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Early 19th century oak and mahogany longcase clock, eight day movement, painted dial signed 'Scrafton Snainton' (two weights, pendulum) CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs

An early 19th c. Mahogany and Oak Longcase Clock, having swan pediment hood with reeded square column supports and single pane square door opening to reveal floral painted face with cottages and Roman numerals, marked Winstanton, Wrexham, 30 hour movement, the short door case having shell inlay, cross-banded and reeded detail, with lower moulding to the canted corner base, 83 1/2'' high x 25 1/4'' wide x 11 1/2'' deep

A 19th century oak longcase clock, the brass and silvered dial signed Thomas Deykin, Worcester, the eight day movement striking on a bell,. subsidiary seconds dial at 12 o'clock (185cm).

An oak longcase clock, the dial signed Thomas Wilson, Spalding, the eight day movement striking on a bell, the painted dial bearing Roman numerals, second hand dial at 12 o'clock (212cm).

Cornish 19th Century mahogany eight day longcase clock, the arched 12' enamel painted dial signed Josh Beringer, Helston and with river landscape agricultural scene, the arched hood with fluted pillars, the case cross-banded, height overall 85.5'

18th Century oak cased eight day longcase clock, the 12' square brass dial signed Petr Caldwel APPLETON, the caddy top hood with turned pillars over the cross-banded case with star inlay, height 82'

19th Century mahogany cased eight day longcase clock, the 12' arched enamel dial with gilt decoration to the corners, the caddy hood with wrythen fluted pillars over the satin wood and ebony inlaid case with quarter fluted pillars, height 93'

19th century eight day longcase clock, painted lunar arched top dial with painted ruins to the spandrels, replacement brass movement in oak and mahogany case

A 19TH CENTURY OAK LONGCASE CLOCK, having arch top hood flanked by column, trunk with arch top door, base on bracket feet, fitted arched enamel dial with Roman numerals and 8-day striking movement, 209cm high

EDWARDIAN MAHOGANY AND BURR WALNUT LONGCASE CLOCK maker Brown, Edinburgh, the silvered chased dial with Roman numeral chapter ring and secondary seconds dial, with pierced blued steel hands, two front key winding holes, the two weight driven movement chiming on a bell, the hood with broken swan neck pediment and the case with stringing and burr walnut veneer, 225cm high

REGENCY MAHOGANY LONGCASE CLOCK unsigned, the painted dial with Roman numerals, pierced hands (one possibly replaced), contained within an arched hood, with line inlay and over bracket feet, approximately 208cm high

EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK with broken swan neck pediment, the painted dial depicting allegorical figures to represent 'Justice', 'Hope', 'Plenty', etc, the twelve inch dial with Roman numerals and two front winding key holes, pierced hands (one replaced), with walnut veneer and inlay to case, 227cm high

LEPAUTE H. GER DU ROIAn early 19th Century French Walnut REGULATOR LONGCASE CLOCK the caddy top hood above panelled spandrels enclosing a brass bezel and a 25cm convex enamel dial with Roman chapter ring and Arabic minute markings; ornate pierced brass hands and centre seconds hand fronting a substantial eight day timepiece movement with pin wheel escapement, grid iron pendulum with heavy bob, brass cased weight and counter weight. The later case with glazed trunk door, panelled sides and panelled plinth base  220cm high

JAN RENSMAN, ZWOLA rare early 18th Century Dutch Ebony lined and cross-banded panelled Mulberry eight day LONGCASE CLOCK with fret work frieze and sound frets to the hood and moulded applied pillars; oval lenticle to the arch top trunk door and moulded plinth base. The 12" square brass dial with wheat-ear border, four season spandrels and roman chapter ring with arabic minute markings enclosing a matted centre with subsidiary seconds and date aperture fronting an eight-day movement with four finely finned bulbous pillars, anchor escapement and Dutch rack striking on two bells 214cm high 

JAMES CONDLIFF LIVERPOOLA fine William IV richly figured Mahogany eight day REGULATOR LONGCASE CLOCK the Regency Egyptian style case with panelled base and tapering shaped door beneath an architectural pediment to the hood. The 14” silvered dial with Roman hour ring, Arabic outer minutes dial and inner seconds dial fronting a massive eight day movement with six finely finned turned pillars, jewelled pallets and adjustable end stops throughout the train – stamped to the base of the front plate J Condliff Liverpool; with screwed brass dust covers signed to the top Jno B Mc Fadden A.D.1832 (presumably whom it was made for).  The mercury pendulum in a faceted glass jar swinging against a silvered beat scale, with rare silvered finish on all visable metalwork 200cm high 

THOMAS MUDGE, LONDON A fine late 18th century figured mahogany eight day revolving ball moon LONGCASE CLOCK. Surmounted by a ball and flambe finial on a concave-moulded socle over a break arch hood, the hood door with concave moulded frame flanked by canted reeded corners, the long trunk door of good figure over a panelled base on double plinth with shallow block feet, the 13 inch arched brass dial with revolving ball moon and lunar calander aperture beneath, strike silent lever to the dial side with gilded mask head rococo spandrels enclosing a silvered Roman chapter ring with Arabic minute markings, matted centre with date aperture and applied nameplate fronting an 8 day weight driven movement with five finned knopped pillars, hour strike on a single bell and quarter striking on two bells; bolt and shutter maintaining power and crown wheel mechanism to the revolving moon 244cm high

MILES WEDRED (WETHERHEAD), KIRKBY LONSDALE A fine mid 18th Century dense figured Cuban Mahogany eight day LONGCASE CLOCK the cabinet work undoubtedly by Gillows of Lancaster the 12” arched brass and silvered dial with engraved star-spangled revolving moon phases above a Roman chapter ring with Arabic minute markings enclosing a partly matted centre dial with florally cut engraved date aperture, ringed winding holes and seconds dial above marked Tempus Fugit; the eight day double lead weight driven movement with finely turned and finned baluster pillars, smooth barrels and hourly rack strike on a large bell.The finely coloured and richly patinated case with swan neck pediment to the hood and carved flower head patras, turned side columns and quarter columns to the case enclosing a panelled full length door with finely carved fanned and leaf work mask head to the top; the canted base on bold ogee moulded feet236cm high, trunk width 34.5cm, depth of base 26cm excluding feet*Ref: Clockmakers of Northern England by Brian Loomes pgs 278/9 for details on this maker.*Clock cases of this type are discussed at length by Susan Stewart in her two volumes titled GILLOWS of Lancaster and London pgs 388-413 see plate 479.

A William III figured walnut longcase clock, with 12 inch square brass dial and 8 day bell striking movement, 194cm high, with weights, pendulum and winding key.

A Late XVIII Century Oak and Mahogany Longcase Clock, with stepped cornice and turned columns to hood, eight-day, brass dial with Roman numerals and two subsidiary dials, the trunk with a shaped door, on square base with ogee feet, 198cms high.

A Reid & Sons Newcastle Early XX Century Mahogany Chiming Longcase Clock, the hood with arched pediment and canted corners, with engraved silvered dial and three subsidiary dials, St.Michael/Whittington/Westminster chime selections, the trunk with glazed door and panelled base, on paw feet (needs attention).

A Late XVIII Century Oak and Mahogany Longcase Clock, with swan neck pediment, brass finials and arched door, thirty hour movement, the 30.5cms white dial with Roman numerals and painted with a bird to centre, subsidiary dial, by Jn Hudson, Nottingham, the trunk with shaped crossbanded door and plinth base (no feet), 218cms high.

A Late XVII Century Walnut Longcase Clock by Jonathan Andrews, London, the hood with blind fret frieze and circular columns with brass capitals, the long door with feather banding and circular window, on a plinth base, the square dial with silvered chapter ring engraved "Jno. Andrews, London", seconds dial, calendar aperture and blued steel hands, cherub spandrels to each of the four corners, 207cms high.

A Mid XIX Century Mahogany Longcase Clock, the arched white dial signed "Shearing Sheffield", painted with scenes, with Roman numerals and subsidiary dial, the hood with broken pediment, arched door and turned supports, the base with small shaped door, turned pilasters and bracket feet, 229cms high.

19th c. brass-faced arch-topped 8-day longcase clock in mahogany case, by James Kirkland of Glasgow

A GOOD 18TH CENTURY WALNUT LONGCASE CLOCK, with eight-day movement, the arch shape brass dial with silvered chapter ring, subsidiary strike/silent dial, seconds dial and date aperture, signed John Davis, London, in a well figured case. 8ft 1ins high.

AN 18TH CENTURY MAHOGANY LONGCASE CLOCK, with eight-day movement striking on five bells, the painted arch shape face signed Nicholas, Daventry. 7ft 5ins high.

A VICTORIAN MAHOGANY AND LINE INLAID EIGHT DAY LONGCASE CLOCK THE PAINTED DIAL INSCRIBED HALLAM NOTTINGHAM, 210CM

A GEORGIAN LONGCASE CLOCK, 8 day movement, square brass face with silvered chapter ring, the case later painted/ebonised (sd), approximate height 202cm (key, two weights and pendulum)

AN OAK LONGCASE CLOCK, the 12' square brass dial, having Roman and Arabic numeral rings with Bell Uttoxeter under, corner spandrels, hood with swan neck cornice, bobbin supports either side door, quarter pilaster supports to body, stepped base, bracket feet, pendulum

A MODERN MAHOGANY CASED LONGCASE CLOCK, face marked 'Charles E Short, Brighton' (two weights)

A large and impressive Edwardian mahogany 8-day musical longcase clock,with a 12" arch-top brass dial, a superb quality movement striking on tubular bells, with Westminster Whittington & St. Michael chimes, silver chapter ring and subsidiary dial, height 7'8".

A longcase clock, the 33 cm arched square painted dial with subsidiary seconds and calendar dials, fitted an eight day movement, in an inlaid mahogany case, approx. 240 cm high Condition report Hood swan neck finials detached. Two weights, pendulum (broken and in parts), lacks feet, backboard replaced, in need of repair and restoration overall.

E J Goodfellow, Wadebridge, a reproduction mahogany longcase clock with eight day gong striking movement

A small mixed lot of ornamental brass and other items, including miniature longcase clock, pestle and mortar, bell, chestnut roaster etc

William Barker, Wigan, a moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the fourteen-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals with Arabic five-minute numerals to the outer aspect, the silvered dial centre engraved with c-scroll decoration and having a subsidiary seconds dial, and sweep date to the inner aspect of the chapter ring, with cast-brass c-scroll spandrels to the four corners, the arch having a moonphase disc set within the arch above, with the adjustment wheelwork from behind the dial in typical Barker fashion, and engraved above with the maker's name Will. Barker, Wigan, the globe area having two applied silvered mounts engraved with the motto Time is Valuable, the mahogany case having a shaped moulding to the top of the trunk door, fluted columns standing on fret-work blocks to the trunk corners, the hood flat fluted columns to the door and further turned fluted columns to the corners, a fretwork panel to the swan-neck pediment and cast-brass finials, the base having canted corners, a shaped raised panel and standing on bracket feet, height 230 cm.* Biography; William Barker was a well-known maker working in Wigan, Lancashire, with a whole chapter devoted to him in The Clockmakers and Watchmakers of Wigan by Arthur J. Hawkes published in 1950. A member of the Barker family of clockmakers, William was believed to have come to Wigan with his father Thomas in circa 1737 and established himself not only as a clockmaker, but also a gunsmith and petitioned to be made a Freeman in March 1748 stating that having 'married a wife there, is desirous to obtain his Freedom and to exercise his trade therein…' being finally admitted in 1751. He quickly became very active in the town and was at the forefront of a number of petitions stopping others from plying their trade without the requisite Freedoms, often to stop competition from those of equal ability. Thomas Hatton, an 18th century London watchmaker and author on clocks wrote in his Introduction to the Mechanical Part of Clock and Watch Work, published in 1773, that William Barker can be put 'in the front rank' of makers. Barker's masterpiece, a longcase clock with various complications, including moon-phases and state of sunrise and sunset along with calendar work for the Old Style and New Style that came into use in 1752, was made circa 1780. William Barker fell ill in July 1786 and died some months after, with his son Daye Barker continuing the business for a short while.

Peter Bower, Redlynch, an oak longcase clock: the associated thirty-hour birdcage movement striking on a bell, the ten-inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and signed either side of VI o'clock Peter Bower, Redlynch, with cast-brass c-scroll and shell corner spandrels, the dial centre engraved with a depiction of a castle flying a flag, with a steel single hand and date aperture, the oak flat-topped case having a long trunk door, plain base with restorations and tapered three-quarter columns to the hood with wood capitals, height 213cm.* Biography Peter Bower is recorded as a fine and prolific maker working in the west-country from circa 1710.

Davie Steward, Newport Pagnell, a quarter-chiming longcase clock: the eight-day duration movement striking the hours on a bell and the quarters on a nest of eight bells, the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute numerals to the outer aspect, fleur-de-lys half-hour markings and signed either side of VI o'clock Davie Steward, Newport Pagnell, the matted dial centre having engraved decoration to the date aperture, with a pair of birds below the subsidiary seconds dial, with cast-brass female head spandrels to the four corners and blued steel hands, the arch having a round silvered boss engraved with a basket of fruit sat on a table, with cast brass c-scroll spandrels either side, the mahogany case having a pagoda top, with fluted canted corners to the hood and surmounted by three brass ball-and-spire finials, height 234 cm (inc. finial).

Jas. Coffin, Barnstaple, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute outer numerals, the dial centre having a seconds dial, large date aperture and engraved with rococo decoration and the name Jas. Coffin, Barnstaple, with decorative blued steel hands, female-head cast-brass spandrels to the four corners, a round silvered boss to the arch engraved with an eagle above a ribbon engraved tempus Fugit, with cast-brass dolphin spandrels to either side, the mahogany case with crossbanding to the base, shaped trunk door, the flat-topped hood with tapered pillars having cast-brass capitals, height 214 cm.* Biography; James Coffin is recorded as having been apprenticed in 1752 to William Upjohn of Exeter at a premium of £12 12s. It is known that he looked after the Barnstaple parish church clock for five years from the 7th of June 1764.

John Ebsworth, London, a marquetry longcase clock: the associated eight-day duration movement having finned pillars and striking the hours on a bell with an inside countwheel, the ten-inch square brass dial having a raised silvered chapter ring with Fleur-de-lys half-hour markings and a thin outer aspect engraved with Arabic five-minute numerals, the dial centre engraved with tulip style decoration and signed above VI o'clock John Ebsworth, Londini fecit, within a ribboned cartouche, with cast-brass cherub-head spandrels to the four corners and blued steel hands, the walnut case with panelled bird-and-flower marquetry inlay to the trunk door, with further inlay to the base, the flat-topped hood with barley-twist columns, floral inlay, fret-work to the top frieze and glazed panels to the sides, height 197 cm.* Biography John Ebsworth was a pre-eminent and important early clockmaker who was apprenticed to Richard Aymes on the 23rd of February 1657, becoming free on the 3rd of April 1665. He was an assistant to the Worshipful Company of Clockmakers in 1682 becoming a warden between 1694 and 1696 and finally Master in 1697. He worked at the Cross Keys, Lothbury, London and may well have succeeded the famous lantern clock maker Thomas Knifton. He died in 1699 with his will proven in September of that year.

John Sampson, Truroe, a walnut longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals, Arabic five-minute numerals to the outer aspect, the matted dial centre with a subsidiary seconds dial and date aperture, with cast-brass bird-and-urn spandrels to the four corners, decorative blued-steel hands and a silvered boss to the arch engraved with the name Jno. Sampson, Truroe, the flat-topped walnut case with double cross-banding to the trunk door and base, the hood having turned tapered columns with cast-brass capitals and wooden fret-work above the dial, all standing on a double-plinth to the base, height 221 cm.* Biography; John Sampson is known to have made clocks of 'superior quality' with one known longcase example dated circa 1750, which also has the name of Truro spelt with the additional 'e'.

A 19th century oak longcase clock, the arched dial painted with flowers and signed 'J Davis, Leominster', the brass pendulum bob embossed with flower design

Late 20th century oak longcase clock, arched dial with silvered chapter ring, applied with figural spandrels, height 192cm

Thomas William Hay, Shrewsbury - 18th century oak longcase clock, the crossbanded door with inlaid shell motif, the 30 hour square painted dial with calendar, 81 ins tall (A/F)

A mid 19th oak longcase clock with eight day painted dial

A mahogany cased longcase clock by Meritt of Canterbury, approx 207cm.

William IV oak and mahogany longcase clock (grandfather clock) by Broadhead, Belper, with painted dial, roman numerals and arch depicting a scene of a fisherman on the shoreline, 8 day striking movement (bell) requires servicing, key and pendulum include

A 19th Century Mahogany eight day longcase clock with silvered dial and subsidiary hands, marked Neale, London

Burleigh 10x50 binoculars and miniature carpet bowls, a miniature longcase clock and a Victorian Mahogany box etc

GEORGE III LONGCASE CLOCK, the 11" brass dial inscribed McGeorge, Dumfrs beneath a moonphase, subsidiary seconds dial and on an eight day hourly striking movement, in an oak case, height 216cm

A longcase clock, the 33 cm arched square painted dial with subsidiary seconds and calendar dials, fitted an eight day movement, in an inlaid mahogany case, approx. 240 cm high Condition report Hood swan neck finials detached. Two weights, pendulum (broken and in parts), lacks feet, backboard replaced, in need of repair and restoration overall.

A gentleman's yellow coloured metal wristwatch, assorted coins, a miniature longcase clock, and other items (box)

EARLY 19TH CENTURY MAHOGANY LONGCASE WALL CLOCK the 14" enamelled dial inscribed Wm. Corke, Stourport on a twin train movement with anchor escapement striking to a gong, circular glazed hood above a trunk with arched cross-banded door and panelled base, height 183cm.

MAHOGANY LONGCASE CLOCK, the 12" painted dial with subsidiary seconds dial and date aperture beneath an arch with sailing ship automaton and coastal castle flying the Union Flag, the brass eight day movement striking to a bell, height 205cm

An early 19th century mahogany longcase clock, the hood with broken swan neck pediment above arched painted dial above rolling moon phase, subsidiary seconds hand, date aperture and eight day movement inscribed "Bond, Abingdon", above a short door flanked by wrythen twist pillars and a plinth base, dial and movement associated to case, height 244cm.

SMITH OF ABERFORD; an early 19th century mahogany and boxwood strung 30 hour longcase clock of small proportions, the arched painted dial with Roman numerals inscribed with maker's name, flanked by wrythen twisted pilasters above a short door and plinth base, height 200cm.

SAMUEL WRIGHT OF NORTHWICH; an 18th century oak and mahogany crossbanded eight day longcase clock with caddy top above square brass face with silvered chapter ring set with Roman numerals, with second subsidiary dial and date aperture flanked by two columns above single domed door and plinth base on bracket feet, height 195cm. CONDITION REPORT: The dial is 12". The dial is associated to the case, the freeze above the dial has been damaged and restored, and possibly a latter addition. Plinth has a crack to the centre, it also has some veneer replacement. Pendulum and weights present but no key.

An early 19th century mahogany eight day longcase clock with broken swan neck pediment above moon phase enamel dial set with Roman numerals, subsidiary second dial and date aperture, above single domed door flanked by two columns, on plinth base and bracket feet, height 248cm.

A late George III mahogany thirty hour longcase clock with broken swan neck pediment above circular enamel dial set with Arabic numerals and with date aperture flanked by two fluted columns above single domed door and plinth base on bracket feet, height 215cm.

A George III oak and mahogany longcase clock, eight day, the dial inscribed 'Edward Morris Stone', with pendulum

A George III oak and mahogany eight day longcase clock, white enamelled dial inscribed Pybus Castors