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19th century oak cased longcase clock with hand painted and enamelled dial, by Foxton, Sutton Ashfield. Approx. 208 x 48 x 23cms used condition with scuffs scratches not tested case for restoration etc

A 19thC longcase clock, the arched painted dial signed J James Black of Kirkildy, and painted with scenes emblematic of England, Scotland, and Ireland to the arch, Europe, Africa, America, and Asia to the spandrels, eight day movement in oak case, 208cm high.

An 18thC and later walnut floral marquetry longcase clock, the door with glass bulls eye insert, on plinth, the dial 28cm wide, marked for  Richard Colston of London, the square dial with subsidiary seconds hand, and date aperture, eight day 5-pillar movement striking a bell, the case 210cm high.

A 19thC longcase clock, the arched dial painted with church, sheep, etc., with an eight day movement, in broad oak and mahogany cross banded case, 225cm high.

An early 19th century Irish mahogany longcase clock with eight day movement striking on a bell, the 12-inch painted breakarch dial decorated with flowers and with black Roman hour numerals, outer Arabic minutes and subsidiary seconds, inscribed 'J Mountjoy Cork', the hood with moulded arch pediment, glazed door and turned columns, the trunk door with arched top, on bracket feet, height 214cm, with pendulum and two weights. Note: John Mountjoy is a recorded Irish clockmaker working in Cork, circa 1820s.

An early 20th century mahogany longcase clock with eight day three train movement chiming on nine gongs with pull repeat mechanism, the 12-inch brass breakarch dial with silvered chapter ring and applied gilt Arabic hour numerals framing an engraved gilt centre with subsidiary seconds dial, lever at 9 o'clock of dial for 'Silent' or 'Hour Str.', lever at 6 o'clock for 'Strike/Silent' and lever at 3 o'clock for 'Westminster' or 'Chime on Eight Bells', the hood with swan neck pediment above a glazed door and Corinthian columns, the glazed trunk door with bevelled glass panels flanked by Corinthian corner columns, on a panelled base with blind fretwork borders above shaped apron and claw and ball feet, height 226cm, with pendulum, nine tubular gongs, three brass weights and a winder.

An 18th century and later walnut longcase clock with eight day movement striking on a bell, the 12-inch square brass dial with matt centre, subsidiary seconds, date aperture and applied plaque, inscribed 'Thomas Moore IPSWICH', the chapter ring with black Roman hour numerals and outer Arabic minutes, cornered with gilt urn and foliate scroll spandrels, the hood with moulded pediment, glazed door and turned columns, the crossbanded trunk with arched door, on a plain base and plinth, height 218cm (alterations and restoration), with pendulum and two later brass weights. Note: Thomas Moore Senior and Junior are recorded Suffolk clockmakers working in Ipswich from 1711 to 1762.

A George III figured mahogany longcase clock with eight day movement striking on a bell, the 14-inch painted breakarch dial with rolling moon to arch and inscribed 'Thos Atkinson Ormskirk', above black Roman hour numerals, subsidiary seconds, outer date ring and scene of a lady, the arched hood with three brass finials above a dentil swan neck pediment, glazed door and inlaid stop fluted columns, the trunk with arched door flanked by corner columns, on a cut cornered base and ogee bracket feet, height 257cm, with pendulum and two weights. Note: Thomas Atkinson is a recorded Lancashire clockmaker working in Ormskirk between 1767 and 1786.

An early 19th century mahogany longcase clock with eight day movement striking on a bell, the 13-inch painted breakarch dial with bust portrait of Admiral Nelson above Arabic hour numerals, subsidiary seconds and date dials, inscribed 'Wm Coulson N. Shields', the hood with moulded pediment and dentil cornice, glazed door and turned columns, the trunk door with shaped top, on ogee bracket feet, height 226cm, with pendulum and two weights. Note: William Coulson is a recorded Northumberland clockmaker working in North Shields between 1808 and 1850.

An early 19th century and later oak longcase clock, the eight day three train movement chiming on eight bells and striking on a gong, the 14-inch brass breakarch dial with silvered subsidiary strike/silent and bell selection dials to arch above a silvered chapter ring and subsidiary seconds, the hood with swan neck pediment and glazed door, the trunk door with inlaid shell paterae, on a cut cornered base and ogee bracket feet, height 233cm, with pendulum and three brass weights (alterations and restoration).

An early 19th century mahogany and crossbanded longcase clock with eight day movement striking on a bell, the 13-inch painted breakarch dial with rolling moon to arch above black Roman hour numerals and inner date ring, inscribed 'W. Burton S. Shields', the hood with arched pediment and gilt ball finials, glazed door and turned columns, the trunk with arched door and corner columns, on bracket feet, height 234cm, with pendulum and two weights. Note: William Burton is a recorded County Durham clockmaker working from his Fairless Street, South Shields address from 1801 until his death in 1842.

A mid-19th century oak and mahogany crossbanded longcase clock with eight day movement striking on a bell, the 14-inch painted breakarch dial decorated with huntsman and hounds to arch above black Roman hour numerals, subsidiary seconds and date dials, inscribed 'Alldridge Birmingham', the hood with swan neck pediment, glazed door and turned columns, the cut cornered trunk on a panelled base and bracket feet, height 242cm, with pendulum and two weights. Note: Edwin Alldridge is a recorded Birmingham clockmaker working between 1833 and 1864.

A Regency Scottish mahogany longcase clock with eight day movement striking on a bell, the 12-inch painted circular dial with black Roman hour numerals, subsidiary seconds and date dials, inscribed 'John Todd Glasgow', the arched hood with carved scroll surmounts above circular glazed door, scroll pilasters and pierced gilt fret panels, the trunk with tapered rectangular door, on a plinth base, height 209.5cm, with pendulum and two weights. Note: John Todd is a recorded Glasgow clockmaker working between 1823 and 1850.

AN IRISH MAHOGANY LONGCASE CLOCK BY EDWARD SMITH, DUBLIN FIRST HALF OF 19TH CENTURYthe arched hood with gadrooned trim, fluted angled corners and glazed circular door, enclosing a white painted dial with roman numerals and twin winding apertures, over a waisted trunk section and plinth base. 200cm high, 43cm wide, 23cm deep

A George III oak cased 30-hour longcase clock, the brass dial signed 'Benjamin Smith, Alfreton' 206cm h x 46cm w Location: FoyerIf there is no condition report shown, please request

Edwardian mahogany longcase clock, of large size, the case with urn finial, shaped hood with swan neck pediment, Corinthian engaged columns, dentil and blind fretwork frieze, long door flanked by Ionic columns, bracket feet, 35cm arched brass dial with silvered chapter ring, lunette with chime/sling, strike/slient and eight bells/Cambridge selectors, triple chain driven movement with eight bells, height 275cm.Please note, VAT is applicable on the hammer price as well as Buyer's Premium on this lot Condition report:Images of the movement and dial have been uploaded. The bells are all present and strike ok if manually striking with the hammers, but the clock is not presently running/ set up. The clock was delivered by a third party laid down on one side, completely assembled (hood, pendulum, weights - all still "on"). One of the wire weight cables has snapped. There is no key. We have not been able to test if in complete working order. We are unable to access the back of the movement to check for a maker's mark. 

A 19th Century oak longcase clock having brass dial and movement

Jno. Everall of London. An 18th century walnut eight day longcase clock, height 226cm. Condition - fair

A 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, with twin swan neck pediment, flanking a brass finial, the circular glass door enclosing an13 inch enamel dial, with foliate details, Roman numerals, signed W Goodwin of Nottingham, above a trunk door, on a box plinth, height 208cm (condition report: one trunk key, one weight, one pendulum, signs of historical wear and usage)

A GEORGIAN OAK 30 HOUR LONGCASE CLOCK, the square glass door enclosing an 11 inch brass dial, depicting Roman numerals, signed Francis Corrall, Lutterworth, two dummy winding pins, above a single trunk door, on a box plinth, height 212cm, condition report: trunk door doesn’t stay shut, one weight, one pendulum, historical marks, scuffs, untested, other wear and usage

AN OAK CASED LONGCASE CLOCK, the arched hood with a glass door, that’s enclosing a 11.5 inch painted dial, depicting Arabic numerals, signed Maddinson of Rugeley, above a trunk door, raised on a box plinth, height 217cm (condition report: one trunk key, lock faulty, key stuck in lock, one pendulum, one weight marks, scuffs, dial loose from mechanism other wear and usage)

A 30 HOUR LONGCASE CLOCK DIAL, the painted 10.5 inch dial with Roman numerals, signed JJ. Rogers, Romsey, subsidiary date aperture, with one weight and pendulum, condition report: some cracking to paint dial

A GEORGIAN MAHOGANY 30 HOUR LONGCASE CLOCK, with twin swan neck pediment, a single brass finial, above an arched glass door, that’s enclosing a 12 inch enamel dial, depicting Roman numerals, an indistinguishable signature, above a single trunk door, on a box plinth, condition report: one weight, one pendulum, historical marks, scuffs, stains, discoloration, alterations, other wear and usage

A GEORGIAN OAK 30 HOUR LONGCASE CLOCK, the hood with a swan neck pediment and brass finial, the square glass door is enclosing a 11 inch dial, over a trunk with a diamond crest and marquetry detail, Condition report: ideal for restoration, base of plinth distressed and in need of repair, veneer loss, one weight and pendulum

A GEORGIAN OAK, CROSSBANDED AND MARQUETRY INLAID, 8 DAY LONGCASE CLOCK, the swan neck pediment hood is enclosing a painted 13 inch dial, with painted arch, Roman numerals, Subsidery date aperture and seconds dial, height 227cm, condition report: on a later plinth, with one weight, pendulum, and a bag of loose dial hands

A GEORGIAN STYLE OAK EIGHT DAY LONGCASE CLOCK, the hood with a swan neck pediment with brass finial and blind fretwork, the glass door is enclosing a painted 12 inch dial, Roman numerals, second and date dials, signed John Wallace of Leven, the trunk with a loose bracket foot, height 214cm, two weights and pendulum, condition report: loose bracket foot,

AN OAK CASED LONGCASE CLOCK, with twin swan neck pediment, with a brass ball and eagle finial, the arched glass door enclosing a 11.5 inch dial, depicting Roman numerals, signed William Simpkins of Mansfield, above a trunk door, on a box plinth, height 208cm (condition report: one trunk key, one winding key, one pendulum, historical marks, scuffs, discolouration, other wear and usage)

An oak cased chiming miniature longcase clock having an eight-day duration movement striking the hours and chiming the quarters on four gong rods, the seven-inch square brass dial having a raised chapter ring with black Roman numerals, the flat-top oak case with barley-twist columns to the hood and shaped panelling to the trunk and base, height 154cm.

An oak cased chiming miniature longcase clock having an eight-day duration movement striking the hours and chiming the quarters on eight gong rods, the seven-inch brass break-arch dial having a silvered chapter ring with black Roman numerals, the boss in the arch engraved 'Tempus Fugit', the oak case with barley-twist columns to the hood and shaped panelling to the trunk and base, height 152cm.

An oak miniature longcase clock the eight-day duration movement striking the hours and quarters on eight gong rods, the round silvered dial having black Roman numerals and blued-steel hands, the curved -top oak case with carved edges to the trunk, height 138cm.

A George III Scottish longcase clock, the 11" brass dial signed "Andrew Duncan Edzel (sic)", with date aperture, subsidiary dial and Roman numerals in an associated floral marquetry case, the hood with moulded cornice and pair of pillars flanking the door, the trunk with a central lenticle, with keys, weights and pendulum. Height 207cm .

A George III ebonised longcase clock, the 11" brass dial with silvered chapter ring, date aperture and subsidiary dial, the hood with moulded cornice above a carved fretwork frieze over a door flanked by turned columns, the trunk with fielded panelled door, with pendulum and weights. H. 213cm.

An 8 day longcase clock with a painted arched dial signed Bradley Ilkistone in an oak and mahogany case with weights and pendulum - Height 208cm

A George III mahogany 8-day longcase clock

Four 13” painted 19th-century break arch longcase clock dials with one circular 12” American wall clock dial, plus two 11” and one 10” 18th-century brass longcase dials.

A 20th century French gilt and porcelain mantel clock with an eight day movement striking on bell, H-57cm, together with a Vienna style wall clock having eight day movement striking on five gongs, H-66cm and a modern Bentima Longcase clock having a quartz movement, H-108cm. (3)

A late 18th century 8 day longcase clock by Joseph Smallwood of Sandbach in a carved oak case. H 220cms

19th-century 8-day longcase clock with painted dial signed Thomas Wood. H 240 W 60 D 25cms

A Green Chinoiserie Eight Day Longcase Clock, signed John Anderton, London, circa 1730, flat top pediment, side viewing glass panels, case with Oriental gilt painted scenes throughout with pagodas, figures on horseback, birds and floral decoration, 12-inch arch brass dial with a Roman and Arabic silvered chapter ring, dial centre with ringed winding holes, date aperture, seconds dial and signed on a silvered oval plaque, arch with engraved sunburst silvered plaque, four pillar movement with an anchor escapement and rack striking on a bell243cm highCase with cracks and small chips to surfaces in parts, right hand side of the hood with both capitals missing to the back column, case with woodworm holes in parts which appear to be non active, trunk door is bowed, later painted top finials, dial slightly discoloured and with staining marks in places, very thin pieces of wooden blocks later added to the case side cheeks beneath the seatboard, later seatboard, with pendulum and two weights.

A Late 17th Century Style Eight Day Longcase Clock, 10 inch square brass dial with silvered chapter ring bearing a later inscription Stansbury, Leominster, 203cm highwith two weights and a pendulum

An Oak Thirty-Hour Longcase Clock, 11 inch square brass dial, signed E Sagar, K Stephen, inscribed John Dent in a cartouche, 204cm highplus pendulum and weight

An Oak Thirty Hour Longcase Clock, signed Leo Weathered, K Lonsdale, circa 1770, 207cm highwith pendulum and one weight

An Oak Thirty Hour Striking Longcase Clock, 11 inch square brass dial, with silvered chapter ring, signed Phillips, Ashburn, 199cm high

An Oak and Mahogany Eight Day Painted Dial Longcase Clock, circa 1800, 12 inch signed square painted dial, Benbow Northwood, inside case trunk door with Brian Loomes label, 200cm highwith two weights and a pendulum

A Thirty Hour Longcase Clock Brass Dial and Movement, 10-1/4-inch square brass dial Signed Thos Stockton, Yarm, circa 1770 (sold with a photocopy of this clock dial illustrated in Brian Loomes clock book "British Clocks Illustrated")

Oak longcase clock with handpainted and enamelled dial, by W. Gosten, Kirkham. Approx. 203cm H Used condition, scuffs and scratches, splits, not tested for working

A 20th century oak cased longcase clock, with weights and pendulum, 215cmH

A 19th century oak brass faced single finger longcase clock by Thomas Adderley - Wolverhampton, with 30 hour movement, single weight and pendulum H 225 cm Face 10”

THOMAS WOODRUFF OF SALOP - A BRASS FACED CARVED OAK LONGCASE CLOCK, the face with date aperture and 30 hour movement, housed in an extensively carved oak case, single weight and pendulum, H 211 cm

GEORGE WHISTON - STAFFORD - A LOCAL 19TH CENTURY OAK AND MAHOGANY 30 HOUR LONGCASE CLOCK, having a painted face with date aperture, pendulum and weight, H 203 cm

A strung mahogany longcase clock, c.1800, broken swan neck pediment with plinth and brass roundels, arched architrave supported by Corinthian columns, glazed, painted moon dial, Roman numerals, date aperture, double fusee, surrounded by portrait spandrels of naval men, the case below features geometric interlocking parquetry on architrave, the trunk features a double arched door with ivory urn-form escutcheon and inscribed sticker to back, flanked by Doric pilasters, plane moulded plinth, 222cm high, 57cm wide, 24cm deep (key, weights and pendulum) (1)Ivory Declaration Submission Reference Number: JX8G8KAS

A George III oak longcase clock, Joseph Head, Cirencester circa 1760, the 10 inch brass dial with black enamelled Roman numerals, in a glazed hood with open swan neck pediment and ball finial, flanked by fluted columns, on a crossbanded and bracket footed case, 201cm high

MAHOGANY LONGCASE CLOCK, MITCHELL & RUSSELL OF GLASGOW, 19TH CENTURY with twin train eight day movement, white dial with Roman numerals, subsidiary seconds and calendar dials, domed hood, crossbanded case210cm high

GEORGE III INLAID MAHOGANY LONGCASE CLOCK, by Robert Alexander of Leith222cm highCase and hood contemporary to dial. Lunette features a rocking ship -  moves with seconds. Dial and board aren't exactly a clean fit, I've included additional images from several angles which should help illustrate this, please do let us know if you require further.

A late 18th Century mahogany longcase clock with ornate swan neck and mask pediment, the 35cm brass dial marked for Paul Parker Drogheda, with subsidiary seconds dial and date aperture, with eight day bell striking movement

H Jones of Oswestry - Early19th century oak and mahogany eight-day longcase clock, with a swans neck pediment and central brass ball and spire finial, break arch door beneath with detached reeded pilasters, trunk with recessed pilasters and a full-length wavy topped door with inlay, square plinth with a raised crossbanded panel on padded feet, early Wilson painted dial with Roman numerals, matching steel hands, five minute Arabic's, seconds dial and date aperture, floral spandrels with gesso borders and an oval to the arch depicting a country girl gathering kindling, dial pinned via a Wilson falseplate to a rack striking weight driven movement, sounding the hours on a bell. With weights, pendulum and key. Dimensions: Height: 220cm  Length/Width: 45cm  Depth/Diameter: 25cm

Early 19th century oak cased eight-day longcase clock c1810 - with a swan necked pediment and three matching brass finials, break arch hood door flanked by turned pilasters with brass capitals, trunk with a full length spire topped door on a square plinth with applied skirting, early painted dial with Roman numerals, Arabic five minutes, subsidiary seconds and date dials and steel hands, with floral spandrels and conforming decoration to the arch, dial pinned via a false plate to a rack striking movement, sounding the hours on a bell. With weights pendulum and key.Dimensions: Height: 230cm  Length/Width: 50cm  Depth/Diameter: 23cm

A mixed lot to include clock parts lead and other longcase clock weights, pendulum parts and keys, together with silver plate, kid leather gloves, a brass watch stand and other itemsLocation: If there is no condition report shown, please request

Apprentice pieces: an oak refectory table, the lid lifting to reveal a music box and storage compartment; and a miniature oak longcase clock with inlaid shell motifs and platform escapement movement. Together with a brass perpetual desk calendar (Patent 1925) and a graduated set of three miniature painted metal jugs. (6)

Inlaid Mahogany 8 Day Longcase Clock having a Painted Dial by Mathewson Kilconquher