We found 41749 price guide item(s) matching your search

REGENCY MAHOGANY DRUMHEAD LONGCASE CLOCK maker Joseph Johnson of Liverpool (fl.1796-1830) the circular enamel dial with Roman numerals, the movement chiming on a bell, above an arched door and quarter columns, on a base with bracket feet, 202cm high

EARLY 18TH CENTURY STYLE OAK LONGCASE CLOCK with 10-inch brass Roman dial, later movement strinking on a bell, the hood with dentil cornice and retangular door, on bracket feet, 200cm high

GEORGE III MARQUETRY MAHAOGANY LONGCASE CLOCK maker John Bowie of Stirling, circa.1811, the arched silvered Roman/Arabic dial with engraved scrolling foliage, seconds and date dials, the hood with blind fret carved panels above a door inlaid with a conch shell flanked by spiral fluted quarter columns, on bracket feet, 210cm high

A MODERN MAHOGANY LONGCASE CLOCK

AN OAK LONGCASE CLOCK, with glazed door (Whittington/Westminster chimes)

Thomas Pierce (Peirce), Bristol: an 18th century longcase clock face and movement with moon phase dial inscribed 'High Water at Bristol Key' (sic), the square silvered Roman numeral dial with calendar aperture, subsidary seconds dial and signed 'Thomas Pierce, Bristol with pendulum (no weights). Thomas Pierce (II) is recorded in Moore, A J 'The Clockmakers of Bristol 1650 - 1900' as working 1739 - 93

Oak drop leaf dining table, four chairs, occasional table and modern mahogany longcase clock (7)

Antique mahogany eight day longcase clock having painted arched dial

Modern oak cased triple weight longcase clock

Victorian richly figured mahogany Yorkshire longcase clock, painted enamel dial signed Lister Halifax, H250cm

An early 19th century oak longcase clock, the hood with scrolled pediment above arched door, enclosing eight day bell striking movement faced by painted arched Arabic dial, above a three-quarter length door, box base and plinth, 215cm.

A 19th century mahogany line inlaid and crossbanded longcase clock, by "John Halls" of Mansfield, the hood with swan neck pediment over arched glazed door flanked by three quarter columns, upon conforming shaft and base, the painted dial with 30 hour movement, 221cm high

A 19th century longcase clock dial and movement, the 12" painted arch dial having subsidiary seconds dial and rolling date dial, twin winding holes for an eight day brass four pillar weight driven movement striking on a bell

A late 18th century brass longcase clock dial and movement, the 12" dial signed to the arch B Harvey of Weymouth, having subsidiary seconds dial, date aperture, twin winding holes for a brass four pillar weight driven movement (requires overhaul)

A circa 1800 fruitwood longcase clock, the white enamel dial signed Cole of Ipswich, having 30 hour movement with single weight and pendulum

An early 19th century oak longcase clock, the white enamel signed Moore, having 30 hour movement, single weight and pendulum

An early 19th century oak and mahogany longcase clock, the case with crossbanded detail, the hood with swan neck cornice and reeded columns enclosing a broken arch painted dial with rural landscape detail, the 8 day striking movement with subsidiary calendar and secondary dials painted Thomas Wilson of Barnard Castle

An 17th century English walnut longcase clock, the full length door and lower panel and hood with arabesque inlay detail, the hood with tapering column supports and enclosing an 11 inch square brass dial with applied spandrels and silver chapter ring, the 8 day striking movement with secondary dial and calendar aperture, Thomas Bridge, London

18th century mahogany cased eight day longcase clock by Joseph Green, North Shields with subsidiary second dial and date aperture 88in. (224cm)Case repaired in many places, with splits and scratches throughout, see images for damage, Would recommend taking to an expert restorer to get working, we haven`t set-up to see if in working order.

A George III oak longcase clock with eight day movement striking on a bell, the square brass dial with lattice engraved matt centre, subsidiary seconds and date aperture, framed by a chapter ring with Roman numerals and inscribed `Halliwell, Chorley`, cornered with cast and pierced gilt scroll spandrels, the hood with swan neck pediment above fluted columns and a glazed door, the crossbanded trunk door with inlaid shell paterae flanked by fluted corner columns on a crossbanded base and plinth, height approx 216cm, with pendulum and two weights (some faults).

An early 19th Century mahogany longcase clock with thirty hour movement striking on a bell, the painted square dial with Roman numerals and cornered with foliate spandrels and inscribed `Neale, Lindfield`, the hood with moulded pediment above a glazed door flanked by columns, the trunk with a plain rectangular door and plinth base, height approx 190cm, with pendulum and weight.

A late 20th Century German reproduction mahogany longcase clock with eight day movement striking on a gong, the broken arch dial with moonphase above a silvered chapter ring with Roman numerals, the hood with a moulded pediment above a glazed door flanked by columns, the trunk with a glazed door, on a bombé base and claw and ball feet, height approx 200cm, with three weights and pendulum.

A mid-20th Century oak longcase clock with eight day movement striking on a gong, the brass break arch dial with silvered chapter ring and Roman numerals, the moulded pediment above a glazed door, the panelled trunk door above a panelled base, on bracket feet, height approx 182cm, with pendulum and keys.

A George V mahogany cased diminutive longcase clock with eight day movement chiming on gongs, the case with applied moulding on ogee bracket feet, height approx 143cm, with a pendulum and key.

A silver mounted miniature longcase clock, maker`s mark `IP…` A silver mounted miniature longcase clock, maker`s mark `IP `, London circa 1910, with a tapering and ball finial, the case embossed with floral, foliate and scroll decoration, the white dial with black Roman numerals and blue steeled hands, movement no. 1876, 38cm high View on Bloomsbury.com

An 18th/19th century 30 hour longcase clock movement, the dial inscribed `Jn Phillip, Lantrisaint`

A good Victorian Oak and Mahogany Longcase Clock, swan pediment hood with moulded applied column supports flanking the single arched top glazed door, the painted face with shooting scene, farmhouse dove cote, marked J. Lehman Swansea, with eight day movement, the short door with shaped top, central Tunbridge style inlaid motif repeat on the bottom panel in inlaid circle, various boxwood and ebony strung sections, standing on bracket feet. 22'' wide x 87'' high x 9 1/8'' deep

A Deco Oak cased Longcase Clock with moulded arch top, circular alloy face marked 'Made in England', having a full length door with circular panel at the top, long lower pane with applied moulded details and standing on a wider rectangular base, three chrome weight movements, 21 1/2'' wide x 76'' high x 11 1/2' deep

A mahogany two train longcase clock by Thomas Nurse Lynn, with painted dial

A reproduction mahogany longcase clock, with weights and pendulum.

An 18th Century brass longcase clock dial with ornate spandrels and a secondary dial, by Samuel Stokes (of London); also a selection of early steel clock hands etc.

Early 19th century oak longcase clock with straight moulded pediment, the hood flanked by turned columns, the square enamel dial with subsidiary seconds hand, and alarm dial, with long door to trunk, on a box base, bracket feet, 30 hour striking movement by John Wood, Stroud, 210cm high

An 18th century mahogany and marquetry inlaid longcase clock, the hood with swan-neck pediment and inlaid frieze, three turned finials surmounting, the square dial with brass embossed spandrels and having silver chapter ring inscribed "R Lawson, Wigan" with subsidiary seconds and calendar dials, eight-day striking movement, the case inset with quadrant fluted balusters, on ogee bracket feet, 234cm height approx.

An eight day, George III longcase clock with Neoclassical gilt painted spandrels, the oak case with fruitwood crossbanding and ebony lines, height 197cm.

A 19th century mahogany longcase clock, William Greaves, Newcastle, the 11" brass dial with subsidiary dial, date aperture, scroll-cast spandrels and signed in the arch, eight day movement, the hood with dentilled cornice above a glazed arched door flanked by columns, the case with fluted quarter columns, on a plinth base and bracket feet (pendulum, no weights). 2.26m

A modern German three train longcase clock

19th century Yorkshire mahogany longcase clock, eight day movement with painted enamel dial signed Scott Leeds, H249cm

A George III oak 8 day longcase clock by Joseph Taylor, Perth, with anchor escapement and striking bell, the moulded swan neck pediment over arched brush metal face, applied chapter ring, spandrels, Roman and Arabic numerals, subsidiary strike and silent, second dial and date aperture, flanked by fluted columns over serpentine trunk door flanked by fluted quarter columns and plinth base, 213cm high

John Murray of Aberdeen, a George III oak, mahogany, crossbanded and strung longcase clock, the painted face with date and secondary dials within and below, religious motifs under an arched hood with swans neck pediment, the moulded trunk with rectangular door on a plain base with swept bracket feet CONDITION REPORT: Face with cracklelure and some rubbing, case restored and with minor damage, no guarantee as to working order

John Murray of Aberdeen, a George III oak, mahogany, crossbanded and strung longcase clock, the painted face with date and secondary dials within and below, religious motifs under an arched hood with swans neck pediment, the moulded trunk with rectangular door on a plain base with swept bracket feet CONDITION REPORT: Face with cracklelure and some rubbing, case restored and with minor damage, no guarantee as to working order

AN 18TH CENTURY OAK LONGCASE CLOCK, engraved square brass dial with single hand signed Richard Luinton, Downton. 7ft 0ins high.

A modern Continental oak longcase clock case in the form of a bonnetiere, stamped "John Utges", together with 8 day clock movement by Wm Vale Lichfield CONDITION REPORTS Assorted woodworm holes through out. Some losses to the pediment, both sides of pediment have come loose. Assorted knocks and scratches and marks to the body. All metal fittings are rusty. The pendulum is present but bent. Dial has some general wear and tear, scratches etc. The mechanism has not been tested. No weights.

LONGCASE CLOCK WITH FIGURED MAHOGANY CASE, BRASS FACE AND SPANDRELS, SILVERED CHAPTER RING, 8DAY MOVEMENT WITH DATE APERTURE AND SUBSIDIARY SECONDS

OAK LONGCASE CLOCK WITH PAINTED DIAL, CASTLE SCENE TO ARCH, POSSIBLY WILLIAMS, BRECON, 8 DAY MOVEMENT WITH DATE APERTURE AND SUBSIDIARY SECONDS

LONGCASE CLOCK, CIRCA 1780, BRASS FACE AND SPANDRELS, SIGNED LAWSON, NEWTON, WITH SILVERED CHAPTER RING, MOON PHASE APERTURE, SUBSIDIARY DATE, 8 DAY MOVEMENT, MAHOGANY CASE THE TRUNK FLANKED BY FLUTED COLUMNS, SWAN NECK PEDIMENT WITH FLUTED URN FINIAL

A small walnut longcase clock, with platform escapement movement, striking on a gong, 91cm high

A George III mahogany eight-day longcase clock, R. Greaves, Macclesfield, late 18th century, the four pillar rack and bell striking movement with 13 inch square brass dial applied with circular silvered disc incorporating subsidiary seconds and calendar dials and signed R. GREAVES, MACCLES:D to the rococo scroll engraved centre within Roman numeral chapter ring with Arabic five minutes to outer track, the angles applied with female mask and scroll cast spandrels, in a swan neck pedimented case with swolled frieze above bolection moulded glazed door flanked by Corinthian columns to hood over shaped-top caddy moulded door flanked by fluted quarter columns to trunk, on shaped raised panel fronted plinth base with canted angles and bracket feet, 227cm (89.5ins) high.Bid Live at the-saleroom.com

An inlaid mahogany eight-day longcase clock, late 18th century and later, the four pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial, arched calendar aperture and signed GEORGE LOTT, Honiton to the rococo scroll engraved centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and scroll cast brass spandrels, the arch with silvered boss engraved with an eagle over banner inscribed TEMPUS FUGIT flanked by conforming dolphin cast mounts, now in a case with shaped arch crest above wavy-edge glazed dial aperture flanked by fluted columns, the trunk with short panel-strung rectangular caddy moulded door between conforming line-edged panels to upper and lower margins and flanked by fluted canted angles, the base with further inlaid panel and tall bracket feet, 216cm (85ins) high.Bid Live at the-saleroom.com

A walnut eight-day longcase clock, the dial bearing signature for Francis Eck, mid 18th century and later, now with four pillar rack and bell striking movement applied via a false plate to the 12 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and bearing signature Fran’s Eck, NORTHAMPTON to the silvered foliate scroll engraved centre within applied Roman numeral chapter ring with Arabic five minutes to outer track, the angles with applied scroll cast spandrels beneath silvered Strike/Silent selection dial flanked by conforming mounts to arch, now in a case with domed caddy above moulded cornice and fluted columns to hood, the trunk with double herringbone banded caddy moulded shaped-top door within triple line bordered surround, on conforming line bordered plinth base with double moulded skirt (composite), 242cm (95.25ins) high.Bid Live at the-saleroom.com

A George III mahogany eight-day longcase clock, R. Greaves, Macclesfield, late 18th century, the four pillar rack and bell striking movement with 13 inch square brass dial applied with circular silvered disc incorporating subsidiary seconds and calendar dials and signed R. GREAVES, MACCLES:D to the rococo scroll engraved centre within Roman numeral chapter ring with Arabic five minutes to outer track, the angles applied with female mask and scroll cast spandrels, in a swan neck pedimented case with swolled frieze above bolection moulded glazed door flanked by Corinthian columns to hood over shaped-top caddy moulded door flanked by fluted quarter columns to trunk, on shaped raised panel fronted plinth base with canted angles and bracket feet, 227cm (89.5ins) high.

An inlaid mahogany eight-day longcase clock, late 18th century and later, the four pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial, arched calendar aperture and signed GEORGE LOTT, Honiton to the rococo scroll engraved centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and scroll cast brass spandrels, the arch with silvered boss engraved with an eagle over banner inscribed TEMPUS FUGIT flanked by conforming dolphin cast mounts, now in a case with shaped arch crest above wavy-edge glazed dial aperture flanked by fluted columns, the trunk with short panel-strung rectangular caddy moulded door between conforming line-edged panels to upper and lower margins and flanked by fluted canted angles, the base with further inlaid panel and tall bracket feet, 216cm (85ins) high.

A walnut eight-day longcase clock, the dial bearing signature for Francis Eck, mid 18th century and later, now with four pillar rack and bell striking movement applied via a false plate to the 12 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and bearing signature Fran’s Eck, NORTHAMPTON to the silvered foliate scroll engraved centre within applied Roman numeral chapter ring with Arabic five minutes to outer track, the angles with applied scroll cast spandrels beneath silvered Strike/Silent selection dial flanked by conforming mounts to arch, now in a case with domed caddy above moulded cornice and fluted columns to hood, the trunk with double herringbone banded caddy moulded shaped-top door within triple line bordered surround, on conforming line bordered plinth base with double moulded skirt (composite), 242cm (95.25ins) high.

Thirty hour longcase clock movement

Eight day longcase clock with painted arch dial

Modern lacquer longcase clock

A late George III mahogany longcase clock, having a 13-inch broken arch painted Roman and Arabic dial, decorated with a highland shepherd and shepherdess amongst a romantic landscape above a dial with outer minute markers and second subsidiary dial flanked by foliate painted spandrels and fitted a two train 8-day movement with anchor escapement, the case with broken swan neck pediment over a pair of fluted column supports and a shaped trunk door flanked by fluted quarter pilasters raised on a shaped plinth base, H. 217 cm, W. 48 cm.

A 19th century longcase clock with painted face inscribed "John Chalker Maiden Newton"

A Mahogany eight day longcase clock with silvered dial, marked Gudgeon, Bury

AN 18th CENTURY OAK LONGCASE CLOCK, SAMUEL BUXTON, DISS, the 11" brass dial with Roman numerals, subsidiary dial and date aperture, within foliate cast spandrels, eight day movement, the hood surmounted by scroll carved pediment and three giltwood spheres, the glazed door flanked by gilt-highlighted columns, the trunk with moulded panelled door, raised on a moulded plinth base, with pendulum, key and weights. 2.04m

A LATE 18th CENTURY OAK LONGCASE CLOCK, the 11" brass dial signed in the arch James Common, Coldstream, with subsidiary dial and date aperture, pierced foliate spandrels, eight day movement, with pendulum and weights, the hood with swan neck pediment, above an arched door with parcel gilt columns, the slender trunk with arched door, on a plinth with bracket feet. 2.26m