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Thirty hour longcase clock movement, the 11" square brass dial signed William Elford, Ivy Bridge in an oval cartouche to the foliate engraved centre with subsidiary calendar dial enclosed by a brass chapter ring; also another thirty hour movement, the 11" square painted dial signed Richard Weycott, Glastonbury (2)**The William Elford movement is by an unrecorded maker and was discovered by the vendor in Ivy Bridge, Devon

Thirty hour longcase clock movement, the 12" painted arch dial signed William Reynolds, Launceston, with subsidiary seconds dial; also another longcase clock movement, the 12" painted arched dial with calendar aperture (2)

Eight day longcase clock movement, the 13" painted arch dial signed W. Nicholas, Birmingham, with subsidiary seconds dial and calendar aperture; also another eight day longcase clock movement, the square painted dial signed Jonathan Hicks, Exmouth with subsidiary seconds dial and calendar aperture and another eight day longcase clock movement, the 14" painted arch dial with subsidiary seconds and calendar dials (3)

Early longcase clock birdcage movement, the 11" square brass dial signed Jonathan Bronson, Stow Market on a shaped arched plate to the matted centre; also another thirty hour longcase clock movement with 12" painted arch dial (2)

Small longcase clock regulator movement, the 8.5" silver arched dial signed Thomas Nurse, Lynn to the arch over a subsidiary seconds dial with missing hand (brass cased weight, no pendulum)

Thirty hour longcase clock movement, the 12" square painted dial signed Morse & James..., with calendar aperture (pendulum and weights); also an eight day longcase clock movement, the 12" painted arched dial signed Webb & Son..., with moon phase to the arch over a subsidiary seconds dial and calendar aperture (2)

Two consecutively numbered thirty hour longcase clock movements, both signed Rd. Fowle, Uckfield; the first with 10" square brass dial and silver chapter ring enclosing a matted centre with single iron hand and ring turned calendar aperture (no. 103) and the other with 9" square brass dial and silver chapter ring enclosing a matted centre with single iron hand (no. 104) (2)

Oak eight day longcase clock, the 14" painted arched dial signed Geo Moore, Cumnock, with subsidiary seconds and calendar dials, the case with long door and the hood surmounted by a flat stepped cornice, 82.5" high (pendulum, two weights and winding key)

Oak thirty hour longcase clock, the 10.75" square brass dial signed John Fry, Melksham on a shaped plate, the matted centre with calendar aperture, the case with long rounded arched door and the hood surmounted by a flat stepped pediment, 79" high (pendulum and weight)

Oak eight day longcase clock with five pillar movement, the 12" square brass dial signed Richard Grigg, Andover on the silvered chapter ring enclosing an engraved matted centre with subsidiary seconds dial and calendar aperture, the case with long beaded moulded edged door and the hood surmounted by a flat moulded stepped pediment, 84" high (pendulum and two weights)

Oak thirty hour longcase clock, the 11" square painted dial signed Jonathan Tucker, Tiverton on an oval foliate cartouche to the centre over a calendar aperture, the case with long door and the hood with a flat moulded stepped pediment, 77" high (no pendulum or weights)

Oak thirty hour longcase clock, the 13.5" silvered dial signed Donisthorpe, Loughborough, the case with long door and the hood surmounted by a rounded arched stepped moulded pediment, 85.5" high (pendulum and weight)

Oak thirty hour longcase clock, the 11" square brass dial signed Mark Hawkins, St. Edmunds Bury at six o'clock on the brass chapter ring enclosing a matted centre with calendar aperture, the case with long foliate carved lozenge door and the hood surmounted by a stylised foliate carved caddy top, 87" high (pendulum and decorative vase shaped brass weight)

Oak eight day longcase clock, the 12" brass arched dial signed John McDonald, Inverness on a silvered arched plate to the matted centre with subsidiary seconds dial and calendar aperture, with strike/silent dial to the arch, the case with long rounded arched door and the hood surmounted by a broken moulded stepped pediment, 84.5" high (pendulum, two weights and keys)

Mahogany eight day longcase clock, the 13" raised and painted arched dial with subsidiary seconds dial and calendar aperture, the case with ebony banding and short door, the hood surmounted by a wavy card cut cornice and brass urn finial flanked by two ball and eagle finials, 85" high (pendulum, two weights and winding key)

Oak eight day longcase clock, the 12" square brass dial signed Simon Thorne, Tiverton on an arched plate to the matted centre with subsidiary seconds dial and calendar aperture, the case with long foliate carved rounded arched door and the hood surmounted by a flat stepped moulded pediment over a blind foliate carved frieze, 79" high (no pendulum or weights)

Mahogany eight day longcase clock, the 12" painted arched dial signed Bradshaw, Canterbury under a subsidiary seconds dial and calendar aperture, the case with long rounded arched door and the hood surmounted by a raised pediment inlaid with an oval panel, 85" high (no pendulum or weights)

Oak eight day longcase clock, the 12" brass arched dial signed Johnathan Martin, Bristol on the brass chapter ring beneath six o'clock enclosing a matted centre with subsidiary seconds dial and calendar aperture, with missing strike/silent dial to the arch, the case with long wavy top door stylistically carved with birds amidst flowering foliage and the hood surmounted by a carved caddy top over a rounded moulded stepped cornice, 97" high (pendulum, two weights and winding key)

Oak and mahogany crossbanded thirty hour longcase clock, the 12" circular painted dial signed Benjamin Smith, Alfreton, with subsidiary seconds dial, the case with long pointed arched crossbanded door and the hood surmounted by a broken swan neck pediment with brass ball and spike finial, 82" high (pendulum and weight)**A clock by this maker appeared on the front of Clocks magazine dated November 1992 and a copy of this magazine is sold with the lot

Mahogany three train longcase clock, the 12.5" brass arched dial signed Henry Swaine of Hilperton on a flat silvered disc to the arch over a silvered chapter ring enclosing a subsidiary seconds dial (missing hand), calendar aperture and three ringed winding holes, the case with long beaded moulded rounded arched door inlaid with an oval conch shell to the centre within cabled banding, the hood surmounted by a caddy top inlaid with an oval satinwood panel and with three brass ball and spike finials, 96" high (pendulum, three weights and keys) (alterations)

Oak eight day longcase clock, the 12" painted arched dial signed P. Sharp, Coldstream to the centre with subsidiary seconds and calendar dials, the case with long wavy arched moulded door and the hood surmounted by a swan neck pediment, 81" high (pendulum and two weights)

Mahogany eight day longcase clock, with 13" painted arched dial, the raised chapter ring with subsidiary seconds dial and calendar aperture, the case in need of rebuilding with medium length inlaid door flanked by spiral columns and the hood surmounted by a rounded wavy cornice (pendulum) (at fault)

Oak and mahogany thirty hour longcase clock, the 12" painted arched dial indistinctly signed and with calendar aperture, the case with short mahogany crossbanded door inlaid to the centre with a conch shell and the hood surmounted by a swan neck pediment, 81" high (pendulum and weight)

Oak and inlaid thirty hour longcase clock, the 12" painted arched dial signed James Webb, Froome (sic), with subsidiary seconds dial and calendar aperture, the case with long door inlaid to the centre with an oval conch shell and the hood surmounted by a swan neck pediment, two rosettes and an acorn finial, 88" high (weight but no pendulum)

Oak and mahogany eight day longcase clock, the 12" painted arched dial with moon phase and marine scenes to the arch, over a subsidiary seconds dial and calendar aperture, the case with long mahogany crossbanded door flanked by quarter fluted columns and the hood surmounted by a moulded swan neck pediment, 83" high (pendulum and two weights)

Oak thirty hour longcase clock, the 12" square painted dial signed Samuel Collings, Down End, with subsidiary seconds dial and calendar aperture, the case with long door and the hood surmounted by a stepped flat pediment, 81.5" high (pendulum and weight)

Oak eight day longcase clock, the 12" square brass dial with subsidiary seconds dial and calendar aperture, the centre engraved with a rural scene and the spandrels with flowering foliage, the case with short crossbanded door and the hood surmounted by a swan neck pediment and eagle brass finial, 80" high (weight but no pendulum, winding key)

Mahogany thirty hour longcase clock, the 11" foliate engraved square silvered dial with calendar aperture, the case with short inlaid door and the hood surmounted by a swan neck pediment and brass ball and eagle finial, 83" high (pendulum and weight)

Mahogany eight day longcase clock, the 12" square brass dial with silvered chapter ring enclosing a matted centre with subsidiary seconds dial (missing), ringed winding holes and calendar aperture, the case with long beaded moulded door and the hood surmounted by a flat stepped moulded pediment, 75" high (pendulum and two weights)

Oak eight day longcase clock with five pillar movement, the 12" square brass dial signed J. Lownds, London on the brass chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long beaded moulded arched door and the hood surmounted by a flat stepped pediment, 81" high (pendulum, bob and two weights)

Mahogany three train chiming longcase clock, the 12" brass arched dial signed John Edgecumbe, Bristol to the foliate engraved centre with subsidiary seconds dial and calendar aperture, the movement chiming on a graduated set of eight bells, the arch with painted moon phase and high water at Bristol quay silvered scale, the case with long wavy arched door and the hood surmounted by a swan neck pediment and brass ball and eagle finial, 89" high (pendulum, three weights and winding key)

Good mahogany eight day longcase clock with five pillar movement, the 12" circular convex cream dial signed J. Trendell, Maidenhead, with subsidiary seconds and calendar dials, the case with long rounded arched moulded door and the hood surmounted by a rounded card cut cornice with three gunmetal pedestal ball finials, 87" high (pendulum, two weights and door key)

Oak and mahogany three train longcase clock, the 14" painted arched dial signed Henry Bright, Leamington to the centre with subsidiary days of the week dial and moon phase to the arch, the substantial movement playing 7 tunes every third hour (tunes change daily), including the national Anthem and Grand Old Duke of York on a nest of twelve bells, the case with long mahogany crossbanded pointed arched door flanked by quarter fluted columns and the hood surmounted by a swan neck pediment, 87" high (pendulum and three weights)**This clock has been in the same family by descent for approximately one hundred years**This clock is signed Henry Bridge of Leamington Spa, who lived from 1817 to 1904. His family owned successful watchmakers and retail jewellers in the most fashionable part of Leamington so it is likely he either retailed this clock or perhaps had it on display there. We believed the clock is somewhat earlier as the dial was made by Walker & Finnemore of Birmingham which dates it to between 1808 and 1811 when their partnership dissolved, we believe the movement may have been made by Samuel Deacon (1746-1816) of Barton in the Beans. The AHS published a small book called The Deacon Family of Leicestershire Clockmakers and it is clear from the book that the clock has many of Samuel Deacon's features such as the bell hammers, pin strike and baluster movement pillars. Although the movement is not numbered, Deacon's very detailed records are held by Leicestershire county records office and it may be possible to trace who it was made for and what tunes it plays. Deacon's workshop and tools survive in the custody of Leicester county museum

Good mahogany eight day longcase clock, the 12" brass arched dial signed Samuel Whitchurch, Kingswood on the silvered chapter ring enclosing a marine engraved centre with subsidiary seconds dial and calendar aperture, with high water at Bristol quay and moon phase to the arch, the case with long reeded moulded rounded arched door and the hood surmounted by a moulded rounded arched stepped pediment, 87" high (pendulum, two brass cased weights and winding key)

Good quality 20th century triple fusee chiming longcase clock, the substantial movement playing on a nest of eight graduated bells and five gongs, with deadbeat escapement and maintaining power, the 9.25" foliate engraved arched dial with 8" silvered chapter ring enclosing a painted marine battle engagement, with Westminster/eight bells and strike/silent selection levers at three and nine o'clock, also with a moon phase to the arch, the case with narrow beaded moulded rounded arched door and the hood surmounted by a caddy top with four turned wooden and one brass urn finial, 87" high (pendulum and keys)

Longcase clock dials; 13.25" square painted dial signed Tho. Houghton, Chorley, with subsidiary seconds dial; also a 12" square painted dial and two 11" square painted dials and four various small clock weights and some winding keys

Eleven longcase clock pendulums and rods; also some spare pendulum rods, eight longcase clock seat boards and a Scottish pendulum bob

Ten various longcase clock pendulums with flat metal rods (10)

Pair of copper cased longcase clock weights; also five single brass cased longcase clock weights (7)

Large quantity of various rounded arched, square and circular longcase clock dials (15)

Various incomplete clocks and clock movements in need of restoration and two electric longcase clock pendulums and bobs

Eight day longcase clock dial, the 12" brass arched dial with convex boss to the arch over a strike/silent aperture and silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture; also three various contemporary longcase clock weights weighing 8.5kg, 5kg and 4.5kg respectively

Thirty hour longcase clock movement, the 10" square brass dial signed Jos Conway, Sturminster to the foliate engraved centre enclosed by a brass chapter ring; also two other movements and a quantity of clock parts and other fittings including pendulums etc

Single fusee mantel clock movement signed T & R no. 9620, 6.5" high; also another single fusee clock movement with pendulum and a thirty hour longcase clock movement, incomplete and in need of assembly (3)

An 18th Century longcase clock, with black Roman numerals and subsidiary Arabic minutes to the 25cm diameter silvered chapter ring enclosing a seconds dial and calendar aperture, named "Thomas Harben, Cliff Lewes", the square brass face with ornate spandrels, the 30 hour movement with bird cage frame and count wheel strike on a bell; the honey oak case with stepped cornice, long rectangular door, paneled base and bracket feet. 194cm tall. With a weight and a pendulum.

An Edwardian longcase clock in the late 18th Century style, with black Roman numerals and subsidiary Arabic minutes to the 27cm diameter silvered chapter ring enclosing a seconds dial, bearing a plaque "D.H. Halford & Sons, 129, Fenchurch", the arched brass face with three strike/silent/chime dials and ornate spandrels, with 8-day three train movement; the mahogany and crossbanded satin wood case with broken swan neck pediment and fluted columns to the hood, long trunk door and plinth base inlaid with oval patere. 237.5cmm tall. with three weights and a pendulum.

A late 18th/ early 19th Century longcase clock, with black Arabic numerals and subsidiary quarter hour minutes to the 34cm diameter circular cream painted face, enclosing a seconds dial and calendar aperture, named "Thos. Bayfield, Melton Mowbray", the 8-day movement with rack and snail strike on a bell; the honey oak and mahogany case with brass-mounted broken swan neck pediment and plain turned columns to the hood, over a long trunk door with minaret-shaped top, on a paneled base and plinth. 225cm tall. With two weights, a pendulum and a winding key. Face restored.

An 18th century and later oak longcase clock with eight day movement striking hours on a bell, the 10-inch square brass dial with silvered chapter ring, the later oak case with carved decoration, height 230cm, with pendulum and two weights (alterations and faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A George III and later stained pine longcase clock with thirty hour movement striking on a bell via an outside countwheel, the 10-inch square brass dial signed 'John Foot Liskard', the hood with moulded pediment, the trunk with rectangular door, on a plain base and plinth, weight 207cm, with pendulum and weight (faults, alterations and restoration).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

An impressive Edwardian mahogany longcase clock, the three train movement chiming quarters on eight tubular gongs and striking hours on a larger tubular gong, the foliate engraved brass breakarch dial with silvered chime selection and chime/silent subsidiary dials to arch, above a silvered chapter ring with black Roman hour numerals and outer Arabic minutes, framing a subsidiary seconds dial and applied silvered plaque, inscribed 'H. Osborn, Croydon', the hood with swan neck pediment above blind fretwork frieze, glazed door and fluted columns, the trunk with arched door flanked by brass stop fluted corner columns, on a panelled base and plinth, height 230cm, with pendulum, three brass weights and winder (some faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A George IV mahogany longcase clock with eight day movement striking on a bell, the 13-inch painted breakarch dial with black Roman hour numerals, subsidiary seconds and date aperture, inscribed 'B. Popplewell Bridlington', within a green and gilt decorated surround, the hood with swan neck pediment, glazed door and reeded columns, the trunk with arched door and reeded cut corners, on a panelled base, height 230cm, with pendulum and two weights (lacking feet). Note: Benjamin Popplewell is a recorded Yorkshire clockmaker between 1823 and 1840.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A Georgian mahogany longcase clock with painted dial and eight day movement. For restoration. H.220 W.60 D.25cm

A George III Scottish mahogany eight day longcase clock, the 12" silvered break arch dial with roman chapter ring, arabic five minutes, subsidiary seconds dial, date aperture and engraved acanthus scrolls, the arch with disc signed William Allan, Aberdeen, flanked by gilt brass cornucopia and scroll mounts and with foliate scroll spandrels, the break arch hood with corinthian columns, banded door and base with inlaid fans and later turned feet, 223cm, 88" high, pendulum, two brass cased weights and key

A George III 8 day longcase clock, the arched top painted dial inscribed George Stuart, NewcastleLocation:

A 20th century maple cased "Tempus Fugit" longcase clock with cast brass reliefs, 194cm high x 45cm wide x 23cm deep Condition Report:Available upon request

A Victorian mahogany cased longcase clock with painted face, 221cm high x 61cm wide x 32cm deep Condition Report:Available upon request

A Stained Beech and Walnut Vienna Style Wall Clock, with spring driven movement, plus a 30-hour longcase clock works and dial, Napoleon's hat oak cased mantel clock, a black slate clock, various works, parts and associated objects (a lot)

the caddy top hood with carved giltwood flaming urn finials and repoussé brass fret above a twelve inch silvered dial with Roman numerals, subsidiary seconds dial, date aperture, and twin ringed winding holes, signed on the chapter flanking the VI 'Andrew Broun/ Edinburgh', with crown and cherub spandrels, above a geometric line inlaid and crossbanded trunk door with an oval brass bound lenticle, on a similarly decorated plinth base with bun feet; the month going movement with five wheel trains and turned pillars, anchor escapement, and hourly strike on a bell via a counterwheel46cm wide, 247cm high, 25cm deepFootnote: Note: Edinburgh made clocks that predate 1700 are exceedingly rare. Andrew Broun [or Brown] (circa 1651-1712) was apprenticed to Humphrey Milne on 2nd February 1665. His apprenticeship was recorded thus "The second day of February 1665. The quilk day, Andro Broun, sone lawfull to umquihil Jon Broun, in Lang Newtone, is booked prentice to Umpra Milne, clock maker." Ten years later he officially ended his apprenticeship after demonstrating his skill to a committee of clockmakers and became a freeman of the Hammermen's Incorporation. He then took on several apprentices and journeymen himself throughout his career. He became Captain of the City Guard in 1685 and Master of the Hammermen's Incorporation in 1689.In 1689 and 1690 he was elected boxmaster [treasurer] of the Hammermen's Incorporation and in 1696 he became a Guild brother of Edinburgh. Although recorded as a highly capable maker, he apparently died penniless, with his son applying to the Incorporation for financial assistance on his father's death.John Smith, author of Old Scottish Clockmakers from 1453 to1850, states "In view of the long time he was in business, - thirty-five years - it is remarkable how exceedingly scarce are specimens of his art, only three have come under our notice: one being the splendid clock in the lobby of the advocates library, another that was exposed for sale in the window of a dealer in Queen Street Edinburgh, both these two having cases of beautiful and chaste marquetry; and the third one in possession of a private party in Linlithgow". A marquetry longcase clock by Broun dating to the late 17th century sold in these rooms, 1 September, 2021, lot 18, and another 17 November, 2021, lot 18.Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside Great Britain, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/

20th Century mahogany veneered longcase clock, the arched blind fret carved hood with reeded half pilasters, the arched dial with depiction of a globe inscribed "Tempus Fugit", the silvered chapter ring with Roman numerals flanked by pierced scroll spandrels, the case with arched door, 45.5cm wide, 199cm high

AN IRISH MAHOGANY LONGCASE CLOCK, mid-19th century, arched hood with glazed panel door, enclosing a white enamel dial, signed and inscribed 'Dublin' to white painted dial. 198cm highCondition Report: The clock with two weights and pendulumMovement untestedHas come to us with the large regulator clock from private house clearanceThe plinth base is a later additionThe hood would have had pointed finials and has replaced moulding to the upper arched border See additional images