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A floral marquetry longcase clock, the square brass 26cm dial with infant mask spandrels, Roman chapter ring and matted centre with subsidiary seconds dial and leaf chased calendar aperture, inscribed George Booth, Manchester, eight day movement, striking on a bell, the square hood with cavetto cornice and blind fretwork frieze above three-quarter column pilasters, the rectangular trunk door with lenticle, the front inlaid with Dutch floral marquetry panels of birds, flowers and urn within borders of formal leafy scrollwork, the sides walnut veneered in boxwood strung rectangular panels, 194cm high (case composite, case and works not originally together)

A fine large inlaid mahogany longcase clock, in George III style, the arched brass 41cm dial with floral, mask and dolphin spandrels, silvered Roman and Arabic chapter ring, the matted centre with subsidiary seconds dial, the arch with Westminster Chimes - Chime On Eight Bells dial above Strike - Silent and Chime - Silent dials, three-train eight day movement striking and chiming on gongs, the arched hood with swan neck pediment and harewood paterae terminals, brass grenade finial above freestanding fluted pillars with brass Corinthian capitals, the chamfered trunk with an arched curl veneered door, the base with a circular curl veneered panel, satinwood panelled throughout and outlined with boxwood and ebony stringing and crossbanded borders, on a shaped plinth, 260cm high, early 20th century, Provenance: This clock made by John Brownsword, watch and clockmaker of Nottingham for his home, 15 Cavendish Crescent South, The Park, Nottingham from where it has been removed for this sale.

A fine and unusual mahogany, burr walnut and parquetry longcase clock, the arched brass 30cm dial with mask, leaf and dolphin spandrels, silvered Roman and Arabic chapter ring, the matted centre chased with leaf scrolls, silvered subsidiary seconds dial, inscribed Isaac Godard, London, the arch with silvered Westminster and Cambridge dial, three-train eight day movement, striking and chiming on tubular bells, the hood with a bold cavetto moulded triangular pediment, the inlaid vertically staved balloon finials above parquetry pilasters with scroll capitals inlaid with cube parquetry, the curl veneered trunk door and base inlaid with sunburst spandrels, outlined throughout with crossbanded strung borders, on ogee feet, 238cm high

An oak longcase clock, the 8-day movement striking on a bell to a 12in square brass dial, with a silvered chapter ring inscribed 'John Richardson Warwick' to matted centre with subsidiary seconds dial and date aperture, to vase and eagle spandrels, the hood with a caddy top and blind fret frieze above a glazed door, the waist door with a lenticle, the base on bracket feet, 91in (231cm) h.

An early 19th Century longcase clock with brass arch dial and subsidiary dials, fitted an eight-day movement by Samuel Vale, Coventry, the case carved at a later date

A late 18th/early 19th Century oak longcase clock, the hood with swan neck cornice, having a square painted dial

A Contemporary wooden skeleton longcase clock

An early 19th century mahogany and crossbanded longcase clock, the arched painted dial with a subsidiary seconds dial and signed 'L.Koos, Merthyr' the eight day movement striking on a bell, the hood with a swan-neck pediment above an arched trunk door, on bracket feet, 223cm high L. Koos is listed as working in Merthyr Tydfil in the early part of the 19th century

An early 19th century pine longcase clock, the arched painted dial signed 'Beringer Schwern, Redruth', with a seconds subsidiary, the eight-day movement striking on a bell, 188cm high

An oak longcase clock, circa 1930, the engraved brass dial striking on gongs, 193cm high

An 18th century oak longcase clock, the later square brass dial signed 'James Farrer' with twin winding holes, calendar and vacant dial within a hood with a 'caddy' top, 194cm high

An early 19th century mahogany longcase clock, the square painted dial later signed, 'David Baker ....', the thirty-hour movement striking on a bell, 204cm high

A George III mahogany longcase clock, the arched brass dial with silvered chapter ring, calendar and seconds subsidiary, with circular silvered disk signeed 'Steil, Edinburgh', the eight-day movement striking on a bell, the hood with a pierced fretwork swan-neck pediment above an arched door flanked by fluted columns, 213cm high

18th Century oak longcase clock, hood with turned columns flanking the 36cm square painted enamelled dial with subsiduary seconds dial and date arch, the short trunk door inlaid with a heart, 215cm high.

19th Century pine longcase clock, hood with moulded cornice and reeded columns flanking the glazed door, enclosing 28cm square painted enamelled dial with date arch, marked Callcott, Cotton, thirty hour movement, the trunk with crossbanded door flanked by reeded quartered columns, 178cm high.

18th Century oak longcase clock, hood with reeded columns flanking the arched 32cm floral painted enamelled dial with subsiduary seconds dial and date arch, marked E M Mafsey, Newcastle, the trunk with crossbanded door flanked by quartered reeded columns, 214cm high.

WM. BARR, HAMILTON, A 19TH CENTURY MAHOGANY LONGCASE CLOCK, the gilded circular dial, with subsidiary date and seconds dial, twin train movement, the swan neck hood above a short arched panel trunk door, flanked by quarter columns, raised on a circular panel stepped base with shaped apron and bracket style feet, 92 ins high.

THOS. LISTER, HALIFAX, A LATE 18TH CENTURY OAK LONGCASE CLOCK, the break arch moon phase dial with silvered chapter ring, bird and foliate engraved centre and date window, supporting a 30 hour movement, the swan neck hood above a conforming long trunk door, flanked by quarter columns, stepped base with shaped plinth, 86 1/2 ins high.

Old Longcase Clock Movement, turned pillars, arch painted dial with Roman numerals, (a.f.).

George Hewett, Malborough. A late 18th century mahogany longcase clock, the arched hood with fluted columns, having an arched moulded waist panel door enclosed by fluted quarter columns, on a moulded box base, the 30cm. arched brass dial with silvered chapter ring, subsidiary seconds and date aperture, and lunar phase, signed to the arch 'George Hewett, Malborough', the twin train movement with anchor escapement striking to a bell, 212cm. high.

Twist, Ormskirk.A mid 19th century mahogany longcase clock, the square hood with swan-neck pediment and a pair of turned columns, the trunk enclosed by a shaped waist panel door between reeded pilasters, the 35.5cm. square painted Arabic dial signed 'Twist, Ormskirk', having a moonphase mechanism and date aperture, the twin train movement with anchor escapement and bell strike, 213cm. high.

An Edwardian mahogany quarter-chiming longcase clock, the dome topped hood with turned brass capped columns, the trunk enclosed by a glazed door between canted corners, on a panelled base, the 30.5cm. arched brass Roman dial with silvered St Michael/Westminster/Whittington ring to the arch, having a subsidiary seconds dial, the three train movement with anchor escapement, hour strike on one tubular bell with quarter chimes to a further eight, 219cm. high.

Thomas Waller Preston.A George III walnut longcase clock, the dome topped hood with turned columns, the trunk enclosed by a shaped waist panel door, on a box base and bracket feet, the 33cm. arched brass Roman dial with moonphase dial to the arch, the silver chapter ring signed 'Tho Waller, Preston', having a subsidiary seconds dial and date aperture, the twin train movement with bell strike, 225cm. high.

An early 19th century mahogany and oak longcase clock, the hood with swan-neck pediment and fluted brass capped columns, the trunk enclosed by a shaped waist panel door between canted corners, on a panelled base and ogee bracket feet, the 33.5cm. arched painted Roman dial with moonphase mechanism to the arch, having subsidiary seconds and date dials, the twin train movement with anchor escapement and bell strike, 242cm. high.

Lightstone, St. Neots. An early 19th century oak and mahogany crossbanded longcase clock, the hood with swan-neck pediment and fluted columns, the trunk enclosed by a shaped waist panel door, on a box base, the 30.5cm. arched painted Roman dial signed 'Lightstone, St Neots', with subsidiary seconds dial and date aperture, the twin train movement with anchor escapement and bell strike, 208cm. high.

Donegan, Dublin. A 19th century Irish mahogany longcase clock, the domed hood with curved angles, the waist panel door fitted with a 20cm. circular silvered barometer above a silvered alcohol thermometer, on a box base and bracket feet, the 34cm. circular painted Roman dial with subsidiary seconds dial, the twin train movement with gong strike, 199cm. high.

Wm Clement, Totnes. An 18th century oak longcase clock, the square hood with moulded cornice, the trunk enclosed by a waist panel door, on a box and plinth base, the 30.5cm. square brass dial with silvered Roman chapter ring, cast maskhead and foliate spandrels within an engraved foliate border, having a subsidiary seconds dial and date aperture, the silvered nameplate engraved 'Wm Clement, Totnes Fecit', the twin train movement with anchor escapement and bell strike, 194.5cm. high.

A 19th century French scarlet Boulle longcase clock, the waisted case with Chronos finial and lenticle glass to the trunk below a female mask mount, decorated with brass-cut panels to the front and sides, on paw feet, the foliate cast dial with enamel Roman numerals, the square twin-drum movement with radiant mask bob and outside countwheel striking to a bell, 233cm. high.

An 18th century black lacquered and gilt chinoiserie decorated longcase clock, the arched hood with brass ball and spire finials, and turned columns, the trunk enclosed by a waist panel door decorated with figures seated at a table in a garden setting, on a box base, the 30.5cm. arched brass engraved dial with moonphase mechanism to the arch, having a silvered Roman chapter ring with subsidiary seconds and date dials, the twin train movement with anchor escapement and bell strike, 241cm. high.

John Collings, Sodbury. An early 19th century oak longcase clock, the square hood with blind fret carved decoration and turned three-quarter pilasters, on a box and shaped plinth base, the 31cm. square silvered Roman dial with engraved foliate decoration and date aperture, the twin train movement with anchor escapement and bell strike, 208cm. high. Provenance: The Walronds, Cullompton

Jon Blurton, Stourbridge. A 19th century oak, mahogany and inlaid longcase clock, the hood with swan-neck pediment and stop fluted and brass capped columns, the truck enclosed by a shaped waist panel door with inlaid shell paterae, between fluted quarter pilasters, the base with similar decoration, the 35.5cm. arched painted dial with a portrait of a minister, possibly Wesley, reading the Bible to the arch, having subsidiary seconds dial and date aperture, the twin train movement with anchor escapement and gong strike, 229cm. high.

A 19th century oak longcase clock, with dentil cornice, 11in square painted dial inscribed Coates Cirencester with thirty hour movement

An oak longcase clock, with basket hood, the thirty hour movement with date aperture and roman numerals, the 11in square brass dial engraved Edward Smith, 19th century

A brass dial longcase clock, the eight day movement with 9.5in dial in a heavily carved dark oak case, erroneously dated to the hood 1654, engraved Jeremiah Brown, Fecit, 209cm high

Inlaid mahogany longcase clock, the swan neck pediment with brass ball finial over an arched brass face with Roman numerals in black and subsidiary seconds, flanked by brass capped reeded columns over a trunk, with inlaid details and raised on bracket feet, 88in (223.5cm) high

AN EDWARDIAN LONGCASE CLOCK, the eight day quarter chiming German movement with arched chased brass dial, in mahogany case crossbanded with stringing, scrolled brass mounted pediment on Corinthian columns, arched glazed door, panel base and bracket feet, 78 1/2" high

A mahogany crossbanded oak eight-day longcase clock, circa 1800, the four-pillar rack and bell striking movement with 12 inch square cream painted Roman numeral dial with arched calendar aperture, subsidiary seconds dial and signed 'W'm Barber, Sherborne' between bird inhabited foliate sprays to centre, with conforming rose sprays to spandrels, the case with shaped upstand over cavetto cornice and reeded pilasters to hood, long trunk door and on plinth base with moulded skirt, case with damage, 209cm high.

An Irish inlaid figured mahogany eight-day longcase clock, the four-pillar rack-striking movement with anchor escapement, the 13.75 inch square brass dial with ringed winding holes, calendar aperture and subsidiary seconds dial to the foliate border engraved matted centre within an applied Roman numeral silvered chapter ring with fleur de lys half hour markers, Arabic five minutes and signed 'William Marshall, Dublin' along lower edge, in a broken pedimented case with dentil cornice and oval inlaid panel frieze above reeded pilasters to hood above shaped-top trunk door short panel flanked by reeded quarter columns to trunk, on panel inlaid plinth base with bracket feet, movement and dial mid 18th century, the case later, 235cm high.

An oak cased eight-day longcase clock, the four-pillar rack and bell striking movement now with 11 inch square brass dial with matted centre within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and inscribed 'Edw. May, Witney' along lower edge, the case with moulded dentil cornice over plain hood pilasters and long door flanked by reeded canted angles to trunk, on plinth base with moulded skirt, part 18th century, composite, 182cm high.

A carved oak eight-day longcase clock, the four-pillar rack and bell striking movement now with 12 inch brass break-arch dial with redundant arched calendar aperture and subsidiary seconds dial to the foliate engraved matted centre within applied Roman numeral chapter ring with arcaded minute ring, foliate half hour markers and Arabic five minutes, with bird and urn pattern spandrel applied angles and arch with a boss inscribed 'Arthur Glover, Newcastle' between dolphin cast foliate mounts, the case with foliate mask centred pagoda shaped pediment over fluted hood pilasters and shaped-top long trunk door, on panelled plinth with shaped skirt, overall carved with foliate designs, composite, dial and parts of case 18th century, 226cm high.

A George III figured mahogany eight-day longcase clock, circa 1770, the four-pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture, silvered seconds ring and arched plaque signed 'Tho's Henderson, Hull' within an applied silvered Roman numeral chapter ring with Arabic five minutes, with female mask scroll cast spandrel applied angles and strike/silent dial flanked by dolphin mounts to arch, in a break-arch case with cavetto moulded cornice and reeded pilasters to hood over break-arch flame figured trunk door and conforming raised panel plinth base with moulded skirt and rectangular pad feet, movement and dial possibly associated to case, 217cm high. Thomas Henderson is recorded in Britten's 'Old Clocks & Watches and their Makers' as working in Hull circa 1770.

A thirty-hour longcase clock with moonphase, the four-pillar outside countwheel bell-striking movement with anchor escapement and 13 inch square brass dial with subsidiary calendar dial and rolling moonphase to the foliate engraved centre signed 'T. Lister, Hallifax' to lower edge, with an applied Roman numeral chapter ring with Arabic five minutes and unusual rococo scroll cast spandrels applied to angles, now in a flat-top carved oak case with bobbin turned hood pilasters and scroll carved rectangular trunk door, on plinth base, movement and dial circa 1770, case later.

An eight-day longcase clock movement and associated dial, the four-pillar rack and bell striking movement with Osborne falseplate, the 12 inch brass break-arch dial with recessed seconds dial and calendar aperture to the matted centre, within Roman numeral chapter ring with Arabic five minutes and foliate scroll cast spandrel applied angles, the arch bearing signature boss 'Sam'l Buxton, Diss'.

A mid 18th century mahogany crossbanded oak longcase clock case, with box upstand over break-arch cavetto cornice and integral hood pilasters, the break-arch dial aperture 11 inches wide and 14.5 inches high, with break-arch trunk door and on reduced plinth base with bracket feet, 211cm high.

Benjamin Gray and Justin Vulliamy, London. A fine red lacquer eight-day longcase clock with moonphase, circa 1760, the substantial five-pillar rack and bell striking movement with anchor escapement, the 13 inch brass break-arch dial with calendar aperture, large silvered seconds ring and applied silvered plaque signed 'Benjamin Gray & Just. Vulliamy, London' to the finely matted centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes and rococo scroll cast spandrel applied angles, with strike/silent lever at 3 o'clock and moonphase within foliate engraved border to arch, the gilt decorated pagoda pedimented case with three large urn finials over break-arch cavetto moulded cornice and brass capped turned pilasters to hood, the trunk with break-arch door raised gilt and polychrome decorated with figures and pagodas over two square rigged sailing vessels within foliate panel borders, the plinth further decorated with figures beside a gazebo, on double skirt base, case with restoration to decoration, 276cm high. The celebrated partnership of Benjamin Gray and Justin Vulliamy was established three years before the marriage of Vulliamy to Gray's daughter in 1746. At this time Gray was clockmaker to George II. Vulliamy's son, Benjamin, later became clockmaker to George III. This particular clock departs from the usual square dial walnut longcase product of the partnership thus was probably a special order, although signature features such as the unusually large subsidiary seconds ring are present.

Thomas Pierce, Bristol. An eight-day longcase clock movement and dial, circa 1780, the four-pillar rack and bell striking movement with anchor escapement, the 12 inch square single-sheet brass Roman numeral dial with calendar aperture, subsidiary seconds dial and signed 'Thomas Pierce, Bristol' to centre within engraved chapter ring with Arabic five-minutes. See footnote to previous lot.

Thomas Bullock, Bath. An unusual figured mahogany eight-day longcase clock with rocking figure automaton entitled 'The Large Bread Warehouse', circa 1770, the four-pillar rack and bell striking movement with anchor escapement and automaton linkage to arch, the single-sheet silvered brass break-arch Roman numeral dial with calendar aperture, subsidiary seconds dial and signed 'Thomas Bullock, Bath' to the Hoho bird and rococo scroll engraved centre, the chapter ring with Arabic five minutes within unusual engraved spandrels representing the four elements, the arch with polychrome rocking figure of a gentleman carrying a bag of flour within bakery interior, with kiln to his right and engraved legend above, the swan neck pedimented case with simulated blind fret infill and dentil cornice over integral pilasters to hood above shaped-top door to trunk, on plain plinth base with bracket feet, 230cm high. Thomas Bullock is recorded in Moore, A J 'The Clockmakers of Bristol 1650-1900' as working 1764-1773. The automaton and legend in the arch strongly suggest that this clock was made to special order by the owner of one of the larger Bath bakeries of which there were several operating at this time, the most well known being Sally Lunns, North Parade Passage which is now a museum.

An early 19th century inlaid mahogany eight-day longcase clock with rocking figure to arch, the four-pillar rack and bell striking movement with 12 inch white painted Arabic numeral break-arch dial with arched calendar aperture, subsidiary seconds dial and signed 'W. Hitchcock, Chard' to centre within Arabic numerals and Four Seasons polychrome painted spandrels, the arch with circular aperture containing rocking figure of Chronos within floral painted gilt ground infill, the swan neck pedimented case with floral inlaid oval cartouche decoration over Corinthian pilasters to hood above rectangular conch shell inset trunk door flanked by reeded quarter columns, on panel moulded plinth base with bracket feet, 220cm high. A William Hitchcock is recorded in Moore, A J 'The Clockmakers of Somerset 1650-1900' as working in Chard from 1789.

A Bristol area inlaid mahogany eight-day longcase clock with moonphase, the four-pillar rack and bell striking movement with 13 inch cream painted break-arch Arabic numeral dial with arched calendar aperture, subsidiary seconds dial and signed 'Weight' to centre, with polychrome figural painted spandrels emblematic of the four continents and moonphase to arch, the swan neck pedimented case with wavy edge door and fluted pilasters to hood, over line bordered rectangular door flanked by canted angles to trunk, on conforming plinth base, 214cm high.

Edward Bilbie, Chew Stoke. A rare William & Mary thirty-hour musical longcase clock, circa 1695, the substantial three-train posted movement with four square section brass pillars riveted into the base plate and secured via brass nuts at the top plate, with verge escapement, outside countwheel bell strike and music playing every three hours via a 2.75 inch pinned cylinder on eight bells with twelve hammers, the movement raised on four steel spurs, the 9.5 inch square brass dial engraved with leafy tulip trails around a formal flowerhead and signed 'Edward Bilbie Fecit' to centre, within an applied Roman numeral chapter ring with stylised trident half hour markers and foliate cast winged cherub head pattern spandrel applied angles, now in a walnut veneered case with ogee cornice over rectangular door to hood and narrow trunk with slender door, on plinth base, 203cm high. Edward Bilbie is thought to have learnt the clockmaking trade from Edward Webb, who died in 1694. Bilbie started casting bells in 1698 and it is highly probable that he was making clocks by this time. This clock bears a very strong resemblance to an example by Edward Webb (as discussed in Moore, A J 'The Clockmakers of Somerset 1650-1900' Appendix vii) thus may well be one of the first clocks made by Edward Bilbie. The level of decoration and attention to detail lavished on the arbors, collets and other parts of the clock indicates a great deal of pride by the maker, possibly supporting a theory that this may well be his masterpiece. The movement and dial have survived in remarkable original condition, however the case is almost certainly associated but of the period with later veneers.

An unusual oak cased rack-striking thirty-hour longcase clock with alarm and day of the week indication, circa 1735, the substantial four finned pillar movement with anchor escapement and alarm mechanism mounted on the backplate, the 11.5 inch brass square dial with foliate engraved calendar aperture, ringed false winding holes, silvered alarm disc and day of week with deity symbol sector to the matted centre, within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and signed 'Jn'o Limbry, Currymallet' along lower edge, the angles applied with cast female mask and scroll pattern spandrels, the case with box upstand over moulded cornice and integral pilasters to hood, above line bordered rectangular trunk door and plain plinth base with bracket feet, 200cm high. John Limbry is recorded in Moore, A J 'The Clockmakers of Somerset 1650-1900' as working in Curry Mallet circa 1729. This clock is illustrated on page 159 and on the back cover. The movement demonstrates a remarkable level of attention to detail and originality in its specification and finish.

Late 18th Century Mahogany Eight Day Longcase Clock with Painted Face, The Movement by George Ballard of Frome

WAGGITT, RICHMOND; an oak longcase clock the eight day striking movement with square brass 11 1/4 inch dial silvered chapter ring with cast gilt spandrels the hood with square top turned pilasters, plain case raised on ogee bracket feet, 86 inches high overall

JOHN FARMER, PONTEFRACT; an oak and crossbanded longcase clock the eight day striking movement with 13 inch arched brass dial with subsidiary seconds dial with engraved decoration and cast spandrels the hood with broken scroll pediment and turned reeded columns on a plinth base, 90 inches high

An early Victorian oak longcase clock, William Carpenter, London, the eight-day movement striking on gong, the case later foliate-carved, H 228cm W 49cm

A longcase clock dial, painted with landscape, William Burrell, Ashton Keyes, H 43.5cm

A George III longcase clock, Thomas Pinfold, Banbury, having eight-day movement, in later-carved oak case, H 212cm W 46cm

An early 19th Century oak longcase clock by Robert Richards of Uttoxeter, the 14ins arched painted dial with subsidiary seconds dial and date aperture, the arch painted with a figure fishing to the eight day two train movement now striking on a gong, contained in oak case banded and crossbanded in mahogany, with moulded scroll pediment and turned pillars to hood, shaped trunk door with fluted quarter columns, the plinth base with raised centre panel, on moulded plinth base, 88ins high. Note : Robert Richards recorded working Uttoxeter 1835-1842

An early 19th Century figured mahogany longcase clock by W. Palin of Nantwich, the 14ins arched painted dial with subsidiary seconds dial and date aperture, the arch decorated with Christ entering Jerusalem and the spandrels decorated with sheaves of wheat to the eight day two train movement striking on a bell, contained in case with moulded scroll pediment and carved leaf paterae, turned and fluted columns to hood, the Gothic pattern trunk door flanked by turned and fluted columns, plinth base with cant corners, on bracket feet, 89ins high Illustrated. Note : William Palin recorded working Nantwich 1828-1834

An 18th Century tortoiseshell effect and japanned longcase clock by William Harris of London, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture and ringed winding holes, and engraved wheat ear pattern borders to the eight day two train movement striking on a bell, contained in case with moulded overhanging cornice and plain turned pillars to hood, the whole decorated in gilt with pavilions by a lake and scale and trellis pattern ornament, 86ins high Illustrated. Note : Possibly by William (Aaron) son of William Harris, apprenticed 1735, clockmaker working in London 1743-1773 - clock circa 1760