We found 41749 price guide item(s) matching your search

A Late 18th Century Oak Longcase Clock for restoration with brass dial signed Geo. Baddeley, Newport, 30 hour movement

A thirty hour longcase clock with a 12" square dial signed JAS Tamworth contained in an oak and mahogany crossbanded case

A modern mahogany cased three train moonroller longcase clock by Fenclocks, Suffolk height 77 1/2"

A longcase clock, having three-train movement the arched dial incorporating moon phase with Arabic numerals, silvered chapter ring and brass corner spandrels in an inlaid mahogany case.

A 30 hour oak cased longcase clock, the dial painted with flowers to the spandrels 199cm high

A huge Victorian mahogany eight day longcase clock, the arched white enamel dial with painted spandrels signed by Samuel Travis of Leek above arched door flanked by twisted pilasters, on bracket feet, height around 9ft

A 19th century inlaid mahogany eight day longcase clock, the arched white enameled dial with rolling moon, above arched door flanked by reeded pilasters

A late 18th century oak and mahogany crossbanded eight day longcase clock, the square dial signed by Lupton of Altrincham (in need of restoration)

An early 19th century oak and mahogany 30 hour longcase clock with square white enamel dial

A late 18th/early 19th century oak 30 hour longcase clock with square painted white enamel dial signed by Benjamin Reeves of Malmesbury (cut down)

A longcase clock, the eight-day chiming movement with silvered circular dial inscribed H. L. Brown & Sons Ltd, London & Sheffield, in arched mahogany case, trunk with dummy door raised on ogee bracket feet, 20th Century, 52 1/2" high.

A 19th Century longcase clock, the eight day movement striking to bell with painted arched dial depicting a chinoiserie figure scene with floral spandrels, seconds dial and date aperture, inscribed Jn Snowden, Grimsby, in oak case with pagoda hood on fluted supports, canted trunk, on panelled base and bracket feet, 86 1/2" high.

A 19th Century longcase clock, by G. & T. Kidds, Malton, the eight-day movement with painted arched dial depicting a bird amongst foliage and floral spandrels in oak case with brass orb finials on caddy top, turned columns, arched door and panelled base, 87" high. page 29.

A late 18th Century longcase clock, the eight-day movement striking to bell, with arched brass dial inscribed Jn Bower, Falkirk, having date and seconds dials, silvered chapter ring and cast scrolling spandrels, in oak case with swan neck pediment, dentil cornice over fluted pilasters, shaped door, on panel base and bracket feet, 91" high.

Brass longcase clock movement and face, the arched dial with a circular sun motif and gilt metal appliques to the spandrels, the chapter ring with Roman numerals in black and with a seconds dial and thirty one day ring

Victorian drumhead longcase clock, the carved crest above a gilt and white enamel dial with Roman numerals in black marked for George B. Watson Airdrie, over a glazed trunk and panelled base section on turned feet, 83in (210.7cm) high

Oak longcase clock, the swan neck pediment above an arched dial with circular silvered plaque engraved with a clipper to the arch and gilt metal appliqués in the spandrels, the brass face with a thirty one day dial and subsidiary seconds, flanked by columns with gilt metal mounts over a trunk with bowed door flanked by pilasters and on a panelled base section on bracket feet, 87in (221cm) high

An antique oak longcase clock having arched enamel 33cm dial with seconds and calendar by J.Leslie, Kirkcaldie, 8 day, the case having mahogany cross banded door flanked by fluted quarter columns, 209cms.

An antique Irish mahogany longcase clock having round 32cm enamel dial with seconds by Gardner, Belfast, No.226, the case flanked by rope twist quarter columns, 216cms.

An antique green and gilt Chinese lacquer longcase clock having arched brass 33cm dial with phases of moon, seconds and calendar by Joseph Smallwood, Sandbach, 230cms.

A 19th century mahogany cased longcase clock byG Webbley of Bromsgrove. Broken swan pediment above an arch dial painted with a scene of Daniel in the lions den above ladies of the world and various animals. Date ring and second hand to dial. Chiming on a bell. Lacking feet. 87" high.

An unusual 19th century oak longcase clock by Jonathan Douglas of Galston. The plain moulded cornice above an arch top painted dial. Decorated with Masonic symbols. Second hand and date ring. Ringing on a bell. 86" high. (see lot 292 for illustration)

An 8-day longcase clock movement, the 11in square enamel painted dial by John Leach of Romsey, in unrestored condition

Two 30 hour longcase clock movements for restoration, dismantled movement, three enamel clock dials and brass 11in square dial for 30 hour longcase clock, with silvered chapter ring and cast spandrels

A tin trunk containing 30 hour longcase clock movement for restoration, longcase movement parts, nuts, screws and sundry items

Two part built pine longcase clock cases

A late Georgian oak longcase clock, the 11in square brass dial with chapter ring engraved with Roman numerals, cast and chased urn shaped spandrels and makers name Matthew Sayer. Exon. The movement with anchor escapement and locking plate striking mechanism. The associated case 86in high

A Late Georgian oak longcase clock, the eight day movement with rack striking mechanism, 12in square brass dial with cast and chased floral spandrels, silvered chapter ring with engraved roman numerals and minute divisions, second hand and date aperature. The hood of square form and flanked with turned pillars. 200cm high

A 19th Century mahogany longcase clock, the eight day striking movement with anchor escapement, rack striking on bell and four turned pillars between plates. The 12in circular dial with enamel finish, roman numerals, minute division, seconds and date hands, the dial bears makers name P Sinclair & Son, Glasgow. 201cm high

A fine 18th Century mahogany longcase clock, the eight day movement with five pillars, anchor escapement, rack striking on bell, escapement linkage to rocking 'Father Time' in arch with cobalt blue and gold star background, the 12in dial with silver chapter ring, roman numerals, quarter and half hour divisions, tooled centre panel with chased doves and scroll work to date aperture, silver acorn panel with makers name Joseph Hocker of Reading, The arch dial with cast queen spandrels surrounded with engraved borders. The movement set in a fine quality mahogany case of London influence, the trunk flanked by reeded columns with brass inlay and capitals, the hood of similar design with three brass finals. 235cm high.

A LONGCASE CLOCK by Richard Blakeborough, Otley 1827, the eight day movement with arched dial painted with flowers and a cottage in a landscape, secondary dial and calendar aperture, in oak and mahogany case, crossbanded with parquetry banding, scrolled pediment on turned columns, arched door, panel base and shaped apron with bracket feet, 97" high

A LONGCASE CLOCK by J Ha....., Pudsey, the eight day movement with arched dial painted with cottages and a river landscape, secondary dials, in mahogany and crossbanded case, the scrolled pediment with turned finials on baluster columns, canted trunk with arched door, panel base and turned feet, 100" high

A LONGCASE CLOCK by G Johnson, Lincoln, the eight day movement with arched dial painted with flowers and a river scene, secondary dial, in oak and mahogany case with stringing, scrolled pediment with finials on fluted square columns, arched door, panel base and bracket feet, 84" high

A LONGCASE CLOCK by Blakeborough, Keighley, the eight day movement with arched dial painted with farmyard scene, windmill and animals, secondary dial and calendar aperture, in oak and mahogany crossbanded case, scrolled pediment on baluster turned columns, arched door flanked by wrythen turned pilasters, panel base and splayed feet, 93" high

A WELSH LONGCASE CLOCK by Richard Beaver, the eight day movement with arched silvered dial engraved with flowers and insects, secondary dials, painted moon dial inscribed "High Water at the Mumbles", in oak case, the moulded cornice and embossed leather frieze on turned columns, canted and fluted trunk with arched door, panel base and bracket feet, 83 1/2" high

A LONGCASE CLOCK with thirty hour movement, square painted dial with birds and flowers, in oak case with split pediment, turned hood supports, small moulded door and shaped plinth, 19th century, 81" high

A LONGCASE CLOCK with thirty hour movement, arched dial painted with flowers, in string inlaid case with moulded split pediment, turned hood supports, reeded pilasters, shaped door and turned feet, 19th century, 86" high

A LONGCASE CLOCK by John Fletcher, Holbeck, the eight day movement with square brass dial chased with lovers in a park, secondary dial, in mahogany case, the moulded and dentil scrolled pediment applied with brass flowerheads and raised on Corinthian columns, arched door flanked by fluted quarter columns, canted base and ogee bracket feet, 90" high

A LONGCASE CLOCK by Hill, Sheffield, the thirty hour movement with circular dial painted with floral festoons and scrolling foliage, calendar aperture, in oak and mahogany crossbanded case, the broken pediment with brass finials on fluted columns, arched door flanked by fluted pilasters, panel base and plinth, 84" high

AN OAK LONGCASE CLOCK the eight day movement striking the hours on a bell, the 12 inch painted arched dial having painted riverscape decoration to the four corners and with a scene of a harp playing woman next to a lake within the arch, with a subsidiary seconds dial below XII o'clock, black Roman hour numerals and decorative blued steel hands, indistinctly signed with the maker's name 'Rickett', the falseplate stamped with the dialmaker's name 'Finnemore & Son, Birmingham', the oak case having mahogany crossbanding to the door and base, tapered pillars to the hood and a crested moulding and three brass finials to the top, height 221cm

A MAHOGANY LONGCASE CLOCK the eight day movement striking the hours on a gong, the brass 111/2 inch arched dial has wheatear border engraving and cast brass female-head spandrels to the dial and dolphin spandrels to the arch a silvered subsidiary seconds dial below XII date aperture above VI o'clock, the silvered chapter ring engraved with black Roman hour numerals, Arabic five minute markings, half hour markings and 71/2 minute indents, blued steel hands, with a 'strike/not strike' dial to the arch and having a silvered cartouche to the matted dial centre engraved with the maker's name 'Frans Gregg att St James's', the flat topped mahogany case having an arched trunk door and plain base with brass capitals to the hood pillars and side windows, height 218cm

An early 18th century 30 hour longcase clock movement and dial, the unsigned 10.5 inch square brass dial with pierced single hand, mask spandrels and simple concentric engraved decoration to dial centre, having an iron posted frame movement with outside countwheel and anchor escapement, all in a 19th century stained wood case, 204cm high

A. Donald, St Helens, an early 19th century mahogany and rosewood longcase clock, the hood with swanneck pediment and turned columns, the 14 inch arched painted dial with moonphase disc, seconds and calendar dials, Arabic numerals and floral spandrels, the four pillar movement with Wilson falseplate, the trunk with quarter columns and raised on a canted rectangular plinth, 220cm high

An eight day stripped oak longcase clock, the hood with swanneck pediment having a 12 inch arched lacquered brass dial signed Robb Montrose, with crown spandrels, seconds and calendar dials, and four pillar movement, case associated, 217cm high

John Thompson, London, an eight day longcase clock movement and dial, the 12 inch arched brass dial signed in the arch, with mask spandrels, seconds dial, date aperture and five pillar movement, now in a 20th century varnished wood rectangular case, 218cm high

Joseph Herring, London, a fine and imposing George III four train musical longcase clock, the mahogany paterae inlaid case having a pagoda top break arch hood with gilt brass fret panels above stop fluted columns with a further hinged fretwork panel to ea

A 19th century mahogany, rosewood and burr wood veneered longcase clock, the arched hood with shaped cresting, turned finials and barley twist columns, the trunk with conforming columns and raised on bracket feet, the 13 inch painted and convex dial signed 'Pontypridd', a male harpist to the arch and castle spandrels, seconds dial and calendar aperture, Finnemore and Son falseplate with eight day four pillar bell-striking movement, 232cm high

A WELSH OAK EIGHT DAY LONGCASE CLOCK, by S. Furtwengler of Llanelly with hood having swan neck pediment above arch dial flanked by turned columns, shaped and inlaid waist door, on panelled base. 8 Day movement striking on one bell with 18" x 12" face painted with Tintern Abbey, having date apeture and seconds dial.

AN EARLY VICTORIAN MAHOGANY EIGHT DAY LONGCASE CLOCK, having broken arch pediments to the hood, arched apeture flanked by moulded and turned columns, waist with shaped door, on box base with bracket feet, painted dial with hunting scenes marked Davies, Bridgend, eight day movement striking one bell, face 12" wide x 18" high.

AN 18TH CENTURY SCOTTISH LONGCASE CLOCK, by George Brown of Edinburgh, having ornate case with hood, having pierced broken swan neck pediment, arched apeture flanked by twist turned columns, waist with pointed arch moulded door, flanked by similar turned columns on plain base with bracket feet. Eight day movement striking on one bell, arched brass face with date and seconds dials and pierced spandrels. The face 18" high x 13" wide, the case 86" high. (Brown Family of Edinburgh - 18th Century Clockmakers).

A GEORGE III WELSH OAK 30 HOUR LONGCASE CLOCK, the hood having swan neck pediment above 11.5" square dial flanked by reeded pillasters, waist with shaped cross beaded door, flanked by canted angles on panelled base with bracket feet. 30Hour movement striking on one bell with painted face marked J.N Brees, Llanfihangle. 82" high. C1790.

A late George III 30 hour longcase clock, with silvered chapter ring, subsidiary seconds dial, date aperture, inscribed John Bunting, Long Buckby, in plain oak case with turned columns to hood, some later alterations, 6ft 4ins

A George III 8-day longcase clock, with painted dial and spandrels, maker Hargreaves, Maudsley, Southport in flame figured mahogany case with turned pilasters and swan neck pediment, 7ft 5ins

A 19th century Black Forest 8-day longcase clock, with painted metal dial and gilt bezel, the oak case with arched and columned pediment supported on columns and decorated throughout with mask and figurine gilt metal mounts, 8ft 3ins

A George III 8- day longcase clock by Thomas Harben, Lewes Cliff, with silvered chapter ring and pierced brass spandrels painted moon phase dial, the hood with a shaped pediment and fluted column supports over a panelled door flanked by fluted quarter pilasters, on plinth base, 8ft 3ins

A 1920's oak longcase clock, with round silvered dial, the case with glazed door

A Dwarf Longcase Clock, with Arabic numerals, in an oak case

A modern timepiece in the form of a longcase clock, initialled 'EMD Sept 16th 1912 from E.V' on the door, by C.E. Turner, Birmingham 1911, 6.2in (15.5cm) high.

18th Century Longcase Clock with painted arched convex dial, indistinctly inscribed, with secondary seconds dial and date aperture, the spandrels and arch painted with rural scenes, eight-day movement and contained within an oak and mahogany case, with swan neck pediment, twin turned baluster column supports to the hood, crossbanded panelled door, plain base and bracket feet, 220cms, (7'21/2").

An eight day longcase clock with a painted square dial signed JOHN MATTHEWS LEIGHTON in an oak and mahogany crossbanded case with a swan neck pediment 83" tall to finial