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A George III inlaid oak thirty hour longcase clock with moonphase late 18th century the countwheel bell striking movement with 12in brass break-arch dial with calendar aperture and signed ‘Blaylock Longtown’ to the ho-ho bird inhabited foliate scroll engraved centre within a silvered Roman numeral chapter ring with Arabic five minutes with foliate scroll cast spandrels to angles beneath rolling moonphase to arch in a swan neck pedimented case with slender pilasters to hood above parquetry star inlaid shaped top trunk door flanked by quarter columns to angles on plinth base 219cm high.. John Blaylock is recorded in Baillie G H ‘Watchmakers & Clockmakers of the World’ as working in Longtown circa 1791.

A George III oak thirty hour longcase clock circa 1800 the countwheel bell striking movement with white painted 11in square Roman numeral dial polychrome decorated with a Jay perched within foliage and signed ‘Ollive and Reader Cranbrook’ to centre with floral painted spandrels in a flat top case with dentil cornice and blind fret frieze above integral hood pilasters and rectangular trunk door on plinth base 190cm high. Ollive and Reader are recorded in Baillie G H ‘Watchmakers & Clockmakers of the World’ as working from Cranbrook in the early 19th century.

An eight day longcase clock movement and dial circa 1810 the rack and bell striking movement with white painted 12in Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed ‘J. G. Allen Guernsey’ to centre with polychrome and gilt floral painted spandrels beneath scene of classical figures before a rotunda to arch.

A thirty hour posted longcase clock movement and dial circa 1740 the outside countwheel bell striking movement with rectangular section posts and anchor escapement the 10in square brass dial with ho-ho bird and burnished foliate scroll engraved matted centre within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and signed ‘Nicholas Blondel A Guernsey’ to lower edge the angles with applied foliate scroll and shell cast spandrels no pendulum or weight. Nicholas Blondel is recorded in Loomes Brian ‘Watchmakers and clockmakers of the World volume 2’ as working cica 1740 Blondel is known to have numbered the majority of his clocks however this example appears to be unnumbered.

A Queen Anne black lacquer month going longcase clock circa 1710 the five finned pillar outside countwheel bell striking movement with five-wheel trains and 12in square brass dial with subsidiary seconds dial engraved calendar aperture and ringed winding holes to the matted centre within an applied Roman numeral chapter ring with stylised sword hilt half hour markers Arabic five minutes and signed ‘Jona. Rant London’ to lower edge the case with moulded cornice and integral pilasters to hood above long trunk door gilt decorated with figural Chinoiseries around a glazed lenticle on plinth base 224cm high.. Jonathan Rant is recorded in Baillie G H ‘Watchmakers & Clockmakers of the World’ as working 1687-1725.

An oak eight day longcase clock with moonphase early 18th century the four finned pillar movement with internal countwheel strike and 12in brass herringbone border engraved break-arch dial with subsidiary seconds dial ringed winding holes and calendar aperture to the matted centre within an applied brass Roman numeral chapter ring with fleur de lys half hour markers Arabic five minutes and signed ‘Richard Parkinson Richmond’ to lower edge with Indian mask and foliate scroll cast spandrels beneath penny moon and arched sector calibrated for the lunar month flanked by dolphin mounts to arch in a break-arch top case with broken pediment and Corinthian pilasters to hood above shaped top trunk door and raised panel fronted plinth base 222cm high.

William Webster a fine figured mahogany eight day longcase clock with deadbeat escapement circa 1760 the five pillar rack and bell striking movement with deadbeat escapement and 12in brass break-arch dial with slender subsidiary seconds ring calendar aperture and signed ‘William Webster Exchange Alley London’ to the matted centre within silvered Roman numeral chapter ring with Arabic five minutes and unusual mask and scroll cast spandrels to angles the arch with silvered strike/silent ring flanked by dolphin cast mounts the case with pagoda pediment and brass flambeau finials above brass stop fluted pilasters to hood with solid flame figured break-arch door to trunk on raised panel fronted plinth base 243cm high.. William Webster senior was journeyman to Thomas Tompion who after his master’s death worked from Exchange Alley until he died in 1737 the business was continued by his son also called William until his death in 1776.

A mid 18th Century 30 hour Longcase Clock, Jon Nethercott of Standlake, the 9” square brass dial with cast figural spandrels enclosing a silvered Roman chapter ring with inside quarter track and single blued steel hand and further matted and engraved centre, to a posted movement with anchor escapement and count wheel, strike on a bell, the whole mounted in a later oak wall mounted bracket case with detachable hood

A composite oak cased Longcase Clock, signed Jno Lawson of Bradford, the hood with swan neck pediments and three globe and spike finials, to a fluted fret panel over free standing columns, to a long trunk door flanked by quarter columns and raised on a plinth base with bracket feet, to 13” brass dial with cast scrolling foliate spandrels, to a Roman and Arabic chapter ring and engraved centre with pseudo inverted moon phases and date sector, to a twin weight movement with anchor escapement, strike on a coiled gong, height 90”

An early 19th Century 8-day Longcase Clock, John Head, Binham, the case in a poor state of repair, to a painted 12” Arabic dial with gilt highlighted spandrels, subsidiary seconds and date sector with pierced and stamped brass hands, to a movement with four knopped pillars and anchor escapement, strike on a bell, height 76”

Francis Henderson, Musselburgh. A late 18th century oak 8-day longcase clock, the twin train movement with anchor escapement, the arched silvered dial with Roman chapters and subsidiary seconds dial and date aperture, the hood with swan neck pediment and fluted columns, the shaped trunk door enclosed by fluted quarter columns, the plain base raised on a plinth 217cm high.

James Alves, Coatbridge. An early 19th century mahogany 8-day longcase clock, the twin train movement with anchor escapement, the arched and painted dial with subsidiary seconds and date dials, painted to the spandrels with cottages and to the arch with a castle, the hood with swan neck pediment, the shaped trunk door above a plinth base on flattened bun feet 226cm high.

Thomas Ogden, Halifax. A fine 18th century burr elm cased 8-day longcase clock, the twin train movement with anchor escapement, the arched brass dial with painted moon phase to the arch above a silvered chapter ring with Roman and Arabic numerals, enclosing subsiduary seconds dial and date aperture, the hood with caddy top and gilded sphere finials, above glazed hood door flanked by inset quarter columns, the trunk with shaped door, crossbanded and inlaid with boxwood and ebony stringing, on a panelled base with bracket feet 241cm high.

A Louis XVI style kingwood longcase clock, late 19th century, the twin train movement with circular white enamelled dial with Roman and Arabic chapters, enclosed within shaped hood, with cast and gilt metal figure of a seated Father Time, above parquetry inlaid shaped trunk with canted angles and central glazed aperture, the base with ogee outline, the whole with applied gilt brass mounts cast with foliate and figural motifs and raised on massive cast paw feet on a plinth 226cm high.

An early 19th century mahogany 8-day longcase clock, the twin train movement with anchor escapement, the arched painted dial with Roman chapters and subsidiary second and date dial, painted to the spandrels with allegories of the seasons and to the arch with a tavern scene inscribed "Highland Reel", indistinctly signed, 'Young, Dundee', the hood with swan neck pediment and boxwood inlaid columns, the shaped trunk door enclosed by inlaid quarter columns above a panelled base and bracket feet 214cm high.

Andrew Dickie, London. A late 18th century mahogany 8-day longcase clock, the twin train movement with anchor escapement, the polished steel chapter ring enclosing a seconds dial, within foliate scroll spandrels, the hood with fluted canted corners, the whole raised on a moulded plinth base 194cm high. Provenance; Property of The Drambuie Liqueur Company.

A GEORGE III OAK EIGHT DAY LONGCASE CLOCK BY JOHN CLAMTON MARPLE the signed dial with silvered chapter ring and date aperture on a matted ground. 6ft 10ins high

An 18th Century oak longcase clock, the square hood having a scrolled pediment with fretwork narrow panel below and turned columns and the case having a long crossbanded door and with a thirty hour movement, 12 ins brass dial by Richard Simister, Birmingham, 88 ins high 1400-1600

A 1930's oak longcase clock with eight-day movement, the circular dial having Arabic numerals.

A George III longcase clock movement, William Murrell, Horsham, the 10 inch square brass dial with silverised chapter ring and Roman and Arabic numerals, the 30 hour movement striking on a bell.

A George III longcase clock movement, Ralph Sone, Hambleton, the 10 inch square brass dial with single hand and engraved centre with silverised chapter ring and Roman numerals, the 30 hour movement striking on a bell.

AN EIGHT DAY LONGCASE CLOCK, mid 19th century, with painted dial and oak and mahogany case, approx 86" high

A GEORGE III MAHOGANY EIGHT DAY LONGCASE CLOCK by Jacob Cohan, Swansea, the painted dial with date aperture and dated February 19th, 1797, approx 88" high

A 19TH CENTURY MAHOGANY 8-DAY LONGCASE CLOCK by John Marshall, South Kirkby the painted dial with a landscape view with peasant girl and goats, 89" high

A 20th Century oak longcase clock, the German eight day movement with twelve inch painted square dial, subsidiary seconds and day of the month aperture, the hood of square plain form, 48cm wide x 198cm high.

A mahogany cased eight day longcase clock, the 13.5 inch square brass dial inscribed 'Geo Charles, Dublin', the case with a shaped door flanked by pilasters, basically 18th century, 211cm high, with weights and pendulum.

A George III mahogany longcase clock, the 33cm arched painted dial, subsidiary seconds dial, twin winding holes, eight day movement striking on a bell, pierced gilt hands, incised Thomas Gilbert, Rugeley, painted scene to arch of a shepherd and shepherdess resting, the hood with swan neck pediment stop fluted columns with composite capitals, shaped rectangular door to waist flanked by conforming quarter columns on canted fluted base, 213cm high, c.1800. A member of a sizeable Staffordshire dynasty, Thomas Gilbert was the younger son of another Thomas Gilbert (1751-1818), a clockmaker at Lichfield (until 1793) and thereafter at Rugelely as well. From 1814-1842 he worked at Rugeley, latterly from Wellington Street. He left two sons, George, who succeeded him at Rugeley and James who was a clockmaker in Lichfield

An oak longcase clock, John Kirby, Bromley in Kent, the eight-day movement having 12ins brass broken-arched dial with silvered Roman chapter ring, subsidiary seconds dial, date aperture and mask and dolphin spandrels, the arched hood surmounted by three steeple spheres over fluted pilasters and moulded arched door, on plinth base and shaped bracket feet, H 219cm W 46cm

A George III oak longcase clock, Buxton, the eight-day movement having 12ins Roman dial with urn spandrels, minute subsidiary dial and date aperture, the case having carved frieze and plain turned pilasters over moulded rectangular door, on stepped plinth base, H 209cm W 53cm

†A George III mahogany longcase clock, James Tregent, London, the eight-day movement having 12ins silvered broken-arched Roman dial with subsidiary seconds dial, date aperture and strike/silent to the arch, the case having moulded arched hood flanked by fluted canted angles over moulded arched door, on panelled plinth base, H 215cm W 46.5cm

A circa 1830 mahogany longcase clock, having a scroll pediment and twin ring turned pilasters flanking painted arched dial (width 13 inches) with Roman numerals, subsidiary seconds dial and date dial signed George Steel, Chester Le Street, the arch and corners painted with hunting scenes, game and hounds, twin winding holes for a brass four pillar twin train eight day weight driven movement striking on a bell, the trunk having a shaped and crossbanded door with flame mahogany veneers, part canted corners and raised on a panelled box base on bracket feet, height 229cm

A walnut longcase clock, having an 18th Century brass arched square dial, width 12 inches, signed John Gordin, London, having brass chapter ring with Roman and Arabic numerals, cast brass corner spandrels, matted centre with subsidiary second dial and date aperture, twin winding holes for a brass five pillar eight day weight driven movement striking on a bell, the whole housed in a contemporary 18th Century style walnut and burr walnut case with panelled door and feather banded box base, height 220cm

A late 19th Century Flemish oak and fruitwood longcase clock of massive proportions, having an arched brass dial, silvered chapter ring with Roman numerals and date dial, strike silent to the arch, eight day weight driven twin train movement striking on a gong, the case with applied figural pilasters, the trunk door with scroll marquetry inlays, further figural plinth and matching base, height 260cm.

An early 19th Century mahogany longcase clock, the hood having a swan neck pediment and twin fluted pilasters flanking arched brass dial, width 12 inches, having cast brass corner spandrels, brass chapter ring with Roman and Arabic numerals and signed Richard Hornby, Bawtry, the matted centre with subsidiary seconds dial and rolling date dial, twin winding holes for a brass four pillar eight day weight driven movement striking on a bell, the case having arched panelled door within quarter turned fluted pilasters on a box base with shaped bracket foot, height 214cm (see lot 365 for illustration)

A George III oak longcase clock, the hood having a stepped cornice above three-quarter turned pilasters flanking square brass dial, width 12 inches, having cast brass corner spandrels, brass chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, twin winding holes for a single train eight day weight driven movement, the case having arched panelled door above a box base on bracket feet, height 188cm

An early 19th Century oak and mahogany crossbanded longcase clock, having a swan neck pediment with twin ring turned pilasters flanking painted arched dial, width 14 inches, signed to the centre J Hulme, Stretford, having Roman numerals, subsidiary seconds dial and date dial, the arch painted with Mary, Joseph and baby Jesus, twin winding holes for a brass four pillar twin train eight day movement striking on a bell, the trunk with shaped and crossbanded door within ring turned pilasters, the whole raised upon a box base with canted corners on bracket feet, height 229cm (see lot 359 for illustration)

An unusual antique oak longcase clock, the hood having a cavetto cornice and twin barleytwist columns flanking brass arched dial, with 9 inches, the dial signed Thomas Cusins, London inscribed with date 1717, having silvered chapter ring with Roman and Arabic numerals, single winding hole for a brass eight day weight driven four pillar movement, the Continental case with figural carving, turned columns to an open base with spindle gallery, blind carved panel and raised on bracket feet, height 212cm (see lot 359 for illustration)

An eight day longcase clock movement with a brass arch dial, with seconds. hand and calendar, signed ROBERT AICKEN CORKE - 13in wide x 18in high

A thirty hour longcase clock with a brass dial signed Fisher Preston contained. in a good quality oak case with a shell inlaid door, the hood with a swan neck. pediment (restored)

A good quality mahogany and inlaid longcase clock case with swan neck. pediment over the hood and trunk, both with reeded and brass columns, would. suit a 13in wide dial by 18 1/2in - 19in high

Oak brass face eight day longcase clock

Longcase clock, Simkins of Mansfield, painted 13" dial, 7" oak and mahogany cross banding

Robinson (T) The Longcase Clock, Alllix (Charles) Carriage Clocks, and Royer-Collard (F B) Skeleton Clocks (3)

A Porcelain Mantel Clock, in the form of a longcase clock, decorated with sprays of flowers

A French Spelter Mantel Clock, in the form of a longcase clock, with applied figure of a Dutch girl wearing clogs, pointing with an umbrella to the clock face

A Longcase Clock, the 37 cm arched square brass dial with phase of the moon and Roman numerals, signed Grindall Dumfrs 1790, with an 8 day movement striking on a gong, in an inlaid and crossbanded mahogany case

A Longcase Clock, the 29 cm brass square dial with Arabic numerals and calendar aperture, signed Hampson Wrexham 1284, fitted a 30 hour movement striking on a bell, in an oak case, with rectangular trunk door with lenticle, 194 cm

A Longcase Clock, the 32 cm arched square painted dial signed Pybus Caister, having Roman numerals, subsidiary seconds dial and calendar aperture, fitted an 8 day movement, in a mahogany case, crossbanded and with boxwood stringing, 227 cm high

A Longcase Clock, the 30 cm square arched enamel dial with the arch decorated a pheasant, the spandrels with Greek key and rose decoration, the chapter ring with Arabic numerals, subsidiary seconds dial and date aperture, signed J Warrv Briftol, fitted an 8 day movement striking on a bell, in a mahogany case, 104 cm

A Longcase Clock, the 29 cm square brass dial signed John Clay Wellingborough, having Roman numerals, subsidiary seconds dial and calendar aperture, fitted an 8 day movement, in an oak case crossbanded in mahogany, 211 cm high

A Longcase Clock, the 31 cm square arched dial with Roman numerals and subsidiary seconds dial, signed W Banks London, the 8 day three train movement striking on eight bells, in an inlaid mahogany case

A Longcase Clock, the 30 cm silvered square arched dial with subsidiary seconds dial and date aperture, the chapter ring with Roman numerals, and having a strike/silent dial to the arch, signed John Upjohn Exeter, the 8 day movement striking on a gong, in a mahogany case

A Longcase Clock, the 34 cm arched square painted dial signed Jas Peddie, Stirling, with Roman numerals, subsidiary seconds and calendar dials, the arch with phase of the moon, in an elm case, 217 cm high

A Longcase Clock, the 29.5 cm arched square painted dial signed W Meredith Chepstow, with Roman numerals, and subsidiary seconds dial an calendar aperture, the arch with a rocking ship, fitted an 8 day movement, in an oak case, 216 cm high

A Longcase Clock, the 27 cm square brass dial signed Jams Delance, Froom Fecit

A Dwarf Longcase Clock, the square silvered dial with Arabic numerals, the 8 day movement striking on a gong, in a mahogany case

A Dwarf Longcase Clock, the square arched dial with Roman numerals and strike/chime/silent dial, in an oak case

A Longcase Clock, the 34 cm square arched dial with Roman numerals, subsidiary seconds dial and date aperture, signed Chas Hatton Burslem, and having phases of the moon to the arch, the spandrels painted the four seasons, fitted an 8 day movement, striking on a gong, in a crossbanded mahogany case, 240 cm

An Edwardian mantle clock in the form of a miniature mahogany and strung longcase clock, 36cm high, replacement movement.

William Hoadley of Rotherfield, a George III oak longcase clock, the brass face with date aperture supporting a 30 hour movement under a square hood, the trunk with rectangular door and plain base on a plinth foot.