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Oak longcase clock, chiming movement, dial signed 'Tempus Fugit', H195cm CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs
Early 19th century oak longcase clock, 30-hour movement, painted dial with subsidiary second hand, H130cm CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs
George III mahogany longcase clock, Wickes of London, the figured mahogany case with arched top and moulded cornice above turned columns, the arched trunk door above a panel base, the 12 ins arched silvered dial with Roman and Arabic numerals and with subsidiary seconds and calendar dials, Strike/ Silent dial to arch, to eight day twin striking on a bell, 220cm high
A SCOTTISH MAHOGANY LONGCASE CLOCK, the enamelled dial signed "I. Gardner, Glasgow", the arch decorated with a scene of a sportsman and spaniel hunting pheasant, with an eight day two train movement striking on a bell, the case with tall hood with swan-neck pediment and tall trunk door, 18th/19th century, 87" high
Andrew Dickie of Edinburgh mahogany longcase clock with square brass dial with seconds and date aperture, the hood with blind fret cornice, 214cm CONDITION REPORT: Dial is 30cm/12" wide. Marked Andrew Dickie Edinburgh on bottom edge.Generally in quite a poor condition. Replacement pillars. Repairs to the moulding. Repairs around glass of hood. Glass side window smashed. Veneer issues, some splitting and losses. Large filled hole below hood. Split dow middle of base. Trunk door locked.
A 19th century oak cased eight day longcase clock, the moulded cornice above square face with circular chapter ring set with Roman numerals and with date aperture, inscribed "John Holloway, Newbury, Fecit", above single slender door and plinth base, height 190cm. CONDITION REPORT: Please see additional photographs. Split to base panel and door front. Possibly later panel below door. We cannot guarantee the mechanism is complete or in working order as we have not had it running in the saleroom.
A 1920s oak dresser incorporating an 18th century brass 10" longcase clock dial, the chapter ring set with Roman numerals and inscribed "Bayley, Uttoxeter", with an eight day fusee movement within the case, with boarded plate rack above three geometrically moulded drawers raised on barleytwist and block supports, length 164cm.
A late 18th/early 19th century oak cased eight-day Longcase Clock, the broken swan-neck pediment surmounted with an open-winged gilded eagle and flanked by two further similar gilded finials and above a 12" brass dial with the chapter ring with Roman numerals and subsidiary seconds hand and date aperture and all cornered by ornate pierced gilt metal spandrels headed with masks, shaped trunk door and raised on plinth base, the dial signed Thomas Bruton, Crom Hall, 206cm high
Thirty hour longcase clock birdcage movement, the 11" square brass dial signed William Clement, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, calendar aperture and later hands *This lot is sold with a copy of two articles written by Brian Loomes in the Horological Journals dated October and November 2009 about the maker William Clement
Oak thirty hour longcase clock, the 11" square silvered dial engraved to the centre with a plough, the case with long door and the hood surmounted by a moulded stepped cornice over a pierced foliate carved frieze, 77.5" high; also an oak and mahogany crossbanded case with aperture for a 14" square dial, with short door and surmounted by a swan neck pediment, 85" high (2)
Oak eight day longcase clock, the 13" painted arched dial singed W. Mason, Duns, with subsidiary seconds and calendar dials, the case with long wavy arched door flanked by fluted canted pilasters, the hood surmounted by a moulded broken arched pediment above blind fret carvings, with central ball and spike finial, 84" high (pendulum, two weights)
Scottish pine eight day longcase clock, the 13" brass arched dial signed Jas Allan, Kilmarnock on a silvered disc to the arch with Masonic symbols, over a silvered dial enclosing a foliate engraved centre with subsidiary seconds and calendar dials, the case with long door flanked by quarter fluted pillars and the hood surmounted by a moulded stepped cornice, 78" high (pendulum)
Oak eight day longcase clock, the 12" brass arched dial signed John Lellyett, Havant to the chinoiserie and foliate engraved centre with subsidiary seconds dial and calendar aperture, also with strike/silent dial to the arch, the case with long rounded arched door and the hood surmounted by a rounded moulded cornice over a dentil frieze, 79" high (pendulum, two weights and keys)
Oak and mahogany crossbanded thirty hour longcase clock, the 12" square painted dial signed W. Mason, Warwick, the case with short crossbanded door inlaid centrally with a flowerhead and flanked by quarter fluted columns, the hood surmounted by a swan neck pediment and brass ball and spike finial, 82" high (pendulum and weight)
Mahogany and walnut crossbanded thirty hour longcase clock, the 12" square brass dial signed William Cooke, Londini Fecit on the silvered chapter ring enclosing a matted centre, the case with medium length crossbanded door and the hood surmounted by a swan neck pediment, 79" high (pendulum and weight)
Mahogany and oak eight day longcase clock, the 13" painted arched dial signed Scott, Gainsboro, with subsidiary seconds dial and calendar aperture, the case with short oak and mahogany crossbanded door, the hood surmounted by a swan neck pediment with three brass ball and spike finials, 89" high (pendulum and two weights)
Oak eight day longcase clock, the 13" square brass dial signed Lanson, Kenton on the brass chapter ring enclosing a diaper engraved centre with subsidiary seconds dial and calendar aperture, the case with long crossbanded wavy arched door surmounted by a hood with a flat moulded stepped cornice, 87.5" high (pendulum and two weights)
Oak eight day longcase clock, the 12" brass arched dial signed Thomas Ramsbottom on the silvered chapter ring enclosing a foliate engraved centre with subsidiary seconds dial, also with moon phase to the arch, the case carved overall with scrolling foliage and the long door carved with the standing figure of a knight in full armour before a castle, the hood surmounted by a swan neck pediment and three gilded wooden ball finials, 90" high (pendulum and two weights)
Scottish mahogany eight day longcase clock, the 15" circular cream painted dial signed William McNee, Edinburgh, with subsidiary seconds and calendar dials, the case with long crossbanded door inlaid with ebony lines and the hood with a rounded arched stepped pediment, 82" high (pendulum, two weights and door key)
Good mahogany three train musical longcase clock, the 12" brass arched dial with strike/silent subsidiary dial to the arch over a silvered chapter ring enclosing a subsidiary seconds dial and three winding apertures, the substantial movement playing on a nest of eight bells and striking on a large gong, the case with long moulded rounded arched door with fine applied foliate mouldings, also carved with stylistic foliate designs to the sides and base, the hood surmounted by a carved caddy top with three classical gadrooned vase finials, 103" high (pendulum and three weights)
Mahogany eight day musical longcase clock playing on eight bells, the 14" painted arched dial signed Thomas Leadbeater, Sandbach, with subsidiary seconds dial, calendar aperture and moon phase to the arch, the case with short lancet moulded door flanked by fluted columns with brass capitals, inlaid overall with boxwood and ebony banding, the hood surmounted by a swan neck pediment and three brass ball finials, 97" high (pendulum and three weights)
Oak eight day longcase clock, the 12" brass arched dial signed Joseph Atkinson on the silvered chapter ring enclosing an engraved and matted centre with subsidiary seconds dial and calendar dial, the case with long moulded rounded arched door and the hood surmounted by a stepped moulded cornice, 80" high (pendulum and two weights)
Good mahogany eight day longcase clock, the 12" painted cream dial signed Holland, London with subsidiary seconds dial, the case with long moulded arched door flanked by quarter fluted columns with ormolu capitals and the hood surmounted by a rounded moulded arched cornice over pierced brass fish scale panels, 90" high (no pendulum, no weights and top urn finial missing)
Oak eight day automata longcase clock, the 12" painted arched dial signed Benjamin Mayne, Kelvedon on the dial beneath a subsidiary seconds dial and calendar aperture, the arch with Adam and Eve automata in the Garden of Eden painted with various animals by the tree with forbidden fruit, the case with long moulded rounded arched door and the hood with a moulded rounded arched pediment, 76" high (two weights, door key, no pendulum)
Fine mahogany eight day longcase clock with five pillar movement, the 12" brass arched dial signed William Webster, Exchange Alley, London on a shaped plate to the matted centre with subsidiary seconds dial and calendar aperture, enclosed by a silvered chapter ring and surmounted by a strike/silent dial to the arch, the case with long moulded rounded arched door and the hood surmounted by a rounded moulded arched pediment, 88" high (pendulum, two brass cased weights, winding key and original seat board)
Oak thirty hour longcase clock, the 10" square brass dial signed John Welch, Chessen on an arched plate to the matted centre with single iron hand, the case with long moulded door and the hood surmounted by a stepped caddy top over a blind foliate fret carved frieze, 81.5" high (pendulum and weight)
Scottish mahogany eight day longcase clock, the 12" silvered arched dial signed James Gray, Edinburgh to the arch of the foliate engraved dial over a subsidiary seconds dial and calendar aperture, the case with long shaped door crossbanded in rosewood and flanked by quarter fluted columns, also the case inlaid to the corners with satinwood quarter paterae, the hood surmounted by a moulded swan neck pediment applied with flowerheads either side of a turned finial, 85" high (pendulum, two weights and winding key) *The maker of this clock is written up in Old Scottish Clockmakers and a copied extract from this book is sold with the clock
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41749 item(s)/page