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An 18th Century Wm. Sellers, Long Acre, London. Walnut veneered and seaweed marquetry month going longcase clock. The moulded pediment with blind fret ornament enclosed by a waist panel door with a glazed oval aperture inlaid with arabesques, foliate scrolls interspersed with birds, butterflies and figures. The plinth with similar decoration on raised bun feet. The 12" square brass dial with crown and putti spandrels, seconds subsidiary and calendar aperture, the twin train five pillar movement of month duration with bolt and shuttle maintaining power, anchor escapement and outside countwheel strike. Approximately 7' high

MARK JACOB OF LONDON A WALNUT LONGCASE CLOCK the hood with blind fret panel decoration and brass capped columns flanking an arch topped brass dial with silvered chapter ring, Roman hours and Arabic minutes, with secondary dial and date aperture, hav ing cast decorative spandrels, fitted eight day striking movement, circa 1800, 228cm high

JAMES CLARK OF FROME A CARVED OAK LONGCASE CLOCK the hood with columns flanking the brass arched top moon phase dial, with cast spandrels, the chapter ring with Roman hours and Arabic minutes, secondary dial and date aperture, eight day movement st riking on bell, the later chip carved case with door decorated with a bird in stylised tree, circa 1800, 230.5cm high

An 18th century French walnut longcase clock, with enamelled circular dial and bombe case, 205cm high, with weights. Condition Report: Case in stressed condition, signs of worm seen. Dial enamel cracked.Movement Height 41cm. Depth 15cm.

An early 19th century Welsh oak and mahogany 8 day longcase clock, the 13in painted dial with moonphase arch, indistinctly inscribed '...Jones, Llanfyllin', 216.5cm high, (lacking weights and pendulum).

A 18th century painted dial mahogany longcase clock with brass finished swan necked pediments, H. 215cm.

18th century 30 hour longcase clock by Thomas Deykin Worcester with modern case. Condition report: see terms and conditions

An early 19th Century eight day mahogany cased Longcase Clock (Irish), the 12" cream painted dial with Roman numerals and signed E Shirtsinger, Dublin, the subsidiary seconds hand dial below the 12 o'clock marker, the dome topped hooded door above a flame mahogany veneered shaped trunk door, raised on ogee style bracket feet, 191cm high, (veneers away and some splitting etc.,)

A George III period oak and mahogany Longcase Clock, the broken swan neck pediment above a 12" broken arch brass dial, the "rolling moon" mechanism above brass chapter ring with Roman numerals, central engraving of flowers and with arch shaped date aperture flanked by Classical style columns and gilded capitals, shaped trunk door flanked by quadrant pilasters, now minus brackets, 212cm (condition generally commensurate with age etc.,)

A George III period oak cased eight day Longcase Clock, the wavy style pediment flanked by two brass urn finials and above an 11" brass dial with Roman numerals and signed WILLm Dyer, Barnstable, above an interesting maritime engraving with clipper coming into land and all flanked by pierced gilded spandrels, rectangular mahogany crossbanded trunk door and raised on bracket feet, 207cm wide

Boxwood inlaid wooden miniature longcase clock timepiece, with VAP movement, the 3.5" circular dial within a pillared stepped inlaid case surmounted by a broken arched pediment, 16" high

Eight day longcase clock movement, the 12" painted arched dial with subsidiary seconds dial and calendar aperture, also with strike/silent dial to the arch

Box of longcase clock and other weights (11)

Thirty hour verge longcase clock movement, the 9.75" brass dial signed Jonathan Waklin, fecit on the silver chapter ring enclosing a foliate engraved centre with Tudor rose (bell missing)

Thirty hour longcase clock movement, the silvered chapter ring enclosing a marine engraved centre depicting a naval battle with ships exchanging cannon fire, with single iron hand and birdcage movement

Box of various longcase clock and other weights (15)

Thirty hour longcase clock movement, the 11" square painted dial signed Rice Williams, Bristol, with calendar aperture (weight)

Eight day longcase clock movement, the 12" square brass dial with silvered chapter ring enclosing a matted centre with subsidiary seconds dial

Oak thirty hour longcase clock, the 11" square painted dial signed Samuel Adcock, the case with long rounded arched door and the hood surmounted by a swan neck pediment, 81.5" high (pendulum)

Oak eight day longcase clock, the 12" square brass dial signed John Huggin, Ashwell Thorp on the silvered chapter ring enclosing a foliate engraved matted centre with subsidiary seconds dial and calendar aperture, the cut-down case with long rounded arched door and the hood surmounted by a card cut swan neck pediment with three brass acorn finials, 81" high (two weights)

Contemporary mahogany Fenclocks three train longcase clock, the 11" brass arched dial signed Fenclocks, Suffolk to the centre, with moon phase to the arch, the case with short glazed door and the hood surmounted by a moulded rounded arched pediment and two turned finials, 77" high (pendulum and three weights)

Oak eight day longcase clock, the 12" brass arched dial signed Aaron Austin, Bristol to the centre with subsidiary seconds dial and engraved with a cottage and bridge, enclosed by a silvered chapter ring and with an aperture featuring Father Time to the arch, the case with long wavy door and the hood surmounted by a caddy top, 87" high (pendulum and two weights)

Swedish Mora painted pine eight day longcase clock, the 10.5" circular dial inscribed A.A.L within a curvaceous shaped case with short vase door, 78" high (pendulum and two weights)

Swedish Mora painted pine eight day longcase clock, the 11.5" circular dial within a curvaceous green painted shaped case with short vase shaped door, 80" high (pendulum and two weights)

Irish mahogany eight day longcase clock, the 12" cream painted dial signed Gaskin, Dublin, with subsidiary seconds dial, with medium length moulded panelled arched door and the hood surmounted by a moulded rounded arched pediment, 75" high (pendulum, two weights and door key)

Elm thirty hour longcase clock, the 10" square brass dial signed Jacob Ettry, Horton on the silvered chapter ring enclosing a matted centre with calendar aperture, the contemporary case with long door and surmounted by a stepped cornice, 76" high (pendulum and weight)

Ebonised thirty hour longcase clock, the 12" brass arched dial signed Thomas Huttly, Coggeshall enclosing a foliate engraved centre with calendar aperture, with sunburst boss to the arch, the narrow case with long beaded moulded door and the hood surmounted by a moulded stepped pediment, 83" high (pendulum and weight)

Oak thirty hour longcase clock, the 11" square silvered dial signed Jane Nutt, Burghfield, 1710, to the centre with engraved flowering foliage, the case with long door and the hood surmounted by a moulded stepped pediment, 72" high (pendulum and weight)

Scottish mahogany eight day longcase clock, the 13" cream painted dial signed William Dobbie, Falkirk with subsidiary seconds and calendar dials, the case with medium length door inlaid with boxwood lines over an oval inlaid conch shell, the hood with a rounded arched moulded pediment also inlaid with oval panels depicting birds amidst foliage, surmounted by a stylised foliate carved pedestal finial, 83" high (pendulum, two weights and door key)

Dark green lacquered and chinoiserie decorated eight day longcase clock with five pillar movement, the 12" brass arched dial with silvered chapter ring enclosing a matted centre engraved with birds, with subsidiary seconds dial and calendar aperture, with silver moon phase engraved boss to the arch, the case with long moulded arched door and the hood surmounted by a flat pediment over a painted moulded arch divided by blind foliate carved fretwork panels, 84" high (pendulum, two weights and door key)

Walnut eight day longcase clock, the 12" brass arched dial signed Bodle, Reigate on a silvered disc to the arch over a brass chapter ring enclosing a foliate engraved centre with subsidiary seconds dial and calendar aperture, the case with long beaded rounded arched door fitted with a lenticle and the hood surmounted by a flat stepped pediment, 88" high (pendulum, two weights and door key)

Black lacquer and chinoiserie decorated eight day longcase clock, the 12" brass arched dial signed Bennet Harvey, Weymouth on the foliate engraved centre with subsidiary seconds dial, enclosed by a silvered chapter ring and with a silvered engraved disc to the arch depicting Father Time, the case decorated with detailed figures, buildings and birds within pagoda landscapes and stylised floral diaper borders, with long rounded arched moulded door and the hood with a pagoda pediment, 88" high (two weights, door key, no pendulum)

Mahogany eight day longcase clock with five pillar movement, the 12" brass arched dial signed Joseph Lum, London on a silvered disc to the arch, over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long wavy arched door and the hood surmounted by a rounded moulded arched pediment and three brass ball and spire finials, 94" high (pendulum, two brass cased weights and keys)

Good mahogany three train musical longcase clock, the 12" brass arched dial signed Goldsmiths & Silversmiths Company, 112 Regent Street, London on an arched plate to the matted centre with subsidiary seconds dial, also with chime/silent subsidiary dial to the arch, the substantial movement playing on four small gongs and striking on a larger gong, the case with long astragal glazed door flanked by fluted canted corners and the hood surmounted by a carved foliate cornice, 96" high (pendulum, three weights and winding key)

Mahogany eight day longcase clock, the 13" brass arched dial signed Thomas Ogden, Halifax to the silvered chapter ring enclosing a subsidiary seconds dial, ringed winding holes and calendar aperture, also with moon phase to the arch, the case with long wavy arched crossbanded door flanked by fluted pilasters, the hood surmounted by a moulded stepped broken arched pediment and three ball and spike finials, 98" high (pendulum, two weights)

Good burr walnut eight day longcase clock, the 12" brass arched dial signed Benjamin Dutton, Poplar, London on a silvered arched plate to the matted centre with subsidiary seconds dial and calendar aperture, enclosed by a silvered chapter ring and with a strike/silent dial to the arch, the case with long rounded arched beaded door and the hood surmounted by a flat stepped cornice with blind foliate fretwork carved panels, 88" high (pendulum, two weights and door key)

Mahogany eight day longcase clock with five pillar movement, the 12" brass arched dial signed John Barrow, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, also with a silvered calendar chapter ring enclosing a foliate engraved centre to the arch, the case with moulded rounded arched long door and the hood surmounted by a caddy top with three brass ball and spike finials, 97" high (pendulum, two brass cased weights and winding key)

Good Scottish burr walnut eight day longcase clock, the 13" circular cream dial signed James Forrest, Glasgow, with subsidiary seconds dial, the tapered stepped case raised upon a bombé base, the rounded arched glazed long door with canted corners and applied foliate carved brackets, also with pierced foliate carved hood surmounted by a turned finial, 87" high (pendulum, weights and door key)

Good mahogany eight day longcase clock, the 12" brass arched dial signed Thomas Willshire, Bristol to the silvered chapter ring enclosing an engraved centre depicting a galleon at sea, with subsidiary seconds dial and arched calendar aperture, the arch inscribed High Water at Bristol Key above a painted moon phase, the flame mahogany case with long serpentine moulded door, the pillared hood surmounted by a moulded arched cornice with Greek key carving above a shallow carved panel, 82" high (pendulum, two weights)

Good English walnut eight day longcase clock, the 11 5/8" square brass dial signed Jeremiah Browne Fecit on the silvered chapter ring enclosing a foliate engraved centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long beaded moulded and feather banded door fitted with a circular lenticle, the hood with barley twist pillars surmounted by a moulded stepped cornice over a pierced foliate fret carved panel, 82" high (pendulum, two brass cased weights and keys) *This clock is sold with an insurance valuation from Fusee World Antique Clocks in 2005 for £12,500

Fine mahogany longcase regulator clock, the 12" silvered dial signed E. Hollanders, Queen St. Portsea, Maker 1886, with subsidiary seconds and hour dials, the substantial movement with bronze wheels, jewelled lantern pinions, deadbeat escapement and maintaining power, also with canted pinion slots in the tips of the escape wheel teeth to retain oil, the case with long moulded glazed arched door over a stepped panelled base, the hood surmounted by a flat moulded stepped cornice, 73.75" high (wooden rod pendulum with large brass bob, weight, pulley wheel and crank handle key) *E Hollander was recorded in the 1881 census as a German Clockmaker working in Portsea

Fine and rare English walnut eight day longcase clock with solar equation and five pillar movement, the 12" brass arched dial signed Josephus Williamson, Londini.Inv fecet on pierced shaped foliate engraved plates to the matted centre, also inscribed on a separate silvered oval plate 'Horce indicantur apparentes invo lutis equationibus', also with a subsidiary seconds dial and calendar aperture enclosed with a silvered chapter ring, the arch fitted with the solar equation dial inscribed with days of the month and months of the year chapter rings enclosing a matted centre fitted with a blued steel hand and ormolu sunburst pointer, the figured walnut case of good colour, fitted with a long feather banded beaded door and the hood surmounted by a flat stepped moulded cornice over a blind foliate fretwork carved panel, 100" high (pendulum, two brass cased weights and crank winding key) *A very similar clock was sold at the Sotheby's -'Masterpieces from the Time Museum' Auction held in New York on 13th October 2004 (see lot 536) There have been several erudite articles written about this maker and solar equation clocks, by leading horologists including Derek Roberts and Tom Robinson Little seems to have been recorded about the early life of Joseph Williamson, but it is thought that he was apprenticed in 1683. He appears to have worked for Daniel Quare, but did not enter the Clockmakers' Company until later when he set up in business on his own account. He was Junior Warden in 1721 and became Master in 1724, but died in office in June 1725. His surviving clocks demonstrate that he must have been a gifted mathematician with a good knowledge of astronomy. He was appointed watchmaker to King Charles II of Spain. This clock shows solar time in accordance with that indicated by a sundial and not Greenwich Mean Time as it is known today. The Latin inscription on the dial translates approximately to mean that the clock shows apparent (sundial) time by means of complicated equation work. This feat is achieved by the use of a cam which controls the effective length of the pendulum throughout the year. Joseph Williamson claimed to have invented this device in a letter which was published in Philosophical Transactions towards the end of 1719. Some of Daniel Quare's longcase clocks incorporate this feature and it is thought that Williamson made this part of the clock for him

Three various longcase clock pendulum bobs and four various brass bells (7)

12" longcase clock dial signed William Carter, Chertsey on the brass chapter ring enclosing a matted centre with calendar aperture; also four various clock movements (5)

Large quantity of various clock dials to include mantel, barometer and longcase examples

Six various longcase and wall clock pendulums (6)

Large quantity of various clock weights including longcase, Vienna and Black Forest etc

Miniature satin walnut and rosewood crossbanded longcase clock compendium, the 3.25" cream dial signed Howell & James, To The Queen, London over the trunk fitted with a thermometer and inset with an aneroid barometer to the base, 18.5" high (at fault)

AN 18TH CENTURY LONGCASE CLOCK THE 10" BRASS DIAL ENGRAVED HUMPHREY WHITE FAIRFORD IN LATER OAK CASE, 190CM H

A REPRODUCTION OAK DWARF LONGCASE CLOCK 148CM H

A GEORGE III 30 HOUR LONGCASE CLOCK THE ROUND BRASS DIAL ENGRAVED WINSTANLEY WIRKSWORTH 212CM H

A 20th century oak longcase clock, eight day movement with triple weights and moon roller face

An oak crossbanded longcase clock, by William Noon, Ashby, 30-hour movement

A George III oak longcase clock, 13.5cm circular engraved brass dial, Roman chapter, subsidiary minute and date aperture, signed Harlow/Ashburn (sic), thirty-hour movement with countwheel striking on a bell, the hood with moulded outswept cornice and brass capped Doric columns, shaped rectangular top to trunk door, skirted base, bracket feet, 204cm high, c.1780Tjhe clock was made by Samuel Boulton Harlow (1751-1815), eldest son of Ashbourne clockmaker Joseph, although he was apprenticed to John Litton of Ashbourne 1767-1774, after which time he worked for a while at Birmingham before returning to Ashbourne where he sold clockmaking materials, made clocks to a high standard, as well as watches, and was the inventor in 1794 of a key to save breakages of watch springs (a device often attributed to Breguet). This relatively prolific family continued as clockmakers at Ashbourne for a further two generations. Condition Report: Dial has been restored, movement cleaned.

A GEORGIAN OAK CASED LONGCASE CLOCK, 30 hour movement, square painted face unmarked, approximate height 196cm (sd, losses, etc) (pendulum and one weight)

A 19TH CENTURY MAHOGANY INLAID LONGCASE CLOCK, the 30 hour movement being of part wood construction, wooden painted arched face unmarked, approximate size height 215cm (pendulum and two weights)

A MID 19th CENTURY OAK LONGCASE CLOCK having a square hood with turned Corinthian pillars, painted dial with eight day movement by Griffith Owen, Llanrwst

AN 18th CENTURY OAK LONGCASE CLOCK having a wide stepped cornice over a square hood with turned pillars and having a long fielded panelled door and with a brass and silvered dial, eight day movement by John Earle, Middlewich

A VERY HANDSOME LATE 19th CENTURY MAHOGANY AND INLAID LONGCASE CLOCK, the heavily gilt and silvered arched dial having raised Roman numerals with strike/silent and Cambridge/Whittington chime dials, the arched and bevelled glass door revealing triple brass weights and nine Harrington patent tubular bells, 158 cms high

A 20th century walnut veneered longcase clock, painted dials depicting fighting fleet and commanders