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An oak miniature longcase clock with a 17th century silver dial by Hewitt London and with a movement by Beaton & Co. London, height 37.5cm.

A Continental silver miniature 'longcase clock' box, probably Dutch, pseudo hallmarks to the base, stamped 925 twice, putto finial above moveable hands to the dial, repousse decoration to the rear hinged cover, gilt interior compartment, 16cm (6.3in) high no movement or mechanical parts - this is a box only

An oak chiming longcase clock, the 12inch brass dial with moonphase disc to the arch, urn spandrels, silvered chapter ring and seconds dial, foliate scroll engraved centre, the eight day gong striking movement adapted for chiming on eight bells, the banded case on a panelled plinth 228cm (89in)

An imposing walnut seaweed marquetry longcase clock, Delander and adapted, the caddy top hood with fretwork mouldings, 12.25inch dial with silvered calendar ring to the arch, dolphin spandrels below, silvered chapter ring and seconds dial, marked to a recessed oval 'D.Delander, London, No.9', strike silent lever to the right side, mask spandrels, later associated 4 pillar 8 day movement with replacement seatboard, rectangular trunk door and plinth with replaced skirting, restorations. Literature: For a similar design case for a Daniel Quare clock, see the Iden Collection catalogue, by P. Dawson, p. 116.

An early 18th century lantern clock, adapted for a longcase, converted to anchor escapement and with associated 11inch square dial signed Henry Blake, Malling, with date aperture, later seconds dial, all supported in a dark oak cottage size longcase with barleytwist pilasters to the hood, and a lenticle to the trunk door, faults 182cm (71in)

Thomas Lister, an imposing 18th century musical longcase clock, the oak and banded case with caddy top hood having 13 inch brass dial, moonphase disc to the arch, with seasonal figural spandrels, signed 'Thos Lister' to the chapter ring below, cut away calendar dial below the centre, the movement with substantial pillars and large barrel train playing on 10 bells, striking on a further bell, four winding squares to the dial centre (one possibly for tune selection or adjustment), the pendulum swinging between the plates, the trunk with star inlaid door, 262cm (102in) Other Notes: Thomas Lister of Halifax, born in 1745 in Luddenden, Yorkshire, trained with his father (also Thomas) and others in this well-known family of clockmakers. He left his father's studio in 1765, setting up his own workshop in Halifax where he worked until his death in 1814. In his own workshop he concentrated on quality eight-day clocks in mahogany cases. His work and output increased after the death of his only serious local competitor, Thomas Ogden, in 1769. He made a number of very complicated clocks including world-time and musical clocks. Thomas Lister senior, of the well known family of Halifax clockmakers, started out producing 30hour cottage type longcase clocks, his son Thomas junior then began making more complicated clocks, this surely being one of those examples....

A George III mahogany longcase clock, the breakarch one piece 12inch silvered dial signed 'Roberts, Bury', with 8 day 5 pillar movement, seconds and calendar dials, strike / silent to arch (disconnected), the hood with Corinthian capped columns, figured break arch trunk door flanked by quarter capped reeded columns, upon a rectangular plinth and bracket feet 235cm (92in) movement looks correct though one spare hole to a front plate corner, and one to a backplate corner; pendulum broken

Thomas Kefford, Royston, an 18th century thirty hour longcase clock, the 12inch square brass dial rack striking on a bell, with mask spandrels and date aperture, signed chapter ring, the oak case incomplete and in poor condition 202cm (79in)

An Edwardian mahogany tubular chiming longcase clock, signed 'Collingwood, 46 Conduit St., W1', the breakarch hood with 10.5inch dial with Westminster/Whittington/St Michael tune selection to the arch, chiming on eight metal tubes, striking on a further tube, deadbeat escapement, the trunk with canted corners, panelled sides and plinth base on bracket feet, the case with fabric lined grille back 211cm (82in)

A George III oak longcase clock, with caddy top hood, ball and spike finials, and brass 30cm square arched dial having Royal crest to arch, and applied spandrels, the silvered chapter ring signed Geoff Devis London, with Roman and Arabic numerals, subsidiary second ring and date aperture, revealing an eight day movement striking on a bell, with full length trunk door and moulded base, 240cm overall.

An early 19thC oak and mahogany longcase clock, the painted 29cm wide arched dial signed Martin, Thirsk, with Arabic numerals and subsidiary second hand, revealing an eight day pendulum swung movement, fitted in a carved case with shaped trunk door, fielded panelled base and stylised bracket feet, the whole surmounted by a carved fretwork swan neck pedimented top centred by an urn finial, 240cm high.

A 19thC oak cased country longcase clock, the 29cm wide square dial signed John Leach, Ramsey, with Roman numerals and painted floral spandrels, in a shaped case with swan neck pedimented hood, 203cm high.

A GEORGE III MAHOGANY EIGHT DAY LONGCASE CLOCK, ROBERT SAMPSON WESTMINSTER, C1970 the 12inch brass breakarched dial with matted centre, twin subsidiary dials and STRIKE/SILENT ring to the arch, in brass mounted case with swept pediment, stop fluted pillars and pilasters, break arched door and panelled base, 239cm h excluding finial, pendulum and brass sleeved weights ++Somewhat unevenly faded, minor shrinkage crack to front of trunk, movement in our opinion original to the dial and case, some minor old cosmetic restorations

A GEORGE I WALNUT EIGHT DAY LONGCASE CLOCK, WILLIAM WEBSTER, LONDON, C1725 the 12inch breakarched brass dial with matted centre, ringed winding holes, signature tablet engraved Wm Webster Exchange Alley LONDON and subsidiary seconds dial, calendar work to the arch for both month and date, corresponding calendar movement with worm drive in finely figured tall case with stepped flat pediment and brass mounted pilasters, the trunk enclosed by a full length moulded door in matched veneers, on conforming base, brass sleeved lead weights, pendulum, 231cm h William Webster, the first of a famous dynasty of London clockmakers was apprenticed to John Barnett and subsequently worked as a journeyman in Thomas Tompion's famous workshop at the 'Dial and Three Crowns', Fleet Street. As an independent clockmaker William Webster worked and also signed his clocks at 'Exchange Alley' in Broadgate in the East End, whereas later members of his family signed their clocks 'Change Alley'. He became a warden of the Clockmakers Company in 1734 and died the following year. The present clock displays many of the features associated with those clocks of Webster's best period, in particular the elegant tall and finely figured case. The movement in the present example has survived in fine condition and has the unusual feature of a calendar driven through a 'pin-wheel' gear through 90° to further motion work and the dial indicators in the arch.

A GEORGE I WALNUT EIGHT DAY LONGCASE CLOCK, JOHN GLAZEBROOK, MANSFIELD, C1725 30cm brass dial with matted centre, date sector and subsidiary seconds dial, the chapter ring engraved Jno Glaze/brook MANSFIELD, the movement features including relatively tall plates an internal locking plate, small 'scape wheel, simple seconds and scalloped fly, in a Queen Anne style provincial burr walnut, oak and inlaid case with ogee basket topped hood and spiral pilasters, the trunk enclosed by a rectangular breakarched door with parquetry star and roundel, 206cm h John Glazebrook of Mansfield was one of Nottinghamshire's earliest recorded clockmakers, born in 1697. His nephew, Thomas Glazebrook, was also a clockmaker. ++In good sympathetically restored condition and apparently good working order having been going and striking for the full duration of eight days when at the Auction House.

A George III oak and mahogany crossbanded cottage longcase clock with white enamel dial and thirty hour movement, 193cm high

An early 19th century oak and mahogany arched top longcase clock, with white enamel dial marked 'Geo Ellis Oakengates', thirty hour movement, shaped top, short trunk door and plain base, 205cm high

An oak eight day longcase clock with painted dial, signed Thos. Glase of Kidderminster

19th century mahogany longcase regulator clock, signed by Robert Graham London, silvered dial for minutes, seconds and hours , 5-pillar movement having single brass weight supported on a mercury-jar Invar pendulum, 186cm . Overall condition good, we have this clock working or the fact that it gives good time, see images for conditionDial diameter 30cm

Early 20th century mahogany longcase clock by Maples of London with triple train movement striking on five chimes, 209cm high . Width of hood 51cm, width of base 52cm , case - overall condition good, no major faults found, could do with a re-polish - base tarnished and pitted in places, appears to be original finish, movement appears complete, but we have not had this clock running or guarantee that it keeps good time

A mid-18th century inlaid oak eight day longcase clock by George Baddely of Newport, Shropshirethe circular 13in. brass Roman dial with Arabic outer minute track, subsidiary seconds at noon and date dial at six, pierced steel scroll hands, signed 'Baddely Newport', within an oak and fruitwood case, the flared dentil inlaid pediment over blind fret frieze on fluted columns, the mahogany banded trunk with blind fret panel over a barber's pole arch inlaid door and fluted pilasters, the base with applied serpentine panel and moulded plinth foot, 77½in. (197cm.) high, with a later plinth with bun feet.

An 18th century eight day oak longcase clock by Thomas Fitzthe bell strike movement with four knopped pillars, the painted square Roman dial with Arabic outer minute track, subsidiary seconds at noon and crescent date aperture, within gilt fan spandrels, the base with swan neck pediment and central giltwood finial raised on plain turned pillars, over a trunk with arched door, on a plain base with shaped bracket feet, 84½in. (214.5cm.) high.

Rare Fred Whitlock for Dent of London, lacquered brass Concorde skeleton timepiece, circa 1970s, five pillar A-shaped pierced plates with Harrison's grasshopper escapement with a dumbbell pendulum with large five spoke escape wheel, the back plate signed by Whitlock and numbered 014, this clock is fitted with a Harrison type 20 second spring rementoire driven from a weight with Huygens style endless chain self winding mechanism via an electric winder, currently detached, main spring also requires attention, the whole mounted on a mahogany plinth and presented under a plate glass dome, height 76cm, width 36.5cmNote: this skeleton timepiece was conceived and constructed by Fred Whitlock for retail by Dent, and is based on a design by Martin Burgess. It is thought that around 25 clocks were constructed during the 1970s, with a further batch of approximately ten made from unused parts discovered in around 2000. The spring rementoire, a device enabling power to be delivered to the escape alone, thus alleviating the error caused by varying friction in the wheel train, was developed by Harrison in the 1730s whilst the grasshopper escapement, also developed by Harrison in the early 1720s, was used in his precision longcase and turret clocks.Please note our special conditions of sale regarding clocks and watches

Smith of Tidswell, George III mahogany eight day longcase clock, the hood with an arched cavetto moulded cornice over turned columns, flanking a brass arched 12.5ins dial, with Roman numerals, signed to the chapter ring and with a fixed moon phase (disconnected), over a trunk with quarter pilasters and box base (reduced), with later skirt plinth, height 217cmPlease note our special conditions of sale regarding clocks and watches

Benjamin Peers, Chester (1773-84), George III mahogany eight day longcase clock, having a swan neck pediment with verre eglomise panels and three brass ball finials, over brass capped Corinthian columns, flanking a 13ins silvered brass arched dial with Roman numerals, subsidiary seconds and calendar to the inner chapter ring, painted moon phase, signed to the arch, the trunk with brass capped Corinthian quarter pilasters, with a crossbanded and boxwood line inlaid door, over a similar canted box base, raised on short bracket feet, height 236cmPlease note our special conditions of sale regarding clocks and watches

Charles Winstanley of Holywell (1840-56), mahogany eight day longcase clock, the hood with swan neck pediment surmounted with brass bird and ball finials, over reeded columns flanking a painted 13.5ins arched dial, signed, with Roman numerals, subsidiary seconds, calendar aperture and moon phase to the arch, the trunk with reeded columns flanking a raised oval panel door with boxwood and ebony string inlays, over a similar canted box base with a raised roundel (feet deficient), height 237cmPlease note our special conditions of sale regarding clocks and watches

Robert Fletcher, Chester (1784-1820), oak eight day longcase clock, swan neck pediment with brass ball finials over brass capped reeded columns flanking a painted 12.5ins dial, signed and with Roman numerals, date aperture and subsidiary seconds dial, the trunk with mahogany crossbanded door and reeded quarter pilasters, over a canted box base, with raised panel, feet deficient, height 214cmPlease note our special conditions of sale regarding clocks and watches

Russell of Lancaster mahogany eight day longcase clock, circa 1820-40, swan neck pediment centred with a single brass ball finial over reeded columns flanking a painted 13.5ins dial with subsidiary seconds and date dial, the trunk with an arched flame mahogany door, over a canted box base, with later bracket feet and shaped apron, height 218cmPlease note our special conditions of sale regarding clocks and watches

Mahogany eight day longcase clock by Samuel Newness, Whitchurch (active circa 1790), swan neck pediment with three turned urn finials over reeded columns flanking a brass arched 13'' dial, with silvered chapter ring, Roman numerals and engraved centred, subsidiary seconds and date aperture, winged masked spandrels, painted moon phase, the movement striking on a bell, over a trunk with flame mahogany door within reeded pilasters and a flame mahogany box base, raised on bracket feet, height 242cm Please note our special conditions of sale regarding clocks and watches

Scottish oak eight day longcase clock, by James Pattison of Banff, the hood with three brass ball finials and reeded columns flanking a 12'' silvered arched dial engraved with floral spandrels and signed to the arch, with Roman numerals, subsidiary seconds and date dial, eight day movement striking on a bell, plain trunk and box base with turned feet, height 218cm Please note our special conditions of sale regarding clocks and watches

Fine Victorian Gothic Revival mahogany musical chiming longcase clock, attributed to J J Elliott, circa 1890, having a 12ins silvered chapter ring with gilt brass Roman numerals, best scroll engraved brass centre dial with silvered seconds dial and retailer's plaque 'Rhodes & Sons Ltd, Jewellers and Silversmiths, Kirkgate, Bradford, three train movement with Westminster chimes on nine tubular nickel bells, the case carved with trailing oak leaves and with a Gothic tracery beveled glass door over a stepped plinth base with further Gothic tracery, height 233cm, width 63cmPlease note our special conditions of sale regarding clocks and watches

AN OAK LONGCASE CLOCK signed Robert Low, Castle Douglas, the eight day movement with anchor escapement striking on a bell, arched dial painted with flowers and with Roman and Arabic numerals, secondary dials, the mahogany banded case with scrolled pediment and brass finial on fluted columns, arched door flanked by fluted quarter columns, panel to base with waved apron and bracket feet, 88 1/2" high (Est. plus 18% premium inc. VAT)

A WALNUT LONGCASE CLOCK by Thomas Kilgour, Inverness, the eight day movement with anchor escapement striking on a bell, 11" square brass dial with silvered chapter ring with Roman numerals, matted centre with seconds dial and calendar aperture within a chased scroll surround, the reproduction case with moulded cornice and fret frieze on wrythen columns, moulded edged door with lenticle, panel base and bun feet, 81" high (Est. plus 18% premium inc. VAT)

AN OAK LONGCASE CLOCK, signed Sam Boys Deale, the eight day movement with anchor escapement striking on a bell, 12" arched brass dial with silvered signature roundel to arch, silvered chapter ring with Roman and Arabic numerals, matted centre with seconds dial and calendar aperture, the case with arched hood with gilded baluster turned finials, blind fret frieze on turned engaged columns, arched panelled door, panel base and bracket feet, 90 1/2" high (Est. plus 18% premium inc. VAT)

Tabletop inlaid longcase clock and a crucifix

A small Dutch burr walnut cased longcase clock The brass dial with silvered chapter ring with Roman and Arabic numerals, below a moonphase movement. Approximately 200 cm high. CONDITION REPORTS: Generally in good condition, some general wear.

A 19th CENTURY OAK & MAHOGANY LONGCASE CLOCK by T Clowes(?), Nantwich, 30 ins square painted dial of birds and floral spandrels, set with Roman numerals and sweep seconds with subsidiary seconds dial and date aperture before a twin weight pendulum driven movement striking on a bell, the cast backplate stamped 'Wilson', the hood and trunk with reeded column and quarter column decoration, long trunk shaped top door on a stepped base with corner bracket feet, the applied shaped lower panel with inlaid fan detail to the corners (evidence of worm to the backboards, hood bearers and moulding off but present, requiring re-attachment), 220 cms high, 50 cms wide, weights and pendulum included

AN OAK & BRASS DIAL LONGCASE CLOCK, the dial marked 'Owen, Llanrwst', single door square hood with reeded pillars, enclosing a 12.25 ins square dial set with Roman numerals, Arabic sweep seconds dial with further seconds and date apertures and pierced spandrels, the twin weight pendulum driven movement striking on a bell, a shaped top trunk door flanked by quarter cut reeded pillars on a stepped base with applied front panel (attention and restoration required), 210 cms high, 51 cms wide

An oak longcase clock, with a three train movement, 186cm high

A late 19th century oak longcase clock, the brass dial with subsidiary seconds, 226cm high

George Hewett of Marlborough. A George III oak eight day longcase clock, the 12 inch arched brass dial with moonphase, subsidiary seconds and date aperture, signed in the arch, H.7ft 9in.

Martin Shreiner of Lancaster. A Federal American mahogany eight day longcase clock, the 14 inch painted arched dial with moonphase, and offset winding hole at number 4, signed and numbered 152, movement fitted with a later clarion, H.9ft

James Standring. A George III mahogany eight day longcase clock, the 13 inch brass dial with painted moonphase within a silvered border inscribed 'I am moving while yore sleeping', subsidiary seconds dial, case with simulated verre eglomise decoration to the hood, H.7ft 11in.James Standring recorded at Rochdale 1770-1792.

Thomas Taylor of Holborn. A late 17th century walnut and floral marquetry eight day longcase clock, the 11 inch square brass dial with silvered Roman chapter ring, subsidiary seconds and date aperture, signed at 6 o'clock, the case decorated with an urn, flowers and birds, H.6ft 9in.Thomas Taylor recorded 1678-1710.

George III oak longcase clock, inscribed 'Crake, London', having eight-day striking movement, the hood with cavetto cornice, brass broken arched dial (possibly later), the trunk with broken arched door, 204cm high

An 18th Century oak longcase clock by John Petching of Steyning, the 10ins square brass dial with silvered chapter ring with Roman numerals, to the thirty hour movement with single hand striking on a bell, contained in plain case, the hood with moulded cornice and split turned columns, on plinth base, 77ins high

An early 19th Century oak longcase clock by Robert Apps of Battle, the 12ins square painted dial with Arabic numerals, the spandrels painted with shells, to the thirty hour movement striking on a bell, contained in plain oak case with turned pillars to hood, on plinth base with shaped apron and bracket feet, 79ins high

A late 18th Century mahogany longcase clock by Atwood of Lewis, the 11ins cream painted dial with Roman and Arabic numerals, subsidiary seconds dial, oval paterae and scroll ornaments to spandrels, to the thirty hour weight driven movement striking on a gong, contained in plain case with moulded pediment and split turn columns to hood, and with raised panel to plinth base, 80.25ins high (top of pendulum broken) Note: W. Atwood recorded working Lewes in late 18th Century

A 19th Century figured mahogany longcase clock by Burton of Eastry, the 12ins arched painted dial with Roman and Arabic numerals and with subsidiary seconds dial and calendar aperture, the spandrels decorated with flowers and gilt, to the eight day two train movement striking on a bell, contained in figured mahogany case probably by Goulden of Canterbury, the hood with shaped cresting and brass finials and with turned and fluted pillars, arched trunk door, on shaped plinth base, 84ins high (including finials) Note: Burton recorded working at Eastry (near Dover, Kent) circa 1820

George III oak longcase clock with painted dial signed Jno. Wright, Long Melford and eight day movement, (height reduced)

Edwardian rosewood boxwood marquetry inlaid miniature longcase clock, the silvered dial with Roman and Arabic numerals with a single train movement

George III mahogany longcase clock, the arched hood with shaped pediment above an arched door, the painted enamel dial with Roman and Arabic numerals, subsidiary seconds and calendar, inscribed Jeffery, Canterbury, with a two train movement striking on a bell

George III mahogany longcase clock, the arched hood flanked by turned columns above an arched door, the gilded and silvered dial inscribed William Franklin, with a two train movement striking on a bell

George III mahogany longcase clock, the arched hood above an arched door, the gilded and silvered dial inscribed Tempus Fugit, with Arabic and Roman numerals, subsidiary seconds and calendar aperture, with a two train movement striking on a bell

Reproduction longcase clock

Reproduction longcase clock

Reproduction longcase clock with Nelson commemorative dial

1930's Oak longcase clock with a three train weight driven movement

A Continental tinglazed pottery model of a longcase clock

A George III oak eight-day longcase clock, Francis Eck (Northampton 1777), the case later carved