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A 19th century oak and mahogany longcase clock, with a moulded cornice and reeded columns above a long trunk door, box base and bracket feet, the 30.5cm square brass dial with Roman numerals, seconds subsidiary dial and a calendar aperture inscribed John May, London,

A Victorian oak night watchman's noctuary longcase watch clock, 14cm square brass dial inscribed C. Keates, Belper, F W D 256, the case with moulded cornice, rectangular door to waist, above a removable panel, skirted base, 198cm high

A George III oak longcase clock, 27.5cm square dial inscribed Thomas Wilmshurst, Brighthelmstone, Roman and subsidiary Arabic numerals, the case quite plain, rectangular door to waist, skirted base, 194.5cm high

A George III style Chippendale design mahogany dwarf longcase clock, 17cm arched brass dial, silvered chapter ring with Roman and subsidiary Arabic numerals, the spandrels cast and applied with masks, the case with foliate swan neck pediment above a blind fretwork frieze, the door flanked by fluted columns, shaped rectangular door to waist flanked by inset quarter-columns, rusticated angles, ogee bracket feet, 150.5cm high

A longcase clock with brass dial, embossed spandrels and Roman numerals, date aperture, engraved with a shipping scene, marked to dial 'T. Rosewell Fisherton', on plain pedestal base, 192cm high, weights and pendulum present

A British United Clock Company clock in a miniature longcase clock together with an anniversary clock by the dial maker US Patent and three other anniversary clocksLocation: VR

A 19th century mahogany longcase clock case, 214cm highLocation: VR

An early electric wall clock together with a longcase movement with hand painted dial signed Fraser and one other movementLocation: G

A George III oak painted dial longcase clock, I & E Mason of Worcester, the 12" dial with flower spandrels, black painted Arabic numerals and a flower spray to the centre with calendar aperture below, the 30-hour four-pillar movement striking on a bell, the hood with swan-neck pediment and fluted columns, the inlaid trunk with canted corners and plain moulded door above a plain base box raised on a plinth, 206cm high, 48cm wide, 23cm deep.Condition report: Movement: winds, runs and strikes but not tested for timekeeping.Dial: typical discolouration and faint cracklure. Lower left corner enamel chipped.Hood: finials probably later. Left finial seat needs repair. Door has some splits to veneer and a small veneer patch top left corner. Fair but a little tired.Case: a little tired throughout cosmetically but sound. Base box front and sides split. Plinth worn. No key for door.

An 18th century provincial, oak 8-day longcase clock, the hood with a caddy top and enclosing a 12" square brass dial, signed 'Rd Bullock, Ellesmere', with cherubim spandrels, chapter ring, Roman numerals and Arabic 5 minute markers, subsidiary dial for seconds and date aperture, the long trunk door, with ovolo edge bead and patched where lenticle positioned, the 8-day movement with anchor escapement, striking on a bell, with pendulum and two weights, some restoration, approximately 207cm highCondition report: Caddy top probably later and probably a 19thC addition, Hood lacking lower edge moulding on left hand side return. Later drilled sound-holes left and right sides and door glass cracked in several places. Several holes below frieze on right side.On trunk large later oak patch covering the original lenticle aperture.Chips, dents and scratches consistent with age and use. Shaped plinth probably later. Overall colour - nice.

A George III cross-banded mahogany painted dial longcase clock, A.Merga of Nantwich, the arched 14" dial with painted hunting scene and hunting vignette spandrels around gilt Roman numerals with subsidiary seconds dial and calendar aperture, the four-pillar eight-day movement striking on a bell, the hood with swan neck pediment and reeded columns, the trunk with Gothic arcade door flanked by reeded corner pilasters, the base box with cross-banded panel and canted corners, above a shaped foot, 215cm high, 56.5cm wide.

A GEORGE III OAK LONGCASE CLOCK, C1790, THE CASE CROSSBANDED AND PARQUETRY STRUNG, THE ARCHED HOOD WITH SHAPED TOP INLAID TO THE CENTRE WITH A FLORAL FILLED URN WITHIN AN OVAL, THE ARCHED ENAMEL DIAL PAINTED TO THE TOP WITH SWANS, FOLIATE PAINTED BAT WING SPANDRELS, THE CREAM ENAMEL DIAL WITH ARABIC NUMERALS, SUBSIDIARY SECONDS DIAL AND CALENDAR APERTURE, THE HOOD FLANKED BY A PAIR OF BRASS CAPPED PILLARS, THE TRUNK INLAID WITH ROUNDELS, SHADED SHELLS AND FLORAL FILLED URNS, SHAPED APRON AND BRACKET FEET, 216CM H OVERALL Lacking finials, upper section with some cockbeading absent, dial with re-painted numerals, slightly crazed, other scratches and wear generally consistent with age, the base with split at centre rising through the inlaid oval

AN IRISH GEORGE III MAHOGANY EIGHT DAY LONGCASE CLOCK, WILLM EDWARDS DUBLIN, THE BREAKARCHED DIAL WITH MATTED CENTRE, DATE APERTURE, RINGED WINDING SQUARES AND SUBSIDIARY SECONDS RING, THE DIPS TO THE ARCH ENGRAVED WITH REARING HORSE, MASK AND DOLPHIN SPANDRELS, IN FIGURED CASE WITH FULL LENGTH DOOR FLANKED BY FLUTED PILASTERS, OGEE FEET, PENDULUM AND WEIGHTS Dial dirty, movement original and apparently complete, on old seatboard, not backed, case with some cosmetic restoration and altered base, feet replaced

A George III mahogany and walnut longcase clock, with two train striking movement by Benson Whitehaven, the 13" silvered brass dial with centre date hand and flanked by plain columns with shaped trunk door flanked by quarter column corners and all raised on bracket feet. Height including brass finial 226 cm, case width at widest point 50 cm. (see illustration). CONDITION REPORT: The clock is currently set up in the saleroom ticking away and striking. It is keeping good time. Clearly we do have the weights and pendulum. We have the winding and door key. The door lock is a later lock. The hood is in generally good condition. The block beneath the eagle and ball finial is not original and the finial probably later also. It looks as if there will originally have been perhaps a wheatsheaf here which is missing. The cornice has minor losses and nibbles. The hood door is not warped. The mask around the dial fits. The clock is not a marriage. The trunk door is not warped. The quarter columns and sides of the trunk are in good condition. The base front panel has a full height left hand stress fracture, all feet are present. The front right hand foots is slightly sprung from the case. Please note: Cumbrian clocks do not generally have rear bracket feet and this is the case with this one.

A George III oak longcase clock, with 30 hour movement and moon phase by Harrocks Emont (sic) Bridge, inscribed to the arch Elizabeth Robinson. Height 214 cm (see illustration). CONDITION REPORT: The widest point is 48.5 cm. We have the weight and pendulum. The clock appears to be ticking away as it should. It is not however striking when advanced. The moon phase and date appear to operate when the hands are manually advanced. The case is in generally good condition. The hood is in good order with the exception of the cracked glass. The dial is a little worn in places. The moon phase is well painted with no significant flaking. The trunk door is not warped. There are no splits to the sides. The base is in generally good condition all round. The feet are later additions. The bottom base moulding may also be later we are not sure about this.

A George III oak and mahogany banded longcase clock with painted dial and eight day striking movement, with swans neck pediment above the arched painted dial and short trunk door with conforming base raised on block feet. Height 216 cm. CONDITION REPORT: We have not had the clock running. However if weight is applied to both the going and strike train the movement does seem to operate. We have both weights and the pendulum. We also have the winding key. The hood is in generally good order with only very minor veneer losses. The glass is not cracked. The dial has paint crazing as one would expect but no significant losses. The trunk door is not warped. It is however currently locked and we do not have the key. The main trunk is in generally good condition with no significant issues. The base has a small piece of moulding on the left hand side but again this is minor. The backboards are original. The feet are in good order but are probably later.

A George III walnut longcase clock with eight day striking movement by Joseph Smith Bristol, dated 1769, with moon phase subsidiary seconds dial and date aperture, flanked by fluted columns with long well figured trunk door and all raised on bracket feet. Height 224 cm, width 46 cm (see illustration). CONDITION REPORT: The movement winds on both trains and is currently ticking away and keeping good time. The case is in generally good order. The hood door is not warped. The veneers to the hood front are in good condition. There are some stress fractures to the frieze on the left hand side of the hood. The trunk door is not warped. The veneer colour is generally good. There are some minor old stress fractures and veneer repairs but none of any significance. The base has stress fractures and cracks to both the front and sides but is structurally sound. The plinth and bracket feet are clearly later replacements. The base front panel line inlay does not quite match that of the trunk door. It is likely that the whole of the base is a later replacement.

A George III longcase clock, with two train striking movement by Francis Perigal, Bond Street, with arched hood and arched trunk door, with well figured base panel and raised on bracket feet. Dial width 30 cm, case height excluding finials 219 cm (see illustration). CONDITION REPORT: The movement winds on both trains and is currently ticking away. It strikes when advanced. The movement fits well around the mask. The cheeks do not appear to have been altered. The seat board appears old but does have holes in either side that do not match up with anything on the top of the cheeks. We have the brass cupboard weight and what appears to be the original pendulum with a very large brass cupboard bob. The face itself requires some minor work. The fretwork pediment has been detached and has a break and glue marks. The hood door is not warped and closes as it should. We have the lock and key. The trunk door is not warped and we have the lock and key. The sides of the trunk are in generally good condition. The bottom right hand return moulding at the narrow part of the case is missing. The moulding at the very bottom of the door is missing. The right hand return base side is detached. The colour of the case is generally good and there are no side splits. The backboards are original. The panels in the sides of the hood are later replacements.

An early 19th century mahogany longcase clock, with boxwood strung case inscribed Allan Honu Irvine, with eight day striking movement and silvered brass dial with long trunk door and raised on bracket feet. Height 222 cm.

An early 19th century Scottish mahogany longcase clock with eight day striking movement, with triangular pediment above the arched door enclosing the painted dial with spandrels emblematic of the four seasons and Farmers Arms to arch, with three quarter length trunk door and conforming base raised on bun feet. Height 221 cm.

An early 19th century Scottish mahogany longcase clock with swans neck pediment above the arched painted dial with eight day striking movement and spandrels emblematic of the continents with three quarter length trunk door flanked by half round columns with crossbanded base raised on bun feet. Height 228 cm.

A George III oak longcase clock, with swans neck pediment above the glazed door enclosing the 11" square brass dial and 30 hour movement, with long trunk door flanked by canted angles and with conforming base. Height 218 cm.

An early 19th century mahogany longcase clock, with broken arch pediment above the arched painted dial with Roman numerals, the trunk door with Prince of Wales plume and all raised on bracket feet. NOTE: Strike train and bell missing. Height 230 cm including finial.

An early 19th century Scottish mahogany longcase clock, with eight day striking movement by William Morton Camnethan, with painted dial, three quarter length trunk door and panelled base. Height 220 cm.

A George III oak longcase clock, with swans neck pediment above the arched painted dial and two train striking movement, with long trunk door and conforming base raised on bracket feet. Height 213 cm.

A Victorian mahogany longcase clock by Thomas Wortley Ripponden, with eight day striking movement, the case with short trunk door flanked by turned columns, the base raised on bracket feet. Height 231 cm, width 70.5 cm.

An early 19th century oak and mahogany banded longcase clock, with moulded cornice above the glazed door enclosing the unmarked brass dial and 30 hour movement (no seat for movement). Height 201 cm.

A 19TH CENTURY MAHOGANY AND INLAY, 8 DAY LONGCASE CLOCK WITH SQUARE DIAL [J.C.CARTER WARRINTON]

A 19TH CENTURY OAK AND CROSSBANDED EIGHT DAY LONGCASE CLOCK, WITH SQUARE ENAMEL DIAL BY 'SCALES OF KENDALL'

Geo. Margetts, London a mahogany longcase clock: the eight-day duration five-pillar movement striking the hours on a bell, the twelve-inch break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals and inner date aspect, the matted centre having a subsidiary seconds dial and inset silvered plaque engraved with the maker's name Geo. Margetts, London, with cast-brass c-scroll corner spandrels and decorative blued-steel hands, the arch having a strike/silent dial allowing the strike to be switched off at will, the mahogany case having a hood with brass quarter stops and cast-brass capitals, the crested top with three brass ball-and-spire finials to the fluted blocks, the base with a raised panel and standing on bracket feet, height 234cm.*Biography George Margetts, born 1748, is considered one of the leading makers of complex and astronomical clock movements and chronometers. He originally worked in Old Woodstock, Oxon before moving to London and working in Cheapside and then Hatton Garden becoming a freeman of the Clockmaker's Company in 1779 and raised to the livery in 1799. Margetts died in 1808. Examples of his work are displayed in a number of collections and museums including the British Museum and the Science Museum.* Notes With sales receipt dated May 1985 and Valuation for Insurance dated August 1995.

John Murch, Honiton a mahogany longcase clock: the eight-day duration movement striking the hours on a bell with the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, the silvered centre with a subsidiary seconds dial, date aperture and engraved with c-scroll decoration, with cast-brass female-head spandrels to the four corners and decorative blued-steel hands, the oak and mahogany case with crossbanding to the trunk door, tapered columns to the hood, whales tooth cresting, three giltwood ball-and-spire finials, the base with mahogany crossbanding and standing on bracket feet, height 230cm inc. finial.*Biography John Murch was a member of the prominent Honiton clockmaking family and is recorded as working from circa 1754 when he was apprenticed to another well known local maker, Francis Pile, at a premium of £15. He was to later witness Pile's will, dated 22nd of June 1763. His son, also John, became a clockmaker and in 1805 placed an advertisement for an assistant in 'the clock and watch line, or watch line only.' * Notes John Jnr. is also recorded as a silversmith in 1798 and by 1823 he was in partnership with his son William, grandson to John Snr, with premises in the High St. This partnership ended on John's death in 1830 whereupon William continued alone.

William McCulloch, Belfast an unusual moonphase mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, flame half-hour markings, and engraved either side of VI o'clock with the maker's name, Wm. McCullock, Belfast, the arch having an unusual style disc engraved with the phases of the moon depicted by a steel hand, the mahogany case with boxwood stringing to the base, trunk door and hood, the fluted hood pillars with cast brass capitals and surmounted by whales tooth cresting, standing on bracket feet, height 222cm. inc. cresting.* Biography William McCulloch, sometimes spelt McCullough, is recorded working in Belfast from at least 1743 when it is known he subscribed to a book written by John Campbell entitled 'Lives of the Admirals and other eminent British Seamen'.* Notes Reference David A. Bell The Watch and Clockmakers of Northern Ireland Pub. The Author 2020.

Jno. Bishopp, Maidstone, an early 18th century oak longcase clock: the thirty-hour duration movement with finned pillars and striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings, diamond quarter-hour markings and signed either side of VI o'clock Jno. Bishopp, Maidstone fecit, the matted dial centre having a ringed date aperture and unusually for a thirty-hour movement a subsidiary seconds dial, with ringed decoration to the inner aspect, cast-brass cherub-head spandrels to the four corners and decorative blued-steel hands, the flat-top oak case having three-quarter columns to the hood, height 193cm.*Biography John Bishop(p), born circa 1650, was a member of a well-regarded family of early Kent clockmakers and is recorded as working until his death in 1710. His son, also John, was born in 1680 and known to still be working in 1733 with Martha Bishop apprenticed to him in 1720. Three longcase clocks signed for Bishop are known where the high-quality of the workmanship is noted being very much in the tradition of the best London craftsmen of the time.* Notes Reference Michael Pearson 'Kent Clocks & Clockmakers' Pub. Mayfield Books 1997, where a near identical dial dated to circa 1705 is illustrated page 105.

An early 19thC mahogany longcase clock, the square white painted dial with floral decoration, 30cm x 30cm, with eight day movement, in a mahogany box case, the hood with fret decoration, 190cm high, 45cm wide, 22cm deep.

Reproduction yew wood longcase clock having moon face with silvered dial and brass mounts with three weights. Marked Richard Broad Bodmin Cornwall.(B.P. 21% + VAT)

Reproduction three weight modern longcase clock with rolling moon. lacking door glass. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

A SMALL 18TH CENTURY STYLE OAK LONGCASE CLOCK the plain case with single long drawer and square hood with turned columns, the 6.5 brass dial with Roman numerals and eight day movement striking on a bell"

SAMUEL CLARE OF WARRINGTON; a George III oak cased eight day longcase clock, the brass face with silvered dial with Roman and Arabic numeral, with subsidiary dials, the case with single blind fret panel, raised on bracket feet, comes with two associated weights and a pendulum, height 202cm, width 56.5cm, depth 24.5cm.Additional InformationGeneral wear throughout, minor chipping to the corners, split to foot board, small pieces have been chipped away near the locking mechanism. The movement appears clean. Cannot speak as to functionality. Diameter of dial 28cm.

GASKELL OF KNUTSFORD; a late 18th/early 19th century oak cased eight day longcase clock, the painted moon phase dial with Roman and Arabic numerals and subsidiary dial, overall height 209cm.Additional InformationMinor crack to the bottom right hand corner of the glass, split/wear to the case and sides, crack to the foot board, wear/chipping to gilding on finial, face with craquelure and minor rubbing to the edges.

JOHN STORR OF YORK; an oak cased eight day longcase clock, the brass dial with strike and silent subsidiary dial and two further subsidiary dials, in profusely carved oak case, height 231cm, complete with pendulum and two weights.

WIGNALL OF ORMSKIRK; an early 19th century mahogany cased eight day longcase clock, the painted face set with Roman numerals and two subsidiary dials, with line inlaid decoration to the case, height 216cm, complete with key, pendulum and weight.Additional InformationCraquelure to the face, minor knocks to the case. The thread is missing from the pendulum. There are old repairs to the veneer, splits and losses to the veneer to the sides, old repair and losses to corner of the hood, same to the other side with a large split to the upper side panel on the right. Glass appears original although we cannot guarantee this.

J FINEL; a French inlaid longcase clock, the circular enamelled dial with Roman numerals and signed J.Finel, Agael, inside ornate brass surmount, encased in inlaid and painted case, overall height 231cm. Additional InformationCase has worm, heavy wear throughout the case with scratches, chipping throughout, old splitting, one side of cornice is missing, dial with chipping to the rim and bending/fold to the ornate surmount. 

A late 19th/early 20th century mahogany small longcase with brass mounted broken swan neck pediment above painted dial inscribed 'Bullock, Bath', set with Roman numerals, subsidiary date aperture and with eight day movement above long door, plinth base and bracket feet, height 141cm.Additional InformationThe dial has been completely repainted, there are a few flecks of veneer which have been repaired to the case and some old restorations to the case throughout, it is possible the lower plinth and bracket foot section has been added at a later date. The whole clock has been restored and polished at some stage. The movement strikes to a bell.

19th century longcase clock with eight-day movement, marked Bell, with Roman numerals, subsidiary seconds dial and date aperture, hand-painted bird amongst flowers to the arch and floral spandrels, approx 204cm high Condition ReportDial is : 12 inch square plus 4.5 inch arched top. Once piece of moulding missing - see picture. Some worm damage to back board, see pictures.

Late 18th / early 19th century longcase clock movement, converted to bracket clock, 30 hour striking movement, dial marked Edward Clementson, MeltonCondition ReportThe dial is 26cm in diameter approx. The face is 28cm square approx. There is no weight and the pdndulum suspension spring is broken. See attached images of movement. 

Oak and mahogany longcase clock, the hood with swan neck pediment, short door, box base, no plinth, 12" square painted dial, thirty hour movement striking on a bell, 196cm, with pendulum and weight.

A late 19th Century oak longcase clock, the painted and arched dial, with Roman hours and subsidiary second and date dials and striking a bell, contained within an oak case with gothic arched trunk door above a box base, raised on shaped bracket feet, with weights, pendulums and keys, 211cms high.

E Foster - An 18th Century longcase clock, the square brass dial with roman hours and arabic minutes and striking a bell, contained within an oak case with Greek key cornice, blind fret carved frieze, above a shaped trunk door flanked by quarter-turned pilasters, raised on a box base, 199.5cms high.

An Amsterdam walnut longcase clock with 8-day movement and musical mechanism with 9 bells, The ornate carved hood is surmounted by three bronze sculptures, signed on dial: J. v. Dale, Amsterdam, circa 1750. (sculptures and dial of later date) Totale hoogte circa 270 cm.

A miniature longcase clock, mahogany veneered with engraved dial, unsigned, 19th century. Hoogte 48 cm.

LONGCASE CLOCK, THE HAND PAINTED DIAL DEPICTING TIGERS SURROUNDING ROMAN CHAPTER RING BEARING CENTRAL ILLUSTRATION OF A LAMB RECUMBENT, SIGNED S SMITH, WALTON, WITHIN STAINED WOOD CASE, WIDTH APPROX 45CM

George III oak longcase clock, Edward Burroughs Fordham, the arched pediment above a glazed door flanked by columns above the long trunk door and plank base, the signed dial with a silvered chapter ring with Roman hours and outer minutes, twin train movement with anchor escapement striking on a bell, 205cm high

19th Century oak longcase clock, the swan neck pediment above the square glazed hood flanked by fluted columns above a long trunk door and panel base, the signed white painted dial with fan spandrels and painted shells to the centre, twin train movement with date aperture and Arabic hours, striking on a bell, 230cm high

19th Century mahogany longcase clock, the swan neck pediment with brass finials above a gilt foliate swag decorated frieze and an arched glazed door flanked by square section columns above the long trunk door and panel base, the dial with a silvered chapter ring and gilt metal spandrels subsidiary seconds and date aperture, twin train movement with anchor escapement, 240cm high

LONGCASE CLOCK, George III oak and mahogany by John Stokes, Bewdley with silvered and brass face, painted moonphase dial and eight day movement, 231cm H x 53cm x 26cm.

19th century Pine Longcase Clock, the painted face with roman numerals and date aperature, 191cms high

A contemporary mahogany longcase clock, having arched brass moonphase dial, glazed trunk door, with pendulum and three weights, h.202cm

A circa 1800 provincial oak longcase clock, having an arched brass and silvered dial (worn), with subsidiary seconds dial, date aperture, twin winding holes for an eight day weight driven movement, with pendulum and weights, h.206cm

R. W. Symonds - "Thomas Tompion - His Life and Work", Spring Books 1969, one volume, Dawson, Drover & Parkes - "Early English Clocks", Antique Collectors Club 1982, one volume, and six other books of early Clock interest and Tom Robinson - "The Longcase Clock", Antique Collectors Club 1981, one volume, Charles Allix - "Carriage Clocks - Their History & Development", Antique Collectors Club 1974, one volume, and an extensive collection of books of Clock interest, including a selection of "Antiquarian Horology" journals

An 18th Century Oak Longcase Clock by Brice of Sandwich, the 12ins square brass dial with wide brass chapter ring (formerly silvered) with Roman and Arabic numerals, the engraved dial centre with subsidiary seconds dial and date aperture and with gilt brass leaf and scroll spandrels, to the eight day two train movement striking on a bell, contained in plain oak case, the hood with moulded cresting and four silvered wood finials and plain turned columns to hood, plain trunk door, 85ins high Note: William Brice recorded working in Sandwich (Kent). Apprenticed 1752. Died 1803.