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Lot 1096
AN ENGLISH MAHOGANY MUSICAL LONGCASE CLOCK, 19TH CENTURY BUYERS ARE ADVISED THAT A SERVICE IS RECOMMENDED FOR CLOCKS PURCHASED the 31cm silvered dial with Arabic minutes and Roman hour numerals, a subsidiary seconds dial below, spandrels to the corners with a cartouche depicting an eagle above, four pillar anchor movement striking on eight bells, the arched hood surmounted by spires, a pair of fluted columns flanking the door, the trunk with a shaped door with fluted canted corners, on a plinth base, on bracket feet, stringing throughout, distress, restorations 231,5cm high
Lot 1746
A Georgian Mahogany Longcase Clock having brass mounted swan pediment with central brass ball top to the hood, with fluted columns, arch top single pane door, opening to reveal painted Arabic numeral face with bird and floral motifs, marked Vincent Bath, eight day movement with second hand and date roller, the long door case with boxwood string inlay, similar inlay to the base section, standing on bracket feet (lacking rear feet), 18 1/2'' wide x 85 1/2'' high x 9 1/8'' deep
Lot 1752
An early 19th c. Mahogany and Oak Longcase Clock, having swan pediment hood with reeded square column supports and single pane square door opening to reveal floral painted face with cottages and Roman numerals, marked Winstanton, Wrexham, 30 hour movement, the short door case having shell inlay, cross-banded and reeded detail, with lower moulding to the canted corner base, 83 1/2'' high x 25 1/4'' wide x 11 1/2'' deep
Lot 413
A Victorian mahogany longcase clock by G & T Gibson of Alnwick, with plain hood having arched glazed door flanked by turned columns, the painted dial with roman chapters and two secondary dials, the trunk with canted corners framing a crossbanded door, with silmilar base on bracket feet. (85.5in)
Lot 344
19th Century inlaid mahogany and oak longcase clock by Walter Chew of Pateley, the hood with swan neck pediment, arch shaped glazed door flanked by reeded pillars, trunk with short door and standing on turned feet, painted arch shaped dial with Masonic symbols to the arch, Roman numerals and subsidiary calendar dial, eight day striking movement Condition:
Lot 147
A George III oak and mahogany Longcase Clock, eight day movement on painted arched face with rolling moon phase inscribed Geo Slater Burslem, Roman numerals, subsidiary seconds dial and calendar, inlaid mahogany hood with swan neck pediment, turned pilasters, oak trunk with shell inlaid door flanked by turned pilasters, canted box base, 228cm high
Lot 1251
An 18th century John Coates of Cirencester brass faced longcase clock movement set within a later 19th century oak geometric panelled grandfather clock case. The brass faced dial with decorative spandrels, roman numeral chapter ring with date aperture lower centre. Notation to centre for John Coates. Set within a later oak trunk with geometric panel work and barleytwist columns.
Lot 79
A Regency oak longcase clock, arched painted dial with bucolic scene of a shepherdess with child, seated in a landscape with a farmhouse, Arabic chapter, date aperture, thirty-hour movement striking on a bell, signed John Hallam/Nottingham, floral spandrels, the hood with swan neck cornice, free standing pilasters, shaped door, canted angles, skirted base 210.8cm high.John Hallam was working at Nottingham from the 1790s until 1820 when he was in partnership with his brother Thomas although Thomas went his own way after 1828. His sister married Nottingham maker John Stevenson and Hallam took their son William (1791-1881) as an apprentice 1805-1812. Stevenson eventually took the business over and transferred to Derby in 1841, retiring in 1855.
Lot 273
A 19th century oak cased longcase clock, the hood with turned pilasters, the dial with pierced brass mask decorated spandrels, silvered chapter ring, subsidiary date and seconds dial and makers name William Newman Norwich. The case with reeded angled pilasters above a plinth base and ogee bracket feet. 78ins. Est £200-300
Lot 16
LATE EIGHTEENTH CENTURY MAHOGANY LONGCASE CLOCK, Signed John Wyatt, Altrincham, with Halifax rolling moonphase, the 14" painted dial with subsidiary dial and floral spandrels, powered by an eight day movement, striking on a bell, housed in a case with swan neck pediment, brass finial's and free standing square, reeded columns, over a long trunk door with triple Gothic arch top, flanked by reeded fore corners and raised on a panelled base, 86 1/2" (219.7cm) high
Lot 26
LATE EIGHTEENTH CENTURY MAHOGANY CROSSBANDED OAK LONGCASE CLOCK, signed Benj (ami) n Barlow, Ashton (Under Lyne), the 12 1/2" brass dial with subsidiary seconds dial and date aperture to the scroll engraved, matted centre, enclosed by scroll pierced spandrels and powered by an eight day movement, striking on a bell, housed in a caddy top case with flame cut frieze and free standing turned forecolumns, above a long trunk door with shaped top, flanked by turned quarter columns to the fore corners and raised on a conforming base with bracket feet
Lot 28
LATE EIGHTEENTH CENTURY MAHOGANY LONGCASE CLOCK, signed Jn Agar, Malton, the 12" enamelled dial with subsidiary seconds dial and date aperture to the centre, enclosed by gilt scroll spandrels and set beneath an oval panel depicting castle, figures and a sailing boat in a river landscape to the arch, powered by an eight day movement striking on a bell and housed in an arch top case with brass spike and ball finials and fluted forecolumns, above a long trunk door with shaped top, flanked by fluted and chamferred forecorners and raised on a conforming, panelled base with shaped plinth, 91" (231.1cm) high (dial re-painted)
Lot 29
EARLY NINETEENTH CENTURY OAK AND CROSSBANDED MAHOGANY LONGCASE CLOCK, with Halifax moonphase, the 14" painted Arabic dial with subsidiary dial, floral spandrels and a pair of exotic birds and flowers to the centre, powered by an eight day movement striking on a bell, housed in a case with pierced swan neck pediment and square reeded free standing forecolumns, over a long trunk door with shaped top and raised on a conforming base with chamferred forecorners and later shaped plinth, 85 1/2" (217.2cm) high
Lot 32
NINETEENTH CENTURY MAHOGANY AND OAK LONGCASE CLOCK, signed Rich(ar)d B. Thomas, Portmadoc, the 14" painted dial with subsidiary seconds dial and date aperture, decorated with building spandrels and love birds to the centre, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment, split and free standing fore columns, over a trunk door and panel, flanked by a split turned columns and raised on a conforming panelled base (a.f.) with bracket feet, 88 1/2" (224.8cm) high, (woodwormed)
Lot 33
BRAVINGTONS LTD. LONDON, EARLY TWENTIETH CENTURY MAHOGANY LONGCASE CLOCK, the 11" brass dial with silvered chapter rig, matted centre, pierced spandrels and 'Tempus Fugit' inscribed disc to the arch, powered by a three weight driven keyless movement striking on eight rod gongs, housed in an arch top case with chamferred forecorners, glazed trunk door and panelled base with bun feet, 78 1/4" (198.7cm) high
Lot 560
Allam & Clements London: a George III mahogany boxwood strung longcase clock, the arched hood with brass mounted stop fluted freestanding columns, the long moulded arched trunk door above a panelled base, on shaped apron stand, the 12" brass dial with silvered chapter ring, strike/silent and seconds subsidiaries, date aperture, the twin train movement striking on a bell, 239cm high, with key.Illustrated.
Lot 1246
Edwardian longcase clock with eight day three-train Westminster chiming movement, 13½ inch brass break arch dial with silvered chapter ring and raised black Arabic numerals, subsidiary silvered seconds dial, engraved foliate centre, cast foliate spandrels and face mask break arch appliqué, in a polished mahogany case with bevelled glass door and carved frieze, domed hood with full-size glass door and pierced side frets, 230cm overall height (pendulum, three brass weights, winding key and door keys present)
Lot 94
A MAHOGANY LONGCASE CLOCK, 19th CENTURY, the dial painted “Mitchell, Aberdeen”, with broken arch pediment terminating in carved flower heads and centred by a brass finial with eagle, the arched hood with painted panel of cupid above the white painted dial with foliate filled corners, flanked on either side by fluted brass mounted columns, the trunk with shaped door and quarter engaged fluted column above the outset base with satinwood border and on bracket feet, 230cms x 50cms x 24cms.
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44426 item(s)/page