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Barwise London a Regency mahogany longcase clock the hood with three ball finials and circular glazed door flanked by canted corners the trunk with arched long door and flanked by quarter columns raised on a panelled plinth with stepped base and bracket feet the 12inch (30.5cm) silvered circular dial with seconds subsidiary and strike/silent lever above XII the five pillar bell striking movement with deadbeat escapement and brass bob pendulum with rating nut 208cm high

An oak cased eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch brass -arch dial with recessed subsidiary dial and calendar aperture to the matted centre, within applied silvered Roman numeral chapter ring with Arabic five minutes and rococo scroll cast spandrel applied angles, the arch now with silvered plaque 'Tempus Fugit' flanked by conforming rococo mounts, in a case with shallow break-arch pediment and double baluster turned pilasters to hood over rectangular trunk door and plain plinth base with shaped skirt, associated movement and dial late 18th century, case 19th century, 210cm high

"An eight day longcase clock with a painted arch dial, in an oak case signed JONES LLANDOVERY"

"A 1930's three train longcase clock with a brass arched dial marked GOMERSALLS Blackpool contained in a mahogany case with an arched carved top and long glass door, in working order 7' tall"

Pine eight day longcase clock with 12" circular white dial, 84" high

Oak and mahogany eight day longcase clock, the 13" arched painted dial signed George Kiddle?, Sherbourne and with subsidiary seconds dial and calendar aperture, the case with cross banded short door flanked by fluted quarter pillars and surmounted by a swan neck pediment, 82.5" high

Mahogany eight day longcase clock, the 14" arched painted dial signed A.G. Hodges, Bristol, with subsidiary seconds and calendar dials, the case surmounted by a swan neck pediment, 93" high

A 19th century pollarded oak and mahogany longcase clock, the hood with broken swan neck pediment and rope twist columns above a long trunk door, box base and bracket feet, the 33 cms dial painted to the arch with a windmill, and painted with cottages and churches to the spandrels with a seconds subsidiary dial and calendar aperture, inscribed 'D.Morgan, Llandovery', 227 cms high.

A 19th century oak longcase clock, the hood with broken swan neck pediment and fluted Ionic columns above an ogee long trunk door, on a box base and bracket feet, the 33.5 cms dial with moonphase to the arch, seconds subsidiary dial, the main dial painted with Roman numerals and Arabic seconds, inscribed 'Shaw, Halifax', the 30 hour movement striking on a bell.

A 19th century oak longcase clock, the hood with broken swan neck pediment and Ionic columns, above a long trunk door, box base and bracket feet, the 31 cms dial painted with a landscape to the arch and floral spandrels with seconds subsidiary dial, calendar aperture, inscribed 'Thos Mills, Caerleon', the 30 hour movement striking on a bell, 205 cms high.

A 19th century oak longcase clock, the hood with moulded cornice, blind fretwork frieze and three quarter Ionic columns above a long trunk door, the 30 cms brass dial with roundel to the arch, David Bowen, Swansea, the brass chapter ring with Roman numerals and Arabic seconds, with a seconds subsidiary dial and calendar aperture, the centre engraved with a scene of a landscape, the eight day movement striking on a bell, 207 cms high.

A Victorian mahogany longcase clock, the hood with broken swan neck pediment and rope twist columns above a short trunk door, box and base, the 35.5 cms dial painted with a shepherd to the arch and cottages to the spandrels with Roman numerals, seconds subsidiary dial and calendar aperture, inscribed 'Hooper & Wen Cardiff', 228 cms high.

An early 18th Century Dutch longcase clock movement, the arched brass dial with moonphase and signs of the zodiac, the dial inscribed Pieter Swaan, Amsterdam, with a seconds dial, ringed winding holes and a triangular calendar aperture showing the days of the week, the movement striking the hours and half hours on two bells, dial 34cm across, now in a later English oak and mahogany banded case, with later seatboard and case repairs, overall height 2.22m

A 19th Century mahogany and ebony inlaid longcase clock, the arched painted dial with floral spandrels and subsidiary seconds and date dials, with an eight day movement, 222cm

A George III oak 8 day longcase clock the hood with full turned columns having a frieze painted with a hunting scene below swan neck pediment enclosing painted enamel dial with moon-phase and date aperture 146cm

An early 19th century oak and mahogany 8 day longcase clock, painted enamel dial with subsidiary seconds and date dials, 244cm high

An early 19th century oak and mahogany 8 day longcase clock inlaid with satinwood shell motif, painted dial, 228cm high

A William IV richly figured mahogany 8 day longcase clock by Wignall of Liverpool, painted enamel dial with moon phase and subsidiary second and date dials, 238cm high

An early 19th century oak 30 hour longcase clock by Thomas Belt of Guisborough, crossbanded in mahogany, 216cm high

A 19th Century oak and mahogany eight day longcase clock, circa 1840, the 13 inch painted dial with foliate spandrels and vase of flowers to the arch, inscribed 'Fred K Denton, Rotherham', with a swan neck pediment a brass orb finials, above turned pillars and a serpentine door, on bracket feet, 226cm high.

A late 18th Century oak and mahogany banded eight day longcase clock, the arched rectangular dial inscribed 'Thomas Fayrer Lancaster', with subsidiary seconds dial and date aperture, painted ship to the arch, swan deck pediment and turned pillars above an arched door, weights and pendulums, 227cm high.

A Victorian oak and brass mounted miniature longcase clock stand, (movement lacking) 40cm high; also A Victorian mahogany cased clock, of gothic architectural design (movement lacking, 49cm high; A mahogany cased dome top mantel clock, 20th century, the dial signed 'Kendal & Dent', London, another mahogany cased mantel clock by the same maker; a red veined marble portico mantle clock, 19th century, 30x41cm, also another painted wooden musical timepiece.(6)

An 18th century brass longcase clock face with attached movement, signed by John Redshaw, Newcastle. John Redshaw listed as c.1740

A 19th century square white enamel longcase clock face painted with a cockerel and indistinctly signed by a Bridgnorth maker, with attached movement

A late 18th century carved oak longcase clock, the square white enamel dial with date aperture and signed by J Hallam, Nottingham. John Hallam listed as c.1799

A late 18th century carved oak eight day longcase clock, the square dial with second counter and date aperture, the silver chaptering signed by Standring, Bolton. Jeremiah Standring listed as c.1780

An early 19th century oak and mahogany eight day longcase clock with arched painted white enamel dial (indistinctly signed) (see lot 864 for illustration)

A late 18th century oak and mahogany eight day longcase clock, the square painted white enamel dial with moon phase and date aperture, by E Shepley, Manchester. E Shepley listed as c.1790-1800 (see lot 864 for illustration)

A 19th century inlaid mahogany eight day longcase clock with arched painted white enamel dial, indistinctly signed (cut down)

A late 18th/early 19th century oak and inlaid mahogany thirty hour country longcase clock, the circular white enamel dial signed by Thomas Gilbert of Rugeley. Thomas Gilbert listed as c.1795

An early 18th century longcase clock movement 8-day and striking on a bell with five knoped and ring pillars to a 12inch square brass dial with a silvered chapter ring inscribed “E Rundell Norton St Phillip” with subsidiary seconds dial and date aperture engraved birds and fruit in a basket the hands later.

An 18th century longcase clock movement 8-day and striking on a bell with five ring and knopped pillars to an 11inch brass dial with a silvered chapter ring inscribed “Will Cockey Wincanton” having a subsidiary seconds dial and date aperture.

A mahogany and line inlaid longcase clock the 30 hour movement striking on a bell to a 12in square painted dial inscribed “Osmond Tisbury” with date aperture 80.5in (204.5cm) h.

An oak longcase clock the 8-day movement striking on a bell to an engraved brass arch dial and chapter ring with subsidiary seconds dial and date aperture with moon phase 73.75in (187.4cm) h.

An oak longcase clock the 30 hour movement striking on a bell to a painted square dial re-inscribed “John Pitt Tetbury” to painted bird spandrels 80in (203cm) h.

An oak longcase clock the 30-hour movement striking on a bell to an associated 10in square brass dial the chapter ring inscribed “P. Bower Redlench” the matted centre with a date aperture 77in (195.5cm) h.

A 19th century oak and mahogany longcase clock the 8-day movement striking on a bell to a circular dial with subisdiary seconds dial and date aperture inscribed “T.C. Skarratt Kington” the hood with a later pediment 82.5in (209.5cm) h.

A 19th century oak and mahogany banded longcase clock the 8-day movement striking on a bell to a painted arch dial with subsidiary seconds dial 84in (213.4cm) h.

A late Victorian mahogany longcase clock the 8-day movement striking on a bell to a painted arch dial with subsidiary seconds and date dials inscribed “Jno. Johnson Newcastle” painted a continental shore scene and ruins the case with satinwood banding and stringing 95in (241.2cm) h.

An early 19th century mahogany longcase clock the associated 8-day movement striking on a bell to an “enamel” arch dial with subsidiary seconds dial and date aperture inscribed “Gill Rye” with gilt highlights 85.5in (217cm) h.

A George III mahogany longcase clock the 8-day movement striking on a bell to a brass arched dial with silvered chapter ring subsidiary seconds dial and date aperture a shaped plaque inscribed “Kenth. McLennau London” the arch with a subsidiary strike/silent dial 84.25in (214cm) h.

A late 18th Century oak longcase clock, with bell top hood and fluted columns to the sides, the trunk enclosed by a shaped arch top door and on bracket feet, fitted an associated engraved square brass dial with date recorder and eight-day striking movement, by James Wrigley Manchester

An early 19th Century oak and mahogany banded longcase clock, fitted a painted dial

Cooper, Derby. A George III oak longcase clock, the case with hood and shaped waist panel door between turned quarter pilasters, on a box base, the 33cm. circular white metal dial signed “Cooper, Derby”, having subsidiary date aperture, the twin train movement with anchor escapement and bell strike, 213cm. high.

Gilbert Bullock, BP Castle. An oak longcase clock, the hood with turned columns, the trunk enclosed by a waist panel door, the 25cm. square brass Roman dial signed “Gilbert Bullock, BP Castle”, with single hand, the thirty-hour movement with anchor escapement and bell strike, 209cm. high.

W Tomlinson, London. An 18th century mahogany longcase clock, the square hood with moulded cornice and brass capped turned three-quarter columns, on a box base, the 28cm. square brass Roman dial with silvered chapter ring signed “W Tomlinson, London”, having subsidiary seconds dial and date aperture, the twin train movement with anchor escapement and bell strike, 202cm. high.

Arnold & Dent. A William IV mahogany and crossbanded longcase clock, the square hood with arched pediment and moulded ear finials, scroll decorated canted corners, the trunk with tapering waist panel door on a box base with moulded decoration, the 28cm. circular dial signed “Arnold & Dent, Strand, London”, with subsidiary seconds dial and strike/silent above the numeral XII, the twin train movement with dead beat escapement striking to a bell, 196cm. high.

Francis Shuttleworth, Sarum. A late 18th century oak longcase clock, the dome topped hood with shaped pediment and turned three-quarter columns, the trunk enclosed by a shaped waist panel door, on a box base with shaped plinth, the 30.5cm. arched brass Roman dial with rocking “man o war” mechanism to the arch, signed “Francis Shuttleworth, Sarum”, having subsidiary seconds dial and date aperture, the twin train movement with anchor escapement and bell strike, 208cm. high

Fearnly, Wigan. A George III mahogany and inlaid longcase clock, the hood with swan-neck pediment and verre eglomise panels, the door with turned fluted pilasters flanked by similar columns, the trunk enclosed by a shaped waist panel door between fluted quarter columns, the box base with inlaid fan spandrels and canted corners, the 33cm. arched brass and silvered Roman dial with moonphase mechanism to the arch, signed “Fearnly, Wigan”, having subsidiary seconds dial, the twin train movement with anchor escapement and bell strike, 234cm. high.

An 18th century 30 hour birdcage longcase clock movement for total restoration.

A Victorian carved oak longcase clock case fitted with 18th century 11in square brass dial silvered single hand chapter ring and cast queens head spandrels with modern electric movement fitted to reverse. 202cm high.

A Georgian mahogany eight-day longcase clock circa 1790 the four-pillar rack and bell striking movement with 12in enamel break-arch dial signed R Hewitt Fowey decorated with gilt floral sprays and roman numerals in a swan neck pedimented case over fluted hood pilasters blind fret panel with arch shaped long door to trunk. 238cm high. R Hewitt of Fowey recorded in G H Baillie ‘Watchmakers & Clockmakers of the World’ Volume 1. Late 18th century.

An 18th century longcase clock movement the 10in brass dial with cherub and crown spandrels silvered chapter ring with quarter and half hour divisions bearing maker’s name Wainwright Bunny. Single hand and date aperture. The 30 hour movement with outside locking plate is set in a new waxed pine case. 200cm high. Humphrey Wainwright of Bunny is recorded in G H Baillie ‘Watchmakers & Clockmakers of the World’ Volume 1. as working in the late 18th century.

An 18th century oak cased thirty-hour longcase clock the movement with outside countwheel strike on a bell the 11in square brass dial with matted centre field date aperture single hand chapter ring with roman numerals quarter hour and half hour divisions inscribed ‘Blackburn Oakham’ Maltese cross and cherub supporting spandrels the thirty hour movement with turned pillars and anchor escapement. 212cm high.

A circa 1930oak longcase clock the eight day three train chiming movement with circular silvered 29cm dial arabic numerals chiming quarterly on gongs and set in case having mouldings to top and flanked by barley twist columns. 222cm high.

A 19th century longcase clock set in mahogany veneered case with eight day rack striking movement anchor escapement the 13in arch dial decorated with floral painted spandrels and shipping scene to arch. Signed Long of Tiverton. 202cm high.

A late Georgian mahogany veneered longcase clock the eight day rack striking movement with arch dial painted with deer spandrels and lady picking roses in garden. Signed on dial R Coates Dudley. The mahogany veneered case decorated with boxwood string inlays Gothic style door to trunk swan-neck pediment to hood flanked by columns. 227cm high.

A 20th century miniature longcase clock with French eight day movement locking plate striking mechanism circular enamel dial with roman numerals and trefoil hands set in polished walnut case of 17th century influence with architectural pediment and hood flanked by spiral columns with brass capitals. 90cm high.

Oak longcase clock, the stepped cornice over a blind fretwork frieze above a square painted dial with central bird motif and Roman numerals in black and with a thirty one day aperture flanked by turned columns and over a plain case with bracket feet, 76 1/2in (194.3cm) high

Walnut drumhead longcase clock, the gilt and white enamel dial marked for D. Roberts, Airdrie with Roman numerals in black and seconds dial and thirty one day dial over a glazed door and sides on an ogee base section, 82 1/2in (209.5cm)