken arch pediment with pilasters beside the shaped door and plinth base, reduced in height. The chapter ring signed Richard Schofield with Roman Numerals and minutes, pierced brass cherub spandrels, subsidiary second dial and date aperture. The dial 12ins.

An early 19th century thirty hour oak longcase clock with painted dial. By Mayhew Woodbridge.

EARLY 20TH CENTURY MAHOGANY `GRANDMOTHER` LONGCASE CLOCK, RETAILED BY RUSSELLS, LIVERPOOL, 8in. silvered Roman chapter ring enclosing a floral engraved brass centre and gilt cherub head spanderels, powered by an eight day movement, striking on a bell, housed in a flat top case with dentil moulded and blind fret carved frieze, above a glazed door flanged by turned columns, over a long flame cut trunk door, raised on a plain base with bracket feet, 5ft. 10in. (1.78m) high

LATE 18TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, the 14in. painted Roman dial with date aperture and floral painted corners, signed Lancaster, powered by a 30 hour movement, striking on a bell, housed in a flat top case with glazed door, flanked by turned columns, over a shaped trunk door and lower panel flanked by square fluted half columns, raised on a plain base, 76 1/2 in. (194.3cm) high

EARLY NINETEENTH CENTURY MAHOGANY LONGCASE CLOCK, 14" painted dial with subsidiary seconds and calendar dials, building in landscapes to the corners and classical figural scenes to the arch, powered by a thirty hour movement, striking on a bell, housed in a case with swan neck pediment, break arch door flanked by turned columns, short trunk door flanked by cluster columns, standing on a crossbanded base, 7`8" (2.34m) high, complete with weight and pendulum (hand missing to one of the subsidiary dials)

LATE EIGHTEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK by W. Leigh, Newton, 14" painted dial with subsidiary seconds and calendar dials and floral painted corners, signed, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment, square pillars, flanking the glazed door, shaped trunk door flanked by square, fluted half columns, on a panelled base with turned feet, 7`2" (2.19m) high

AN 18TH CENTURY MAHOGANY LONGCASE CLOCK, by Thomas Hutchinson of Worksop, having pagoda topped hood above arched aperture flanked by turned pillars, the waist with moulded arch door flanked by quarter reeded pilasters on a panelled base. Arch brass face with silvered chapter ring having Roman numerals date aperture and seconds dial. Silvered Eagle to the arch and pierced gilt spandrels. Eight day movement striking on one gong. Face 16" x 11.5". C1770. 91" High overall.

A 19TH CENTURY WELSH STAINED PINE LONGCASE CLOCK, the plain case with broken swan neck pediment above arched aperture, plain rectangular door to the waist on a panelled base with bracket feet. Arch painted dial with painted Castle design to the arch, seconds dial and date aperture marked James Morgan Narberth. Eight day two train movement striking on one bell. 83" High overall.

AN EARLY 19TH ENTURY WELSH OAK COTTAGE LONGCASE CLOCK, the case with broken swan neck pediment above arched aperture flanked by turned columns, rectangular moulded waist door flanked by reeded canted angles on an inlaid panelled base. Arch painted face with date aperture and seconds dial. Un-named. Eight day two train movement striking on one bell. C1830. 82" High overall.

A GOOD WELSH 18TH CENTURY OAK LONGCASE CLOCK, by Watkin Owen of Llanrwst, the case with architectural broken pediment over square face flanked by reeded columns, the waist having crossbanded arched door flanked by quarter reeded pilasters on a crossbanded panel base standing on ogee bracket feet. 12" Square face having silver chapter ring with Roman numerals seconds dial date aperture and pierced foliate spandrels. Eight day movement striking on one bell. C1790. 82" High overall.

An early 19th Century longcase clock, the 8-day movement with arched white enamel dial by D. Shaw, Leicester, seconds dial, date arch, contained in mahogany case with ebony stringing, the trunk door flanked by turned pillars, 227cms high.

A 19th Century longcase clock, the 30 hour movement with arched enamel dial, by J. Bowes, Helmsley, the spandrels painted with buildings, the arch painted with young man fishing, contained in oak and mahogany case with burrwood panels and swan neck pediment, 217cm high.

An 18th Century longcase clock, the 8-day movement with brass dial, seconds dial, date aperture, strike/silent dial in arch, rococo scroll spandrels, by Robert Roughsedge, Twickenham, contained in black and gilt lacquered case decorated with chinoiserie, 229cm high.

Thomas Vardy, Alnwick, an eight day oak striking longcase clock

A George III oak thirty-hour longcase clock, John Glazebrook, Mansfield, mid 18th century, the plated countwheel bell striking movement with 11 inch square brass dial with arched calendar aperture and signed Jno. Glavebrook, Mansfield within an oval reserve to the matted centre within an applied Roman numeral chapter ring with fleur-de-lys half hour marker and Arabic five minutes, the angles with applied bird-and-urn cast spandrels, the case with dentil cornice, blind fret frieze and turned pilasters to hood above shaped top trunk door and reduced plinth base, 203cm high. Visit www.dnfa.com for condition reports.

A Regency mahogany eight-day longcase clock, Thomas Chapman, Gravesend, early 19th century, the five pillar rack and bell striking movement with 12 inch circular single-sheet silvered brass dial with subsidiary seconds and calendar dials and signed Tho`s Chapman, Gravesend to centre, the case with shaped crest to the break-arch pediment above brass fillet inset dial aperture flanked by stop-fluted pilasters to hood, the trunk with break-arch door above panel fronted plinth base with shallow skirt and small bun feet, 200cm high excluding finial. Visit www.dnfa.com for condition reports.

An inlaid oak eight-day longcase clock, Allen, Wantage, early 19th century, the four pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary seconds and calendar apertures and signed Allen, Wantage to centre, with floral spray painted spandrels and nesting Ho-Ho birds to arch, the swan neck pedimented case with reeded pilasters to hood above short rectangular conch-shell centred door flanked by quarter columns to trunk, the conforming plinth base decorated with a circular banded panel, on bracket feet, 211cm high excluding finial. Visit www.dnfa.com for condition reports.

An early 19th century painted arched dial eight day striking longcase clock by A Egerton of Kidsgrove, in a crossbanded and inlaid oak case with swan neck pediment, the trunk door flanked by turned pilasters, the base flanked by canted corners and raised on bracket feet, height 228cm (Illustrated)

An early 19th century painted arched dial eight day longcase clock with moon phase, by T Dean of Leigh, the dial with subsidiary seconds and date dials, the feathered mahogany case of wide proportions flanked by fluted quartered columns above the crossbanded base section with shaped apron and bracket feet, height 230cm (Illustrated)

An 18th century twelve inch brass dial eight day striking longcase clock by John Grundy, c.1780, the dial inscribed "J Grundy Whalley", above the date aperture, within a mahogany banded oak case, raised on bracket feet, height 204cm (Illustrated)

An 18th century twelve inch brass dial eight day striking longcase clock by Henry Watson of Blackburn, c.1745-1765, the twelve inch dial with silvered chapter ring, date aperture, engraved decoration and applied spandrels, the nicely patinated oak case with swan neck pediment, the trunk door flanked by quartered pilasters, the whole raised on bracket feet, height 208cm (Illustrated)

A Georgian twelve inch brass dial eight day striking longcase clock by Richard Key with engraved silvered chapter ring, engraved silver subsidiary dial, engraved silvered twin winding holes, date aperture and applied spandrels, the oak case having pierced frieze and shaped panelled trunk door, raised on a plinth base, height 104cm (Illustrated)

Reproduction longcase clock made by Canham, London, with brass figural face, Westminter and Winchester chime Height 173

Hill of Stafford, An 18th century and later carved oak longcase clock, the gilt face with silvered chapter ring and secondary dial supporting a twin train striking movement under an arched hood with swans neck pediment

An early 19th century oak and mahogany crossbanded longcase clock, the painted face supporting a thirty hour movement under an arched hood with swans neck pediment, the trunk with ogee door, on a panelled base with bracket feet

Oak longcase clock with 8-day movement, the 12" brass and white metal dial inscribed `Jn. Thomas, Crewkerne`, movement and dial associated, second dial and date aperture, 206cm

19th mahogany 30 hour longcase clock, the painted dial inscribed, `Williams, Axbridge`, date aperture, 196cm

Contemporary longcase clock, 8 day, two train movement

An enamel dialled longcase clock, movement in later case

A late 19th century inlaid rosewood miniature longcase clock, with movement by EGL, the white enamel clock face above a simulated door and aneroid barometer below, height 39cm (Illustrated).

A late 18th century oak cased thirty hour longcase clock, with dentil pediment and blind fretwork above a square painted white dial with date aperture, flanked by fluted columns, above a long domed door, on bracket feet. The 30 hour movement is unusual in that it is skeletonised on both plates and is of the early rope drivetype, hands possibly original, case in need of some restoration (Illustrated).

A 19th century mahogany eight day longcase clock, the broken arch pediment with central brass finial, arched dial with rolling ship, subsidiary seconds signed by S Whalley, Manchester, flanked by fluted columns, the mahogany case with ogee hood door flanked by reeded columns, on bracket feet, height 244cm (Illustrated).

A George III oak longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring signed `Thos Moore, Hindon`, the matt centre with subsidiary seconds and date aperture, beneath a silvered boss engraved with an eagle, cornered with pierced gilt metal spandrels, the arched hood with turned columns flanking a glazed door, the trunk with arched door on a plain base and plinth, height approx 212cm.

A George III figured mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with rolling moon to arch above Roman and Arabic numerals, framing subsidiary seconds and date aperture, inscribed `Thos. Whitaker, Thorne`, cornered with painted flowers, the pagoda top hood with glazed door flanked by Corinthian columns, the arched trunk door flanked by Corinthian quarter column pilasters on a plain base and ogee bracket feet, height approx 233cm (some faults).

A George III oak longcase clock with eight day movement striking on a bell, the painted dial with subsidiary seconds and date aperture, inscribed `Slater Lichfield`, beneath a scene of a courting couple to the arch, the case crossbanded in mahogany and inlaid with foliate paterae, the hood with swan neck pediment above a glazed door flanked by columns above an arched trunk door, on bracket feet, height approx 223cm (faults).

A William and Mary and later walnut veneered and marquetry longcase clock with eight day five pillar movement striking on a bell, the square brass dial with matt centre, subsidiary seconds dial and date aperture, framed by a silvered chapter ring with Roman numerals and inscribed `W. Sellers, London`, cornered by pierced amorini spandrels, the hood with moulded pediment above a pair of barley twist pilasters, the trunk door with a lenticle and inlaid with three panels of well drawn bird, floral and foliate scroll marquetry, the plinth similarly decorated, the sides divided into panels by stringing, on a pedestal base, height approx 205cm (alterations and restoration).

A George III oak longcase clock with eight day movement, the silvered break arch dial with Roman numerals, subsidiary seconds and date aperture, inscribed `Francis Turner, Rochford`, cornered with engraved foliate scrolls beneath a rocking ship automaton to arch, the moulded arch hood above a glazed door, the trunk with arch moulded door, on a plinth base, height approx 213cm.

A George III oak and mahogany banded longcase clock with eight day striking movement, the painted square dial with subsidiary seconds and date aperture, inscribed `Tomkinson, Nantwich`, the hood with swan neck pediment above a glazed door flanked by moulded columns, the trunk with an arched door flanked by pilasters, raised on bracket feet, height approx 212cm.