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A George II mahogany longcase clock, 29cm arched brass dial inscribed Ogden, Darlington, silvered chapter ring inscribed with Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin-winding holes, 8-day movement striking on a bell, the well-figured case with arched cresting, bras-mounted stop-fluted pillars and quarter-columns, arched rectangular door to waist, shaped plinth base, 220cm high, c.1745John Ogden was a member of a very prolific and distinguished family of clockmakers, originally from Halifax. He signed clocks from both Sunderland and Darlington and died in 1753. Condition Report: Metal stops to flutes of quarter columns coming slightly loose.

A William IV oak and mahogany longcase clock, 31cm enamel dial inscribed Shepperley & Pearce, Nottingham, Roman numerals, the arch painted with a maritime subject, swan neck pediment crested by a brass eagle and sphere finial, turned columns, shaped rectangular door to waist flanked by canted angles, 216cm high, c.1835Anthony Shepperley was working in Nottingham 1813-1844 from premises at 27, Long Row, and also described himself as 'lace machine inventor'. His partnership with William Pearce (d. 1870) lasted from 1828 until his death in 1844. He married Rebecca Dickinson and their sons George and Philip continued the clockmaking business as part of a jewelley retailership until 1864.

A William IV mahogany longcase clock, 33cm arched painted dial inscribed Thomas & Co, Derby, Roman numerals, moonphase to arch, subsidiary seconds dial, date aperture, 8-day movement striking on a bell, the case with swan neck pediment, shaped rectangular door to waist, flanked by turned columns, outlined throughout with chevron, boxwood and ebony stringing, skirted base, bracket feet, 225cm high, c.1840

A George III oak longcase clock, 29cm arched painted dial inscribed with Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin-winding holes, 8-day movement striking on a bell, the hood with arched pediment flanked by brass ball and spire finials, brass-capped reeded columns, arched rectangular door to waist, shaped apron, bracket feet, 226cm high

A George IV oak and mahogany longcase clock, 29cm arched dial inscribed Whitehurst & Son, Derby, Roman numerals, 30-hour movement striking on a bell, the hood with lofty swan neck pediment, shaped rectangular door to waist, flanked by reeded columns and quarter-colmns, outlined throughout with boxwood stringing, tall plinth base, 222cm high, c.1830

A George oak and mahogany longcase clock, 34cm square enamel dial inscribed with Roman and subsidiary Arabic numerals, rolling moon phase, date aperture, twin-winding holes, 8-day movement striking on a bell, the case with outswept stepped cornice, shaped rectangular door to waist, flanked by reeded quarter-columns, outlined throughout with boxwood and ebony stringing, bracket feet, 205cm high, c.1810

A mid-18th century oak longcase clock, 30cm square brass dial inscribed Samuel Hollyer, London, Roman and Arabic numerals, leafy scroll and mask cast spandrels, subsidiary seconds dial, twin-winding holes, the 8-day movement formerly striking on a bell, and now incomplete, the hood with stepped architectural pediment, brass-capped Doric columns, shaped rectangular door to waist, 200cm high, c.1755

A George I oak longcase clock, 27cm square brass dial inscribed Jos. Thompson, Cirencester, Roman numerals, leafy cast spandrels, 30-hour movement striking on a bell, the caddy top case blind-carved with friezes of scrolling foliage, parcel gilt Doric columns, mahogany crossbanded rectangular door to waist, skirted base, bun feet, 205cm high, c.1725Joseph Thompson was working in Cirencester from 1719 to 1742.

A George III oak longcase clock, 31cm brass dial inscribed Humphy (sic) Wainwright, Nottingham, Roman and Arabic numerals, subsidiary seconds and calendar dial, twin-winding holes, the arch formerly with an added automotan, swan neck pediment, arched rectangular door to waist flanked by reeded canted angles, plinth base, 202cm high, c.1770

A George III style miniature longcase clock, 7cm arched silvered dial with Roman and subsidiary Arabic numerals, faux Strike/Silent to arch, 8-day movement striking on a gong, the hood crested by a silver coloured metal figure of Old Father Time, reeded pillars, arched rectangular door to waist, the base with a shield carved with the armorial bearings of Great Yarmouth, bow fronted plinth, 49cm high

A walnut and marquetry dwarf longcase clock: the eight-day duration timepiece movement having a platform cylinder escapement with the backplate stamped with the maker's trademark, the initials Ed. M within an oval, and serial number 3697, the round silvered dial with black Roman numerals and blued steel spade hands, the miniature walnut case inlaid with marquetry decoration with the curved break-arch top having a turned wooden urn shaped finial,, turned pillars to the trunk, height 46 cms (inc. finial).

Samuel Barrow, London, a lacquered longcase clock: the eight-day duration movement having five finned pillars and striking the hours on a bell with an inside countwheel, the eleven-inch square brass dial having a raised silvered chapter ring with meeting-arrow-head half-hour markings and a thin outer aspect engraved with Arabic five-minute numerals, the matted dial centre having ringed winding holes, engraved tulip decoration to the outside, a subsidiary seconds dial and date aperture surrounded with engraved decoration and signed either side of VI o'clock Samuel Barrow at the Hermitage, London, with cast-brass cherub-head spandrels to the four corners and blued steel hands, the black lacquered case with raised gilt chinoiserie decoration to the trunk door and base, with further decoration to the case, a round lenticular glass to the door, the flat-topped hood with three-quarter columns, height 214cm.* Biography Samuel Barrow is recorded as being apprenticed in 1688 to John Barrow, possibly his father, becoming free of the Clockmakers' Company in 1696 until circa 1704. He worked at The Sign of the Spring Clock in East Smithfield near Hermitage Bridge, London, being a bridge over a tributary running into the River Thames.

Edward Blowers, Beccles, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch brass dial having a raised chapter ring engraved with black Roman numerals, outer Arabic five-minute numerals, with cast-brass c-scroll corner spandrels, the matted centre with subsidiary seconds dial and date aperture, with a convex brass bob within the arch engraved with the maker's name Edwd. Blowers, Beccles, the mahogany case having typical Suffolk cresting to the top surmounted with three brass ball-and-spire finials, fluted pillars to the hood with cast-brass capitals, a break-arch door to the trunk, boxwood edging to the edges, and a plain base with bracket feet, height 218 cms.* Biography Edward Blowers is recorded as working in Beccles, Suffolk in the second half of the 18th century, primarily as a maker of longcase clocks.

Oliver, Enniskellen, a mahogany longcase clock: having an eight-day duration movement striking the hours on a bell, the fourteen-inch square brass dial having a raised chapter ring engraved with black Roman numerals with the maker's name 'Oliver, Enniskellen' either side of VI o'clock, torch half-hour markings and meeting-arrow-head quarter-half-hour markings, the matted centre with ringed winding holes, a subsidiary seconds dial and date aperture, with cast-brass cherub-and-crown spandrels to the four corners, the cross-banded mahogany case of typical Irish form with the pediment top having greek-key moulding, fluted pillars to the hood with fluted canted corners behind, fluted canted corners to the trunk and shaped top to the door, the panelled base with fluted quarter-columns and standing on bracket feet, height 236 cms.* Biography Charles Oliver is recorded as working in Enniskellen from circa 1770 until at least 1775.

William Pain, London, a walnut longcase clock: the associated eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute numerals to the outer aspect and the maker's name Willm. Pain, London either side of VI o'clock, the matted dial centre with ringed winding holes and subsidiary seconds and date dials, with restorations, with cast-brass acorn-leaf spandrels to the four corners, engraved to the edge with tulip decoration, with decorative blued-steel hands and a cast brass decorative boss to the added arch with cast-brass dolphin spandrels, the flat-topped walnut case with double cross-banding to the trunk door and base, the hood having turned tapered columns with cast-brass capitals and wooden fret-work above the dial, all standing on a double-plinth to the base, height 229cm.*Notes Various makers named William Pain are recorded as working in London in the 18th century.

William Ray, Sudbury, an oak longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute outer numerals, with cast-brass c-scroll spandrels to the four corners, the silvered centre engraved with c-scroll decoration and with subsidiary seconds dial and date aperture, with decorative blued steel hands and a round boss to the arch engraved with the makers name Willm. Ray, Sudbury, with cast-brass c-scroll spandrels to either side, the oak case having a curved pediment with turned wooden finial to the hood, with the three-quarter fluted hood pillars having cast-brass capitals, with a shaped top to the trunk door and a plain base, height 206cm.* Biography William Ray, born 1734, the son of the clockmaker Daniel, married Mary Munnings at Lavenham on the 13th April 1758 with whom he had six children, two of which, William Redmore (born 1762) and Daniel (born 1763), became clockmakers. In 1778 William was admitted as a Burgess of the Borough of Sudbury. He was buried in St. Peter's Church, the place of his baptism, on the 24th of July 1808 with his wife buried there in April 1810. The business premises were in the centre of Market Hill, next to the Moot Hall, but were demolished in 1840. Various longcases of superior quality are known. (Suffolk Clocks & Clockmakers; Arthur L. Haggar and Leonard F. Miller; Pub. by the authors 1974)

Richard Rooker, London, a walnut marquetry longcase clock: the eight day duration, six-pillar movement striking the hours on a bell with an inside countwheel, with a removable plate to the front-plate for adjustment of the striking train, the ten-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, outer five-minute numerals, meeting arrow-head half-hour markings and engraved either side of VI o'clock Richard Rooker, the matted dial centre with ringed winding holes, subsidiary seconds dial, date aperture with engraved surround and two subsidiary levers for to strike (strike/silent) and Winde up (to operate the shuttered winding holes), with blued steel hands and cast-brass cherub-head spandrels to the four corners, the walnut case inlaid with panelled bird-and-flower marquetry decoration to the trunk, with matching inlay to the base, hood and convex throat moulding, the flat-topped hood having barley-twist columns with giltwood capitals, and fretwork to the top frieze, the trunk with a bulls-eye glass to the centre and panelled sides, all standing on bun feet (the case with restorations), height 185 cms.*Biography Richard Rooker is recorded as working in London at King Street, West Smithfield having been apprenticed to the well known John Clowes in 1686. He was free of the Clockmakers Company in 1694 and was still known to be working in 1748 by which time he may well have been working with his son, also Richard, in Chelsea.

Bramley, Andover, a mahogany moon-phase longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch painted dial having black Roman hour numerals and Arabic five-minute outer numerals, floral decoration to the four corners and centre and with subsidiary seconds dial and date aperture, signed with the maker's name Bramley, Andover, with decorative blued steel hands, with a moon-phase disc to the arch painted with a seascape and rural scene, the falseplate to the dial rear embossed with the dialmaker's name Osborne's Manufactory Birmingham, the mahogany case having boxwood edge-lining to the trunk and pagoda top, inlaid stringing to the base, fluted pillars to the hood with cast-brass capitals and standing on bracket feet, height 227cm.* Biography J. Bramley is recorded as working in circa 1792, followed by Thomas Bramley at various addresses within the town from circa 1867 until 1878, the former being the likely maker of this clock. * James Osborne was a well known maker and pioneer of quality painted dials in Birmingham having been in partnership until 1777 with that other fine maker Wilson. He died in 1779 with the business taken over by his widow Ann followed by his sons until 1813.

Henry Swaine, Hillparton, a quarter-chiming longcase clock: the eight-day duration movement striking the hours on a bell and the quarters on a nest of eight bells, the associated square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute numerals to the outer aspect, fleur-de-lys half-hour markings and signed either side of VI o'clock Hen. Swaine, Hillparton, the matted dial centre having engraved decoration to the date aperture, with cast-brass cherub-and-crown spandrels to the four corners and blued steel hands, with wheat-ear border engraving, the oak case profusely carved with bird and floral decoration, having a flat top to the hood with curved pediment and barley-twist columns, and standing on bracket feet, height 212cm.* Biography The Bath & Wells Diocese records show that Henry Swaine, clockmaker from Hilperton, married Mary Tily, a widow from Laverton, Somerset, in 1714. Various longcase clocks are known signed by him. (Wiltshire Clocks & Clockmakers; John Young, Pub. Sedgehill Publishing 2006)

George III inlaid mahogany longcase clock with broken arch pediment, the painted arched dial with floral spandrels, windmill to the arch, subsidiary seconds dial and calendar arch, inscribed “T Williams, Axbridge”, the trunk with reeded inset fore-pilasters, lozenge chequered banding and line inlay

Oak longcase clock, swan neck pediment, short door flanked by quarter fluted columns, bracket feet, 13" arched painted dial, with subsidiary date aperature, eight-day movement, lacking bell, height 218cm.

Eight day oak longcase clock with painted 13inch square dial, named Henry Butler, oak country made case with cross banding H216cm.

Oak longcase clock, carved decoration, the hood with a plain frieze, long door, raised on bracket feet, 12" square brass dial with cast scrolled spandrels, silver chapter ring, signed B. Barlow, Oldham, painted dial with central moon phase and date aperture, eight day movement striking on a bell, height 221cm.

A Scottish mahogany longcase clock, the hood with architectural pediment, moulded square column, 14" arched painted dial, with portraits of Caledonia, Ramsey, Ferguson, Scott and Burns, Roman numerals, subsidiary seconds and date dial, eight-day movement striking on a bell, long door flanked by quarter columns, turned legs, 215cm.

William Lawton Newton: A George III mahogany boxwood and ebony strung inlaid and banded longcase clock, the arched hood with swan neck pediment and gilt leafy scroll painted glazed panels, gilt metal mounted freestanding Corinthian columns, the shaped trunk door flanked by fluted quarter pilasters, on ogee feet, the 13.5" brass and silvered dial with a moonphase in the arch and inscribed 'The Moon is Appointed for Seasons' the chapter ring with Roman & Arabic numerals, subsidiary seconds and calendar dials, the twin train movement striking on a bell, 223cm high.Illustrated.

West End Watch Co Bombay & Calcutta: A Louis XV style gilt metal mounted oak miniature longcase clock timepiece, circa 1920, cast with flowers and leafy scrollwork, the dial with Arabic numerals, 27cm high.

A REPRODUCTION LONGCASE CLOCK WITH THREE TRAIN MOVEMENT

A late 18th century eight day longcase clock, H. approx. 230cm

An early 19th century mahogany banded oak eight day longcase clock, the arched brass dial with subsidiary seconds and date aperture, 7ft

AN ANTIQUE POSSIBLY CHESTNUT LONGCASE CLOCK with a later painted dial, overall 205cm in height

AN EARLY VICTORIAN INLAID MAHOGANY LONGCASE CLOCK, the hood surmounted with winged eagle, parcel gilt foliage above an arch top door flanked by twin reeded pillars, the painted enamel dial with phases of the moon, inscribed H. Middleton, Liverpool. 243cm high

A VICTORIAN MAHOGANY LONGCASE CLOCK BY DOBBYN OF DUBLIN, the arched hood with gothic motifs and an inscribed painted dial above a waisted base and raised on bracket feet. 209cm high

A mahogany eight day longcase clock signed J Lawrence, Lancaster (one weight missing)

A George III oak and mahogany crossbanded longcase clock, J A ScottThe case with a twin swan neck pediment above a rolling moon break arch dial, the twelve inch painted dial with Arabic and Roman numerals, painted floral spandrels, a date aperture subsidiary second dial and an eight day movement, the hood with ring turned tapering columns, the case with an arched cross banded door flanked by quarter reeded columns above a similarly cross banded lower panel, complete with two weights, 230cm high CONDITION REPORT: Lot 670 - Roundel on cresting detached, spandrels re-paintedThe movement board has been replaced along with runners that the hood slides in onFront boards slight separationFeet probably replacedSome minor loss of crossbanding on front board otherwise good.

A late 18th Century oak longcase clock With a twin swan-neck pediment above a break arch painted dial, the thirteen inch dial painted with Arabic numerals with two subsidiary dials and with a thirty hour movement, the dial painted with gilt fan spandrels and flanked by two reeded columns, the case with a shaped door and conforming quarter columns and a panelled front board raised on bracket feet, with one weight and pendulum, height win finials 240cm.

An 18th /19th Century mahogany cased longcase clock, E Shepley, ManchesterWith a thirteen inch painted break arch rolling moon dial with Arabic and Roman numerals, eight day movement, the movement flanked by four cluster columns above the case with confirming cluster columns and a shaped feathered door, the lower board similarly feathered with canted corners, complete with two weights and a pendulum, 226cm high.

An early 19th Century oak cased longcase clock, Rea, WaltonWith moulded cornice above two ring turned columns flanking an eleven inch painted dial with Arabic numerals and concave date aperture, the dial signed Rea, Walton with a thirty hour movement striking on a saucer bell, the plain oak case with rectangular door above a plain panel and plinth base with bracket feet, with weight and pendulum, 190cm.

A modern mahogany cased Hermle longcase clock, with three weight chiming movement, weights and pendulum, 210cm high

Early 19th century oak longcase clock, 30-hour movement, painted dial with subsidiary second hand, H130cm CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team

Victorian figured mahogany longcase clock case, carved swan neck pediment, with bobbin turned pilasters, raised on bun feet, H237cm CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs

An 18th century style French miniature longcase clock, Roman enamel dial , gilt mounts

An unusual oak dresser top with four shelves, divided by a brass dial longcase clock movement

A modern oak cased longcase clock with moon roller

An early 18th Century longcase clock with brass and silvered dial signed "John Halifax, Barnsley". The case is veneered in fine mahogany with rosewood embellishment. The eight day movement has rack striking and anchor escapement. The dial has Roman numerals, a second dial and a calendar aperture. John Halifax is listed as a clockmaker in Barnsley c.1710. He was buried in Barnsley in 1750

OAK LONGCASE CLOCK, the 11" brass dial, with single hand and date aperture, inscribed Tho Rea Walton, on a brass 30 hour movement striking to a bell, height 199cm

OAK LONGCASE CLOCK, the 12 1/2" painted dial with subsidiary seconds dial and date aperture, inscribed ? R Jobel?, Yeovil, beneath a landscape painted arch, on an eight day movement striking to a bell, height including orb 227cm

OAK AND INLAID LONGCASE CLOCK, the 11 3/4" painted dial with subsidiary seconds dial and date aperture on a brass eight day movement hourly striking to a bell, height 199cm

SCUMBLED PINE LONGCASE CLOCK, the 10" brass dial with single hand and alarm dial, inscribed Wm Bailey, Wingrave on a brass movement striking to a bell, height 196cm

MAHOGANY LONGCASE CLOCK, the 12" silvered dial, inscribed Dunsford Plymouth, with subsidiary seconds dial and date aperture beneath an engraved swan roundel, on a brass eight day hourly striking movement, the arched hood above a trunk door inlaid with Britannia, height 201cm

An eight day longcase clock with brass dial, date niche and seconds dial by Richard Simpson of Yarmouth with pierced fretwork surmount

Quantity of white enamel decorated longcase and other dials, some clock weights etc Condition:

Victorian mahogany longcase clock, the hood with arch cornice, glazed door flanked by tapered cylindrical pillars, trunk with long arch shaped door and standing on a plinth base, painted arch shaped dial with Roman numerals, subsidiary seconds dial and calendar aperture, eight day striking movement Condition:

A Regency mahogany longcase clock, the shaped hood with circular dial set with silvered chapter ring, subsidiary seconds hand and date aperture, inscribed 'JN Douglas, London', above long arched door flanked by quartered pilasters to a plinth base and bun feet, height 206cm.

WILLIAM WAIN OF BURSLEM; an early 19th century oak eight day longcase clock, the domed broken pediment with brass finials above circular dial set with Roman numerals, subsidiary second dial and date aperture, inscribed with makers name, flanked by two fluted columns above single door, 'Liverpool brick' plinth base on bracket feet, c.1830, height 230cm including finial.

An early 19th century mahogany longcase clock with arched painted dial inscribed 'J Crosland Paddock' with eight day movement, above short door, plinth base and splay bracket feet.

An early 19th century oak, mahogany and inlaid longcase clock with arched painted dial inscribed 'G. Savage Huddersfield', with 8-day movement, carved door and plinth base, height 234cm.

A 19th century oak and mahogany crossbanded thirty hour longcase clock, the broken swan neck pediment above square painted dial, inscribed 'John Wilson, Nuneaton', with short door, fluted pilasters and plinth base, height 205cm.

An early 19th century oak eight day longcase clock with painted dial inscribed 'Chas Shedden, Perth', with short door and plinth base, height 216cm.

J. WILDE OF MACCLESFIELD; an 18th century oak and inlaid eight day longcase clock, the broken swan neck with brass volutes and finials above a moon faze enamel dial hand painted with fruits to each corner, set with Arabic numerals and day aperture flanked by fluted columns above crossbanded door and pedestal base, height 215cm.

TOBIAS FLETCHER OF BARNSLEY; a late 18th century oak 30 hour longcase clock, the broken swan neck with brass volutes and eagle finial above enamel floral hand painted dial set with Roman numerals, flanked by fluted columns above domed crossbanded door and plinth base on bracket feet, height 217cm.