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A Victorian eight day longcase clock, mahogany, boxwood and ebony strung, the 13" arch painted dial indistinctly signed with centre date and seconds dials, under a rolling moon to the arch, the hood with swan neck pediment over a gothic arch trunk door, the box base with canted corners raised on ogee shaped bracket feet, 241cm high

An early Victorian eight day longcase clock, mahogany, the 14" arch painted face signed Barrow, Bradford, with subsidiary seconds and date dial, the hood with swan neck pediment over a short Gothic arched trunk door, on a box base and slender bracket feet, 234cm high.

A late George III eight day longcase clock, oak, the painted 14" square dial signed 'Grifth Owen, Llanrwst', the face with subsidiary seconds dial and date aperture, the restored eight day movement striking on a single bell, the hood with swan neck pediment over short trunk door flanked by quarter turned pilasters on a box base and shaped bracket feet, 222cm high

A George V oak cased diminutive longcase clock with eight day movement striking on a gong, the silvered dial with Arabic numerals, the domed top above two barley twist columns, the trunk and base applied with egg and dart mouldings.

A George III figured mahogany longcase clock with eight day striking movement, the brass breakarch dial inscribed 'Tempus Fugit, Angel Sparke, Plymouth', with subsidiary seconds dial and date aperture, the arched hood with fluted columns and chequer banding, the arched trunk door flanked by stop fluted quarter columns, on a panelled base and bracket feet, height approx 223cm. (See illustration)

A George III mahogany longcase clock, the 8 day five pillar movement striking on a bell, to a 12in brass arched dial with a silvered chapter ring and subsidiary seconds dial to a pierced aperture, the centre engraved and urn and bird inscribed George Cooper, London, the arch with a subsidiary strike silent dial, the pagoda hood with glazed panel and later urn finials to turned brass inset stop fluted columns, the arched trunk door flanked by conforming columns, the base on a plinth, 93.5in (237.5cm) h.

A walnut longcase clock, the 8 day movement striking on a bell to a 12in brass arched dial, with chapter ring and subsidiary seconds dial to a pierced date aperture, the matted centre with applied shaped plaque inscribed 'WM.Vise.Wisbich', the engraved arch with a painted moon face, the case with globe and spire finials to an arched waist door with feather stringing, the conforming base on bracket feet, 99.5in (253cm) h.

Dark oak longcase clock, barley twist pillasters

RICHARD GRIFFITHS, DENBIGH (1791-1840), AN EARLY 19th CENTURY WELSH LONGCASE CLOCK, the honey oak and mahogany crossbanded case with long trunk door, the hood with blind fretwork frieze, 33cm square white dial, signed, with subsidiary seconds and date crescent, 4 pillar 8-day falseplate movement with rack strike and anchor escapement, (the seat board has been extended and the wooden dial surround recently renewed). 2.05m

WILLIAM GALLOWAY, LEEDS (1834-1871), A MID 19th CENTURY YORKSHIRE MAHOGANY LONGCASE CLOCK, the well figured mahogany case with short trunk door and swan neck pediment, eight-day rack striking movement with subsidiary seconds and date pointer (not connected), 36cm arched white dial (chipped), signed. 2.36m

JOHN SMITH, YORK (1750-1764), AN 18th CENTURY ELM LONGCASE CLOCK, with long rectangular trunk door and broken arch hood, the associated movement with 30.5cm arched brass dial with unusual date pointer in the arch (not connected) and subsidiary seconds, eight-day mechanism with four-pillar vase turned pillars, rack striking on a bell. 2.28m

JNO.WESTON, WOLSINGHAM (1754-1812), A LATE 18th CENTURY DURHAM LONGCASE CLOCK, the honey oak case with long arched trunk door, the hood with swan neck pediment, 33cm arched white dial with rolling moon, subsidiary date crescent, signed, thirty-hour four-pillar movement with countwheel strike on a bell. 2.29m

EDWARD GARDINER, HOUGHTON (LE SPRING) (1841-1863), A MID VICTORIAN MAHOGANY LONGCASE CLOCK, the elaborate case with short trunk door, the hood with swan neck pediment, 36cm arched white dial, signed, with subsidiary seconds and date pointer, four-pillar eight-day movement with anchor escapement, striking on a bell. 2.29m

An early 19th Century mahogany longcase clock with moulded arch to the hood, the trunk with moulded arch top door, having a circular white enamel dial with Roman numerals and fitted an eight-day striking movement signed Tomlinson

A 1930's longcase clock, the circular dials with Arabic numerals and eight day movement, striking on a gong, in an arch top oak case

A late 18th Century oak longcase clock, banded in mahogany, the hood with swan neck and enclosed by an arch top glazed door, the trunk enclosed by a shaped door inlaid a central patera, fitted an arch top painted dial with second hand, date recorder and eight-day striking movement by Shaw, Leicester

A mahogany longcase clock, the hood enclosed by a circular glazed door and with fluted columns to the trunk, fitted a white enamel convex dial with eight day movement, signed J Hartnell, Bourton

A mahogany longcase clock of Regency design, the hood enclosed by a circular door with a wreath surround, the pillar case with scroll capital and gadroon border, on bracket feet fitted a circular convex silvered dial engraved foliage and having an eight day striking and chiming Westminster movement, on gong three by Maple, London

A late 18th Century mahogany longcase clock the hood with cushion top and four pillars to the sides enclosed by an arch top glazed door, the trunk enclosed by a rectangular crossbanded door, having an arch top brass dial with decorated spandrils and silvered chapter ring signed James Smoult, Newcastle to the arch, fitted an eight day movement, 224cm (88") high

A mid-19th Century mahogany automaton 8-day Longcase Clock, Fisher of Birmingham, the arched hood with swan neck pediments over freestanding gilt metal mounted and reeded columns, to a moulded throat with plain frieze over further quarter columns and short trunk door and panelled base on bracket feet, to a 13 ½” third period painted Roman dial with a rocking ship automaton to the arch over painted spandrels depicting Maidens of the Empire, enclosing a Roman chapter ring with outside minute track, subsidiary seconds and date sector, with pierced and stamped brass hands, to a W Francis false plate, and movement united by four knopped pillars with anchor escapement and strike on a bell (lacking), height 90”

An early 19th Century mahogany and boxwood lined inlaid 8-day Longcase Clock, Dickerson of Norwich, the arched hood with scrolling pediment over gilt metal mounted and reeded columns to a convex throat and long arched trunk door with plinth base, to a 12” painted Arabic dial surmounted by a painted shepherdess and floral spandrels enclosing an Arabic chapter ring with outside minute track and subsidiary seconds and pierced steel hands, to a signed false plate S Baker, Birmingham, and movement with plates united by four knopped pillars and anchor escapement and strike on a bell, height 87”

A George III walnut 8-day longcase clock, maker Archibald Straton of Edinburgh, the arched brass 12-inch dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the hood with moulded cornice and brass capped columns the trunk with arched figured walnut door on plinth base and bracket feet, 222cm high x 50cm wide

James Patterson, Banff A George III mahogany crossbanded eight-day longcase clock the hood with swan neck pediment above glazed door enclosing arched brass dial with Roman dial, between columns , the case with boxwood strung trunk, plain base, feet lacking 204cm high

A mahogany case longcase clock with arch glazed hood and trunk door with quarter column sides, the 12 inch arch painted dial with rocking ship in arch and Roman numerals and date and seconds indicators, the eight day movement striking on a bell, 220cm high

A George III oak and mahogany banded longcase clock with arch glazed hood and shaped trunk door and quarter column reeded sides, the 13 inch arch brass dial with 'Tempus Fugit' in arch and silverised chapter ring with Roman and Arabic numerals and date indicator with mask spoundrels, the eight day movement striking on a bell, 230cm high

A 'Grandmother' longcase clock, the arch brass dial signed Moore, London, the black lacquered case decorated with gilt fish and turtles, the hood with glazed door and trunk with long door, the 7 inch brass dial with silverised chapter ring and Roman numerals and cherub mask spoundrels, the eight day movement striking on a bell, 162cm high

A 19th century oak longcase clock with glazed hood and long trunk door, the 11 inch square painted dial signed Henry Ash, Dartmouth, with Roman numerals and conch shell spoundrels, the 30 hour movement striking on a bell, 194cm high

A George III mahogany longcase clock, the break arch hood with brass scale side frets, the silvered one piece flat dial with strike/silent to arch, seconds and calendar dials, inscribed James Hicks White Chapel, with adapted 4 pillar movement (now gong striking), the trunk with break arch door, upon a rectangular plinth, the case probably associated, all in need of attention, 202cm high

Broderick, Spalding, an oak longcase clock circa 1800, the painted arched 12 inch dial with subsidiary seconds, the 8 day movement with shaped plates (one dial foot lacking), the hood with pierced cresting, three brass finials and reeded columns, the trunk with shaped top door flanked by reeded canted corners (movement possibly associated) 216cm high

Baddely, Tong, a late 18th century oak longcase clock, the 11 inch square dial with unusual seasonal figure spandrels, silvered chapter ring and calendar dial, matted centre, with 8 day bell striking movement, within a plain varnished oak case, 191cm high

A stained wood longcase clock, the early 18th century 12 inch dial signed Ricd Taylor London, with seconds dial and date aperture, boys and crown spandrels, chevron border, ringed winding holes, with four pillar (formerly with a fifth pillar) 8 day movement, the plain later case associated, 214cm high

An oak and mahogany longcase clock, the swan neck pediment above 13.5inch dial with eagle motif to the arch, inscribed 'Josh Bayley Newcastle', with silvered chapter ring and seconds dial, urn spandrels, with 8 day bell striking movement, the case associated, 213cm high

A LONGCASE CLOCK by John Spencer, Colne, the thirty hour movement with anchor escapment and outside count wheel, 12 square brass dial chased with foliage, and with calendar dial chased with buildings, in oak case, the arched pediment with turned finials, verre eglomise frieze on turned columns, arched door flanked by fluted quarter columns, panel base and bracket feet, the whole later profusely carved with flowers, dragon and geometric motifs, 91 3/4 high

A LONGCASE CLOCK, the eight day movement with anchor escapement and square brass dial inscribed Howard, Chester, in oak case with moulded cornice, frieze with applied carved foliage on turned columns, plain trunk with moulded edged door, panel base on plinth, 76 high

A LONGCASE CLOCK, the eight day movement with anchor escapement, arched 12 brass dial inscribed Tempus Fugit, secondary dial, in oak case, the scrolled pediment with turned brass finials on fluted columns, arched door flanked by quarter columns, panel base and bracket feet, 19th century, 87 1/4 high

A LONGCASE CLOCK by T Benbow, Northwood, the eight day movement with anchor escapement arched 12 1/2 dial painted with flowers and moonphase, secondary dial and calendar aperture, in mahogany case , the scrolled pediment with arched surmount and brass finials on fluted columns, frieze inlaid with hearts, arched door with shell marquetry patera, flanked by fluted quarter columns, panel base with shell patera and fluted corners, on bracket feet, 88 1/2 high

A LONGCASE CLOCK by Peter Morris, Leigh, the eight day movement with anchor escapement and 12 brass dial chased with foliage, seconds dial and calendar aperture, in oak case with moulded cornice on turned pilasters, panelled door, the base with raised panel having incurved corners, on bracket feet, 80 3/4 high

A LONGCASE CLOCK by Michael Wild, Wakefield, the thirty hour movement with anchor escapement and outside count wheel, arched brass 12 dial chased with urn and foliate scrolls, calendar dial, in oak case, the scrolled pediment with gilded flame finials on fluted columns, arched door flanked by quarter columns, panel base on plinth, 87 high

A LONGCASE CLOCK, the thirty hour movement with anchor escapement and outside count wheel, 12 square dial painted with flowers and with moonphase and secondary dial, in oak case with mahogany columns and quarter columns, scrolled pediment, arched door, panel base and bracket feet, 89 1/4 wide

A LONGCASE CLOCK by A Cranstone, Scarborough, the thirty hour movement with anchor escapement and count wheel striking on a bell, 12 arched dial painted with flower and bird on fruiting branch, calendar aperture, in oak and mahogany banded case with scrolled pediment on turned columns, canted trunk with arched door, panel base, 84 high

A LONGCASE CLOCK by John Barraclough of Haworth, the eight day movement with anchor escapement and 14 1/2 arched dial painted with a figure scene and four allegorical maidens representing the seasons, secondary dial, in mahogany case, the scrolled pediment on baluster turned columns, arched door flanked by quarter columns, panelled base, shaped apron and splayed bracket feet, 93 1/2 high

18th Century Longcase Clock, the painted dial inscribed, "W. Carpenter, Banbury", with secondary seconds dial, painted spandrels, thirty-hour movement, contained within an oak and mahogany crossbanded case, with swan neck pediment, the door inlaid with a.

18th Century Longcase Clock, with square brass dial, 28cms, (11"), inscribed, "Joseph Donisthorpe - Loughborough", secondary seconds dial, cast and embossed spandrels, thirty-hour movement striking on a bell, contained within an oak case, the hood with th.

18th Century Longcase Clock, with brass circular dial painted with Spring flowers and with date aperture, eight-day movement, striking on a bell, contained within an oak case, with swan-neck pediment, reeded supports above a moulded frieze, arched door wi.

Regency mahogany Longcase Clock, the painted dial with secondary seconds dial and date aperture and indistinctly inscribed, "J. Watson, Blackburn", the spandrels painted with Spring flowers and a shooting scene in the arch, eight-day movement, contained w.

George III Longcase Clock, the square brass dial 24cms,(13"), silvered chapter ring, inscribed, "Mackie-Richhill", secondary seconds dial, the cast spandrels decorated with putti and a coronet, eight-day movement striking on a bell, contained within a mah.

An Oak Three Panel Coffer, on stile legs, 20 cm, an Arts and Crafts oak umbrella stand, a mahogany drop leaf table, a mahogany Sutherland table and a dwarf longcase clock (5)

A Longcase Clock, the 33 cm arched square brass dial with silvered chapter ring, subsidiary second dial and date aperture, fitted an eight day movement in a mahogany case

A Longcase Clock, the 33 cm arched square painted dial with Roman numerals, with subsidiary seconds dial and calendar aperture, signed Willm Bishop, fitted an eight day movement, striking on a bell, in a mahogany case with boxwood and ebony stringing

An oak and mahogany thirty-hour longcase clock, T.W. Cade, Northallerton, early 19th century The outside countwheel bell-striking movement with 13 inch cream painted Roman numeral dial with subsidiary seconds dial and signed T.W. CADE Northallerton to centre, the spandrels polychrome painted with church and cottage views and with equestrian huntsman and hounds to arch, the swan neck pedimented case with baluster turned pilasters to hood above inlaid shaped-top short trunk door flanked by rounded angles, on conforming plinth base with bracket feet, 224cm high.

An oak cased eight-day longcase clock, Thomas Kefford, Royston, circa 1750 The five-pillar rack and bell striking movement with 12 inch square brass dial with calendar aperture and subsidiary seconds dial to the foliate engraved matted centre within an applied Roman numeral chapter ring with fleur de lys half hour markers, Arabic five minutes and signed Thomas Kefford, ROYSTON to lower edge, the angles with bird and urn pattern spandrels, the case with domed caddy above blind fret frieze and integral pilasters to hood, rectangular trunk door and on reduced plinth base with bracket feet, 207cm high. Thomas Kefford is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Royston during the early 18th century.

An inlaid mahogany thirty-hour longcase clock, Indistinctly signed, early 19th century The outside countwheel bell-striking movement with 12 inch white painted break-arch Roman numeral dial with subsidiary seconds dial, arched calendar aperture indistinctly signed and inscribed Oxford to centre, with castle ruin and cottage painted spandrels and conforming picturesque view to arch, now in a Bristol area case with shaped crest to the arch top above spiral twist pilasters and wavy edge door to hood, the trunk with short door flanked by canted angles, on conforming base with tall bracket feet, 216cm high.

A carved oak eight-day longcase clock, Jno Richards, Wisbech, 18th century The four-pillar rack-striking movement now sounding on a gong, with 12 inch square brass dial with calendar aperture, star centre engraved subsidiary seconds dial and silvered oval plaque signed Jno Richards Wisbech within an applied silvered Roman numeral chapter ring with Arabic five minutes and bird and urn cast spandrels to angles, the case with swan neck pediment above shaped-top trunk door and conforming plinth base, now carved with foliate designs throughout, on ogee bracket feet, 227cm high.

A mahogany crossbanded oak eight-day longcase clock, Blurton, Stourbridge, early 19th century The four-pillar rack and bell striking movement with 13 inch white painted Roman numeral dial with arched calendar aperture, subsidiary seconds dial and indistinctly signed Blurton, STOURBRIDGE to centre, with fruit painted spandrels and scene of a naval engagement to arch, the swan neck pedimented case with fluted pilasters to hood above short door flanked by quarter columns to trunk, on plinth base with later bracket feet, 235cm high. Probably John Blurton who is recorded in Loomes, Brian Watchmakers and Clockmakers of the World Volume 2 as working in Stourbridge 1828-50.

An oak eight-day longcase clock, Daniel Keddon, London, 18th century The five finned pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture and subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with diamond half hour markers and Arabic five minutes with female mask and scroll cast spandrels to angles, the arch with boss signed Daniel Keddon, London between dolphin cast mounts, in a case with break-arch pediment and integral pilasters to hood, rectangular trunk door and plain plinth base, 202cm high.

A japanned eight-day longcase clock, 18th century and later The four-pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial and bearing silvered plaque inscribed John Worthington LONDON to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and twin cherub and crown pattern spandrels to angles, with strike/silent dial between dolphin mounts to arch, now in a pagoda pedimented case with integral pilasters to hood and break-arch trunk door finely polychrome and gilt decorated with figures within pagoda terraces on a dark background within hatched and foliate trail borders, on conforming landscape panel decorated plinth base with double moulded skirt, case circa 1770, movement and dial 19th century, 232cm high.

A Scottish oak eight-day longcase clock, D. Morison, Aughtermughty, late 18th century The four-pillar rack and bell striking movement with 12 inch single-sheet Roman numeral brass break-arch dial with star centred subsidiary seconds dial and calendar aperture to the scroll engraved centre and with Arabic five minutes, the angles with further foliate scroll engraved decoration beneath signature D. Morison AUGHTERMUGHTY within leafy scrolls to arch, the case with moulded cornice and geometric blind fret infill above integral reeded pilasters to hood, break-arch trunk door, on plinth base with moulded skirt, 201cm high excluding later feet.

A mahogany crossbanded oak eight-day longcase clock, Brandreth Middlewich, circa 1780 The four-pillar rack-striking movement with 11 inch square brass dial with oval nameplate Brandreth Middlewich incorporating calendar aperture to the matted and lozenge hatched centre within an applied Roman numeral chapter ring with Arabic five minutes and foliate scroll cast spandrel applied angles, the case with moulded cornice and blind fret frieze above turned hood pilasters and rectangular trunk door, on raised panel fronted plinth base, 202cm high. Obadiah Brandreth is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working 1766-95.

A carved oak eight-day longcase clock, Part 18th century The nineteenth century four-pillar rack and bell striking movement with earlier 10 inch square brass dial bearing signature Charles King, Winston to the foliate scroll engraved centre within an applied silvered Roman numeral chapter ring and foliate scroll cast spandrels, the case with moulded caddy, blind fret frieze and turned pilasters to hood above rectangular trunk door and panel fronted plinth base, now carved with foliate designs throughout, 207cm high.

An inlaid oak eight-day longcase clock with moonphase Indistinctly signed, early 19th century The four-pillar rack and bell striking movement with WALKER & HUGHES falseplate, the 12 inch white painted Arabic numeral break-arch dial with subsidiary seconds dial and arched calendar aperture to centre, with polychrome and gilt floral painted spandrels and rolling moonphase to arch, the case with turned pilasters to hood above conch shell inlaid shaped-top trunk door, on raised panel fronted plinth base, hood reduced in height, 206cm high.