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18th Century thirty hour striking longcase clock movement, the brass dial with silvered chapter ring, signed James west, Sidbery, 27.5cm

George III walnut longcase clock with arch shaped moulded pediment, the trunk with arch shaped door, the hood with four tapered pillars and three brass finials, the arch shaped silvered dial engraved with a phoenix and motto 'Tempus fugit', the spandrels engraved as putti depicting the four seasons and signed William Davey, Penzance, subsidiary seconds dial and fan shaped calendar aperture - eight day striking movement, 226cm high

A Regency mahogany eight day longcase clock, the 13.5" square painted dial signed 'D Jones, Patton' (indistinct), with subsidiary seconds dial and ring of Roman numerals, the eight day movement striking on a single bell, the hood with wavy pediment over a square glazed hood door, between wrythen moulded front corner pilasters, over an arched trunk door, between wrythen moulded front corner trunk pilasters on a box base and tall bracket feet, 206cm high

An eight day longcase clock, second quarter 19th century, mahogany boxwood and ebony herringbone strung, probably Scottish, the 13" circular painted dial with centred subsidiary seconds dial and date dial within a ring of Roman numerals, the eight day movement striking on a single bell, the arched top hood with circular glazed hood door over a Gothic arch trunk door, between wrythen moulded quarter columns on a box base and shaped bracket feet, 203cm high

A late George III oak eight day longcase clock, the 13" arched brass dial signed 'Taylor, Whitehaven', with silvered chapter ring of Arabic and Roman numerals, centred rolling aperture for flowing and ebbing of the tide, inner date dial, between pierced scrolling spandrels under a rolling moon, the movement striking on a single bell, the hood with swan neck pediment over an arched hood door, flanked by front corner turned pilasters, over a shaped crossbanded trunk door, between front corner quarter pilasters on a box base with canted corners and ogee moulded bracket feet, 227.5cm high

A George III eight day longcase clock oak crossbanded mahogany, the 13" square painted dial signed S Neunes, Whitchurch with centred subsidiary seconds dial and date aperture within an outer ring of Arabic numerals, inner ring of Roman numerals and sunburst design painted spandrels, the movement striking on a single bell, the head of a swan neck pediment over a square glazed hood door between fluted front corner pilaster over a short shaped trunk door with central Britannia inlay between fluted front corner quarter pilasters on an ogee moulded panelled box base and cut out plinth, 212cm high,

A 1930S longcase clock, oak, the 12" circular dial with ring of Arabic numerals, the three weight driven movement chiming on rod gongs, the case with hexagonal aneroid barometer to the door, with sunburst glazing bars, 191cm high, 45cm wide, 26cm deep

Early 19th century oak and mahogany longcase clock, painted enamel moonphase dial by T Adams Midlewich, with centre date hand and subsidiary second dial

An C18th Lacquered Eight Day Arch Dial Longcase Clock, Bearing Signature Of Edward Speakman, London, The Columned Hood And Trunk Having Later Decoration, The Twin Train Movement Striking On A Bell, The Circular Name Plate Between Fretted Spandrels, The Silvered Chapter Ring Between Spandrels, With Seconds Ring And Date Aperture, 212cm High (In Need Of Restoration, Not Running)

William Brider, Headly, 30-Hour Striking Longcase Clock having 10" square brass dial, with single hand, in pine case, 1m 92cm high

Thomas Wild, Reading, 30-Hour Striking Longcase Clock having 11" square brass dial with silvered chapter ring having Roman and Arabic numerals, in oak case, having later fixed base, 2m 9cm high

Daniel Le Count, London, 17th Century 8-Day Striking Longcase Clock, having square 11" brass dial with seconds dial and calendar, having pierced and raised figurehead, floral and scroll spandrels, in walnut marquetry case, with barleytwist column supports to hood, having all over inlaid bird, vase, floral and stringing decoration, 2m 5cm high

A George III mahogany crossbanded oak 8-day longcase clock, the arched enamel dial painted with hunting scene, having Roman numerals and subsidiary seconds and date dials, the hood with swan neck pediment above trunk with quarter columns on plinth base, 203cm high

A longcase clock, with chiming eight day movement, the black circular dial inscribed Perivale with silvered numerals, in black lacquered case having domed top on tapering support and stepped base, painted and gilded with Chinoiserie figures and landscapes, 51" high

An early 19th Century longcase clock by Thos Smythe, London, the eight day movement with brass dial having painted rolling moon phase and seconds dial, applied pierced spandrels with mask heads, in oak and mahogany cross banded case with scrolling swan neck pediment on reeded columns, shaped door flanked by reeded pilasters on panelled base with bracket feet and shaped apron, 91" high

A 19th Century longcase clock by Frank Dobson, Driffield, the eight day movement with arched painted dial depicting a man shooting with dog, seconds dial and date aperture, in oak and mahogany case with scrolled swan neck pediment on baluster turned columns, the shaped trunk door flanked by canted corners, on panelled base and bracket feet, 87" high

A longcase clock, the eight day movement with silvered arched dial inscribed William Paine, Trowbridge, having seconds and calendar dials (moon phase vacant), in carved dark oak case with pagoda top on turned columns, floral carved door, on similar base and bracket feet, 89" high

A late 18th Century longcase clock by George Lupton, Altringham, the eight day movement with circular enamelled dial, seconds dial and calendar aperture in mahogany case with broken pediment, on reeded columns and blind fret work spandrels shaped trunk door flanked by reeded quarter pilasters on canted panelled base and ogee bracket feet, 91 1/2" high

A 19TH CENTURY OAK LONGCASE CLOCK the painted dial with Roman numerals, two secondary dials, signed Lumsden, Pittenweem, with cottage spandrels and painted with a castle and river landscape to the arch, of eight day striking movement, the hood with a swan neck pediment, turned pilasters, plain trunk door flanked by quarter round columns and on a deep plinth, 201cms high See Illustration

18TH CENTURY RED LACQUER EIGHT DAY LONGCASE CLOCK, the 12" arched brass dial signed Charles Coulon, London to the arch over the matted centre with subsidiary seconds dial and calendar aperture, the pagoda case with gilt chinoiserie decoration, 94" high

OAK EIGHT DAY LONGCASE CLOCK, the 13" square brass dial signed Harper, Salop, with subsidiary seconds and calendar aperture to the engraved matted centre, the long door carved with a mediaeval knight flanked by quarter fluted pilasters, 83" high

A 19th Century Longcase Clock, the painted arch dial inscribed "Bothamley, Boston" with floral decoration, seconds ring and date aperture with 8 day striking movement, in oak and mahogany case with swans neck pediment, boxwood and ebony striking and shell inlaid door. 6' 8" (204cms) high.

A Georgian design miniature Longcase Clock with arch dial and oak case with swans neck pediment. 31" (79cms) high.

A miniature Longcase Clock with German movement in oak case, 14 1/2" (37cms) high, and another the black dial inscribed "A C" in oak case, 15 1/2" (39cms) high. (2).

A Clark & Co. Cotton Reel Holder in the form of a Longcase Clock, 10" (26cms) high.

A miniature Longcase Clock, the dial inscribed "Houghton & Gunn, 162 Bond Street, London" in Georgian design oak case. 16 1/2" (42cms) high.

A miniature Longcase Clock in carved oak case, 13" (34cms) high and 3 others. (4).

A miniature Longcase Clock in Art Nouveau design beaten brass case, 14" (36cms) high and 3 others. (4).

A miniature Longcase Clock in ebonised domed case, 12" (31cms) high, another with pocket watch movement in carved oak case and 2 others. (4).

A Georgian design miniature Longcase Clock with white dial in mahogany case with broken arch pediment and inlaid decoration, 16 1/2" (42cms) high.

A Georgian design miniature Longcase Clock in inlaid mahogany case, 14" (36cms) high, another in carved oak case and 2 others. (4).

A miniature Longcase Clock with floral decoration, 12" (30cms) high, another in lacquered case and 1 other. (3).

A Georgian design miniature Longcase Clock in inlaid mahogany case, 13" (33cms) high.

A miniature Longcase Clock, the case painted with mice and the "Hickory Dickory Dock" Nursery Rhyme. 13" (33cms) high.

A early 19th Century Longcase Clock, the painted arch dial inscribed "W Dixon, Pickering", the arch painted with a battle scene, with a portrait, probably of Wellington, with 30 hour movement in mahogany case with swans' neck pediment, canted corners and bracket feet. 7' 9" (236cms) high.

19th Century and later Longcase Clock, with painted square dial, 30cms, (12"), inscribed, "R. Baker, Tamworth", with secondary date dial, the spandrels painted with gilt scrolls, thirty-hour movement, striking on a bell, contained within an oak case, the hood with moulded corners and tapered brass mounted columns, the arched door with star inlay, brass escutcheons flanked by quarter column pilasters and on a plain base with canted corners, 190cms, (6'3").

18th Century Longcase Clock, oak case with long door, bracket feet, ten inch square brass dial, thirty hour movement.

Longcase Clock, with painted arched dial, inscribed "Jno Etches", o

Victorian mahogany 8 day longcase clock, the printed dial with maritime battle scene and floral decoration to corners, set in arched hood and ebony stringing to case, 216cm high

A 19th century mahogany longcase clock, the hood with broken swan neck pediment and leaf carved columns above a short trunk door enclosed between leaf carved columns, box base and bracket fee, the 36 cms dial painted with a horse and cart to the arch and cottage spandrels, with Roman numerals, seconds subsidiary dial and calendar aperture, the eight day movement striking on a bell, 235 cms high.

An early 19th century oak longcase clock, the hood with pointed arch and octagonal columns above a long trunk door, box base and bracket feet, the 30.5 cms dial painted with a thatched cottage to the arch and floral spandrels with Roman numerals, seconds subsidiary dial and calendar aperture, inscribed David Evans Llan******, the 30 hour movement striking on a bell.

A Victorian longcase clock, the hood with architectural pediment above an arched long trunk door, box base and bracket feet, the brass dial with silvered chapter ring and calendar aperture with Roman numerals inscribed Barnise, Cockermouth, the 31 cms dial striking on a gong, 214 cms high.

A 19th century oak and mahogany longcase clock, the hood with broken swan neck pediment and rope twist columns above a short trunk door, box base and bracket feet, the dial painted with a ship to the arch and landscape spandrels with Roman numerals, seconds subsidiary dial and calendar aperture inscribed John Lewis Newcastle, the eight day movement striking on a bell, 221 cms high.

An oak longcase clock, the hood with Corinthian columns above a long trunk door, box base and bracket feet, the 33 cms copper dial with brass Arabic numerals, seconds subsidiary dial and calendar aperture, the eight day movement striking on a gong.

An oak cased longcase clock, with an architectural pediment above a long trunk door with bullseye box base and bracket feet, the 27 cms brass dial with brass chapter ring and Roman numerals, inscribed Goodacre Long Eaton, the 30 hour movement striking on a bell, 216 cms high.

A 19th century mahogany longcase clock, the hood with a broken swan neck pediment and Corinthian columns above a long trunk door and quarter columns, box base and bracket feet, the 36 cms dial with a moonphase to the arch and ruins to the spandrels with Roman numerals, seconds subsidiary dial and calendar dial, the eight day movement striking on a bell, 229 cms high.

John Vise Wisbich (sic), an 18th century oak longcase clock, the brass 12 inch dial signed to the arch, with rococo spandrels, inset silvered seconds dial and calendar aperture, with 5 pillar 8 day bell striking movement, in a plain case, 222cm high

Jn Hocker Reading, an 18th century 30 hour longcase clock, the 10 inch square dial with single hand, mask spandrels, silvered chapter ring and brass posted frame movement with outside countwheel, in a later walnut and crossbanded case, 216cm high

J Beckell London, an oak longcase clock, the 12 inch square brass dial with engraved border, mask spandrels, seconds dial and date aperture, associated and adapted to the 8 day movement, in a plain oak case 210cm high

A mahogany longcase clock circa 1800, the hood with shaped cresting having 12 inch painted dial with figure of Justice to the arch and fan spandrels, unsigned, the 8 day movement with Finnemore falseplate, the trunk and plinth with ebony banding (case possibly associated) 230cm high

W Tarleton Liverpool, a mahogany longcase clock circa 1800, the hood with swan neck pediment, the trunk with shaped top door and quarter pilasters, upon a panelled plinth, the painted 14 inch arched dial with moon phase disc, gilt spandrels, seconds dial and calendar aperture, the 8 day movement with Ashwin & Co falseplate, 232cm high

Early Victorian richly figured mahogany Yorkshire eight day longcase clock, painted enamel dial by J C Elliot

Early 20th century mahogany longcase clock, triple brass weight driven movement with Westminster and Whittington chimes

18th century oak longcase clock with later carving, brass dial by Joshua Farrer

Miniature Victorian longcase clock

Miniature carved Victorian longcase clock

A 19th century oak longcase clock, the square brass dial with silvered chapter ring with Roman and Arabic numerals with subsidiary seconds hand and silvered date dial inscribed 'John Murch, Homiton' with eight day movement

A good 19th century walnut and floral marquetry inlaid eight day longcase clock, the square brass dial with silvered chapter ring signed Coenrad Heck, Amsterdam, with subsidiary seconds and date aperture above arched door with oval inset glazed panel, on bun feet (illustrated)

A good Late 19th century mahogany eight day chiming longcase clock, the arched pierced metal dial with moon phase, subsidiary seconds and outer ring of Arabic numerals, above long flame mahogany door flanked by fluted columns, on ogee bracket feet (illustrated)

A late 18th century oak and mahogany eight day longcase clock, the square painted enamel dial signed T Richardson, Weverham (sic), with subsidiary seconds and date aperture. Thomas Richardson of Weverham is recorded as circa 1795