We found 41737 price guide item(s) matching your search

A 19th Century oak and mahogny 30 hour longcase clock by I & E Mason of Worcester, with square painted dial and swan neck pediment.

A reproduction Mahogany Longcase Clock by Smallcombe, England, having swan pediment hood, brass and brushed alloy face with moon roller, glazed door, standing on plinth base. 15 1/2`` wide x 77`` high x 9 1/4`` deep

A REPRODUCTION DWARF LONGCASE CLOCK WITH BREAK ARCHED BRASS DIAL

A `VIENNA` WALL CLOCK ADAPTED AS A DWARF LONGCASE CLOCK IN STAINED OAK CASE

AN ART DECO WALNUT DWARF LONGCASE CLOCK WITH CHIMING MOVEMENT

A MAHOGANY LONGCASE CLOCK dial painted 12 inch, signed Cockburn, Richmond, subsidiary calendar and seconds ring, 79 1/2ins. (202cms.) high

AN OAK LONGCASE CLOCK dial 10 1/4inch silvered, signed Edwd. Smith, Richmond, subsidiary seconds ring and calendar aperture, 86ins. (218.5cms) high overall

A MAHOGANY LONGCASE CLOCK dial cream painted with subsidiary seconds ring and calendar ring, signed W. Cram, Carlisle, the spandrels painted with rural buildings, the arch with a kneeling couple, case inlaid with boxwood lines, 85 1/2ins. (217cms.) high

A TORTOISESHELL AND CHINOISERIE GILT LACQUERED LONGCASE CLOCK dial 11 inch silvered chapter ring, subsidiary seconds ring and calendar aperture, the plate signed B. Broadhead, Londini, Fecit, the arch with silvered strike/silent ring, 89ins. (226cms.) high

An early 19th Century thirty-hour oak longcase clock, fitted a square 11" brass dial with Roman numerals by John Wood, Stroud

An early 19th Century oak eight-day longcase clock, the case with broken arch pediment and turned columns to the hood, the trunk enclosed by an arch top door, the arch top brass dial with painted scene of a city to the arch having decorated spandrils and date recorder, by Caygill, Askrigg

An early 19th Century oak longcase clock with thirty-hour painted dial

A 19th Century Longcase Clock with arched painted dial, subsidiary seconds dial and date aperture, 8-day movement in oak case with mahogany cross-banding, shell and Prince of Wales feather inlay, the case and hood with spiral columns

A 19th Century oak Longcase Clock with a swan neck pediment having Greek key frieze above the painted arched dial "Kingsbridge, Plymouth" Roman numerals, eight day movement, the dial flanked by columns having corinthian capitals, 8ft 2in H approx

18th c. longcase clock case with columned cheeks

A 19th century mahogany cased longcase clock, with a painted dial

An 18th century oak cased thirty hour longcase clock, the case with a broken arch pediment, the twelve inch brass dial, with Roman hours and subsidiary seconds dial, within cast brass spandrels, signed Neddy Wells, Shepley, the single train movement with an anchor escapement, striking on a bell, 217cm

A Victorian mahogany longcase clock with painted dial.

Late 18th century oak and mahogany longcase clock with swan-neck pediment, broken arch painted dial with calendar movement, inscribed below "W. Plant, Walsall", calendar arch, flanked by pair gilt metal mounted Corinthian fore-columns, all with chequered inlay, the trunk with shell inlaid cross-banded shaped door, on bracket feet, 208cm high

EARLY VICTORIAN WALNUT DRUMHEAD LONGCASE CLOCK WILLIAM MARSHALL, WISHAW, MID 19TH CENTURY 8 day movement, the foliate carved drum case enclosing a gilt Roman numeral dial with two subsidiary dials and two winding holes, above a tapered case with glazed door, on a bombe base 58cm wide, 208cm high

GEORGIAN MAHOGANY LONGCASE CLOCK EARLY 19TH CENTURY MITCHELL & SON, GORBALS, GLASGOW the swan neck pediment centred by a turned ball finial, above a foliate blind fret carved frieze and arched brass dial with Arabic numerals, inscribed with maker`s name, two subsidiary dials and winding holes, 8 day movement, flanked by turned free columns; the case with spiral carved corner columns with acanthus capitals 59cm wide, 222cm high

GEORGE III PROVINCIAL OAK LONGCASE CLOCK WILLIAM YEADON, STOURBRIDGE the moulded straight cornice over a brass dial with Arabic and Roman chapters, 8 day movement, date aperature and subsidiary seconds dial, flanked by doric three quarter columns, over a straight case with moulded arch door and raised on bracket feet 49cm wide, 94cm high, 58cm deep

SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK JOSEPH DURWARD, EDINBURGH, EARLY 19TH CENTURY 8 day movement, the broken swan neck pediment with faux tortoiseshell inset panels over a steel and brass dial with Roman and Arabic chapters, date aperature and subsidiary seconds dial, the long case with a shaped door flanked by quarter columns 49cm wide, 222cm high, 24cm deep

QUEEN ANNE MARQUETRY LONGCASE CLOCK JOSEPH SAER, LONDON, EARLY 18TH CENTURY the five pillar twin train movement, with anchor escapement, striking on a bell, the square brass dial with silver chapter ring and cast spandrels inscribed `Jos Saer, Porpoole Lane, London`, also with subsidiary seconds dial and day and date apertures, the hood with caddy top above moulded cornice and blind fretwork frieze flanked by spiral turned half columns, the trunk with rectangular cushion moulded door and glazed lenticle, above a base with plinth, the whole profusely inlaid with flowering urn marquetry 54cm wide, 236cm high, 27cm deep Provenance: Purchased in these rooms 24 September 2003, sale 77, lot 222

A MAHOGANY LONGCASE CLOCK by Blakeborough, Keighley, the eight day movement with anchor escapement striking on a bell, 14" arched painted dial with Roman numerals, secondary dial and calendar aperture, the arch painted with an Arabian scene depicting figures and a camel, the case with swan neck pediment and turned finial on baluster turned columns, canted trunk with arched door and recessed panel above and below, gadroon edged canted base, on bun feet, 95" high

AN OAK LONGCASE CLOCK by Joseph Batty, Halifax, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial flower chased with moonphase and calendar aperture, the silvered chapter ring with Roman and Arabic numerals, the case with scrolled pediment on turned columns, arched door flanked by quarter columns, panelled base and later bracket feet, 68 1/4" high

A MAHOGANY LONGCASE CLOCK by Ashford & Allright Birmingham, the eight day movement with anchor escapement striking on a bell, 15" arched dial with Roman numerals and painted with allegorical figure scenes depicting the four seasons, secondary dials, painted moonphase in the arch, the rosewood banded and ebony strung case with scrolled pediment on brass capped wrythen turned columns, triple arch door flanked by further columns, on canted panel base and bracket feet, 94 1/2"

AN OAK LONGCASE CLOCK by John Coulson, Haydonbridge, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 11" arched brass dial with Roman and Arabic numerals, signature plaque and calendar aperture, roundel in arch painted with a moon face, in oak case, the moulded cornice with carved leaf scroll crest turned columns, arched door, panel base and bracket feet, 95" high to tip of finial

A MAHOGANY LONGCASE CLOCK by J Stancliffe, Burnley, the eight day movement with anchor escapement striking on a bell, 14" arched dial painted with birds on branches and fan motifs to spandrels, Roman and Arabic numerals, secondary dial and calendar aperture, moonphase painted with tall ship and landscape, in mahogany case with scrolled pediment on turned columns, triple arched door flanked by inlaid fluted pilasters, canted base and bracket feet, 92" high

A MAHOGANY LONGCASE CLOCK by Lamgbourne (?), Driffield, the eight day movement with anchor escapement striking on a bell, 13" dial with Arabic numerals painted with flowers, secondary dial, moonphase in arch with coastal scene and oscillating sailing ship, in a flame veneered, banded and string inlaid case with paterae, scrolled pediment with brass finial on fluted columns, lancet arched door flanked by quarter columns, shaped apron and bracket feet, 88 1/2" high

A 1920s oak cased longcase clock, with three train chiming movement

A late 18th Century oak longcase clock by Wainwright of Nottingham with 12ins square painted dial and calendar dial to the thirty hour movement striking on a bell, contained in case with blind fret ornament and turned pillars to hood and shaped trunk door, 80ins high Note: John Wainwright (and son) recorded working in Nottingham 1779- 1828

A modern American mahogany longcase clock of 18th Century design, the 10ins square arched brass dial to the eight day three train movement chiming and striking on ten gongs, 78ins high

An early 19th Century oak longcase clock, the 12ins arched painted dial with subsidiary seconds dial and calendar aperture to the eight day two train movement striking on a bell, contained in case with shaped cresting and turned pillars to hood and with plain trunk door, 84ins high

An early 19th Century oak longcase clock with eight day two train movement striking on a bell (lacking dial), contained in case with scrolled cresting and turned pillars to hood and with mahogany crossbanded trunk door, 83ins high

A late 18th/early 19th Century oak longcase clock by W Underhill of Newport, the 12ins arched painted dial with calendar aperture to the eight day two train movement now striking on a bell, contained in case with scrolled cresting and turned pillars to hood, the trunk door inlaid with oval paterae, on moulded plinth base, 85ins high Note: William Underhill recorded working in Underhill (Shropshire) 1828-1835

An 18th Century oak longcase clock by Edmund Martin of London, the 10ins arched brass dial with gilt brass spandrels and silvered chapter ring, with strike silent dial, subsidiary seconds dial and calendar aperture, to the eight day two train movement now striking on a gong, contained in case with shaped cresting and brass finials, and with turned and fluted pillars to hood, the case with arched trunk door, 92ins high Note: Edmund Martin (and son) recorded working in Cheapside 1760-1795

CLOCKS-"W.T. WELLS - BIRMINGHAM AN EARLY 19TH CENTURY 8-DAY LONGCASE CLOCK having period four-pillar mechanism with anchor escapement, modern bell faced by period arched silvered dial with subsidiary seconds and calendar, in a later late Victorian carved oa" k case with mask and finial pediment hood and devil on the door, 2.35m high

A part-late 18th/early 19th century oak, boxwood inlaid and crossbanded longcase clock, having moulded cornice above a square glass enclosing a bell striking lantern clock-type movement, faced by brass dial named William Grimes, London. The trunk with narrow three quarter length door above a box base on bracket plinth.

A reproduction mahogany chiming longcase clock, the circular Roman numeral dial above a glazed door, 188cm high

A 19TH CENTURY COTTAGE OAK CASED LONGCASE CLOCK having a square painted dial and seconds dial, with 30 hour movement in a plain case, 11" dial, 72" high

A late 18th century walnut cased longcase clock the eight day movement striking on a bell, with square brass dial signed `John Waters London`, with silvered Roman chapter ring, subsidiary seconds, date aperture, pierced steel hands and gilt brass mask spandrels, the walnut case with flared moulded pediment over a square glazed door, the trunk with moulded arched door flanked by canted column pilasters, on a plain plinth base, 74.75in. (190cm.) high. See Illustration.

A 19th century mahogany longcase clock by Samuel Bailey Newcastle, having three turned finials to the arched hood and glazed door enclosing the 13.5 inch arched painted dial with Roman numerals, subsidiary date and seconds dials and two-train striking movement flanked by hexagonal pillars, with short trunk door beneath and conforming base raised on turned legs. Height 96 ins (see illustration).

A Regency/William IV mahogany longcase clock by T. Russell of Lancaster, having a swans neck pediment with target terminals above the arched glazed door enclosing the 14 inch arched painted dial with cottage scene, rose spandrels, Roman numerals, subsidiary second and date dials and eight day striking movement, flanked by simple columns, with three quarter length arched trunk door beneath flanked by cluster columns and with conforming base raised on bracket feet (see illustration).

An early 19th century mahogany longcase clock by H. Tyson of Whitehaven, with eagle finial set between the swans neck pediment with arched glazed door beneath enclosing the 14 inch arched painted dial, with Britannia to arch, painted spandrels, Arabic numerals, date aperture and two-train movement by H. Tyson, Whitehaven, flanked by fluted columns and with rectangular crossbanded and boxwood strung trunk door flanked by cluster columns and with conforming base. Height excluding finial 87.5 ins (see illustration).

A George III oak longcase clock by Richardson of Brampton, the case with swans neck pediment with foliate terminals above the arched glazed door enclosing the 12 inch arched brass dial foliate engraved with Roman numerals and subsidiary Arabic numerals, with date aperture, seconds dial and 30 hour movement inscribed "Richardson, Brampton", with long arched trunk door with brass furniture flanked by fluted quarter column corners and with conforming base. Height 83 ins (see illustration).

An Edwardian mahogany longcase clock, with brass vase and cover finial between the swans neck pediment, with fretwork beneath and with arched glazed door enclosing the 7.5 inch arched brass dial with Roman numerals to the silvered chapter ring and with two-train weight driven movement, the whole flanked by fluted columns with Corinthian capitals, with fretwork frieze above a long arched trunk door flanked by quarter column corners with Corinthian capitals and with conforming base. Height 75.5 ins (see illustration).

A George III mahogany longcase clock by Robertson of Glasgow, having a moulded fluted cornice above an arched glazed door enclosing the 13 inch arched brass dial, scroll engraved and with Roman numerals, subsidiary date and seconds dials and eight day striking movement, flanked by fluted columns and with rectangular trunk door beneath, flanked by canted angles, with conforming base raised on bracket feet. Height 83 ins.

A late Georgian mahogany longcase clock, with three brass steeple and ball finials to the fretwork hood and arched glazed door enclosing the painted dial and eight day striking movement, with Roman numerals and subsidiary seconds hand by Clark, Weymouth, with conforming trunk door and base raised on bracket feet. Height including finial 88 ins.

A William IV mahogany longcase clock by John Corbett of Glasgow, with fretwork pediment to the circular door enclosing the 13 inch circular dial with Roman numerals, subsidiary date and second hands and three-train movement and with keyhole shaped case raised on short turned feet. Height 80 ins.

A 19th century mahogany longcase clock, the arched brass dial with eight day chiming movement, with chime/silent feature, chiming with eight bells and with Westminster chimes, height 239cm (Illustrated).

A late 18th century mahogany eight day longcase clock, the broken arch pediment above square dial with silvered chapter ring, signed Geo Lupton, Altrincham, with subsidiary seconds and date dials, dentil and blind fret carving to case, total height 207cm. George Lupton of Altrincham is listed as operating from 1772 to 1795 (GH Baillie) (Illustrated).

A late 18th century oak eight day longcase clock, the arched brass dial with subsidiary seconds and date aperture, signed James Gordon, Perth, above a long door on ogee bracket feet, height 218cm. James Gordon of Perth is listed as 1771-1796 (GH Baillie) (Illustrated).

A 19th century oak longcase clock for restoration, the square painted dial with date aperture and subsidiary seconds, height approx 198cm (af).

An early 20th century oak cased mantel clock with silvered dial, height 22.5cm, another oak cased mantel clock, height 21.5cm, a beech miniature longcase clock with carved decoration, height 37cm and a walnut hanging wall clock with metal mounts, height 50cm (4).

A Victorian style pine longcase clock

Thomas Harben, Cliff, Lewes, a mid 18th century oak 30 hour longcase clock, the 10 inch square brass dial with single hand, scroll engraved centre, rococo spandrels, the brass frame movement with outside countwheel strike, all within the typical rectangular case, 199cm high

William Webster, Exchange Alley London, an 18th century month going, green lacquer, longcase clock, the 12 inch brass and silvered dial with strike/silent to the arch flanked by two figures on eagles, signed on two rectangular plates, with seconds dial and date aperture, mask spandrels, pierced hands, 5 pillar movement, the chinoiserie and gilt lacquered case with later added caddy to the hood, 237cm high (some restorations and repainting to the case)

James Hardy & Co Aberdeen, an oak longcase clock, the hood with swanneck pediment above quarter columns to the trunk, upon a rectangular plinth base, the 12 inch silvered dial signed to the arch above the moonphase disc, seconds dial and date aperture below, mask spandrels, engraved centre, with 4 pillar 8 day movement having deadbeat escapement and adjustable wooden rod pendulum, (case associated), 226cm high

A George III oak thirty hour longcase clock, the 10 inch square brass dial with single hour hand, signed Vale, Coleshill, 6ft 6ins