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An early 19th Century oak longcase clock with painted arch dial for a 30 hour movement, movement missing, 211cm high

A late 20th Century carved and painted ornate longcase clock in the Venetian style, 210cm high

An oak miniature longcase clock; two oak mantel clocks, early 20th century

A handmade mahogany miniature longcase clock; a similar mantel clock

A longcase clock, enamel dial, R. Leseigneur La Haye-du-paits.

18th century style longcase clock

A 19th Century oak and mahogany Longcase Clock with painted arched dial marked F. Dutton, Bromsgrove, eight day movement and including weights and pendulum

A pair of longcase clock weights

A Pratt ware watch stand, c.1800, modelled as a longcase clock flanked by two Classical figures wearing tall crowns and raised on a shaped green base, some chipping, 25.5cm.

Late nineteenth century miniature longcase clock with eight day movement with lever escapement, circular dial with white enamel chapter ring, Arabic numerals and gilt centre with filigree decoration, in an architectural case with inlaid ebony and boxwood stringing and marquetry decoration, on a rectangular base, 42.5cm overall height

Late eighteenth century longcase clock with thirty hour movement, fourteen inch painted break arch dial with floral spandrels, subsidiary second and calendar dials, signed W Flather Halifax, break arch decorated with scene of shepherd and dogs, in an oak and mahogany case with short trunk door and large shaped plinth hood with large central door, plain turned columns, box and spire finial and swan-neck pediment with brass rosettes, 229cm overall height

Carved oak longcase clock, arched brass dial, signed - "Wood, Scarborough" in the lunette, cast spandrels, cherubs and crowns, eight-day movement striking on a bell, 201cms.

Victorian mahogany longcase clock, broad bodied with a small door, inlaid banding with stringing, arched painted dial, signed, Jno Allett, Bradford, subsidiary dials, the lunette painted with Moses receiving the Law, eight-day movement, height 238cms.

A modern oak longcase clock of 18th Century design, the 11ins arched brass dial with subsidiary seconds, calendar, day and date dials, and inscribed "Charles E. Short, Brighton" to the eight day three train weight driven movement striking on eight gongs, contained in case with brass finials and turned pillars to hood, and with glazed trunk door, 78ins high

A mid 18th Century mahogany longcase clock by Joseph Park, Liverpool, the 12ins brass dial with subsidiary seconds and calendar apertures and with applied cast spandrels representing "The Four Seasons" to the eight day two train movement striking on a bell, contained in case with arched and scrolled cresting and fluted and turned pillars to hood, and with shaped trunk door, 84ins high (in need of extensive restoration throughout) Note: Joseph Park recorded working in Liverpool 1734- died 1766

A late 18th/early 19th Century mahogany longcase clock by Robert Dalgleish of Falkirk, the 13ins arched painted dial with subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in fitted mahogany case with moulded scroll pediment and turned and fluted columns to hood, with shaped trunk door and conforming quarter columns on bracket feet, 92ins high, with winding key for same Note : Robert Dalgleish recorded working until 1820

A 19th Century oak longcase clock by William Ross of Dover, the 12ins arched painted dial with Roman numerals and subsidiary seconds dial, the arch painted with a view of a three masted sailing ship and with floral spandrels to the eight day two train movement striking on a bell, contained in oak case with moulded cresting and plain turned pillars to hood, arched trunk door, on bracket feet, 85ins high Note: William Ross appears in Dover Apprentices lists as starting his indentures in 1827, but nothing else is known

An early 18th Century longcase clock by John Hough of High Leigh, the 10ins square brass dial with single hand and silvered chapter ring, to the thirty hour movement with outside locking plate striking on a bell, contained in plain oak case with moulded cornice and plain turned pillars to hood, plain trunk door and on bracket feet, 79ins high Provenance : Purchased from Brian Loomes and illustrated in his book - "Brass Dial Clocks"

An 18th Century burr walnut longcase clock, by Hitt of Liskeard, with 10 inch brass dial and 30 hour movement, striking on a bell, with unusual pierced Cornish tin spandrels, height 191cm.

An early 19th century mahogany and oak eight day longcase clock, with shell inlaid case and painted arched dial with subsidiary seconds and date, 7ft 3in.

James Burpul of London, An early 18th century black lacquered eight day longcase clock, the 11 inch square brass dial with silvered Roman chapter ring, subsidiary seconds and date aperture, signed James Burpul, London, movement with anchor escapement, case with glass lenticle and some distressing to lacquer work, 7ft

Thomas Roycroft of London. An early 18th century black lacquered eight day longcase clock, the 12 inch brass dial with associated arch, subsidiary seconds and date aperture, five pillar movement with anchor escapement, case with gilt chinoiserie landscape decoration, 8ft 4in.

Thomas Lumpkin of London. An early 18th century eight day walnut longcase clock, the 11 inch square brass dial with subsidiary seconds and date aperture, four pillar movement with anchor escapement, 6ft 6in.

Joseph Danton of Hull. An early 19th century inlaid mahogany eight day longcase clock, the 13 inch arched dial painted with a shepherdess with subsidiary seconds and date dials, 7ft 3in.

George Ritch of Arbroath. An early 19th century mahogany eight day longcase clock, the 13 inch arched dial painted with figures in a drawing room and the ages of man, 6ft 11in.

A 19thC oak longcase clock signed Jonathan Giff of Burstwith, the hood with swan neck pediment, with arched enamel dial painted with the Good Samaritan and cottage scenes, on bracket feet, 58cm wide, 228cm high.

An early 20th century mahogany cased miniature longcase clock, the cased with applied gilt brass mounts and four open fluted Corinthian columns, the gilt dial with white Roman chapter ring

VICTORIAN MARQUETRY MAHOGANY 8-DAY LONGCASE CLOCK the arched enamel dial with Roman numeral dial, the hood with swan neck pediment, the trunk on turned feet, 233cm high

Antique Oak and Mahogany 30 hour Longcase Clock with painted arched dial

Regency mah. longcase clock with painted dial signed by D.G Clayton of Boston

LONGCASE CLOCK, George III oak with thirty hours movement and brass face inscribed Ino Stokes Bendley, 193cm H x 48cm x 27cm.

LONGCASE CLOCK, George III oak with mahogany banding, swan neck pediment, the brass face inscribed 'Barker of Wigan', eight day bell striking movement, 215cm H x 54cm W x 27cm D.

TIK TAK TOFFEE TIN. 5.25ins tall, circular tin printed ‘TIK TAK TOFFEE 3D PER QR’ with longcase clock pictured. +

A 19th Century Oak 8-Day Striking Longcase Clock having mahogany banding, swan neck cornice with square painted dial with moon phase and calendar, 2m 19cm high

A George III oak thirty-hour longcase clock, brass dial signed Mich. Wilde, Wakefield

A George III oak thirty-hour longcase clock

An oak longcase clock case and a brass dial with movement

Bayley of Burton, A George III oak and crossbanded longcase clock, the brass dial supporting a twin train striking movement under a square hood CONDITION REPORT: (Case a bit 'sticky' and with minor splits, base with surface rubbing, movement appears to be complete, no guarantee as to working order)

Matthews of Leighton, an 18th century and later oak longcase clock, the brass face supporting a 30 hour movement under a square hood, the trunk with rectangular door on a plain base with plinth foot CONDITION REPORT: (no guarantee as to working order, movement and case associated, case with wear commensurate with age and possible adaptions, e.g. pediment)

Handscomb of Wobourn (sic), a George III oak and mahogany longcase clock, the painted face supporting a 30 hour movement under a square hood with swan's neck pediment, the trunk with ogee door CONDITION REPORT: (cannot guarantee working order,face with crackleure and wear, case with splits between boards, surface flat)

H. Deverley of Aberdeen, An early 19th century mahogany longcase clock, the painted face supporting a twin train striking movement under an arched hood with swans neck pediment CONDITION REPORT: (Case with splits and losses, face rubbed, hands loose, no guarantee as to working order)

Cescinsky H. : English Domestic Clocks, Nd. C.1914. Large qto. qtr binding,teg. Colour frontis., monochrome plates & illustrations. Robinson T. : The Longcase Clock 1982. Qto. Hb. + Dj., Colour & Monochrome illustrations. Smith A. : International Dictionary of Clocks 1990. Qto. Hb. + Dj. CONDITION REPORT: Condition : Vg.

A George III oak longcase clock, by Thomas Ogden, Halifax the brass bent and dial with moon phase globe, silvered chapter ring bearing Roman and Arabic numerals, subsidiary second dial, two train, five pillar twin barrel eight day movement, half hour striking on a bell, date aperture, the case with hood bearing brass capped pilasters, plain trunk on an outswept base 48 by 27 by 203cm high.

An oak longcase clock with arch top hood, the trunk with fluted capitals to the sides, fitted a circular steel dial with eight-day striking and chiming movement

A mahogany longcase clock, the arched brass dial signed Andrew Scott. Edinburgh, in a mahogany case with swan neck pediment to the hood, 213.5cm (84") high/see illustration

An oak cased eight-day longcase clock, the hood with broken swan neck pediment above freestanding column supports, the trunk with long door on a planked base, the arched dial signed William Gill, Maidstone to the convex boss and with Arabic and Roman numerals to the chapter ring, fitted a subsidiary seconds dial and date aperture, the dial 30.5cm (12") wide

An oak and crossbanded cased longcase clock, fitted an eight-day movement, the dial signed W M Stokes, Stourbridge

A mahogany longcase clock, circa 1800, Walter Tucker, Exeter, the arched silver dial with subsidiary seconds dial and date aperture, fitted an eight-day striking movement, the dome topped case with spike and ball finials, 205.75cm (81") high/see illustration

A Georgian oak cased longcase clock with carved fretwork pediment above white painted dial set with Roman numerals and decorated with a bird and floral sprays, height 192cm.

An early 19th century oak and mahogany crossbanded longcase clock, the hood with broken swan neck pediment above half cut pilasters and arch painted dial set with Roman numerals, inscribed "Thos Glase Bridgenorth", with short arched inlaid door, rectangular plinth base and bracket feet, with eight day movement, height 217cm.

A 1930's mahogany longcase clock, the circular silvered dial set with Arabic numerals and with long glazed door and three weights, height 204cm.

Sam. Atfield, Brentford, a walnut Queen Anne style miniature longcase clock the eight-day duration, five-pillar movement striking the hours on a bell with an outside countwheel, the eight-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, meeting-arrowhead half-hour markings and signed Sam Atfield, Brentford either side of VI o’clock, with a matted dial centre and four cast brass floral spandrels to the corners with floriate engraving between, the walnut veneered case with a caddy top and turned columns to the hood, beaded moulding to the trunk door and crossbanding to the base, the backboard bearing a torn label stamped ‘Upjohn W, Maker, South Street’, height 182cm.* Samuel Atfield is unrecorded although a James Atfield is known working in Brentford in the mid 18th century. * William Upjohn is recorded working in Fore Street, Exeter in the late 18th century before moving to Southgate Street in circa 1800, having retired in 1803 he moved to London where he died in 1812.

John Michell, Chardstock, an early oak longcase clock the thirty-hour duration movement with five latched pillars, striking the hours on a bell and the half-hours on a small bell, with an outside countwheel, the ten-inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and signed John Michell, Chardstock fecit either side of VI o’clock, with a matted centre, cast brass cherub head spandrels with floriate engraving between and fine blued steel hands, the later oak case with a swan-neck pediment, turned pillars to the hood and crossbanding to the trunk door and base, height 192cm.* John Michell was babtised in August 1675, being the son of Stephen and Elizabeth. He married Annie Fippen in May 1691 with whom he had a daughter, Ann, who eloped with the local Reverend’s son, Thomas Drayton, in 1727, marrying in Dorchester in September of that year. It is known John Michell made fine and distinctive lantern and longcase clocks. His brother James was also a clockmaker.

Nathaniel Brown, Manchester, an 18th century longcase clock the eight-day duration movement striking the hours on a bell, the twelve-inch square brass dial with a raised chapter ring engraved with black Roman numerals, Arabic five-minute outer numerals, flame half-hour markings and the makers name Nathl. Brown, Manchester, with cast-brass female-head spandrels the matted dial centre with a subsidiary seconds dial, date aperture and engraved with foliate decoration, with decorative blued steel hands, the oak case with crossbanding to the shaped trunk door, base and hood door, the caddy top hood with two brass ball-and-spire finials, full pillars to the front with giltwood capitals and a fretwork frieze below the top moulding, standing on bracket feet, height 218cm.* Nathaniel Brown is recorded as working in Manchester from circa 1750 until circa 1800.

John Carlyon, Falmouth, an 18th century oak longcase clock the eight-day duration movement striking the hours on a bell, with the twelve-inch break-arch dial having a raised chapter ring engraved with black Roman numerals, Arabic five-minute outer numerals, fleur-de-lys half-hour markings and engraved either side of VI o’clock with the makers name John Carlyon, Falmouth, the matted centre with a subsidiary seconds dial and date aperture with engraved foliate decorative surround surmounted by a ho-ho bird, with wheat-ear border engraving , decorative blued steel hands and cast-brass urn spandrels to the four corners, the arch with a silvered boss engraved with a depiction of the sun, the oak case with a break-arch trunk door, turned three-quarter columns to the caddy-top hood with the plain base standing on bracket feet, height 226 cms.* John Carlyon is recorded as working in Falmouth in the early 18th century having married Ann Jenkins in 1729. He put his name to a marriage bond in 1740.

Robert Evans, Halstead, a walnut thirty-hour longcase clock the eleven-inch square brass dial with a raised silvered chapter ring engraved Rob’t Evans, Halstead either side of VI o’clock, with a matted centre, cast-brass foliate spandrels to the four corners and later decorative blued steel hands, the thirty-hour duration movement striking the hours on a bell with an outside countwheel, the later walnut case with cross banding to the trunk door and base, with the flat top hood having barley-twist columns to the front corners, height 193.5cm. * Robert Evans is recorded as being apprenticed to Henry Adeane junior of London in 1706 before working in Halstead, Kent from circa 1720 until circa 1740.

Mark Hawkins, St Edms Bury, a walnut eight-day longcase clock the eight-day duration five-pillar movement (fifth pillar removed) striking the hours on a bell, with the twelve-inch break-arch dial signed on a shaped silvered plaque, Mark Hawkins, St Edms, Bury with a matted centre, subsidiary seconds dial, date aperture and cast urn spandrels to the four corners, the silvered chapter ring engraved with fleur-de-lys half-hour markings, black Roman numerals and Arabic five-minute markings, the later walnut case with cross-banding to the base and break-arch trunk door, the flat-top hood with a break-arch door and three-quarter turned columns and wooden capitals, height 203cm. * There were two makers named Mark Hawkins, father and son, working in both Bury St Edmunds and Newmarket. The father was born circa 1674 and married Mary Deave in March 1701. He had five children including mark junior, born in February 1707. Mark Senior died in 1750 and two of his three sons, William and mark continued as clockmakers. Mark junior married Mary in circa 1745 and had one son. Mary Hawkins died in 1750 whilst Mark junior died on the 28th of April 1767.

An 18th Century lacquer longcase clock with an eight-day duration, five-pillar timepiece movement, the ten-inch break-arch brass dial engraved with black Roman numerals, with an inset subsidiary seconds dial and decorative steel hands, the arch unadorned, the lacquer case with a painted scene laid onto the break-arch trunk door in four panels depicting the four seasons, with the base having a panel originally laid with a painted scene now lost, with remnants of chinoiserie work to the case, the pagoda-top hood with further chinoiserie decoration, one giltwood ball finial, the other missing, and missing the front pillars, height 218cm.

EARLY 19TH CENTURY OAK EIGHT DAY LONGCASE CLOCK, by J. Tylar, Ashby, the case overall decorated with checkered banding and mahogany crossbanding, the hood with broken swan neck pediment above arched aperture flanked by reeded pilasters, the waist with crossbanded shaped door flanked by quarter reeded pilasters on a panel base, no lacking original feet. The face decorated with Cows watering and floral spandrels, having Roman numerals and seconds dial. 18" High x 12.75" wide. Overall now 87" High.

18TH CENTURY CHINOISERIE LACQUERED EIGHT DAY LONGCASE CLOCK, by Charles Clay of London, having flat hood with arched aperture, arch waist door and panel base on bracket feet. The case overall decorated with sepia and gilded chinoiserie designs. Arch brass face with seesaw automoton featuring two gentlemen to the arch, the face with silvered chapter rings, having Roman numerals, seconds dial and date aperture with pierced gilded foliate spandrels, marked Chas Clay London. The face 17" High x 12". Eight day movement striking on one bell. Overall 88" High.