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A reproduction oak cased longcase clock of small proportions with blind fret detail to the hood, white painted dial set with Roman numerals, raised on bracket feet, height 153.5cm, width 32cm.Additional InformationWe are unaware if the clock is in working order, general wear, light scratches, scuffs.

A reproduction oak cased longcase clock of small proportions, the brass dial inscribed ‘Paul Eden Llanbedr’ and ‘E. J. Fox’, with weights and pendulum, height 179cm.

GASKILL OF KNUTSFORD; a 19th century oak and mahogany crossbanded longcase clock for restoration, the painted dial set with Arabic and Roman numerals and flanked by fluted columns, on plinth base, height 198cm, with pendulum and two weights (af).Additional InformationExtensive rubbing to detail, chips and losses throughout including the board above the dial and the hood, split to plinth front panel, extensive general wear throughout, requires attention and restoration.

JOSEPH ELFORD OF LYMINGTON; an 18th century oak cased thirty hour longcase clock with brass face and silvered dial set with Roman numerals, in Flemish style case, height 183cm, with weight and pendulum.Additional InformationOld repairs to the case and door, complete with pendulum and weight, losses to the case, the clock has probably been reduced in size.

A 19th century oak, mahogany and inlaid eight day longcase clock, the hood with broken swan neck pediment, the dial set with Arabic numerals, subsidiary seconds dial and date aperture with painted bird and floral detail, the movement striking on a bell, on plinth base to bracket feet, height approx 223cm, with twin weights and pendulum.Additional InformationThe hood lacking the finial, the dial crazed with some chips and losses, fading to numerals, further usual scuffs, scrapes, scratches to hood and case. Some pronounced chips and gouges, will need attention and restoration. Not tested, no guarantee of working order.

An early 18th century thirty hour longcase clock, the silvered dial inscribed ? with single hand, housed in a pine case, possibly originally chinoiserie decorated Dial ;25cm Height of clock ;188.5cmCondition report: wear to silvered dial surface blemishes to carcass

19th century longcase clock, the arched top with moonphase and striking eight-day movement, brass chapter ring with Roman numerals

A MODERN OAK CASED LONGCASE CLOCK WITH BRASS FACE, MOON ROLLER AND TRIPLE WEIGHT - PENDULUM H-194 CM

AN ANTIQUE OAK AND MAHOGANY LONGCASE CLOCK WITH ENAMEL DIAL R - MILLER - PERTH A/F TWIN WEIGHTS - PENDULUM

A LARGE MODERN WEST GERMAN LONGCASE CLOCK H-205 CM, WITH A SMALLER CLOCK (2)

Oak longcase clock, swan neck pediment and satinwood panels, ebony stringing, close wood cross-banding, hood with turned columns, long arched door, box base, bracket feet, 12 inch arched brass dial signed Latham, London, subsidiary seconds dial and date aperture, eight day movement striking on a bell, height 220cm.

Mixed wood longcase clock, carved pediment long door, bracket feet, 12" arched painted dial, movement inaccessible, height 225cm.

Oak longcase clock signed, cavetto cornice with three sphere finials, the hood with turned supports, long door, plinth base, 12" square painted dial with floral spandrels, Roman numerals, subsidiary date aperture, signed EDH Smith, Newark, thirty hour movement striking on a bell, 194cm.

A 19th century and later mahogany longcase clock with painted dial signed J Barber Nottingham, with pendulum and weights CONDITION REPORT: Movement modern. Dial with later additions, Crack to glass.

An early twentieth century painted continental longcase clock with circular silvered dial, pendulum and weights

An early twentieth century painted cased continental longcase clock with circular dial by Chr. Holm.

An early twentieth century painted cased continental longcase clock with circular clock by J. Mortensen, pendulum and weights

REPRODUCTION LONGCASE CLOCK, 200cm high

AN EARLY 20TH CENTURY EIGHT DAY AND TRIPLE WEIGHT MAHOGANY AND INLAID LONGCASE CLOCK, the hood with a swan neck pediment and brass finial, Corinthian columns flanking an arched glass door enclosing a brass and silvered 10' dial, spandrels surrounding a Westminster chime/silent dial, seconds dial and Arabic and Roman numerals, dial unsigned, the trunk with a single plank door, above an inverted panel base, height 240cm (three weights, pendulum, winding key and two case keys) (condition: hood and trunk in good condition, loose column to hood) (provenance from the vendor, this longcase clock was believed to have been made by Mr Thomas James Veale clockmaker 28 Onslow Road, Southampton, Mr Veale married the vendors great great Aunt, the vendor has a framed photo of the clockmakers shop, Mr Veale used to wind the town clocks in Southampton)

A George III oak 8 day longcase clock marked Balcock, Pen-Rice, height 219cm

An early Victorian oak and mahogany thirty hour longcase clock, marked H. Carter, Ripon, height 226cm

A late 18th century oak Longcase Clock, broken arch pediment with carved rosettes, 12 square brass dial with Roman and Arabic numerals, between a pair of columns, aperture at 6, signed Sam Lomas Poolton, 30 hour movement, trunk with quarter columns and fluted door, fluted box base on bracket feet, 225cm high

Late 18th/early 19th century oak provincial longcase clock with swan neck pediment and central gilded onion finial over a square brass dial with Roman chapter ring, 8-day movement by John Oatway of Torrington, plain trunk and plinth base with bracket feet, 203cm high

19th century oak eight day longcase clock, the painted dial inscribed Trotter, Jedburgh, with Roman numerals, subsidiary dial and date aperture, 210 x 50cm

P. Corrie Langholme, Georgian Oak Cased Longcase Clock, Having a 13 inch Painted Dial, With weights and pendulum, Overall 215cm high

20th century Tempus Fugit 31 day Longcase Clock with glass panel to body, 194cms high

20th century Oak Temous Fugit Small Oak Longcase Clock with a gilt and silvered dial, 167cms high

An oak 8 day striking longcase clock with an 11" brass dial signed Richard Weller Eastbourne, 73" tall, crack to base but case generally good, nice colour and running in saleroom

An 8 day mahogany and inlaid longcase clock with a 12" painted arch dial showing a girl and dog, signed Freed Cambridge, 80" tall overall, running in saleroom, crack to glass otherwise reasonably good condition with some restoration

An oak carved 30 hour single hand longcase clock, the dial signed Wm Russell Wootton, with a 8" square dial, standing 83" tall, with pendulum and weight in need of restoration- William Russell worked in Bedfordshire upto 1770

An early 19th century oak longcase clock, circa 1830, by Joseph Wilson of Stamford, painted arch dial depicting a turreted building, possibly Wothorpe Towers, flowers and gilt highlights to the corners, cream dial with black Arabic numerals and minute track, subsidiary seconds dial, gold 8 day twin train four pillar movement chiming on a bell, crossbanded case with shell inlaid door, 48 by 24.5 by 205cm high.

Attributed to Francis Bullock of Thame - a late 17th century walnut cased longcase clock, having re-gilded 9" square brass dial, with silvered chapter ring, subsidiary seconds dial, date aperture, twin winding holes for a brass eight day five-pillar movement, having maintaining power and striking on a bell, the narrow case with fruitwood inlays and boxbase, h.207cmCondition report: The whole has clearly had significant alterations – please see images.Whole backboard is later.Clock stands well.Mouldings around door are possibly later.Colour good and veneers complete, appears recently polished.Dial fits case quite well but not perfectly.Dial has been re-gilded.Appears to be a dial marriage.Lock over winding holes work, but appears to be replacement.Seatboard is later.Cheeks reinforced.Door inscribed Francis Bullock Thame.Movement has been over-hauled but appears all original – no inexplicable holes etc.Bell is modern replacement.Carcase is pine with oak backboard.Minor warping to door but it fits well.Minor traces of old inactive woodworm.Consigned from a local private clock and watch collector who has moved overseas.

A George III mahogany longcase clock, the London case having a domed hood, stop-fluted pilasters flanking 12" unsigned arched brass dial, the arch with engraved silvered disc depicting Cupid, brass cast mask corner spandrels, silvered chapter with Roman and Arabic numerals, rolling date dial and subsidiary seconds dial, matted centre, twin winding holes for a brass eight day five pillar weight driven movement striking on a bell, the case having arched panelled door with ogee mouldings to a boxbase, h.206cmCondition report: Foot coming away from boxbase.Small moulding loss to door.Moulding losses around glass side panels on hood.Veneer loss to hood.Colour good.With weights and pendulum.Dial, movement and seatboard appear all original and seem to belong to case.Modest tarnishing to dial, otherwise good.

An Edward VII mahogany longcase clock, with Westminster, Whittington and St. Michael three train movement, striking on nine graduated tubular bells, the arched brass dial signed by retailer Harrods Ltd. and movement signed J.J. Elliott, 252cms h

A Victorian mahogany eight day longcase clock, with painted dial signed Joseph Belles, Huddersfield

An oak thirty hour longcase clock, the circular silvered brass dial signed Saml Hill, Sheffield, circa 1780

AMENDMENT - CLOCK IS 30 HOUR NOT 8 DAY  A late 18th century oak-cased and mahogany cross-banded eight-day longcase clock; the outset cornice above unusual verre eglomise panel and 12-inch brass dial with Roman numerals, signed Adam Costen, Kirkham, also with date aperture, the dial flanked by pierced spandrels and columns with brass capitals, shaped trunk door flanked by quadrant pilasters and raised on bracket feet, with pendulum and one weight (212cm high) Condition Report: The case has good colour and patination. The backboard of the case is split vertically, the door looks like it may have shrunk across the grain because there is 2-3mm gap near the lock (not visible from the front). There is a single weight and a pendulum, there is no bell on the movement. The movement appears to be in fairly good original untouched condition. The verre eglomise panel on the top of the hood appears to have horizontal scratches but otherwise is in reasonable condition. The hood itself looks original and in the Auctioneer's opinion we think the case is the correct case for the dial and movement. The mechanism does appear to be original to the clock face and there are two winding holes in the front of the face with cogs leading to the movement...so we think it is an eight day clock. The clock has come privately from a very reliable Vendor.It is noted that the bottom section of the case below the door has a 12-14" vertical split in the centre and in the Auctioneer's opinion the clock would need some professional restoration to bring it up to a reasonably high standard.The clock is sold as seen & viewed without guarantees. It is noted that upon opening of the dial door one or more of the frame panels may have been replaced at some stage.

A large early/mid-19th century mahogany-cased eight-day longcase clock; the broken swan-neck pediment above a 13½-inch painted dial, the moon-face mechanism above four hand-decorated spandrels allegorical of the seasons, the white dial with Arabic numerals and signed Underhill W-hampton, the dial also with subsidiary seconds hand and date hand above a shaped trunk door with shield-shaped bone escutcheon, raised on bracket feet, together with accompanying paperwork detailing that the longcase was repaired and overhauled at West Dean College, February 2005, also with further pieces of original veneer and associated treen etc., together with two weights and pendulum (232cm high)

19th century oak longcase clock, sarcophagus top over gilt painted floral blind fretwork frieze, arched hood door enclosed by turned pilasters, white enamel dial with Roman chapter ring, subsidiary seconds ring and date aperture, eight day movement striking hammer on bell, H225cmEight day longcase clock - with key winder weights and pendulum - Condition Report

Twin train driven longcase clock movement, (W17cm) and various other clock movements, (14) - Condition Report

Various clock dials, manly white painted enamel, (15) and some longcase movement seat boards, - Condition Report

19th century and later eight day mahogany and oak longcase clock, hood with caddy top over arched door flanked by plain pilasters, full length trunk door, shaped bracket supports, silvered dial with Roman and Arabic chapter ring, subsidiary seconds ring and date aperture, eight day movement striking hammer on bell, H237cm - Condition Report

Victorian oak, mahogany and rosewood longcase clock, white painted enamel dial inscribed 'Geo Keates, Cheadle' with Roman chapter ring, subsidiary date aperture and seconds ring, swan neck pediment over mahogany frieze and turned pilasters, box wood marquetry detailing, eight day movement striking on bell, H231cm - Condition Report

20th century mahogany eight-day longcase clock with twin-train movement, the silvered dial with Arabic and Roman numerals, moon phase, subsidiary seconds and date dial, striking on a bell, by James Beesly of Manchester, 234cm high, with key, winder, weights and pendulum,

18th century oak eight-day longcase clock with twin train movement, brass chapter ring with Roman numerals, by John Lee of High Wycombe, 200cm high,

18th century 30-hour oak longcase clock, the brass dial with Roman and Arabic numerals, striking on a bell, by Comber of Lewes, 208.5cm high, with weight, pendulum and door key

Early 19c Eight day longcase clock, the 33cm square painted dial signed J L D Terry, Manchester and having Roman numerals and having sprays of flowers within fan shapes in the corners. The dial centre has a date ring and a moonphase dial. The movement is rack striking on a bell and has anchor escapement. it is contained in an oak and mahogany case with a broken architectural pediment to the hood above a painted horizontal panel above the dial. The hood has freestanding fluted columns and the trunk has inset fluted quarter columns. The long trunk door has a wavy top and has edge crossbanding of mahogany. The base has canted corners and an applied front panel with indented corner which is also crossbanded in mahogany and bracket feet. 214cm h.

An early 19c Eight day longcase clock, the 30cm arched painted dial signed F. Brodrick, Whittlesey and having paintings of fruit in the corners and flowers in the arch. The movement is of standard construction with rack strike and anchor escapement and is contained in an oak and mahogany case with arched hood with swan neck pediments over. Fluted columns flank the dial and the trunk has canted front corners and a long trunk door with an oval central inlay and mahogany crossbanded edges. The base is plain with similar crossbanded edges and has a wavy plinth. 208cms h.

A late 17c month going longcase with 30cms arched brass dial signed John Miller Londini fecit and having cherubs and orb spandrels with wheat ear engraving to the dial edges. The movement has five pillars and employs outside counterwheel striking and is of month duration. John Miller was apprenticed to Samuel Knibb in 1666 and later to Joseph Knibb. The movement is lacking its pendulum. the clock is now housed in a later black lacquer base which has a flat caddy top to the hood and plain columns attached to the hood door. The long arched trunk door and the base have chinoiserie lacquer work and the base has a plain plinth. 221cms h.

A late 18c 8 day longcase clock the 30.5cm arched painted dial signed Hampston Prince and Cattles , York. the dial is plain with no corner decoration and has Roman numerals with outer Arabic 5 minute markers and has seconds and date dials. The hands are of unmatched steel and the four pillar movement is rack striking on a bell and has anchor escapement. it is contained in an oak and mahogany case with swan necks to the hood and three bell and spire finials. there are freestanding fluted columns flanking the dial and the trunk has fluted quarter columns. the long trunk door has a wavy top and a mahogany cross banded strip around its edges. the base has a rectangular applied panel with a similar strip and a plinth with bracket feet. 228.5cms h.

A Georgian mahogany 8-day Longcase Clock, the painted arched dial with Roman numerals, subsidiary seconds dial and date aperture, boy and dog painting to the dial, the hood with spiralled columns on a trunk with inlaid decoration, 83in (211cm) high, with pendulum and weights.

A Georgian mahogany 8-day Longcase Clock, signed Alex Moffat, Musselburgh, the arched painted dial with black Roman and Arabic numerals, subsidiary seconds and date, an oval in the arch depicting a woman leaning on an anchor looking out to sea, the swan-neck hood with blind fretwork detailing, giltwood finials and columns, 90in (228.5cm) high, complete with weights, key and pendulum.

A 19th Century longcase clock with 12" square dial and 30-hour movement in mahogany traditional case

A good quality modern longcase clock in 18th Century-style floral decorated walnut case

A 19th Century longcase clock with 12" painted arched dial with moon-phase and shipping aperture, 8-day movement in oak and mahogany traditional case

An 18th Century longcase clock with 11" square dial by Presbury of Coventry, 30-hour movement in oak traditional case

8 day Longcase clock by John Thacknell of Cardiff circa 1740-1830: The case is veneered with Mahogany and cross branded with Fruitwood. It has a white dial showing date and seconds. Reeded columns with cast capitals.

30 hour Longcase clock with square dial: Maker unknown. Cottage style case circa 1795. Oak case.

Victorian Wilkinson of Nantwich Mahogany cased 8 day Longcase Clock: Painted arch dial, width 60cm x height 226cm.

Thomas Robinson Jnr., Sheffield, a Victorian mahogany eight day painted dial longcase clock, the 13 1/2" dial with huntsman to the arch, subsidiary seconds and date dials, with swan neck pediment hood, the case with turned pillars, 245 cm.