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A Good Oak Thirty Hour Longcase Clock, signed Jonas Barber, Winster, numbered 677, circa 1764, flat top pediment, mahogany crossbanded trunk door, 11-inch square brass dial with a silvered Roman and Arabic signed chapter ring, matted dial centre engraved with scroll and sunburst decoration, arched date aperture, four pillar movement with anchor escapement and outside countwheel striking on a bell, latched pillars, movement frontplate numbered 677, 201cm high see illustration31.05.17, Case has been cleaned and polished, minor chips to edges in parts, hood capitals have been re-painted with gilt paint, hood capitals with small woodworm holes in parts which are not active, later feet, dial is clean, movement is complete, with pendulum and weight.

A Good Mahogany Eight Day Centre Seconds Longcase Clock, signed J.Kaye, Liverpool, circa 1770, swan neck pediment with gilt decorated eglomise blue glass panels, nicely figured trunk door flanked with fluted pilasters, plinth with raised quatre form panel, 13-1/4-inch arched brass dial with a silvered signed chapter ring, dial centre with an engraved winged cherub and scroll decoration, date aperture, moonphase in the arch, four pillar movement with rack striking on a bell, 256cm high see illustration 15.06.17, Hood with later finials, moulding around the hood glass door with signs of restoration in parts, underside of the hood with fine strips of wood missing, trunk sides with scuff and cut marks, trunk door and the plinth raised panel with small cracks to veneers, plinth sides with cracks, dial chapter ring is slightly discoloured, movement looks complete, with pendulum and two weights.

A Good Oak Thirty Hour Longcase Clock, signed Jonas Barber, Winster, numbered 137, circa 1752, flat top pediment, arched trunk door, plain rectangular plinth, 11-inch brass dial with a silvered Roman and Arabic signed chapter ring, four seasons spandrels, finely matted and scroll engraved dial centre with date aperture, four pillar movement with anchor escapement, latched pillars, movement frontplate numbered 137, outside countwheel striking on a bell, 207cm high see illustration31.05.17, Case has been cleaned and polished, replaced side trunk door peg, re-built plinth, dial chapter ring is discoloured, movement looks complete, with pendulum and weight.

An Unusual Eight Day Longcase Clock with Rocking Eye Automata, signed Barnaby Matthews, Dublin, circa 1740, arched top with a blind fret front panel, Corinthian capped columns, later inlaid marquetry floral, bird and urn d-ended trunk door panels, later marquetry plinth, 13-3/4-inch arched brass dial with a silvered signed chapter ring, finely matted dial centre with recessed seconds dial and date aperture, ringed winding holes, painted face in the arch with rocking automata eyes, four pillar movement with anchor escapement and inside countwheel striking on a bell, possibly later case, 265cm high see illustration16.06.17, Hood with small pieces of moulding missing in parts, later finials, visible black tap to the top side of the hood, later inlaid marquetry panels, marquetry inlay lacking in parts, plinth has been partly re-built, plinth with later stepped skirting, woodworm holes are visible around the stepped base, dial is clean, spandrels are possibly later, re-painted face in the arch, movement with later automata moving parts, later seatboard, small blocks of wood have been added to both side cheeks to raise the dial and movement up within the case, (possibly in a later case), with pendulum and two weights.

An Edwardian Mahogany Chiming Longcase Clock, flat top pediment, side fret doors, glazed trunk door with canted corners, plinth with recessed panel, 13-inch arched brass dial with a Silvered Arabic chapter ring, seconds dial, moonphase aperture, triple weight driven movement, chiming on five tubular bells, 218cm high see illustration 12.06.17, Case with small dents and scratches in parts, dial is slightly discoloured, movement looks complete.

A Good Oak Thirty Hour Pre-Numbered Longcase Clock, signed Jonas Barber, circa 1735, caddied pediment, double moulded trunk door, plain rectangular plinth, 10-1/4-inch brass dial with a silvered Roman numeral signed chapter ring, large finely pierced single hand, four pillar movement with anchor escapement, latched pillars, outside countwheel striking on a bell, 192cm high see illustration 30.05.17, Case has been cleaned and polished, hood has been restored and some pieces of wood have been replaced, dial is clean, movement is complete, with pendulum and weight.

A Good Oak Thirty Hour Longcase Clock with Lunar Indication, signed Jonas Barber, Winster, numbered 561, circa 1762, broken arched pediment, turned columns, wavy shaped trunk door flanked by fluted pilasters, plain plinth with canted corners, 11-inch square brass dial with Roman and Arabic signed chapter ring, engraved scroll dial centre with lunar and date apertures, four pillar movement with anchor escapement and outside countwheel striking on a bell, latched pillars, movement frontplate numbered 561, 212cm high see illustration Jonas Barber Jnr was born c.1718-20 and continued the family business at Winster until his death in 1802, aged 82. He was one of the finest clockmakers in the North West, his work being of a very high standard, even in his thirty hour clocks. This example, number 561, is recorded and listed in Cave-Brown-Cave (BW) Jonas Barber Clockmaker of Winster , pg.230, where he lists the lives and work of the Barber family. For more information regarding the Barber family see Loomes (Brian) Clockmakers of Northern England, pg.83 31.05.17, Hood with some replaced parts, later finials, hood capitals have been painted with gilt paint, capitals with small woodworm holes which are not active, case has been cleaned, trunk door is slightly bowed, later feet, movement is complete, with pendulum and weight.

A George III eight day oak longcase clock, the 34cm brass dial with Roman numeral chapter ring signed 'S. Collier Eccles', with date aperture and moon phase painted with a horse racing scene and a harbour scene, with movement striking on a bell, with broken swans neck pediment, above a serpentine door, on ogee bracket feet, 226cm H

A George III Welsh oak longcase clock, the painted dial signed 'Watkin Owen Llanrwst', with movement striking on a bell, with broken swans neck pediment, on plinth base, 217cm

MID 19TH CENTURY WEST COAST LONGCASE CLOCK the the hood decorated with outset scrolling leafage enclosing a circular dial with Roman and Arabic numerals, subsidiary seconds and calendar dials with 8 day movement, contained in a mahogany case with a tapering trunk, on bracket feet, 219 cm high

MAHOGANY LONGCASE CLOCK, the painted 13" dial with subsidiary seconds and date dial inscribed Geo Claridge, Chepstow beneath a sailing ship automaton, on a brass, four column, eight day movement hourly striking to a bell, the case with broken swan neck pediment and arched doors, height 212cm

An oak longcase clock John Moore & Sons of London, with silvered dial (in need of restoration)

A 19th Century oak and mahogany longcase clock with painted dial by Wolston Roberts of Derby, 220cm high overall

Jonathan Moore of Warminster An oak longcase clock with silvered and brass dial, dial diameter 26cm, case 195cm high

A Victorian beech wood cased miniature longcase clock, brass dial with enamel chapter ring bearing Arabic numerals, French movement, case with brass thermometer to the trunk, raised on bracket feet.

A mid-18th century oak longcase clock, 30cm square brass dial inscribed Samuel Hollyer, London, Roman and Arabic numerals, leafy scroll and mask cast spandrels, subsidiary seconds dial, twin-winding holes, the 8-day movement formerly striking on a bell, and now incomplete, the hood with stepped architectural pediment, brass-capped Doric columns, shaped rectangular door to waist, 200cm high, c.1755

A George III mahogany longcase clock, 30cm arched brass dial inscribed Robert Trattle, Newport, Isle of Wight, Roman and Arabic numerals, subsidiary seconds dial, engraved with a windmill birds and buildings, twin winding holes, 8-day movement striking on a bell, the case with lancet arched hood, brass capped reeded pillars, arched rectangular door to waist, bracket feet, 222cm high, c.1775

A William IV/Victorian oak and mahogany longcase clock, the 33.5cm painted dial, inscribed with Roman numerals, moon phases to arch, the spandrels painted with the four Evangelist, subsidiary seconds dial, dae aperture, twin winding holes, eight day movement striking on a bell, the broad case with swan neck pediment, turned pilasters and quarter columns, outlined with boxwood and ebony stringing, bracket feet, 229cm high, c.1840 Condition Report: Old cracks to door and base, dial with a few scars and missing hand from subsidiary dial movement dirty but seems OK; a few losses to banding and inlay

A George III inlaid and crossbanded mahogany longcase clock having an arched hood, door and box base, on bracket feet with an 8 day bell strike movement and painted Roman dial, 87 high

A George III mahogany longcase clock, maker A Robinson, Larne (Northern Ireland), the 13 1/4 inch domed brass dial with putti spandrels and floral engraved decoration, the silverised chapter ring with Roman and Arabic numerals and two secondary dials, the eight day movement striking on a bell, with pendulum, key and two weights, 230cm high

An 18th century burr walnut longcase clock, maker Thomas Kefford, Royston, the 12 inch brass domed dial signed, with gilt spandrels and silverised dial with Roman and Arabic numerals, with secondary dial and date aperture, the eight day movement striking on a bell, the hood with beaded detail and column support, with pendulum, two weights and key, 215cm high

An 18th century longcase clock, maker Thomas Nash, Salop, the 10 inch square brass dial signed, with gilt spandrels and Roman and Arabic numerals, the eight day movement striking on a bell, in later oak case, with pendulum, key and two weights, 216cm high

A George III mahogany longcase clock, maker Charles Absolon, London, the 12 inch silverised domed dial signed, with Roman and Arabic numerals and three secondary dials, the eight day movement striking on a bell, with two weights, 230cm high

An early 18th century longcase clock, maker Watkin Owen, Llanvwst, the 13 1/2 inch square brass dial signed, with gilt spandrels and Roman and Arabic numerals, a date aperture and secondary dial, the eight day movement striking on a bell, with pendulum and one weight in later oak case (a/f), 201cm high

An 18th century oak longcase clock, maker John Whitfield, Clifton (Westmorland), the 11 inch square brass dial signed, with gilt spandrels, the silverised chapter ring with Roman and Arabic numerals and secondary dial, the thirty hour movement striking on a bell, with pendulum and one weight. 188cm high

A 19th century oak eight day longcase clock by Blackburn, Oakham

A George III 30-hour longcase clock, 12in. square, enamelled dial signed Davey, Lewes, subsidiary date and seconds dials, mahogany case with swan-neck pediment, pommel finial and gilt-brass Corinthian capitals to hood, with pendulum and weight, 6ft. 10in. high - pendulum attachment faulty

A George III 8-day longcase clock, circular enamelled dial, flame-veneered mahogany case, with pendulum and weights, 6ft. 4in. high

An unusual George III 8-day longcase clock with alarum, 12in. arched, silvered dial signed Plowman, Chichester, with subsidiary date and seconds dials, moon phases to arch, movement striking on a bell, movement with separate alarum train controlling strike, mahogany case with three brass pommel finials, trunk door with ebony stringing, with weights and pendulum, 7ft. 2in.

A George III oak 30-hour longcase clock, 12in. square, enamelled dial signed T. Phillips, Ludlow, bell-striking movement, with pendulum and weight, case cross-banded throughout, 6ft. 11in.

Stephen Crunn, Haverfordwest, a chiming mahogany longcase clock: the flat-top mahogany case with inlaid oval decoration either side of the arch to the hood, with ebony and boxwood stringing to the trunk door and base, the fluted pillars to the hood with cast-brass capitals, the later associated eight-day duration Victorian movement striking the hours on a gong and the quarters on four bells, the twelve-inch flat brass break-arch dial having engraved black Roman hour numerals, Arabic outer five-minute numerals, a subsidiary seconds dial, date aperture and engraved to the centre with floral decoration and the name Stephen Crunn, Haverfordwest, with engraved decoration to the four corners and arch, depicting a bird above a ribbon engraved with the Latin motto Tempus Fugit, with two subsidiary dials to the lower part of the dial for strike/silent and chime/silent, height 216 cms.* Biography Stephen Crunn is recorded as working at Haverfordwest, Pembrokeshire in the 19th century.

J. Jennens, Skinner Street, London, a chiming longcase clock: the eight-day duration movement striking the hours on a large tube gong and the quarters on a further eight large tubes, the thirteen-and-a-half brass break-arch dial profusely engraved with rococo and floral decoration, having a raised chapter ring engraved with black Arabic numerals, with a subsidiary seconds dial and two further dials to the arch for 'Strike/Silent and 'St Michael Chimes/ Westminster Chimes/ Whittington Chimes', engraved J. Jennens, Skinner Street, London,with three brass bound weights, the mahogany case having chequered cross-banding to the hood, trunk and base, the shaped glazed trunk door with applied mahogany moulding and decoration, with applied ebonised ball moulding to the shallow arch, height 228 cms.

Thomas Hully, London and Edward Foster, Carlisle, a marquetry longcase clock: the eight-day duration, weight-driven movement now striking the hours on a gong, the break-arch brass dial having a raised chapter ring engraved with black Roman numerals and fleur-de-lys half-hour markings, with engraved decoration and signed within a scroll Edward Foster, Carlisle, with cast brass 'female-head' spandrels, the arch having a round brass boss engraved with the name Thomas Hully,London, with decoration blued steel hands, the walnut case inlaid with floral marquetry decoration to the trunk door and base, with barley-twist columns to the hood, a caddy top and standing on bracket feet, height 225cms.* Biography Edward Foster was a member of a prominent clockmaking family whose members worked in Carlisle, Whitehaven and London. Edward was born in circa 1727, married in circa 1754 and died in 1809 and was recorded as being 'an outstanding maker' whose sons John, Henry, Thomas, William and Richard also became clockmakers, as did grandsons Robert, Thomas and William, the latter moving to London where he died in 1830. A number of fine longcase clocks are known signed either E. or Edward Foster and often without seconds dials.*Notes Exhibited. Leeds City Art Gallery, 1930.

A modern longcase clock

An oak longcase clock by R. Vaughan of Watlington H.205cm

William Young, Dundee. An early 19th century inlaid mahogany eight day longcase clock H.217cm

A Richard Wills of Truro late 18th century oak 8 day longcase clock, H.220cm

A Victorian oak and mahogany eight day longcase clock with painted arch top dial.

A VICTORIAN SCOTTISH LONGCASE CLOCK WITH A PAINTED ARCHED DIAL INSCRIBED "D. DAWSON, GLASGOW", SECONDS AND DATE DAILS, THE SPANDRELS WITH PORTRAIT OF AUTHORS "BURNS", "RAMSAY", "FERGUSON" AND "SCOTT", "THE COTTARS SATURDAY NIGHT" IN THE ARCH ABOVE, ENCLOSING AN EIGHT DAY MOVEMENT STRIKING ON A BELL ABOVE, IN A MAHOGANY CASE (H: 222 cm)

GEORGE III LONGCASE CLOCK WITH A PAINTED DIAL INSCRIBED "JNO. LLOYD. BRECON", WITH A SECONDS DIAL CALENDAR APERTURE AND PHASES OF THE MOON IN THE ARCH ABOVE, ENCLOSING AN EIGHT DAY MOVEMENT STRIKING ON A BELL ABOVE, IN AN INLAID OAK CASE (H: 224 cm)

An 18th/19th Century mahogany longcase clock, W. Trick, BidefordThe case with a twin swan neck pediment above turned uprights flanking a break arch dial with subsidiary second and date dial, Roman numerals and signed W. Trick, Bideford, the eight day movement striking on a saucer bell, the mahogany case with a plain rectangular door flanked by canted corners above an ebonised and embellished lower front panel and plinth base, complete with weights and pendulum, height 228cm.

A Georgian style mahogany longcase clock, early 20th Century With a domed pediment above a blind fretwork frieze, the hood with four fluted tapering columns flanking the break arch gilt metal 8" dial with silvered bezel, with a three train movement striking on rods, the case with canted fluted corners above a beaded lower panel, raised on bracket feet, 170cm high.

An early 19th Century Scottish mahogany cased longcase clock, by Hugh Munro of DollarThe case with a twin swan neck pediment above a painted break arched dial, the upper section of the dial painted with a bird amongst blooms with conforming painted spandrels, the painted 12" dial with an eight day movement, subsidiary date and second dials and signed by the maker, the dial flanked by horizontal reeded uprights over the case with conforming reeding and satinwood stringing, above a plain flame mahogany lower panel raised on ogee bracket feet, complete with pendulum and two weights, 216cm high.

An early 20th Century inlaid mahogany timepiece in the form of a longcase clock

An early 19th century longcase clock, mahogany case, painted dial, eight day movement in good working order

A mid Victorian Scottish longcase clock by Mitchell, Glasgow - circa 1836 - in rich colour polished mahogany case, square hood with architectural top, polished mahogany circular glazed bezel, white circular dial with Roman numerals, subsidiary dials, seconds, calendar/date - 14 inch diameter - with a good quality eight day movement with anchor escapement, rack snail strike to bell on hours - Height 84 inches - in restored condition, needs setting up

A 18th/19th century 8 day longcase clock - the circular silvered dial with a second hand and calendar signed William C Merrifield Falmouth, worked between 1790 to 1810 in a mahogany case with weights and pendulum - in working order, with keys - Height 227cm

An oak and mahogany brass faced longcase clock - the eleven inch brass dial with 30 hour movement

A miniature longcase clock with 8 day platform movement - oak case with brass applied decoration - Height 51cm - working in the sale room

A George III oak thirty hour longcase clock, signed James Todd, Bradford

An 18th century longcase clock, Tobias Fletcher, Barnsley

A military nickel plated pocket watch, a nickel plated Longines pocket watch, a full hunter plated pocket watch, four lady's fob watches, two silver pocket watches signed J.W.Benson, a pocket watch movement, six other pocket watches, a white metal chain, a quantity of watch keys, and two miniature longcase clock form pocket watch holders

AN 19TH CENTURY LONGCASE CLOCK with 8-day movement, the arched painted and enamel dial with date aperture, contained in a mahogany and oak case, the canopy with broken swan neck, 54cm wide 25cm deep 224cm high

Lincolnshire oak longcase clock, c. 1870, the case with cantered corners reeded pillars to the swan neck hood with three finial's, ball and spire (2) and ball and eagle (1), the painted dial signed J.C Count of Sleaford with hand painted corners depicting monuments and a painted camel within the arch, rack striking eight day movement, striking on a bell, pendulum and two weights, door to dial separated

Fine oak Lincolnshire longcase clock, the delicate case in the style of James Usher, crossbanded in mahogany, break arch/swan neck hood with reeded columns and three original finial's, eight day rack striking movement with subsidiary seconds, signed on the dial W. Mackinder of Spilsby, the dial with floral sprays to the corners and to the arch, c. 1835

Carved dark oak longcase clock with caddy top to hood the brass dialed signed Stripling of Lichfield, late 18th century with cartouche within the arch; silvered chapter ring with roman numerals, silver centre with subsidiaries for seconds and date, four pillar rack striking movement, striking on a bell complete, two weights and pendulums, the carved door with foliate decoration

A 19TH CENTURY OAK AND LINE INLAID EIGHT DAY LONGCASE CLOCK WITH PAINTED BREAKARCHED DIAL AND TWIN SUBSIDIARY DIALS, THE HOOD HAVING SWAN NECK PEDIMENT PANELLED BASE, 220CM H

AN OAK LONGCASE CLOCK, 191CM H

A George III mahogany veneered oak longcase clock, the hood with a swan neck pediment and reeded columns over a door and box base, on bracket feet, the eight day, bell strike movement, the dial with night/day phase, subsidiary seconds and date, inscribed Poignant Jersey

An Art Deco oak dome top longcase clock, Arabic numerals, inset barometer.