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A MINIATURE MAHOGANY CASED LONGCASE CLOCK, 60 cm high

French alabaster and gilt metal 'longcase' mantel clock, with enamel dial, signed J.W. Benson, Old Bond Street, London, case with a arched top and engaged fluted Corinthian columns, 24cm.

An early 19th Century 8-day longcase clock, with arched lacquered brass dial and silvered chapter ring, by Arthur Bristow, Eversley, in cross-banded oak case, with key, weights and pendulum, 214 cm tall

A late George III oak thirty hour longcase clock, by Thomas Haden of Dudley W.52cm

Oak Longcase clock by Sandiford of Manchester. Hood with glazed door is flanked by pilasters leading to brass ball knops

Early 19th Century crossbanded and feathered mahogany longcase clock by Thomas Evans of Bangor, having a painted arched dial with moon phase feature. The cream dial with roman numeral chapter ring, subsidiary second dial. Twin weight with pendulum. Key in office.

Early 20th century oak longcase clock in moulded panel case with arched dial, triple train movement Westminster/Wittington chiming the quarter hours on rods, H196cm Condition Report Click here for further images, condition, auction times & delivery costs

~ Three eight-day longcase clock movements with painted arch dials; further eight-day longcase clock movements with circular painted dial; thirty-hour longcase clock movement with painted square dial; two wooden mantel timepieces; and a mantel timepiece movement (8)

Mahogany eight-day longcase clock, square painted dial inscribed Stephen Simpson, Gretna Bridge, movement with attached false plate stamped Walker & Hughes

Mahogany eight-day longcase clock, painted arch dial, signed W.Fryer, York

An oak and mahogany thirty hour longcase clock, signed Wm Hargraves, circa 1830, swan neck pediment, trunk door flanked by turned mahogany pilasters, recessed mahogany crossbanded plinth, 14-inch painted arched dial, four pillar movement with anchor escapement and outside countwheel striking on a bell, 229cm high 22.03.18, Case with small scuff marks in places, finials are missing, hood columns with some rubbing and flaking to the surfaces, hood door with small chips, dial with scratches and slightly discoloured to the centre, movement needs cleaning, with one weight and a pendulum.

Art Deco mahogany chiming longcase clock, triple weight driven movement

Pine cased thirty-hour longcase clock

C18th Oak Longcase 30 Hour Clock with serpentine fronted door with axe handles, herringbone inlaid frieze, hood with broken arch pediment, painted dial marked D Jones Llangaddock, Arab numerals, date aperture quadrants painted with fruit & flowers, top with exotic birds, single weight, on plinth base, with pendulum

Late C18th/Early C19th Yorkshire Oak Longcase Clock with mahogany banding, door with conch shell inlay, broken arch pediment, turned columns, painted arched dial with Roman numerals, secondary seconds dial & day/date aperture, painted with church & sheep grazing, signed Stokesley, on plinth base

An imposing late 18th century mahogany cased, 8-day weight driven longcase clock, the painted Wilson dial with rolling moon feature and inscribed Arch'd (Archibald) Coates, Wigan, matched blued steel hands, weight and pendulum, 228 cm (high) (Loomes lists two makers of this name, the first of whom died in 1797. This clock is probably by the son, listed as working in Wigan until 1810 when he became publican at The Cock Inn, Millgate, Wigan)Condition report: The clock is in good original condition, the dial has been very well restored and retains the character of the Wilson features, the hood door has had repair many years ago where the arch section has broken, the movement is fairly clean though needs some bushing so a service should be factored in, the moon disc moves with the hands though the calendar dial does not seem to work. Some woodwork is missing from the base sides though there are several pieces of wood with the lot that may complete the case. Door has the lock and key. We have not attempted to set the clock up for running, though the escapement and strike trains work with pressure on the great wheels.

A 19TH CENTURY MAHOGANY, PROBABLY SCOTTISH, LONGCASE CLOCK, having arch topped painted dial depicting a huntsman and his dogs, the case having swan neck pediment with twin turned and facetted columns, supported on a broad carcase with shield shaped s ingle door, on a deeper box base with short splayed feet, approximately 230cm high x 55cm wide 

A 19TH CENTURY OAK LONGCASE CLOCK, having silvered dial bearing the name "Henry Deykin of Worcester", clock number 1396, plain dial with subsidiary seconds and date aperture, the carcase having blind fret carved frieze, over twin column supports, lon g crossbanded single door, on a box base, 206cm high (complete with pendulum and weights) 

A painted longcase clock dial & movement only, the face marked 'J Cottier, Peel'

A George III mahogany eight day longcase clock, the dial inscribed 'Hugh Roberts, 41 Market St, Holyhead' the white painted dial with a moonphase mechanism, black Roman numerals, painted corners, the door with applied split turnings set between matching columns, single case door and raised on a projected base

A George III mahogany eight longcase clock, with a silvered dial, indistinctly inscribed, the hood with an arched door, turned columns, the base section with quarter round columns to sides, 220cm high

A 19th Century Fletcher of Chester mahogany eight day longcase clock, swan neck pediment, painted arched dial with lunar equation, strung case with fluted pilasters, height 245cm

A George II ebonised 30 hour longcase clock, the dial inscribed 'Tho Clarke, Burton', the door with a glazed face sliding off and revealing 10 inch brass dial with silvered chapter ring and gilt spandrels, single hand, the mechanism having a bird-cage movement and striking on a bell, single weight driven, 194cm high

A George III oak 30 hour longcase clock, the hood with fretwork and fluted cornice, the single door enclosing a dial with a silvered chapter ring and Roman numerals, inscribed 'Ashby', gilt spandrels, shaped case door

A George III oak eight day longcase clock, having a brass dial and black Roman numerals, the 12 inch dial inscribed 'Foden, Congleton', with gilt spandrels, 200cm high

A George III oak eight day longcase clock, the hood with a swan neck pediment, enclosing a circular glazed face, marked 'Robt Pegg Ashby' to dial, Arabic numerals

A George II ebonised 30 hour longcase clock, the glazed hood enclosing a silvered chapter dial with black Roman numerals, gilt spandrels, the dial inscribed 'W. Barnard Newark', the case with a single door with a glass roundel, projecting base, 203cm high

A George III eight day oak longcase clock, 18th Century, brass dial inscribed E. Greatorex

A George III oak 30 hour longcase clock, the hood with turned columns, the single door enclosing a white enamelled dial with Roman numerals, inscribed 'Tho Amas, Coleorton', the shaped door enclosing single pendulum and weight, 190cm high

A George III oak and mahogany 30 hour longcase clock, the dial inscribed 'Wm Salisbury, Ashby de la Zouch', 224cm high

An early 19th Century eight day oak and mahogany cased longcase clock, the white enamelled dial inscribed 'Johnson Derby', the hood and case with turned columns

An Edwardian oak longcase clock with chiming movement, H. 193cm, (understood to be w/o).

An 18th Century oak cased single train longcase clock with painted dial and date function by Chittenden of Yalding, H. 207cm (understood to be w/o).

Black lacquer and chinoiserie decorated eight day longcase clock, the 12" brass arched dial signed Henry Baker, Malling on a silvered boss to the arch over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long moulded arched door decorated overall with figures in pagoda landscapes, the hood with a rounded moulded cornice surmounted by three ball and eagle brass finials, 68" high (pendulum, two weights and keys)

Two oak cased miniature longcase clocks, the dials set with Roman and Arabic numerals respectively, height of slightly taller 42cm, and a domed mantel clock (3). CONDITION REPORT: All worn throughout, the two miniature long case dials will need cleaning as they are quite dirty, small chips, splits etc, no guarantee of working order.

A late 18th century wall clock constructed from a brass thirty hour longcase clock dial inscribed 'Edward Bartholo Sherbourne' with thirty hour movement and carved associated oak case, one weight and pendulum present, dial width 27.5cm.

HY GRANT, CARDIFF; a 19th century mahogany eight day longcase clock, the glazed door flanked by barleytwist columns enclosing dial set with Roman numerals and subsidiary seconds dial, the arch and spandrels painted with a hunting scene, on plinth base to bracket feet, height 224cm.

R SCHOFIELD OF ROCHDALE; an oak and mahogany crossbanded longcase clock, the moulded cornice above brass dial with circular chapter ring set with Roman numerals, with subsidiary seconds dial and date aperture, with domed door on plinth base, height 211cm.

An early 19th century oak and mahogany crossbanded eight day longcase clock with arched painted dial, short door, fluted uprights and plinth base, height 211cm.

A late 18th century oak thirty hour longcase clock, with associated painted dial and movement above short door and plinth base, height including urn finial 201cm (af).

An ebonised longcase clock for restoration, the painted dial set with Arabic numerals and date aperture, height approx 195cm (af). CONDITION REPORT: Entire clock extensively worn and rickety throughout, will need extensive attention and restoration, no guarantee of working order, rubbing to the dial, losses to the finish of the dial.

An early 20th century oak case eight day longcase clock with Arabic numerals, height 181cm. CONDITION REPORT: We are unable to post/ship this item. There are a number of couriers that we recommend and their details can be found http://www.adampartridge.co.uk/postage.php

An 18th century North Country 30 hour longcase clock, Hugh Lough, Penrith, the mahogany case with swanneck pediment, above 12.5inch (32cm) brass dial with painted moonphase disc to the arch, silvered chapter ring and dial centre with signed inset circular plaque, curved calendar aperture below, gilt foliate spandrels, 4 pillar bell striking movement, the trunk with short door flanked by quarter columns, the base with canted corners on ogee bracket feet 230cm high case probably associated.

A 19th century Scottish mahogany longcase clock, with painted arched dial, 8 day movement, by Duff and Miller, Paisley, 220 cm high

An oak 8 day longcase clock of cottage type, with square painted dial, 193 cm high

An early 18th century thirty-hour longcase clock, by Stephen Mears of Hempnall, with square brass dial, applied pierced brass spandrels and silvered chapter ring, oak case with finials and three-quarter pilasters

An 18th century 30-hour longcase clock movement, 9" square brass dial engraved Edw. Blowers, Beccles, later walnut caddy topped case, 212cm high, (as found - no weights or pendulum)

An 18th century 8-day longcase clock, the dial engraved Hen. Payton, Bromsgrove, 11.5" square brass dial, subsidiary second dial and calendar aperture, brass chapter ring, later carved and stained oak case, 208cm high, (as found - no weights or pendulum)

An 18th century 30-hour longcase clock, engraved W. Bonsall, Nottingham, 11" square brass dial with applied brass chapter ring and pierced brass spandrels, Roman numerals, oak case with gilt-brass Doric columns, 201cm high, (as found - no weights or pendulum)

An early 19th century 8-day longcase clock, with painted 11.5" square dial with arched top, the stained oak case with caddy top, 204cm high, (as found - no weights or pendulum)

A 20th century mahogany eight-day longcase clock by Richard Broad of Bodmin, Cornwall, with swan-neck pediment, brass ball finial, striking and chiming movement, brass dial and three brass weights, glass trunk door and pedestal base, approx. 210cm

A William III walnut eight-day longcase clock William Grimes, London, circa 1695-1700 The eight-day five finned pillar inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum and outside strike locking detent, the 11.25 inch square brass dial with subsidiary seconds dial, ringed winding holes and scroll border engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes to narrow outer track and signed W’m Grimes. Londini fecit to lower edge, with fine pierced blued steel hands and angles applied with winged cherub mask and foliate scroll cast spandrels with scroll engraved infill between, the case with ogee moulded cornice and floral trail pierced fret to frieze above glazed fixed dial surround applied with Solomonic three-quarter columns to front angles, the sides with rectangular windows and conforming quarter columns applied next to bargeboards at the rear, the trunk with convex throat moulding over 42 inch rectangular door centred with an oval lenticle and veneered with three pairs of book-matched panels within a herringbone banded surround, the sides veneered with twin herringbone bordered panels, the base with stepped ogee top moulding and conforming book-matched panel within further crossbanded surround over bun feet, 204cm (80.25ins) high. Provenance: Private collection, Hampshire (ref. C16); purchased at Sotheby’s, London, 19th December 1991 (lot 167) for £6,800 hammer. William Grimes is recorded in Loomes, Brian The Clockmakers of Britain 1286-1700 as born in Shilton, Leicestershire in 1737 and is thought to have trained under his uncle, Thomas Grimes, before moving to London by 1682 when he was made a Free Brother of the Clockmakers’ Company. William Grimes worked from Hatton Garden, London and amongst his apprentices was John Topping (1691) who subsequently became well known for his complex longcase clocks with astronomical functions. William Grimes is thought to have died in around 1705.

A George III oak mahogany and boxwood strung longcase clock, the square hood with a gilt leafy scrollwork and foliate painted frieze, having reeded freestanding pilasters, the shaped trunk door between reeded pilasters, the altered brass dial with Roman numerals and date aperture, the single train movement striking on a bell, 200cm high.

A 19TH CENTURY OAK AND MAHOGANY 8 DAY LONGCASE CLOCK BY JOHN STEEL OF LEEK, the arched brass dial with date aperture and subsidiary seconds dial, bearing maker's name, the case and hood with inlaid and crossbanded detail, two weights and pendulum, H 222 cm

A 19th CENTURY OAK AND MAHOGANY 8 DAY LONGCASE CLOCK, TWIN WEIGHTS AND PENDULUM

A 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, the circular 13" silvered dial with Roman and Arabic numerals, subsidiary seconds dial, flame mahogany case, later oak turned finials to the hood, H 204 cm - Two weights and pendulum

A GEORGE III AND LATER CARVED OAK LONGCASE CLOCK, 8 day movement, brass dial, strike silent, dial to arch, subsidiary date aperture and seconds dial, approximate face diameter 28.5cm, named Ball, High Wycombe, the case carved with foliate scrolls and masks, approximate height 209.5cm (sd) (two weights, pendulum, door key)

A GEORGE III OAK AND MAHOGANY BANDED LONGCASE CLOCK, broken swan neck pediment above a brass and silvered dial, Noah Arc scene to arch (sd), date aperture and subsidiary seconds dial, 8 day movement, dial diameter 29cm, named JNO Willeins, Otcham, approximate height 205.5cm (two weights, pendulum and door key)

A continental painted longcase clock by C.P Christensen, height 198cm

An antique continental painted longcase clock, height 194cm