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Click here to subscribeA carved oak longcase clock, with eight-day bell striking movement, the 12inch brass dial with applied spandrels to the angles, the Roman numeral chapter ring bearing inscription for Anth Hebert in Morefields, London, and with subsidiary seconds dial and date aperture, the case heavily carved, 206cm highProvenance: From the collection of the late Selwyn Demmy
A 19th century mahogany longcase clock, the arched painted dial inscribed 'R Morris, Shrewsbury', with eight day movement, pendulum and two cast iron weights. 226cm highCondition report: Working when in house but we can give no guarantees and suggest a clockmaker is consulted as to its condition. Painted dial has marks on surface, with prvious restoration visible. Base and one side have splits, wire used for weight suspension.
A 19th century oak longcase clock, the arched painted dial inscribed 'Alcock M-Raisin' with eight day movement, pendulum and pair of cast iron weights. 198cm highCondition report: Working when in house although we can give no guarantee and suggest condition is assessed by a competant clockmaker. Base cracked to front, dial has some small chips, needs overall restoration,
AN 18TH CENTURY WALNUT EIGHT-DAY LONGCASE CLOCK, SIGNED WILLIAM JAMES, BATH, the 11½-inch brass break-arch dial engraved with an eagle in the arch, date crescent, the arch-top hood with brass finials, the inlaid trunk with arch-top door and plain base raised on a plinth. 224cm highCONDITION REPORTWith a pair of weights and a pendulum.
A GEORGE III OAK AND MAHOGANY EIGHT-DAY LONGCASE CLOCK, the 13-inch brass break-arch dial signed Joseph Gibson/Ecclefechan, with subsidiary seconds and date calendar, engraved with a bird and flowering trees in the arch, the hood with plain arch top and freestanding columns, the case with canted corners and plain base with shaped apron, with a pair of weights and pendulum. 212cm high CONDITION REPORTWe have not had this clock working but we are told by the seller that it was working in their property. The case appears to have been restored at some point some components of the case maybe replaced. A couple of repaired splits to the base. The brass dial is good and clean. Complete with a pair of weights and a pendulum.
Dutch eight day longcase clock movement, the 12.25" brass arched dial signed Etienne Hubert, Amsterdam on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial enclosing a calendar aperture over ringed winding holes and another aperture displaying months of the year, surmounted by a moon phase aperture to the silvered engraved arch (pendulum and two brass case weights); also a thirty hour longcase clock movement, the 13" painted arched dial signed WM. Asher (pendulum and weight); also another spare weight
Eight day longcase clock with five pillar movement, the 12" square brass dial signed Sam Aldworth (b.circa 1660- d.1725), Ivy, Strand, London on an oval silvered plate to the mated centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long door fitted with a circular lenticle and the hood surmounted by a flat moulded stepped cornice over a blind foliate fret carved panel, 79" high (pendulum, brass cased weights & winding key)
Good mahogany eight day longcase clock, the 11.75" square brass dial signed Thos Bullock, Bath (fl.1764-1773) on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long rounded arched door and the hood surmounted by a swan neck pediment, 81.5" high (pendulum, two weights and winding key)
Oak eight day longcase clock, the 11" square brass dial signed Jonas Barber, Fecit on the silvered chapter ring enclosing a plain centre with ringed winding holes and calendar aperture, the associated case with long beaded door fitted with a circular lenticle and the hood surmounted by a flat stepped moulded pediment over a blind foliate fret carved frieze, 77" high (pendulum, two weights and winding key)
Oak eight day longcase clock, the 12" brass arched dial signed Robert Sadler, London on a silvered boss to the arch over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with medium length beaded door flanked by quarter fluted columns and the hood surmounted by a swan neck pediment and fluted brass ball and spike finial, 90" high (pendulum, two brass cased weights and winding key)
Good mahogany eight day longcase clock, the 13" brass arched dial signed Robt Webster, Whitby on a silvered convex boss to the arch, over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long wavy arched door flanked by fluted columns and capitals, the hood surmounted by a swan neck fretwork pediment and brass ball and spike finial, 94" high (pendulum, two weights and keys)
Mahogany eight day longcase clock, the 12" brass arched dial signed Robert Craig on the foliate engraved brass arch over a silvered engraved calendar and moon phase aperture with Arabic and Roman numeral chapter rings, the principal silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long beaded edged rounded arched door and the hood surmounted by a shortened caddy top with two brass ball and spike finials, 92" high (pendulum, two weights and keys)
Mahogany eight day longcase clock, the 12" brass arched dial signed Joshua Rudd, Bradford on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and a calendar aperture, the arch with a convex silvered engraved sun, the case with long door flanked by fluted canted columns and the hood surmounted by a swan neck pediment and brass ball and spire finial, 87" high (pendulum, two weights and winding key)
Oak eight day longcase clock, the 12" brass arched dial signed Richard Lewis, Wincanton on an arched plate to the matted centre with subsidiary seconds dial and calendar aperture, with strike/silent dial to the arch, the case with long rounded arched door and the hood surmounted by a rounded moulded pediment, 79" high (pendulum and two weights)
Mahogany eight day longcase clock, the 13" brass arched dial signed Thos Moss, Frodsham to the foliate engraved centre with subsidiary seconds dial, with moon phase to the arch under a silvered plate inscribed 'On times uncertain date eternal hours depend', the flamed case with short pointed arched door and the hood surmounted by a swan neck pediment and brass ball and eagle finial, 94" high )pendulum, two weights and winding key)
Mahogany eight day longcase clock, the 14" painted arched dial signed Jas Foulds, Kilmarnock, with subsidiary seconds and calendar dials, the inlaid case with long flamed crossbanded door and the hood surmounted by a swan neck pediment and brass medallion and spike finial, 90" high (pendulum, two weights and keys)
Oak eight day longcase clock, the 12" square brass dial with silvered chapter ring signed D. Crawly, Lavington enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long door and the hood surmounted by a flat moulded stepped pediment, 80" high (pendulum, weights and winding key)
Scottish mahogany eight day longcase clock signed Samuel Ritchie, Forfar, with subsidiary seconds and calendar dials, painted to the spandrels with seated ladies depicting the four seasons and with a battle scene to the arch, the case with short length crossbanded door flanked by quarter fluted columns and the hood surmounted by a swan neck pediment and brass ball finial, 84" high (pendulum and two weights)
Eight day longcase clock movement, the 14" brass arched dial with silvered chapter ring enclosing a foliate engraved centre with subsidiary seconds and calendar dials; also another thirty hour longcase clock movement, the 10" square silvered dial signed Jas Steevens, Hindon, with calendar aperture (2)
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