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A Regency mahogany drum head longcase clock by John Steel of Killamarsh, the twelve inch circular brass dial with roman and arabic numerals, engraved centre with sunburst and makers name, the twin chain movement striking a bell within an arched hood, square door with quarter pilasters, on box base with moulded edge (missing feet) (later elements to case) (h.191cm)
An early 19th century oak and mahogany cased 8-day longcase clock, arched hood surmounted by eagle and ball brass finials, flanked by reeded columns with Corinthian capitals, 18 x 12 inch arched painted dial with rural scene to the arch featuring courting swans, indistinctly signed, matched brass hands, 8-day movement with bell-striking to the hour, trunk with canted corners and long door, base missing the feet, with pendulum and winding key, no weights, height 190cm not including finial.
An early 18th century oak East Anglian longcase clock, brass 10" square dial with pierced steel single hour hand and corner cherub spandrels, Roman chapter ring signed Robert Brown, Bottisdale. 30 hour movement with rope/weight drive of birdcage form with countwheel strike on a bell. With weight and pendulum, base of trunk cut down. 203cm high.
An 18th Century oak and mahogany longcase clock, 13" brass arched dial plate with cherub corner spandrels, moon phase wheel, calendar and seconds dials, 9¾" Roman chapter ring signed Thos. Vernon, Ludlow. 8-day rack and snail striking movement with recoil anchor escapement. Four turned pillars between plates and false plate behind dial signed "Walton, Birmingham", with crank key, pendulum (a/f) and weights, scroll top hood with reeded column supports. 220cm tall
An 18th Century flame mahogany longcase clock, 12" brass arched dial with date wheel, strike/silent dial and subsidiary seconds, signed William Sheafe, London, pierced blued steel hands, 8 day rack and snail strking movement (bell missing) of five pillar construction with recoil anchor escapement. Weights, pendulum and winding key. Base of trunk cut down, 227cm high.
An early 19th Century mahogany cased longcase clock, 12 " circular repainted dial signed Jameson, Dublin, 8 day rack and snail striking movement of four pillar construction with later added gong replacing the usual bell strike. Recoil anchor escapement. Weights, pendulum and crank key. 195cm high.
A late 17th/early 18th Century oak longcase clock, 10" square brass dial with single pierced steel hour hand, silvered Roman chapter ring. 30 hour birdcage movement with four vertical turned corner pillars. Countwheel strike on a bell with recoil anchor escapement. Dial unsigned. With weight, pendulum and a quantity of spare drive chain. 189cm high
An early 19th Century mahogany longcase clock, 12" painted arched dial with swan automata connected to pallet arbor, subsidiary seconds and calendar wheel, signed Benjamin Elles, Woodbridge. 8 day movement of five pillar construction with rack and snail striking a bell. Pendulum, weights, two crank keys and loose trunk door lock and key. 207cm high including finial.
An 18th Century mahogany longcase clock, 12" brass square dial with silvered Roman chapter ring signed Nathaniel Cooper, Saxmundham, pierced steel hands and subsidiary seconds dial. 30 hour chain driven movement of birdcage form with countwheel striking on a bell. With weight and pendulum. 224cm high including finial
An 18th Century flame mahogany longcase clock with blind fretwork detail to hood. 12" square brass dial with Roman/Arabic silvered chapter rings and pierced steel hands with calendar wheel, signed Benjamin Anns, Highworth. 8 day movement with rack and snail striking a bell, of four pillar construction with recoil anchor escapement. With keys, pendulum and weights, 216cm high, case a/f in places.
A late 18th/early 19th Century oak longcase clock, 12" painted metal square dial with subsidiary seconds and pierced blued steel hands, signed Joseph Zipfel, Norwich. 30 hour chain drive movement of four pillar construction with recoil anchor escapement, countwheel striking a bell. With pendulum, door key and copper cased weight. 211cm high including hood finials.
Walnut eight day longcase clock with five pillar movement, the 12" brass arched dial signed James Scholefield, London on an arched plate to the matted centre, with subsidiary seconds dial and calendar aperture, with strike/silent dial to the arch, the case with long rounded arched crossbanded door, the hood surmounted by a cut down caddy top and moulded rounded arched cornice, 86" high (pendulum, two brass cased weights and keys) *The seat board bears the retail label of Camerer, Cuss & Co
Mahogany eight day longcase clock with five pillar movement, the 12" brass arched dial signed Thos. York & Son, London on a silvered plate to the dial centre with subsidiary seconds dial and calendar aperture enclosed by a silvered chapter ring and with a strike/silent dial to the arch, the case with long moulded rounded arched door and the hood surmounted by a moulded rounded arched cornice with two ball and spike finials, 87" high (wooden rod pendulum, 2 weights and keys)
Oak and mahogany thirty hour longcase clock, the 12" square painted dial signed Drake, Beaminster with calendar aperture, the case with long mahogany crossbanded pointed door and the hood surmounted by a swan neck pediment with two brass ball and eagle finials, 77" high (pendulum and weight)
Mahogany eight day longcase clock, the 12" brass arched dial signed Jas. Gregory, Basingstoke to the centre with subsidiary seconds and calendar dials, with strike/silent dial to the arch, the case with long rounded beaded arched door flanked by quarter fluted columns, the hood surmounted by a rounded wavy cornice and brass ball finials, 89" high (pendulum, two brass cased weights and keys)
Oak and mahogany crossbanded eight day longcase clock, the 12" painted arched dial signed J. Vey, Wimbourne to the centre, with subsidiary seconds dial, the case with medium length rounded arched door applied with carved foliage, shells and C-scrolls, the hood surmounted by a rounded arched pediment, 81.5" high (pendulum and two weights)
Interesting early oak longcase clock, the 9.75" square brass dial signed William Monk, Barwick St John on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, the unusual three pillar cutaway movement with an extra wheel in the going train, the case with long door and the hood surmounted by a flat moulded stepped pediment over a blind foliate fret carved frieze, 75" high
Good three train musical longcase clock, the 14" brass arched dial signed Coventry Lever Co. Limited, Birmingham on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, with chime/silent dial to the arch, the substantial movement playing on a nest of eight bells and striking on a large gong behind the movement, the case with medium length bevel glazed and rounded arched pillared door, carved overall with stylistic and swirling foliage, the hood surmounted by a rounded arched foliate carved pediment, 93.5" high (pendulum, three weights & keys)
Oak and mahogany eight day longcase clock, the 13" painted arched dial signed D.L. Moses, Brynamman, with subsidiary seconds and calendar aperture to the centre, painted with castles to the spandrels and sailing boats to the arch, the short door inlaid with a lozenge and the hood surmounted by a swan neck pediment, 84" high (pendulum, two weights and winding key)
Mahogany eight day longcase clock with five pillar movement, the 12" silvered arched dial signed Joseph Trish, Havant, with rocking ship to the arch over a subsidiary seconds dial and calendar aperture, the case with long rounded arched door and the hood with foliate pierced caddy top and three gilded flaming urn finials, 92" high (pendulum, two weights and keys)
Mahogany eight day longcase clock, the 14" painted arched dial signed W. McKnight, Whitehaven, with subsidiary seconds and calendar dials, the arch painted with a romantic couple seated in a rural landscape and spandrels painted with standing figures emblematic of the four seasons, the case with long figured mahogany and satinwood crossbanded wavy door flanked by gadrooned columns, the hood surmounted by a swan neck pediment (at fault), 90" high approx (pendulum and two weights) *The swan neck pediment of this clock is in need of repair and the broken parts are with the clock
Mahogany eight day longcase clock, the 12" brass arched dial signed John Box, Launceston, with subsidiary seconds dial and calendar aperture, the case with medium length pointed arched door and the hood surmounted by a rounded cornice with three brass ball and eagle finials, 90" high (pendulum and two weights)
Good mahogany three train musical longcase clock, the 12" brass arched dial signed Weir & Sons, 104 Regent St, London.W. on a plaque above six o'clock, the silvered chapter ring with Arabic numerals and enclosing a subsidiary seconds dial, with fast/slow lever at nine o'clock and chime/silent and Westminster/Whittington/St Michael tune selector dials to the arch, the dial plate overlaid with engraved meandering foliage, the substantial movement chiming on nine chrome tubular bells, the case with long door incorporating an elongated oval bevelled glazed window and the hood with a rounded moulded arched stepped cornice, 86" high (pendulum, three weights, nine tubes and a winding key) *This clock has been in the same family since it was purchased from Weir & Sons in London and inherited by descent The clock has been regularly serviced by Tupra in Bath and enclosed are some receipts relating
Good black lacquer and chinoiserie decorated eight day longcase clock, the 12" brass arched dial signed Fra: Redstal Overton on an arched plate to the matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, enclosed by a silvered chapter ring and surmounted by a moon phase aperture and dial to the arch, the case with moulded rounded long arched door decorated with figures and birds in pagoda lakeland landscapes, with further foliate decoration to the base and sides, the hood surmounted by a caddy top and two gilded ball and spike finials over carved fretwork foliate panels, 94" high (pendulum and two weights)
Good English black lacquer and chinoiserie decorated month going longcase clock with five pillar movement, the 11.75" square brass dial signed James Girod, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long beaded moulded edged door fitted with a circular lenticle decorated to the front with figures and birds in pagoda rural landscapes, further decorated to the sides with birds and flowering foliage, the hood with a flat stepped cornice over the dial door fitted with a locking catch inside the case, 85" high (pendulum, two weights and keys) - **This clock was purchased at Bonhams Knightsbridge on 22nd April 1998 for £2900 (Lot 205) - **Copies of correspondence detailing restoration work undertaken on this clock by Thomas-Ellis Rees MBHI can be provided
Good mahogany regulator longcase clock, the 12" silvered circular dial signed Usher, Estd 1873, with subsidiary seconds and hour dials, the six pillar movement with deadbeat escapement and maintaining power, within a rounded arched glazed case with scrolling foliate pierced carving beneath the dial, 72.5" high (mercury pendulum, weight, pulley and keys)
Good miniature walnut Viennese single weight regulator wall clock, the 2.25" white dial signed Franz Pohl in Wien, within a two-part glazed case inlaid with boxwood lines and surmounted by a triangular recessed pediment, 16.5" high (pendulum, weight and winding key); also two miniature longcase timepieces (3)
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41637 item(s)/page