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GEORGE III OAK AND MAHOGANY LONGCASE CLOCK, early 19th Century, by C. Fletcher, Rotheram, with swan-neck pediment flanking a brass eagle finial over carved bound fasces, above a floral-painted arched dial with Roman and Arabic numerals, flanked by fluted brass-mounted columns, the trunk with arched crossbanded door centred by an inlaid shell between fluted quarter columns, raised on bracket feet, 30 hour movement. 2.33m by 0.55m by 0.26m
GEORGE III STYLE OAK LONGCASE CLOCK, the arch-top hood carved with an egg and dart frieze and with fluted columns flanking a conforming brass dial with subsidiary chiming dial in the arch, the spandrels applied with pierced gilt-metal and silvered mounts moulded as putti supporting crowns, the arch with subsidiary dial, the trunk with glazed door, 8-day movement with elaborate musical chimes. 2.06m by 0.49m by 0.35m
19th CENTURY MAHOGANY LONGCASE CLOCK, by John Hughes, Carnarvon (sic), with swan-neck pediment above a white-painted enamel arched dial decorated with exotic buildings, with rolling moon phase in the arch, subsidiary seconds dial and date aperture, Roman numerals and eight-day movement, the hood with paired spirally fluted pilasters and columns, the trunk with panelled door between spirally fluted quarter columns, raised on ogee bracket feet. 2.39m by 0.62m by 0.26m Note: John Hughes was the son of Hugh Hughes, a well-known Welsh watch and clockmaker. He is believed to have been active between 1844 and 1863.
Thomas Ogden, Halifax A mid 18th century mahogany and giltwood astrological longcase clock, the triple train movement with anchor escapement striking on bells, the arched brass face with urn and eagle cast spandrels, silvered Roman chapter ring with subsidiary seconds dial and date aperture, the arch with silvered and painted solar phase dial, centred by an engraved map of the northern hemisphere and with dials to either side marked “for sunrise, sunset” and with the signs of the zodiac, the hood with caddy top surmounted by a flaming urn finial, above a verre eglomise swan neck pediment with further finials, the arched glazed door flanked by fluted Corinthian columns, the case with crossbanded shaped trunk door flanked by fluted Corinthian quarter column angles, the base with moulded crossbanded panel on moulded plinth 67.5cm wide, 270cm high, 31cm deep
An early 19th Century mahogany eight day longcase clock, the 13 inch circular dial inscribed 'J & A McNab Perth', with subsidiary seconds and date dials, the arched hood with chamfered sides above a 'flame' mahogany arched door, raised on a plain base with shaped apron and spade feet, 214cm high.
An early 20th Century oak eight day longcase clock, the square dial with a silvered chapter ring and subsidiary seconds dial bearing plaque 'Goldsmiths & Silversmiths Co. Ltd, 112 Regent St London', with mask and scroll gilt metal spandrels, the hood with blind fret-work frieze, the trunk with shaped burr wood door, raised on ogee bracket feet.
A George III mahogany eight day longcase clock by Daniel Grignon, London, the arched fourteen inch dial with silvered chapter ring, subsidiary seconds dial and date aperture, a moving figure of Old Father Time in the arch, the caddy top with pierced gilt metal reserve, and fluted pillars, the moulded arched door flanked by stop fluted pilasters, with a moulded panel base, 266.5cm high.
An 18th century oak longcase clock the 30cm (12in) square brass dial with an engraved silvered dial signed ÒJohn Pouckliffe BridgwaterÓ with three winding holes a seconds subsidiary and a with engraved decoration of a huntsman the musical movement striking the hours on a large bell and striking the tune on eight graduated bells the associated case later carved with masks and ornaments. John Roucliffe is listed in Baillie’s 'Watchmakers and Clockmakers of the World’ as working in Totnes around 1745 before moving to Bridgwater
An early 19th Century North Country 8 day longcase clock having arched painted dial, the arch with allegorical scene of a woman breaking cupids bow, the spandrels painted with oval paterae, black roman numerals, subsidiary seconds and date dials, striking on a gong and in large mahogany case the hood with swans neck pediment, spiral twist pillars (one missing) flanking the dial door, the trunk and base with similar pilasters, and with short shaped door, 225cms high 57.5cms wide
A late 18th Century painted arched longcase clock dial, the arch painted with an interior scene with a gentleman playing a lute to a lady, the spandrels each painted with a lady representing the four seasons, the dial inscribed "Chumbley Sheffield" and now mounted in modern wood case with a quartz movement, dial 46cms x 33cms
A MAHOGANY LONGCASE CLOCK dial cream painted, subsidiary seconds ring and calendar crescent, floral painted spandrels, indistinctly signed, case the hood flanked by reeded square pillars, beneath a swan neck pediment, the tracery arch waist door flanked by square reeded pilasters, 87in. (221cm.) high
A BLUE LACQUER LONGCASE CLOCK dial 11 3/4inch silvered chapter ring with subsidiary seconds ring and calendar aperture, signed on a boss to the arch Thomas Milner, London, case the hood flanked by turned pilasters beneath a domed cornice, all worked with gilt chinoiseries and foliage, 97in. (246cm.) high ++tired
AN OAK LONGCASE CLOCK dial cream painted with subsidiary seconds ring, with pink and gilt patera spandrels, the arch with a seated figure, case the hood flanked by reeded pillars beneath a swan neck pediment, the waist door inlaid with a shell medallion, all with mahogany crossbandings, 87in. (211cm.) high ++dial rubbed and possibly matched
AN OAK LONGCASE CLOCK dial cream painted, subsidiary seconds ring and calendar ring, signed John Millar of Selkirk, the spandrels painted with female figures representing the Seasons, the arch with a pair of elegant rustics and Speed the Plough armorial, case the hood flanked by turned pillars with gilt metal Corinthian capitals beneath a swan neck pediment, the waist flanked by quadrants, 84 1/2in. (215cm.) high
A Longcase Clock, the 33.5 cm arched square painted dial signed Thomas Morpeth, Hexham, having Arabic numerals, and calendar aperture, the spandrels painted with fruit and flowers, the arch with a basket of flowers and birds, fitted a 30 hour movement in an oak case, on bracket feet, 202 cm high See illustration
A STAFFORD LONGCASE CLOCK, oak caddy top with integral columns, brass face silvered Roman dial, subsidiary seconds dial and date aperture spandrels the movement, signed 'J. Stevenson, Stafford', eight day movement bell strike, (note the trunk has later been altered and embellished) John Stevenson in record in Britten in Stafford c.1770
A 19th Century carved oak longcase clock, with eight day movement striking on a bell, the painted arched dial with date aperture, subsidiary second dial and painted with landscapes and buildings, the hood with swan neck pediment and glazed door flanked by columns the trunk with a shaped door, on bracket feet, height approx 223.5cm (alterations and restoration).
A George III figured mahogany and chequer banded longcase clock with eight day striking movement, the painted breakarch dial with black Roman numerals, subsidiary seconds dial, date aperture and inscribed 'John Morse, Lyneham' cornered by cottage vignettes beneath a hunting scene, the hood with gilt metal eagle and ball finials above a glazed door flanked by spiral reeded columns repeated on the trunk flanking an inlaid rectangular door, on a similar base and bracket feet, height approx 232cm.
A late 18th century oak eight day longcase clock, Victorian carved throughout, the hood with shaped pediment with brass eagle finial and turned columns, enclosing brass 12’ dial, with silvered chapter ring signed, John Wyld, Nottingham, subsidiary second dial and date aperture, the trunk with arch top door, upon plinth, (234cm tall)
A 19th century and later mahogany longcase clock, the square hood with moulded arch door, brass ball finials and fluted columns, enclosing Birmingham movement and brass dial with silvered chapter ring, striking dial in arch, subsidiary second and date dials, within pierced gilt metal spandrels, the trunk with arch top door, upon plain plinth, (222cm tall)
A Victorian mahogany crossbanded eight day longcase clock, the hood with broken swan pediment, centred by finial over an arch door, enclosing enamel and painted dial with harvester scene in the arch, with second and date hands, the trunk with triple arch top flanked by canted corners, upon plinth, with shaped apron, (251cm tall)
A circa 1800 oak and mahogany longcase clock, having broken swan neck pediment with satinwood fan inlays above twin fluted pilasters flanking arched brass dial (width 12 inches), signed to the arch William Sykes, Holbeck painted with a figure scene above a brass chapter ring with Roman and Arabic numerals, cast brass scroll corner spandrels, the centre with scroll leaf engraving, subsidiary seconds dial and date dial, twin winding holes for a brass four pillar eight day weight driven movement striking on a bell, the case having quarter turned fluted pilasters flanking oak and mahogany banded door above a mahogany and oak box base, height 220cm
A circa 1800 oak and mahogany longcase clock, having a small swan neck pediment above twin fluted pilasters flanking brass arched dial (width 12 inches), the dial with Roman numerals, C scroll cast corner spandrels, subsidiary seconds dial and signed J Mawkes, Derby (face extensively restored), twin winding holes for an eight day brass four pillar twin train movement striking on a bell, the oak case with all-over oak and mahogany crossbanding, quarter turned fluted pilasters flanking conch-shell inlaid crossbanded door above a box base on bracket feet, height 208cm (see lot 415 for illustration)
An early 19th Century mahogany longcase clock, having a swan neck pediment above twin fluted pilasters flanking painted arched dial (width 12 inches), signed to the centre Thomas Scott of Gainsbro, having Roman and Arabic numerals, subsidiary seconds dial and rolling date dial, twin winding holes for a brass eight day four pillar movement striking on a bell, the case having marquetry floral urn inlaid panelled door within quarter turned fluted pilasters to a further marquetry inlaid box base raised on ogee bracket feet, height 215cm (see lot 415 for illustration)
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41749 item(s)/page