We found 41749 price guide item(s) matching your search

A George III oak and mahogany longcase clock, the 28cm square brass dial, inscribed Donisthorpe, subsidiary date aperture, Roman numerals, pierced spandrels, 30 hour movement striking on a bell, the hood with swan-neck cresting centred by a spire finial, fluted pillars, pointed arched door to waist inlaid with shell patera, plinth base, bracket feet, 206cm high, c.1790

A George III mahogany longcase clock, the 33cm arched brass dial inscribed Thomas Radford, Leeds, subsidiary seconds dial and date aperture, pierced steel hands, Roman and Arabic numerals, lunar phases to arch, twin winding holes, eight day movement striking on a bell, the arched hood with dentil frieze, fluted three-quarter pillars to fore, long rectangular door with re-entrant angles and draught turned bosses flanked by stop-fluted quarter columns, base conforming, ogee bracket feet, 211cm high, c.1770

A good George II walnut longcase clock, the 30cm arched square dial inscribed John Pyke, London, subsidiary seconds dial and date aperture, pierced steel hands, silvered chaptering with Roman and Arabic numerals, strike/silent dial to arch, pierced brass spandrels, twin winding holes, eight day movement striking on a bell, the hood with lofty bell canopy with pierced blind fret panel above an arched door flanked by fluted columns, long arched door to waist, stepped plinth base, outlined throughout with boxwood and ebony stringing, 250cm high, c.1735

A George III oak longcase clock, the 31cm painted square dial, inscribed Thomas and Cooke, Loughboro, subsidiary date aperture, Arabic numerals, centred by bird of prey, C-scroll spandrels, eight day movement striking on a bell, the hood with moulded cornice above freestanding pilasters, shaped door to waist inlaid with star patera, shaped apron, bracket feet, 249cm high, c.1800

A George III mahogany longcase clock, the 32cm arched painted dial with subsidiary seconds dial and date aperture, pierced gilt hands, Roman numerals, architectural spandrels, painted with farm house in East Warwickshire to arch, twin winding holes, eight day movement striking on a bell, the hood with swan-neck cresting and brass roundels, fluted fore-columns, long shaped door to waist inlaid with oval anthemia patera flanked by fluted quarter columns, outswept base, bracket feet, 219cm high, c.1780

A George III mahogany crossbanded oak longcase clock, the 32.5cm arched painted dial with subsidiary seconds dial and date aperture, pierced steel hands, Arabic numerals, floral fruit spandrels, painted with shepherdess to arch, twin winding holes, eight day movement striking on a bell, the hood with broken architectural pediment centred with an urn and spire finial, fluted fore-columns, pointed arched door to waist inlaid with an oval shell patera on a harewood ground with quarter batwing patera to angles flanked by fluted quarter columns, outswept base, bracket feet, 232cm high, c.1790

A George III oak and mahogany crossbanded longcase clock, the 30cm square painted dial with Arabic numerals, subsidiary seconds dial, twin-winding holes, eight day movement, striking on a bell, the rectangular hood with later swan-neck cresting, moulded cornice above a blind fret frieze, fluted columns, long shaped rectangular door to waist, flanked by fluted quarter columns, paneled base, bracket feet, 220cm high, c.1800

A George III oak and mahogany cross banded cottage longcase clock, late 18th century, the broken scroll swan neck pediment centred by a ball and spire finial above a reed and block bordered arch and glazed door, flanked by reeded brass capped pilasters enclosing a 13" white painted arched enamel dial with Roman numerals, date aperture and subsidiary seconds dial and marked W. Hartshorne, Broseley, painted with floral corners and a bird in the arch, eight day movement, striking on a bell above a shaped top cross banded trunk door, centred by a burr walnut oval motif between canted angles over an ogive moulding and base board, centred by an oval mahogany motif, base board cracking, lacking feet, back boards replaced, 82" high.

An oak and mahogany cross banded and inlaid longcase clock, early 19th century, the broken scroll swan neck pediment above a square glazed door flanked by turned pilasters and enclosing a 12" white painted enamel dial with Roman numerals and date aperture and marked J Cooper, Wolverhampton, the centre painted with an exotic bird and basket of flowers, the corners painted with birds and flowers, 30 hour movement, striking on a bell above a mahogany cross banded frieze and short trunk door, inlaid with a foliate lozenge motif to the centre over a cross banded panel and flanked by fluted quarter pilasters over an ogive moulding and cross banded base board and detachable plinth, moulding losses, 80" high

A George III oak and mahogany cross banded longcase clock, early 19th century, the broken scroll swan neck pediment terminating in gilt metal paterae, over painted over verre eglomise foliate panels and an arched glazed door flanked by fluted brass capped pilasters, enclosing a 14" white painted enamel dial with Roman numerals, subsidiary seconds dial and date aperture and rolling moon phase in the arch, painted with a naval frigate and pastoral church scene respectively, also with 1 to 29 scale and half globes, the dial painted with flowers to the centre and in the corners, and marked Geo Monks, Prescot, eight day movement, striking on a bell, above an oval boxwood inlaid frieze and double pointed arch convex top trunk door, flanked by fluted quarter pilasters over an ogive moulding and cross banded base board with canted corners and raised on ogee bracket feet, distressed, 87.5" high

An oak and mahogany cross banded cottage longcase clock, early 19th century, the broken scroll pediment with brass stamped flower head terminals, above a square glazed trunk door, flanked by fluted brass capped pilasters enclosing a 13" painted enamel dial with Roman numerals, date aperture and marked J N Peacock, K Y Stephen, florally painted to the centre and with faux reeded fan corners, 30 hour movement, striking on a bell above a short cross banded trunk door and moulded tablet, flanked by inset corner columns, over an ogive moulding and cross banded base board and plinth, 79" high

A pine cottage longcase clock, 18th century, with restorations, the moulded cornice above a square glazed door, flanked by turned three quarter pilasters, enclosing a 10" brass dial with matted centre and silvered chapter ring with Roman numerals and marked Taylor Petworth, within foliate pierced corner spandrels, single hand, and 30 hour movement striking on a bell, above a full length square top trunk door, ogive moulding, baseboard and stepped plinth, 74" high.

An oak cottage longcase clock, 18th century, the shaped pediment above an ogive moulding and pierced frieze over a glazed trunk door, flanked by turned three quarter pilasters, enclosing a 10.5" square brass dial, with matted centre, Roman numerals and pierced mask spandrels, eight day movement, striking on a bell above an ogive moulding and full length trunk door over a further cushion moulding, plain baseboard and stepped plinth, 79"

An oak and mahogany cross banded cottage longcase clock and associated dial, the case early 19th century, with carved swan neck pediment and ogive cornice, above a glazed square door flanked by square columns, and with later carved foliate border and marbled slip frame, pulling forward to reveal an 9.5" square brass dial, early 18th century, with Roman numerals and foliate engraved centre, marked William Nock, Bridgnorth, pierced steel single hand, mask centred pierced spandrels, 30 hour movement, striking on a bell, above an ogive moulding and full length square top, cross banded trunk door, further ogive moulding, plain cross banded baseboard and later plinth, 83"

A walnut and marquetry inlaid longcase clock, circa 1695, with alterations, the moulded cornice above a square glazed door, flanked by barleytwist columns, enclosing a 10" square brass dial with matted centre, silvered chapter ring, Roman numerals and date aperture with pierced cherub mask spandrels and inscribed at the base John Drew, Londini Fecit, four pillar, eight day movement, striking on a bell, glazed side doors, above a full length trunk door inlaid with bog oak and holly stylised foliate and bird motifs, within a half moulded border, over an ogive moulding and further bird and foliate inlaid panel and raised on later ogee bracket feet and with walnut cross banded side panels, some veneering probably later, hood adapted with door, dial restored, baseboard cracked, 82".

A George III oak longcase clock, the eight day striking moon face movement signed Aaron Austin of Bristol, the moon face with arched scale engraved high water at Bristol Quay, the dial engraved a bridge over the River Severn, the case with oval Sorrento Ware panel to the trunk door, stands 211cms

An early 18th Century Oak 8-Day Longcase Clock, the flat topped hood over square glass door flanked by turned columns. The 28cm square Brass dial with silvered chapter ring, date aperture, Roman numerals and inscribed JOHN FOX GRANTHAM over long trunk door and panelled base on bracket feet. The case carved most probably for a farmer in the late 18th Century with Roundels depicting a Cockerel, Owl on a Gate, A Chick and the base with a Reaper having a sickle in his hand and a sheaf of corn under one arm.

A Fine Late Victorian 3-train Musical Carved Oak Longcase Clock, the case profusely carved in the Baroque style the hood with central mask flanked by maskheads over arched glazed hood door, the 29cm arched dial with silver chapter Ring and silvered seconds dial scrolled spandrels and a silvered boss to the arch with Eagle and Inscribed 'Tempus Fugit'. The dial with black Roman Numerals and scrolling foliage to the centre and inscribed Thompson of London. The 3-train movement striking musically on eight bells and one bell. The trunk door arched and with foliate carving flanked by carved bust length Naked Ladies and maskheads on foliate panelled base and four compressed ball feet, 226cm high.

A 19th century mahogany eight day longcase clock by John Inkden, the painted arched dial with cows painted in the spandrels, Roman numerals, seconds dial and calendar aperture, case 220cm

An oak longcase clock, the square brass dial with an engraved centre and calendar aperture inscribed 'David Rowland Aberystwith' supporting a thirty hour movement in a 20th century case, dial 27cm diameter (no weights or pendulum)

An early 18th century month going longcase clock, the movement now in a later oak case, the arched brass dial with subsidiary seconds and pendulum regulation dials, calendar ring and strike-silent facility, the movement with five pillars, dial inscribed 'David Hubert, London' with a pair of massive brass cased weight 2.41m high

Rd. Mason, St. Albans A George III oak longcase clock, the arched brass dial supporting an eight day movement, (for restoration), dial 28cm

A MID 19TH CENTURY MAHOGANY LONGCASE CLOCK, with eight day movement, the arched painted dial with roman numerals, second dial and calendar aperture, inscribed "Mull & Co. Cardiff", the arched fret cut hood with three turned urn finials and spirally turned angle pillars, the trunk with similar pillars, the plain base on bracket feet. Dial Width 12.5". Width 15". Height 90".

A MID 19TH CENTURY OAK and WALNUT LONGCASE CLOCK, with eight day movement, the dial painted with ships in arch and shell spandrels and having roman numerals, second dial, calendar aperture and inscribed "W Pibus Caister", the hood with swan neck and fluted angle pillars, the trunk with shaped cross banded door and canted angles, the cross banded planked base on a shaped plinth. Dial Width 13". Width 14". Height 84".

A LATE 18TH CENTURY OAK LONGCASE CLOCK, now with a painted wooden arched sheepshead, thirty hour dial and movement, with square hood, the trunk with long shaped door, the plain base lacking feet. Width 12". Height 77". Dial Width 11".

A late 18th century oak 8 day longcase clock, plain case with full turned pilasters to the square hood with moulded cornice, enclosing brass dial, cast cherub spandrels engraved with birds, silver chapter ring, subsidiary seconds dial and date aperture, 195cm (77")

A mahogany longcase clock, dated from the first quarter of the 19th century having selected flame veneers with boxwood and ebony string inlays, the hood with swan neck pediment, central eagle ball finial and flanked by spiral columns. The clock has a married eight day striking movement with 12 inch brass arch dial and having lunar aperature with high water at Bristol Key, chapter ring with roman numerals, cast corner spandrels, engraved centre panel, date aperature and second hand, maker Lawrence of Bristol, 7ft 5 inches high.

A Georgian longcase clock, having eight day striking movement with painted twelve inch arch dial decorated with duck shooting panel and floral spandrels. Bearing maker name Thomas Pearce, Chard. The case is of oak with mahogany cross banding and hood with swan neck pediment flanked by turned columns.

An early 20th century inlaid mahogany longcase clock, the eight day three-train movement with anchor escapement, striking the hour and chiming the quarters on five tubular gongs, the 12inch brass arched dial with foliate spandrels, the silvered chapter ring with Roman numerals and subsidiary seconds dial, the arch with 'chime/silent' dial within dolphin spandrels, the case with glazed door and inlaid in the neo-classical style with swags and urns, the hood with brass capital Corinthian columns beneath a broken pediment and brass ball finial, 235cm high, the dial with retailer's stamp for Yoell, Retford

A mahogany longcase clock, the eight-day two-train movement with rack strike on a bell, the arched and painted gilt dial with roman numerals, subsidiary seconds dial and date aperture, the chapter ring inscribed Smorthwait Colchester, the case with a lancet door inlaid with a shell motif, the hood with gilt-metal-capped Corinthian columns and a blind fret frieze, 213cm high

An early 19th century mahogany longcase clock, the eight-day two-train movement with rack-strike on a bell, the painted dial with arch, with Roman numerals and subsidiary date and seconds dial, painted with spandrels of female figures emblematic of the Seasons, the arch with a figure of a woman emblematic of Hope, the case with a shaped door between two fluted pilasters, the hood with a pair of fluted pilasters and swan-neck pediment, 210cm high (wear to dial)

A 19th century oak and mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the 13in. painted and arched dial with Roman numerals, Arabic five minutes divisions, and subsidiary date and seconds dial, painted with fruit spandrels, the arch with automaton moonphase, indistinctly inscribed GEO: GOODALL TADCASTER, the case inlaid with panels of urns and geometric foliage, the hood with fluted columns and broken pediment with ball finial, 234cm high

A 19th century oak and mahogany inlaid longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted and arched dial with Roman numerals, date aperture and subsidiary seconds dial, decorated with spandrels of rustic buildings, the arch with moonphase automaton, the case with shaped door, the hood with fluted columns, swan-neck pediment and three ball and eagle finials, 225cm high

A 19th century oak longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted 12in. dial with Roman numerals, Arabic five minute divisions, date aperture and subsidiary seconds dial, painted with floral spandrels and inscribed Matt.w Read AYLESHAM, the plain case with domed door, the domed hood with shaped pediment, 217cm high

A 19th century oak longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted square 12in. dial with Arabic numerals and date aperture, painted with floral spandrels and a bird on a branch, inscribed Jn Sidery, Hamstead Norris, the plain case with gilt-metal furniture, the hood with plain gilt-metal-capped columns and broken pediment, 201cm high (replacement finial)

A mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack- strike on a bell, the arched brass 13in. dial with silvered chapter ring with Roman numerals and Arabic five minute divisions, the line-inlaid case with shaped door, the domed hood with plain columns and three gilt-metal ball finials, 247cm high (dial assembled, crack through lower section of case)

Samuel Hart, Devizes, a 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds dial and date aperture, the arch painted with a buccholic scene of cattle and pigs in a farm yard setting, the line-inlaid case with canted corners, the hood with plain pillars, broken pediment and eagle finial, 222cm high

A pine longcase clock, the thirty-hour movement with anchor escapement and outside countwheel strike on a bell, the square 11in brass dial with silvered chapter ring with Roman numerals, Arabic five minute divisions, gilt foliate spandrels and inscribed JOSH. MILES SHASTON, above a house by the sea, plain case and hood, 200cm high

A 19th century oak longcase clock, the thirty-hour movement with anchor escapement and outside countwheel strike on a bell, the arched brass dial with Roman numerals, date aperture and inscribed Price, Coventry, plain case, the hood with swan neck pediment and brass finial, 219cm high

Stewart, Glasgow, a George III mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the 13in arched brass dial with Roman numerals, Arabic five minute divisions, subsidiary seconds and date dial, foliate spandrels and inscribed STEWART, GLASGOW, the arch with moonphase automaton, the line-inlaid case with spirally fluted pilasters, the hood with similar pillars and broken pediment, 216cm high

Thomas Spence, Dysart, a George III mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the 12 1/4in arched brass dial with Roman numerals, Arabic five minute divisions, subsidiary seconds dial and date aperture, the arch inscribed Thos Spence DYSART, engraved with trailing foliage with griffon-head terminals, the case with shaped door and fluted pilasters, the hood with broken pediment, 219cm high

Bartley & Eggert, Bristol; a late George III mahogany and line-inlaid longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the 13in. painted dial with automaton arch and with Roman numerals, Arabic quarter-hour divisions, seconds and date subsidiary dials, the corners painted with spandrels of coronets, the arch with an automaton of Adam and Eve in the Garden of Eden, the case with two gilt-metal-capped pilasters, the hood with similar columns and a swan-neck pediment, 218cm high (restored)

William Roberts, Bath; a George IV mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted 12in. dial with Roman numerals, date aperture and subsidiary seconds dial, painted and gilt with floral spandrels, the line-inlaid case with canted corners, the domed hood with brass-capped and fluted Doric columns, fluted frieze and shaped pediment surmounted with three ball finials, 226cm high

An Edwardian mahogany chiming longcase clock, the eight day, three train movement with deadbeat anchor escapement and striking and chiming the hours on coiled gongs, the arched brass 12in dial with silvered chapter ring with Roman numerals, subsidiary seconds dial, the arch with chime/silent dial, the case with astragal glazed door, the hood with a blind fret frieze and broken pediment, 218cm high

John Key, Dumbarton; a George III mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the 13in arched brass dial with silvered chapter ring with Roman numerals, Arabic five minute divisions, subsidiary seconds dial, date aperture, the silvered centre of the dial with foliate engraving, the arch with dolphin spandrels about an inscribed central boss John Key, DUMBARTON, the case with an inlaid door with rosette motif and spirally fluted pilasters, the hood with similar pilasters, blind-fret frieze and flat pediment, 202cm high

Daniel Torin, London; a George III lacquered longcase clock, the eight-day two-train movement with anchor escapement, the arched 12in brass dial with silvered chapter ring with Roman numerals, Arabic five minute divisions, subsidiary seconds dial and date aperture, the arch with 'strike/silent' dial inscribed Dan. Torin, London No. 2325, the case decorated with chinoiserie panels, the domed hood with glass panel inset, 237cm high (some damage)

G.Healer, Wantage; an early 19th century oak and mahogany crossbanded longcase clock, with thirty hour movement striking on a bell, the painted dial with Roman numerals and foliate spandrels, the case inlaid with mahogany sections, the hood with turned columns

An oak and mahogany inlaid longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched 12in. brass dial with Roman numerals and Arabic five minute divisions, the arch with a sunburst boss inscribed Samuel Austin Rumsey Fecit, the case with fluted pilasters with brass capitals, the hood with swan-neck pediment, 217cm high

A 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted 14in. dial with Roman numerals, painted moon-phase automaton and subsidiary seconds dial, decorated with floral spandrels, the case with fluted pilasters and shaped door, the hood with brass-capped columns and broken pediment, 217cm high

A carved oak longcase clock, the five pillar, eight-day two-train movement with anchor escapement and rack-strike on a bell, the square brass 12in. dial with silvered chapter ring with Roman numerals, date aperture and subsidiary seconds dial, set with silvered plaque inscribed Geo Tyler London, within masks and foliate spandrels, the 1930s case heavily carved with spiral columns, the hood with similar spiral columns and domed pediment, 206cm high

A George IV mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted 14in. dial with Roman numerals and subsidiary date and seconds dial, painted with spandrels of figures representing the Continents, the arch with a moonphase automaton, the case with shaped door and a pair of Corinthian fluted pilasters with gilt-metal bases and capitals, the hood with a pair of similar columns and swan-neck pediment with ball finial, 225cm high

A 20th century mahogany and inlaid longcase clock of so-called 'Grandmother' type, the eight-day two-train German movement with anchor escapement and striking on a gong, the brass 9 1/2in. arched dial with Roman numerals and inscribed Garrard Hale NORWICH, the case line inlaid, the rectangular door with central rosette motif, 176cm high

William Randall, Newbury; a late George III oak and mahogany inlaid longcase clock, the eight-day two-train movement with rack strike on a bell, stamped WALKER & HUGHES, the painted 12in.dial with automaton arch, Arabic numerals, subsidiary seconds and date dials, the arch with moonphase automaton, the case with fluted pilasters and shaped door, the hood with similar fluted columns and swan-neck pediment, 213cm high

A 19th century oak and mahogany-inlaid longcase clock, the eight-day two-train movement with rack-strike on a bell, the square 13in painted dial with Roman numerals, Arabic five minute divisions, date aperture and subsidiary seconds dial, painted with fruit spandrels and birds and inscribed Hulme Congleton, the plain case with fluted pilasters, the hood with two brass-capped fluted columns and flat pediment, 197cm high (damage and losses to the case, bell lacking)

An oak longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched 12in dial with silvered chapter ring with Roman numerals, Arabic five minute divisions, subsidiary seconds dial and date dial, the arch with a silvered bell inscribed Patrick Hardie. Morpeth, the plain case with gilt furniture, the hood with two columns with brass Corinthian columns, swan-neck pediment and three various ball finials, 221cm high (restored)

An oak longcase clock, the eight-day movement with anchor escapement and outside countwheel strike on a bell, the square brass 10in dial with Roman numerals, single hand and alarm set, the plain case with gilt-metal furniture, the hood with two brass-capped columns and flat pediment, 199cm high

An Arts and Crafts copper timepiece, in the form of a miniature longcase clock with an overall stippled surface and having a central panel embossed with 'Glasgow-style' roses and tendrils, 36.5cm. high, and a pair of Arts and Crafts candlesticks, en suite with the timepiece, 23.5cm. high.

Cottage oak longcase clock, 30 hour movement striking the hour, square brass face, named John Porthouse, Penrith, in a flat topped hood with dentil cornice (one weight and pendulum)

An early George III oak longcase clock, circa 1770, the stepped cornice with a blind fretwork frieze and doric supports enclosing an 11 inch brass dial with Roman numerals and date aperture within cast brass spandrels, signed Baddeley, Albrighton, thirty hour movement, the case with arched door on a stepped plinth base, height 207cm, 81.5 inches..

A George III oak longcase clock, circa 1800, the broken scroll pediment above an arched door opening to reveal a 12 inch brass dial with silvered chapter ring, Roman numerals and date aperture between scroll cast spandrels and moonphase dial, signed John Day, Wakefield, eight day movement, the case with arched door on a plinth base and short bracket feet, height 230cm, 90 inches.