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An early 20th century, 18th century style French oak longcase clock, height 232cm

A late 19th Century inlaid pokerwork pocket watch stand, in the form of a longcase clock, measuring 35cm tall, a pair of early 20th Century turned wooden candle sticks, and two condiment or spice bowls with spoons good condition, some slight warping to side of pocket watch stand, ladle handle been reglued and nominal warping to metal tops of candlesticks.

19th century mahogany inlaid longcase clock with eight day arched brass movement and a silvered chapter ring, R Stewart, Glasgow with a swan neck, pediment and quarter fluted columns, 53 x 24 x 216cms. Estimate £80-100.

Mahogany longcase clock with a moon phase eight day movement, with three brass weights and a pendulum, 48 x 25 x 193cms. Estimate £60-80.

EARLY 18TH CENTURY ‘R. HAUGHTIN’ EIGHT DAY LONGCASE CLOCK, walnut, 11 inch brass dial with gilt spandrels, subsidiary seconds and calendar dials, Roman numerals, inscribed ‘R Haughtin, Fetter Lane’, probably for Richard Haughtin, double weight driven movement, striking on a bell, the case door with an open roundel, 220cm high, 50cm wide, 27cm deep.

19th century - Oak cased 30-hr longcase clock, with a swan's neck pediment and unsigned painted break-arch dial beneath, hood with shaped back splats and reeded pilasters, trunk with canted corners and a wavy topped door with cross banding, square plinth with no feet, dial with Roman numerals, painted floral spandrels and a depiction of fruit to the arch, chain driven countwheel striking movement, striking the hours on a bell. With weight but no Pendulum.Dimensions: Height: 220cm  Length/Width: 46cm  Depth/Diameter: 22cmCondition Report:Hood door missing.

Thomas Fletcher of Gateshead (Tyne-and-Wear) Eight-day oak longcase clock c 1820, with a flat top and turned pilaster flanking the break arch dial, trunk with canted corners and a spire topped door, tall plinth on shaped feet, painted dial with Arabic numerals, minute track and a painted scene of a sailing ship leaving port, with brass stamped hands, seconds and date dial, movement pinned via a falseplate to a rack striking movement with a recoil anchor escapement, with weights and pendulum. A good example of a typical Northeastern case and movement form the early 19th century.Thoma Fletcher is recorded as working in Gateshead and Newcastle upon Tyne 1810-1850.Dimensions: Height: 210cm  Length/Width: 47cm  Depth/Diameter: 24cm

John Agar of York - late 18th century oak eight day longcase clock, with a flat topped pediment and broad frieze beneath, square hood door with attached pilasters, long rectangular trunk with a wavy topped door on a long plinth with a stepped base, brass dial with a matted centre and cast spandrels, chapter ring with makers name, Roman numerals and five minute Arabics, sunken seconds dial, square date aperture andoriginal matching steel hands, dial pinned directly to an eight day rack striking movement, striking the hours on a bell. With weights and pendulum.John Agar (1) was a highly prolific York clockmaker during the 18th and early 19th century producing many fine longcase and bracket clocks from his workshop in Castlegate York. Dimensions: Height: 220cm  Length/Width: 40cm  Depth/Diameter: 25cm

Archibald Coates of Wigan - Eight-day 18th century oak longcase clock with a flat top and blind frieze beneath, square hood door flanked by reeded pilasters with wooden capitals, trunk with reeded quarter columns and long door with a wavy top, on a square plinth with applied shaped skirting, brass dial with cast spandrels plain dial centre with seconds dial and square date aperture, slivered chapter ring with Roman numerals, five minute Arabic's and minute track, dial pinned to a weight driven rack striking movement striking the hours on a bell. With weights and pendulum. Dimensions: Height: 215cm  Length/Width: 50cm  Depth/Diameter: 25cm

An oak dwarf longcase clock

A scratch built oak cased miniature longcase clock in the Art Deco style, the twin train movement striking on a coiled gong (untested) H110cm

AN 18TH CENTURY OAK LONGCASE CLOCK CASE AND HOOD.

A 19TH CENTURY FRENCH LONGCASE CLOCK CASE FITTED WITH A BRASS DIAL (NO MOVEMENT)

An early 19th century mahogany-cased 8-day longcase clock, signed to the square painted dial for WB Cornforth, Macclesfield, corners having a black background, matching brass hands, case with ¾ length door, inlays and turned columns, approximately 215 cm (h).

A late 18th century mahogany-cased 8-day longcase clock, signed to the arched, painted, rolling moon dial for James Cawson, Liverpool, Loomes lists him initially as working in Lancaster then Liverpool from 1781, matching steel hands, centre seconds indication, case with full length door, quarter reeded columns, raised on bracket feet, hood with swan-necked pediment and inset verre eglomise panels, with pendulum and two brass-cased weights, approximately 230 cm (h). Condition Report: Some splitting / separation to the hood, glass appears ok, loss / splitting to the case door, veneer loss in areas, general surface marks / scratches / knocks throughout.

A modern musical chiming longcase clock, with moonphase in the arch, George III style, with three weights and a pendulum, inscribed ‘Made in Germany’, 195cm high

MIXED LOT OF COLLECTABLEScomprising a pair of desk ornament curling stones, letter opener, set of six boxed table knives, miniature longcase clock time piece, carved Irish circular box and an onyx and spelter desk ornament

Inlaid longcase clock with painted face (AF)

A FIGURED MAHOGANY LONGCASE CLOCK BY WILLIAM GAMMON OF LONDON AND BIRMINGHAMearly 19th century, the 30cm diameter cream enamelled dial with Roman numerals, the eight day two train movement striking on a bell, contained in arched top case, the hood with three brass finials and inset with brass grilles, the trunk with reeded canted corners and on bracket feet, 211cm high

An early 19th century oak longcase 30-hour clock with painted dial Location:

A George III oak cased thirty hour longcase clock signed Thomas Lindall, the flat top hood with a nulled frieze and free standing pillars flanking the 29cm square brass dial, signed with the makers name and enclosing the thirty hour movement striking on a saucer bell, the plain later refurbished case with a conforming lower board, 194cm high, single weight and pendulum

A George III oak cased single hand, thirty hour longcase clock, signed Webster, Salop, the flat top hood with a blind fretwork frieze and freestanding pillars flanking the 26cm brass and silvered dial, signed with the makers name, enclosing the thirty hour movement striking on a saucer bell, above the plain oak case upon an oversized base, 205cm high, weight and pendulum

An 18th century and later walnut longcase 'Grandmother' clock, signed John Read, Bishops Stortford, the flat top hood with turned pilasters flanking the 26cm brass and silvered dial, signed with the makers name and enclosing the eight day two train movement striking on a saucer bell, to the later associated figured walnut and crossbanded case, upon a plinth base, 161cm high, two weights and pendulum

W Whitmore, Northampton, an early 19th century oak longcase clock, the painted arched dial supporting an eight day movement. 222cm high 

James Stewart Armagh, Tempus Fugit longcase clock, H: 170 cm. Not available for in-house P&P

Large black chinoiserie frame housing a colour print of a longcase clock, 140 x 64cm overall

A 19th Century Oak Longcase Clock with Arched Brass Dial Inscribed for Collier of Newport, 30 Hour Movement with Single Weight, Reeded Quarter Pilasters either Side Pendulum Door, Brass Finials

A George III mahogany longcase clock 19th century, the gilt metal and painted dial with Roman numerals, inscribed 'Seddon, Frodsham', 36cm wide26cm deep216cm highCondition ReportIn need of a good clean. With pendulum. Losses to the veneer around the door. Wear to the painted decoration on the dial. Deep scratches to the door, and splits/ cracks to the veneer around the base.

A mahogany longcase clock, 19th century, the painted dial with Roman numerals inscribed ‘WV Anderson, St. Andrews’, with notable Scottish figures depicted,44cm wide 22.5cm deep191cm highCondition ReportKnocks and losses to the case. Loss to the pediment. The enamel to the face is crazed. Losses to the painted decoration. Rust to the back of the clock face. Included with two weights and pendulum, the clock has not been tested and we would recommend it be viewed by a clock restorer.Please see additional images.

An early 19th century mahogany longcase clock with painted dial

A Georgian painted dial longcase clock movement. H.31 W.31 D.14cm.

A GEORGIAN OAK 30 HOUR LONGCASE CLOCK, the box hood with blind fretwork, reeded pillars flanking a glass door that's enclosing a 10.5 inch brass dial, seconds dial and date aperture, signed E Bullock of Ellesmere, above a single trunk door, on a box plinth, one weight and pendulum, height 207cm (condition report: no trunk key, historical woodworm, surface marks, scuffs, other historical wear and usage)

Gustav Becker (Germany) art deco longcase clock with 3 train Westminster Chimes movement, 206cm high, 49cm deep, 27cm high approx.

19th Century mahogany longcase grandfather clock by John Ashton of Leek having a broken swan neck pedestal to top, having painted roman numerals to chapter ring with painted French naval ship. The mahogany case being inlaid. Measures approx 215cm tall.

19th Century mahogany longcase grandfather clock by Thomas Wilson of Spalding having a hand painted face with arabic numerals, date aperture and subsidiary dial with shell detailing. The body with broken swan neck pediment and box wood inlay to body. Measures 226cm tall.

A George III oak longcase clock, the brass dial, signed Ashton, Tidswell

Various longcase clock movements and a painted dial.

A quantity of dolls house dolls and accessories etc, including 9 dolls, a monkey, travelling organ, and house fittings including a stone fire surround and longcase clock etcCondition Report: Mixed condition, but generally good

A late 18th century oak, pine and mahogany longcase clock - with weight driven 30 hour movement, with painted round Roman dial with arched date aperture, requiring restoration, 202 cm high.

A 19th century eight-day longcase clock with moonphase by John Smerdon of Newton Abbot - the bell-strike, four-pillar movement fronted by a painted arched Roman dial with floral spandrels, arched date aperture, subsidiary seconds dial and painted moonphase to the arch, the case with shaped arched hood with spiral reeded columns, over a canted trunk and plain base with bracket feet, 187 cm high, lacks finials and back feet from base.

An early 19th century mahogany eight day longcase clock - the hood with caddy top with central glazed panel and brass stop-fluted columns, over an arched trunk door and panelled base, the bell strike movement fronted by a painted Roman dial with gilt painted leafy scroll spandrels and arch, subsidiary seconds at 12 and arched date aperture at 6, with brass cased lead weights, pendulum and winder, requires some restoration, 233 cm high.

A mid-18th century 30-hour weight-driven longcase clock by Giles Bennett of Malmesbury - the bell-strike movement with four knopped pillars, fronted by a square brass dial signed to the Roman chapter ring and engraved to the centre with flowers, foliage and a seated squirrel 'seated' on the chamfered date aperture, an Arabic subsidiary dial at 12, with gilt-brass floral and leafy scroll spandrels, with a single lead weight and brass and lead pendulum, the oak case with ogee moulded caddy top on parcel-gilt three-quarter columns, over a plain trunk and base with later stained pine bracket foot plinth, probably reduced in height, 206 cm high. * Giles Bennett is recorded in G H Baillie, 'Watchmakers & Clockmakers of the World' as working in Malmesbury from 1752 to 1766.

An early 19th century mahogany eight-day longcase clock by George Suggate of Halesworth with rocking ship automata - the bell-strike, four-pillar movement fronted by a painted arched Arabic dial with arched date aperture, subsidiary seconds, gilt and painted floral spandrels and rocking ship automata to the arch, the good quality case with arched hood with outset brass stop-fluted columns (one missing), over an arched trunk door with stop-fluted canted corners, on a panelled base, 206 cm high, lacks pendulum and weights.

A mahogany longcase clock-case of small proportions - early 20th century, 179.25 cm high, 37.5 cm wide.

A modern teak cased longcase clock, the brass dial signed Hamilton, having a three train movement, in a glazed case, 222cm high64w x 40d x 223h cm

A George III oak and mahogany crossbanded cased longcase clock, with a swan neck pediment, the fourteen inch arched brass dial signed John Smith, Bristol, having an eight day movement, 240cm high overall

A 19th century Scottish mahogany eight day longcase clock, the 13in painted circular dial inscribed 'John McOwan, Crieff', 211cm high, with pendulum and one brass weight.

A George III mahogany and line inlaid eight day longcase clock, with 13in silvered brass dial, 215cm high, with weights and pendulum. 

Four George III thirty hour longcase clock dials and movements; to include an 11in 'Edward Box, Chichester' example; together with other related items.

A Mahogany Eight Day Longcase Clock, signed Nathaniel Brown, Manchester, circa 1780, swan neck pediment, gilt painted front glass panels, nicely figured trunk door with ivory escutcheon, 12-3/4-inch arch brass dial with a Roman and Arabic silvered chapter ring, painted landscape scene dial centre with seconds dial and date aperture, arch with moonphase aperture and signed above, four pillar movement with an anchor escapement and rack striking on a bell 232cm highProvenance: Dutton Manor, LancashireWith Non-Transferable Standard Ivory Exemption Declaration Number WQF6PBNN Hood with chips to the capitals, trunk door is bowed, later securing latch to front door, top side of the trunk door with some scratches and small cracks, base with central panel loose and slightly bowed, dial is discoloured, dial centre with small parts of the painted surfaces lacking, movement seatboard is later, movement looks all complete, movement needs cleaning, with pendulum and two weights

A Smith's Oak Veneered Small Longcase Clock, circular dial, triple train movement, bearing presentation plaque, 128cm highCase with small chips in parts to the veneers. The front of the case with an applied presentation plaque. The clock is chiming but not chiming the right quarters and striking the right hours at present. Clock has been put on a short test and is working. Movement will need servicing. With pendulum.

An inlaid mahogany longcase clock, 19th century, with associated dial and movement signed 'Thomas Knifton, Lothbury', the 30cm brass dial signed in the arch above subsidiary seconds and calendar dials, 4 pillar movement with 'Birmingham' falseplate, the case front inlaid with swags and other motifs230cm high

Springfield of Norwich: a 19th Century style mahogany longcase clock, the 30.5cm painted arched dial with seconds dial and name, with complicated eight day striking movement playing a peal on eight concentric bells

Springfield of Grantham: an antique style yew wood longcase clock, the 28cm brass and silvered square dial with moonphase and date dial, further dials to each corner comprising regulator, strike/silent, day and date, with eight day bell striking movement

Springfield of Norwich: an 18th Century style oak longcase clock, the 25.5cm brass and silvered square dial with date aperture and single hand, with thirty hour bell striking movement - details to inside of trunk door

An 18th century oak and mahogany crossbanded longcase clock Ebige Birt Truxon W: 45 cm D: 23 cm H: 210 cm

An early George III longcase clock by John Daniels, square brass face with Roman and Arabic numerals, second hand with date dial, oak case, does need a rebuild of clock workings.

19th century English mahogany longcase clock with band intarsia. Eight-day movement, half-hour striking, seconds, day and moon phase. WT Leis Haslingden. Dimensions: H 235 cm. In good condition.

A longcase clock, the arched dial decorated with Noah's Ark and with pierced spandrels, signed John Wyte, Nottingham, eight day movement, in later carved 19thC oak case, 212cm high.

A miniature brass longcase clock, the silvered dial stamped Frank Flower, 31 St James's Street W, the case cast with masks and faux door engraved with a mask, foliate scrolls, etc., 29.5cm high. (AF)