We found 41637 price guide item(s) matching your search

Oak thirty hour longcase clock, the 13 arched painted dial signed Samuel Shortman, Newnham, the crossbanded case with waved hood door and surmounted by a swan neck pediment, 76 high

Mahogany eight day longcase clock, the 12 square brass dial signed Banister, Bristol and with subsidiary seconds dial, calendar aperture and ringed winding holes to the matted centre, the case with ogee arched door and surmounted by a square hood, 78 high

OLIVEWOOD EIGHT DAY LONGCASE CLOCK the four pillar movement with outside countwheel and reinstated bolt and shutter mechanism, the 10 square brass dial signed Johannes Fromanteel, London, the matted centre with subsidiary seconds dial and calendar aperture, the later case with oyster veneers and parquetry flowerheads, long door, the square hood flanked by barley twist columns, 78.5 high

Oak thirty hour longcase clock, the four pillar movement with outside countwheel and re-converted to verge escapement, the 9 square brass dial signed John Waklin, with single hand and floral engraved centre, the case with long door and square hood, 79.5 high.

Lacquer eight day longcase clock, the five pillar latched movement with 10 square brass dial signed Edward Patrick, Dove Street (London), the matted centre with subsidiary seconds dial and calendar aperture, the movement was originally with pull repeat on bells now missing, the brown and green lacquer case decorated with chinoiseries and with long door and rising hood, partly restored, 82 high.

BURR ELM LONGCASE CLOCK OF ONE MONTH DURATION the five pillar movement with outside countwheel, the 11 square brass dial signed Robert Dingley, London, the matted centre with subsidiary seconds dial, calendar aperture and ringed winding holes, the case with ebony mouldings, the long door inset with a lenticle, the rising hood flanked by barley twist columns and surmounted by a fretwork panel and square top (repairs), 81.5 high

LACQUER EIGHT DAY LONGCASE CLOCK, the five pillar movement with quarter pull repeat and fitted with original pulley wheels, the 12 arched brass dial signed Benjamin Vulliamy London, the matted centre with subsidiary seconds dial and calendar aperture, with strike/silent to the arch, within a refreshed green lacquer case with chinoiserie decoration depicting figures in rural pursuits, the pagoda top with three foliate finials, 101 high.

DUTCH WALNUT MARQUETRY LONGCASE CLOCK the thirty hour plated movement with outside countwheel, the 11 brass dial signed Pieter Veldhooven, Amsterdam, with moon phase to the arch over floral engraved centre and calendar aperture, the inlaid case with bombe base, gilt masked lenticle and surmounted by a shaped cornice and blind fretwork panel, 96 high.

AN EDWARDIAN INLAID MAHOGANY LONGCASE CLOCK, the swan neck hood with freestanding pillars, shell inlay door, raised on a stepped base, the brass and silvered dial with subsidiary seconds and moonphase, supporting a twin-train movement, 77 ins high.

LUMLEY & GUDGEON, BURY, A GEORGIAN OAK LONGCASE CLOCK, the arched hood with pierced crest and freestanding pillars, arched long door with stepped base, the painted dial with date window, subsidiary seconds and strike/silent to the arch, supporting a twin train movement, 84 ins high.

GEO’ SUGGATE, HALESWORTH, A GEORGIAN OAK LONGCASE CLOCK, the shaped pediment arched hood with integral reeded pillars, arched top long door and stepped base, the painted dial with subsidiary seconds, date and strike/silent to the arch, supporting a twin train movement, 77 1/2 ins high.

HALLIWELL, CHORLEY, A GEORGIAN MAHOGANY AND OAK LONGCASE CLOCK, the swan neck pediment hood with free-standing pillars, crossbanded trunk door, flanked by reeded quarter columns, on a later stepped base, the square brass dial with subsidiary seconds and cast mask-head spandrels, supporting a twin-train movement, 85 ins high

JOHN TOLSON, LONDON, AN 18TH CENTURY OAK LONGCASE CLOCK, the moulded top hood with free-standing pillars, long trunk door and stepped base, the 11 ins square brass dial with date window and subsidiary seconds, five pillar twin train movement, with brass cased weights, 78 ins high.

THOS. STOBO, STRATHAVEN, A GEORGIAN MAHOGANY LONGCASE CLOCK, the square top blind fret hood with arched door and integral spiral-twist pillars, the barbers pole strung door flanked by quarter columns with carved corinthian capitals, raised on a stepped base, the foliate engraved brass dial with silvered chapter ring, date window and subsidiary seconds, supporting a twin train movement, 83 ins high.

An early 19th Century oak longcase clock with eight-day movement, the twin swan-neck pediment above the reeded columns either side of the 13” broken-arch dial with Roman chapters, subsidiary seconds dial and date aperture, signed Blunt, Northampton, the case further detailed with mahogany cross-banding and raised to bracket feet, with some later repairs, 89” high. ILLUSTRATED.

Oak thirty hour longcase clock

A late 18th century oak eight day longcase clock, the arched dial with silvered chapter ring, inscribed 'Wm. Robb', phases of the moon, date arch and subsidiary seconds dial, the two-train movement chiming a bell, the hood and case profusely carved with thistles and leaf ornament, 210 cm high.

An early 19th Century oak cased eight day longcase clock, the square thirteen inch dial with subsidiary seconds and date arch, inscribed J. Evans Llan S. Fraid' with foliate spandrels and two train movement, the false plate stamped 'Wilson', the case with an arched hood and shaped door, flanked by fluted pilasters on a panel base, 218cm high.

A 19th Century oak 30 hour longcase clock by James Webb of Froome, the 12" dial with Roman numerals and subsidiary seconds and date dials, with swan neck pediment , 210cm high.

A late 18th Century oak eight day longcase clock, the 12" dial with gilt corner spandrels and makers name Ralph Sayers Lindfield, flanked by turned column over a rectangular door and stepped base, 194 cm high.

A Continental walnut longcase clock, with a painted square dial, thirty hour movement, the trunk and plinth with canted corners, two weights, 252cm.

An early 19th century fruitwood longcase clock, by James Loose, Spellsham, the break arch hood enclosing enamel dial, the eight day rack striking movement with anchor escapement, the recessed trunk door over plinth base, pendulum and two weights, 210cm high.

A George III mahogany longcase clock, circa 1800, the swan neck hood with brass capped fluted columns, the square enamel dial faintly inscribed and with thirty hour movement with outside count wheel strike, the trunk with fluted quarter columns and on canted plinth, pendulum and one weight, 220cm.

A mahogany longcase clock, eight-day, by Thomas Helm Ormskirk, with brass face, second hand and calendar window, the case crossbanded, with four pilasters, split pediment, a marriage

A 19th century longcase clock, painted dial with floral spandrels, the oak case with mahogany cross banding, door flanked by reeded quarter columns, door with diamond shaped inlay centre, hood with turned columns, with weights and pendulum.

Longcase clock, the case with raised fielded panels, brass face

An 18th century 8-day longcase clock By Thomas Nichols Dundee the twin train movement with anchor escapement the square brass dial with Roman chapters the hood with caddy top above fluted finials 214cm high

An early 19th century mahogany 8-day longcase clock By James Alves Coatbridge the twin train movement with anchor escarpment the arched painted dial with Roman chapters and subsiduary date and seconds dial painted to the spandrels with allegories of the seasons and to the arch with a scene from "The Cottars Saturday Night" the hood with swan neck pediment and turned columns 214cm high

A George III period mahogany 8-day longcase clock By Harrison Liverpool the twin train movement with anchor escapement the arched brass dial with Roman chapters enclosing subsidiary seconds dial and with moonphase to the arch further inscribed 'The man is yet unborn who duly weighs an hour' the hood with swan neck pediment and brass eagle finials above reeded columns the trunk with shaped door enclosing fluted quarter columns on a panelled base 241cm high

An early 19th century mahogany 8-day longcase clock By John Wilkie Cupar the twin train movement with anchor escapement the arched painted dial with Roman chapters and subsidiary date and seconds dial the arched hood with turned columns above a moulded trunk door on panel base with bracket feet 213cm high

An early Victorian mahogany 8-day longcase clock By J. Wilson Beith the painted dial with subsidiary seconds and date dials arched by allegories of Great Britain and Ireland 230cm high

An early 19th century mahogany 8-day longcase clock By C. Douglas Kilmarnock the painted dial with subsidiary seconds and date dials enclosed by allegories of the Seasons and painted with a shepherdess to the arch 216cm high

A George III period mahogany 8-day longcase clock the twin train movement with anchor escapement the arched brass dial with Roman chapters and subsidiary seconds and date dials with moonphase to the arch the wood with elaborately carved swan neck pediment above cluster columns the trunk with ogee arched door on panelled base with ogee bracket feet 230cm high

An early 19th century mahogany 8-day longcase clock By Andrew Barrie Edinburgh the twin train movement with anchor escapement the circular steel dial with Roman chapters and subsidiary seconds and date dials the hood with architectural pediment above plain trunk and base on a plinth 207cm high

A George III period oak 8-day longcase clock By William Wright Dunbar the twin train movement with anchor escapement the arched painted dial with Roman chapters enclosing subsidiary seconds and date dials painted with a huntsman to the arch and shells to the spandrels the hood with swan neck pediment above arched trunk door 206cm high

An early 19th century mahogany 8-day longcase clock By F. Barr Edinburgh the twin train movement with anchor escapement the circular brass dial with Roman chapters and with subsidiary seconds and date dials the moulded hood above trunk with column supports above a panelled base and plinth 208cm high

A late 18th century mahogany and marquetry-inlaid 8-day longcase clock By James Bonner Aberdeen the twin train movement with anchor escapement the arched engraved brass dial with strike/silent dial to the arch above subsidiary seconds dial and date aperture the hood with fluted columns above trunk inlaid with an urn issuing foliage on corresponding inlaid base with turned feet 227cm high

A Victorian mahogany longcase clock the 14" arched brass dial with three centred winding holes date aperture and subsidiary second dial the chapter ring of Arabic and Roman numerals within pierced corner spandrels with subsidiary chime silent dial to the top left hand corner and subsidiary chime on eight bells and Westminster chimes subsidiary dial to the top right hand corner under a rolling moon the three weight driven movement striking on eight graduated bells (subsidiary seconds dial at fault) hood with swan neck pediment flanked by turned urn finials over spiral turned front corner hood pilasters flanking an arched glazed head door with half spiral turned split columns over a crossbanded short trunk door flanked by spiral turned front corner pilasters on a canted box base and skirting support 92" high (associated case and dial)

An oak longcase clock the 12" arched brass dial with silvered chapter ring of both Arabic and Roman numerals centred subsidiary seconds dial and date aperture under an arch with circular disk signed Robert Poll Harleston the eight-day movement striking on a single bell the arched hood with turned front corner pilasters flanking an arched glass hood door over a shaped long trunk door on a plain box base and plinth support 86" high

A late George III oak and mahogany eight-day longcase clock the 14" painted dial signed W.Wain Burslem with ring of Roman numerals centred subsidiary seconds dial and date aperture between florally painted corner spandrels and a painted arch depicting church and harvesting corn the hood with swan neck pediment over fluted front corner hood pilasters flanked an arched glazed hood door over a shaped short trunk door between quarter fluted front corner pilasters above a crossbanded box base with canted corners on a skirting plinth 89" high

A Regency oak mahogany and rosewood crossbanded 30-hour longcase clock the 13" convex arched painted dial signed Wain Alfreton with ring of Roman numerals floral painted spandrels under a painted arch depicting huntsman on the bank and dog leaping into water after game the hood with swan neck pediment arched glazed door flanked by fluted front corner hood pilasters the trunk with arched short door with ivory key escutcheon flanked by fluted front corner quarter pilasters on a box base 81.5" high

A George III oak 30-hour longcase clock the 11" square brass dial signed WIL RIDER WELCHPOOL with central date aperture ring of Arabic and Roman numerals engraved corner floral spandrels the four pillar movement striking on a single bell the hood with cavetto moulded cornice over a plain square glazed door flanked by turned front corner hood pilasters over a long plain trunk door with cut out top corners and brass key escutcheon on a box base and short shaped bracket feet 79.5" high

A George III mahogany Lancashire Chippendale style longcase clock attributed to Gillows of Lancaster circa 1765 the broken scroll swan neck pediment carved with foliate terminals above foliate and scroll carved inset panels flanked by paterae over an arched glazed door enclosing a 13" arch brass dial with Roman numerals date aperture and marked Jon Benson Whitehaven foliate engraved centre and date aperture the arch painted with a three masted merchantman approaching a pier detailed with a lighthouse and figures the dial applied with pierced foliate and scroll spandrels eight-day movement striking on a single bell between stop fluted Corinthian column pilasters over a dentil moulded frieze centred by a patera from which issues a carved grape vine extending to each side of the clock above a shell carved and crossbanded full length trunk door with concave top corner and ribbed moulding flanked by fluted quarter pilasters with carved Corinthian capitols and blind fret work carved bases over an acanthus carved bevelled moulding the crossbanded base panel with shell carved corners (one lacking) between canted blind fret work carved angles and raised on shaped ogee bracket feet painted and gilded pendulum 90" high.

A mahogany crossbanded oak eight-day longcase clock mid 18th century the four-pillar rack and bell striking movement with 11.75in square brass dial with star engraved subsidiary seconds dial and calendar aperture to the bumble bee Hoho bird and foliate engraved matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes fleur de lys half hour markers and signed Fran’s Pile Honiton to lower edge the angles with bird and urn pattern spandrels the case with stepped moulded cornice and blind fret to frieze above integral hood pilasters and long trunk door on plinth base with bracket feet 206cm high excluding finials Francis Pile is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in Honiton circa 1762

A figured mahogany eight-day longcase clock mid 19th century the four-pillar rack and bell striking movement with 12.5in white painted Roman numeral break-arch dial with subsidiary seconds dial arch calendar aperture and signed F. Eschle Aberdare to centre with castle ruin painted spandrels beneath scene with figure before a cottage to arch the Bristol type case with arched pediment and spiral twist turned columns flanking wavy edge door to hood above rectangular short door flanked by canted angles to trunk on plinth base with bracket feet 214cm high A Felix Eschle is recorded in Loomes Brian Watchmakers & Clockmakers of the World Volume 2 as working from Aberdare 1868-87

An oak and mahogany crossbanded thirty-hour longcase clock circa 1740 the two-handed posted countwheel bell-striking movement with 12in square brass dial with calendar aperture to the Hoho bird and scroll engraved matted centre within an applied Roman numeral chapter ring with Arabic five minutes fleur de lys half hour markers and signed Thorne Tiverton to lower edge the angles with bird and urn pattern spandrels the case with moulded cornice and integral pilasters to hood above rectangular trunk door and plinth base with moulded skirt distressed throughout 203cm high Probably by Simon Thorne who is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in Tiverton circa 1740

A George I burr walnut eight-day longcase clock early 18th century the four finned pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial and square calendar aperture to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes and fleur de lys half hour markers the angles with Indian mask and scroll pattern spandrels beneath convex boss signed Thomas Wentworth Sarum between dolphin cast mounts to arch with herringbone engraved borders now in a burr walnut case with moulded cornice and turned pilasters to hood above line inlaid break-arch door to trunk on conforming plinth base 226cm high Thomas Wentworth (II) is recorded in Snell Michael Clocks & Clockmakers of Salisbury as working up to 1740. He was Mayor of Salisbury in 1719

A figured mahogany eight-day longcase clock circa 1845 the four-pillar rack and bell striking movement with 13in white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and indistinctly signed Counsell & Son Ross to centre with floral spray painted spandrels beneath painted banqueting scene to arch the case with swan neck pediment and turned pilasters to hood above shaped-top short trunk door flanked by fluted quarter columns on flame figured plinth base with bracket feet the interior of the case with pasted maker’s label 221cm high A John Webb Counsell is recorded in Loomes Brian Watchmakers & Clockmakers of the World Volume 2 as working in Ross 1835-50

An inlaid figured mahogany eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 13in white painted Roman numeral break-arch dial with subsidiary seconds dial and arched calendar aperture to centre with picturesque cottage painted spandrels and ruined abbey to arch the Bristol type case with shaped arch pediment and spiral twist pilasters to hood above herringbone banded panel to throat and short trunk door flanked by canted angles with conforming panel beneath on plinth base with bracket feet 210cm high

An Adam and Eve automaton eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 12in white painted Arabic numeral dial with arched calendar aperture subsidiary seconds dial and signed Aquila Barker Bristol to centre with gilt conch shell painted spandrels and scene with Adam and Eve standing either side of the tree of forbidden fruit their arms moving with the motion of the pendulum to arch in a later swan neck pedimented case with reeded pilasters to hood above rectangular trunk door and conforming plinth with bracket feet 221cm high overall Aquila Barker is recorded in Moore A.J. The Clockmakers of Bristol 1650-1900 as working from 48 Wine St Bristol 1781-1846

An inlaid figured mahogany eight-day longcase clock circa 1810 the four-pillar rack and bell striking movement with 13in silvered brass Roman numeral break-arch dial with subsidiary seconds and calendar dials to the Mars and Mercury figural engraved centre signed Bartley and Eggert Bristol with conforming spandrels emblematic of the four seasons beneath eagle and Tempus Fugit banner to arch the swan neck pedimented case with giltwood eagle surmount shell paterae inlay to frieze and reeded Corinthian pilasters flanking wavy edge door to hood the trunk with conforming pilasters flanking a parquetry banded rectangular door on conforming plinth base with bracket feet 227cm high. The partnership of Bartley and Eggert is recorded in Moore A.J. The Clockmakers of Bristol 1650-1900 as working from 2 Nicholas St Bristol 1810-1814

An inlaid mahogany eight-day longcase clock circa 1830 the four-pillar rack and bell striking movement with 12in white painted Roman numeral break-arch dial with subsidiary seconds dial arched calendar aperture and signed H Jones 35 Bottom of Broad Street Bristol to centre with floral polychrome painted spandrels and scene with courting couple beside a river to arch the case with shaped arch pediment above wavy edge door flanked by double baluster pilasters to hood and ebony line inlaid short door flanked by canted angles to trunk on conforming plinth base with moulded skirt 207cm high excluding finials

An oak eight-day longcase clock circa 1820 the four-pillar rack and bell striking movement with 12in white painted Roman numeral dial with arched calendar aperture subsidiary seconds dial and signed James Jew Glocester to centre with polychrome floral painted spandrels octagonal fruit still life panel and floral swag decorated arch the swan neck pedimented case with fluted pilasters to hood above shaped-top trunk door and plinth base with moulded skirt 216cm high James Jew is recorded in Dowler Graham Gloucestershire Clock and Watchmakers as working in Gloucester 1820-35

An inlaid mahogany eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 13in white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed Henry Kail Blandford St. Mary to centre with landscape painted spandrels and village scene to arch in a swan neck pedimented case with reeded pilasters to hood above parquetry banded throat and shaped-top trunk door flanked by canted angles on crossbanded plinth base with ogee bracket feet 224cm high

A line inlaid figured mahogany eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 12in white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed Ja. Ward Cardiff to centre with polychrome floral painted spandrels and thatched watermill scene to arch the case with shaped crest to the break-arch pediment above wavy edge hood door flanked by double baluster turned pilasters and short rectangular trunk door flanked by canted angles on conforming plinth base with bracket feet 221cm high

An oak and pine thirty-hour longcase clock the posted countwheel bell-striking movement with 11in square brass dial engraved with buildings on a coastline with sailing vessel within an applied Roman numeral chapter ring with Arabic five minutes and Indian mask and scroll cast spandrels to angles in a case with ogee cornice above blind fret frieze and integral pilasters to hood rectangular trunk door with lenticle and plain plinth base composite 199cm high

William Webster London. An eight-day longcase clock mid 18th century the five-pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial calendar aperture and signed W m Webster Exchange Alley London to a silvered plaque to centre within an applied silvered Roman numeral chapter ring with Arabic five minutes with Indian mask and scroll cast spandrel applied angles and strike/silent ring between dolphin mounts to arch now in a flat-top oak case with moulded cornice and integral pilasters to hood above break-arch trunk door and reduced plinth base 209cm high William Webster is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as an eminent maker working from Exchange Alley 1734-1776. He was Master of The Clockmakers Company in 1755. His father from whom he inherited the business was apprentice and journeyman to Thomas Tompion

A George III figured mahogany eight-day longcase clock late 18th century the four-pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial and arch calendar aperture to the rococo scroll engraved centre within an applied Roman numeral chapter ring with wavy minutes divisions and Arabic five minutes with bird and urn cast spandrels to angles beneath boss signed John Fox Uppingham between dolphin cast mounts to arch in a case with swan neck pediment and double fluted pilasters to hood above shaped-top trunk door flanked by fluted quarter columns on raised panel fronted plinth base with canted angles and ogee bracket feet 232cm high

An oak thirty-hour longcase clock case late 18th century with moulded cornice and integral pilasters to the hood with aperture for 10in square dial above rectangular trunk door on plinth base with moulded skirt 190cm high now with square brass dial bearing signature Tho’s Jordon Stadhampton to chapter ring with quartz movement to rear

A George II walnut eight-day longcase clock the four finned pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial ringed winding holes and calendar aperture to the Hoho bird and scroll engraved matted centre within an applied Roman numeral silvered chapter ring with fleur de lys half hour markers Arabic five minutes and signed ‘steph Levitt Chelmsford to lower edge the angles with Indian mask and scroll pattern spandrels beneath convex boss flanked by dolphin cast mounts to arch the case with broken arch pediment and Corinthian pilasters to hood above break-arch trunk door and crossbanded plinth base on bracket feet case with some restoration 236cm high. A Stephen Levitt is recorded in Loomes Brian Watchmakers & Clockmakers of the World Volume 2 as working in Chelmsford 1708-1789. Such a long period suggests that there were two makers father and son consecutively working through the 18th century