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Click here to subscribe19th century mahogany cased drum head longcase Grandfather clock, the dial with two subsidiary dials named for Ritchie and Son of Edinburgh Condition Report:Wear to the dial, paint loss and craquelure. Bracket feet off and broken. Case is missing columns and there is no sign of it being worn.
A 19th century inlaid oak and mahogany longcase clock, the arch topped face with a 12in silvered dial, with Arabic hour markers and pierced spandrels in the neo-classical style, with a subsidiary seconds dial, the hood with swan pediment over fluted pillars, the body with neo-classical inlays, and the door inlaid with Britannia and the Iron within an oval cartouche, 53cm wide, 24cm deep, 237cm highCondition report: Wear to dial, surface scratches, knocks and splits to the case, pendulum lacking
THOMAS RAMSBOTTOM BRASS DIAL CARVED OAK LONGCASE CLOCK, 12in dial set with Roman numerals and chased decorated, signed 'Thomas Ramsbottom, Hall Green' with pierced floral spandrels set before a twin weight pendulum bell strike movement (pendulum and weights included), the hood with broken pediment and central fruit finial above a glazed door with flanking reeded pillars, a long trunk door on a stepped base, the case later carved by Emile De Vynck, woodcarver and Belgian Refugee from the 1915 Great War, Pentrefelin, North Wales, 219cms H, 50cms W
An impressive large Edwardian inlaid mahogany Longcase Clock, the swan neck pediment over an inlaid frieze above a domed brass and silvered dial and subsidiary dial, flanked by two reeded brass pillars, over an inlaid body with elaborately inlaid panel door and box base, on shaped plinth base, 236cms (93") high. (1)
AN EARLY 20TH CENTURY MAHOGANY AND INLAID LONGCASE CLOCK, the hood with a brass finial, arched glass door enclosing the 8.5' silvered and brass dial, the arch with a chime/silent handle and roman numerals, the trunk with a bevelled glass door, panelled base on bracket feet, height 215cm (three weights, pendulum and case key)
A Mahogany cased light and dark wood strung 8 day Longcase CLock having door flanked by mirrored spirals, the arched painted face with Roman numerals having a rolling moon phase dial to the arch, inset second hand below the 12 o'clock position and semi-circular calendar window, decorated to the corners with follies/castles. Weights and pendulum and door key and winder present but movement requires attention. Striking the hours on a bell. Maker R. Fox Pontypool, 87'' approx. to top of finial
19TH CENTURY SOUTH WALES MAHOGANY 8-DAY LONGCASE CLOCK with 12-inch painted broken arch dial, signed Thomas Evans, Aberdare, Roman numerals, subsidiary seconds, calendar aperture, the hood and trunk with balustrade pilasters on turned feet, 231cms high Condition Report: dial with minor restoration, one brass finial replaced.
A 19th Century oak and crossbanded longcase clock, the 12" painted arch dial with horse chestnut to top and anchor spandrel corners marked for Deacon, Barton with subsidiary second dial and Prince of Wales feathers to case door, with thirty hour bell striking movement - further details included
An Aesthetic Movement blue ceramic miniature longcase clock, the gilded dial set with Roman numerals, inset between gilded highlights and decoration of insects and floral sprays, height 41.5cm, together with eight contemporary quartz clocks (9).Additional InformationLacking the key, so we are unable to check if the movement is working, general wear to the gilding, light scratches to the glaze, but overall clean and impressive clock.
A 19th century mahogany longcase clock, the hood with brass finial and broken swan neck pediment above circular dial set with Roman numerals (glass cracked), two subsidiary dials and painted floral detail, the trunk with arched door on plinth base, height 234cm, with pendulum and two weights.Additional InformationGlass of hood cracked as started, hood with split all down one side, dial with heavy wear and replaced hands, significant cracks to veneer, losses to mouldings, splits and heavy scuffs and scrapes throughout, in need of attention and restoration, the digital a relatively modern replacement.
An early 19th century inlaid mahogany longcase clock, the circular dial set with Roman numerals and featuring subsidiary dial set with Arabic numerals, signed F.J & J Ollivant of Manchester, height 211cm (case af).Additional InformationFront right leg of case is missing, the hinges of the door have separated and need to be re-screwed, losses to the case, general wear, splitting, rubbing to the dial, the hood has splitting to the veneer - please see additional images.
A mid-19th century mahogany and rosewood cross banded eight day longcase clock, the arched painted dial inscribed 'Bostock, Sandbach' above short arched door and plinth base, height 220cm.Additional InformationSold with two weights and pendulum, one rosette missing to broken swan neck pediment, cracks to the side panels both upper and lower. Bleaching and fading to the door, old repairs to the veneers, some veneer flex missing, splits to the wood and surface knocks. None of the brass finials are present, lacking any feet.
An oak eight day longcase clock with associated movement, the silvered dial set with Arabic and Roman numerals and signed Hazeldine, with subsidiary dial, date aperture and applied spandrels, height 211cm. Additional InformationComplete with pendulum and weights, the clock looks to be a marriage, heavy wear throughout.
A late George III mahogany longcase clockEngraved to the arch Nathaniel Brown of ManchesterThe 12 1/2-inch brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary second dial, date aperture and moon phase, the twin train movement striking a bell contained within a hood with painted scrolling fret work above a trunk with shaped door, on canted box base with ogee bracket feet, 52cm wide, 25cm deep, 233cm high, (20In wide, 9 1/2in deep, 91 1/2in high)For further information on this lot please visit Bonhams.com
A George III William Cooper of Derby oak longcase clock, circa 1790, having an eight day mechanism, the hood with a swan neck pediment, glazed door enclosing a white enamelled 12 inch dial with black Roman numerals, painted arch, the door set between quarter round turned columns, raised on a projecting base section and plinth, 220cm high, complete with two weights and pendulum
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