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A George III mahogany longcase clock , by Josh Blackhurst, Waverham, Chester, the hood swan neck pediment over reeded tapering columns and square enamel dial, the eight day rack striking movement, with chequered inlaid base. (203cm height).

A mahogany longcase clock the caddy top hood over three graduated columns, 11.5inch brass dial with eight day striking movement (216cm high).

A George III oak longcase clock, by Rowlands, Stone, the plain hood with three quarter columns, the 10mm brass dial with 30 hour movement, plain trunk and plinth (196cm).

James Symson of Dunfermline - an 18th Century mahogany longcase clock having swan neck cornice, arched brass face, with eight day movement, subsidiary second dial and dater aperture, engraved foliate scroll flanked by spiral columns, the case with arched moulded edge door and raised on bracket feet, 220cm high.

A 19th Century oak longcase clock having a swan-neck cornice, arched painted dial, eight-day movement, subsidiary second and date dials, glazed door, arched top, moulded edge door flanked by columns, the base with bracket feet, 2.03m.

A 1900s 8 day longcase clock movement with brass moonroller dial with three brass weights and tubes

A 30 hour longcase clock with brass circular dial signed John Barker Willingham contained in an oak case

An Edwardian Mahogany Drum Head Longcase Clock, enamel dial with seconds and calendar, reeded quadrant corners, with plinth base, on bracket feet, 210cm.

A Victorian Carved and Stained Oak Longcase Clock, Case Only lacking movement, the arched broken pediment above profusely foliate carved hood and trunk decorated with Pan mask and grotesques, 217cm.

A 30 Hour Longcase Clock Movement, the 27 cm silvered dial with Roman numerals, and a Victorian cast iron mantel clock stand (2).

A Longcase Clock, the 27 cm square dial with Roman numerals and subsidiary seconds dial, fitted a 30 hour movement in an oak case, 209 cm.

A Longcase Clock, the 28 cm arched brass dial signed George Wahbourn Gloucester, with Roman numerals, subsidiary seconds dial and calendar aperture, fitted a 30 hour movement in a chinoiserie decorated case, 207 cm

A Longcase Clock, the 30 cm dial with Roman numerals, subsidiary seconds dial and calendar aperture, fitted a 30 hour movement, in an oak and mahogany case with swan neck pediment, 212 cm.

A George III mahogany longcase clock, the 13-inch brass dial signed on the silvered chapter ring James Butler Bolton, with subsidiary seconds dial and date aperture to the engraved centre, having rococo spandrels and eight day movement, the case with swan neck pediment and turned finials above fluted pillars, the trunk enclosed by a figured door flanked by pilasters, on panelled base with ogee feet, 227cm h

A George III oak longcase clock, the 12-inch brass dial with silvered chapter ring and roman numerals, subsidiary seconds dial and date sector, having engraved centre and rococo spandrels with lunar work above, the arch inscribed thomas radford, leeds, the eight day movement now striking on a coiled wire gong, in crossbanded case with open break arch pediment on turned pillars, the trunk enclosed by a shaped door above a panelled base and bracket feet, 224cm h

A George III mahogany longcase clock, the 12-inch brass dial signed on the chapter ring R Hampson warrington with subsidiary seconds dial, a date aperture to the engraved and matted centre, having urn spandrels and eight day movement, the case with swan neck pediment and spirally fluted columns, the trunk enclosed by a finely figured full length door flanked by fluted pilasters, on panelled base, 220cm h

A George III mahogany longcase clock, the 10.5-inch brass dial signed on the chapter ring Broadhurst Macclesfield with ringed date aperture to the matted centre and mask spandrels, having eight day movement, the case with cavetto cornice and spirally fluted pillars, the trunk enclosed by a figured door flanked by pilasters, on conforming base, 194cm h

An oak longcase clock, the 12-inch brass dial signed on the silvered chapter ring Wilkinson Congleton, the matted dial with engraved wheatear border and a basket of flowers, with square date aperture, subsidiary seconds dial and ringed winding holes with figures emblematic of the Seasons, fitted eight day movement, the dark stained case profusely carved, 205cm h

Francis Walker, Maryport, (1800-1855) A SECOND QUARTER 19TH-CENTURY MAHOGANY-CROSSBANDED OAK-CASED 30-HOUR LONGCASE CLOCK having a swan-neck pediment with brass disc paterae, the arched mahogany-framed hood door between good spindle-turned mahogany columns, on an arched crossbanded short trunk door and panel between reeded 'round the corner' pilasters on a crossbanded base and bracket feet, the arched white-painted dial decorated with two greyhounds coursing a hare, the Roman numerals framing maker's name and a crescent form date aperture, the spandrels painted with wild roses on a speckled gilt ground, 218cm, (85.8in) high (sold with weight and pendulum).

G.Picard AN EARLY 18TH-CENTURY 30-HOUR BRASS-DIALLED LONGCASE CLOCK MOVEMENT, the dial having a matted centre with maker's name G.PICARD within a scroll-engraved navette-shaped cartouche, the chapter ring having quarter-hour divisions and Roman hour numerals with single hand, (the calendar aperture vacant), with baroque style cherub-head and scroll spandrels, the movement with turned brass upper pillars and square iron pillars at the bottom, and exterior count-wheel, 26cm, (10.25in) square

Savage, Clifton, (Nr Penrith) A GOOD EARLY 18TH-CENTURY 30-HOUR BRASS-DIALLED LONGCASE CLOCK MOVEMENT, the matted centre having a circular medallion with ownership triad (R over RH) and signed SAVAGE/CLIFTON, with calendar aperture below, the chapter ring with Roman hour numerals and Arabic minutes, the movement striking on single bell, with exterior countwheel, 26.5cm, (10.5in) square.

Blakeborough, Pateley Bridge (fl. early 19th century) A LATE GEORGIAN INLAID OAK-CASED 30-HOUR LONGCASE CLOCK having a swan-neck pediment with brass patera, the arched mahogany hood door between fluted columns with brass capitals, the trunk having an ebony and boxwood- strung frieze above an arched door with central inlaid conch shell patera within mahogany crossbanding, between fluted quadrants, on a plain base, the movement having a white-painted arched dial decorated with a parrot-like bird and a gold-crest perched on a sapling, the Arabic hours framing maker's inscription 'BLAKEBOROUGH 40 - PATELYRIDGE' [sic], above painted flowers and a subsidiary date dial, the spandrels painted with roses, 218cm (85.8in) high (sold with weight and pendulum).

Matthew Ord, Hexham, (fl.c.1820-30) A LATE GEORGIAN INLAID OAK-CASED 8-DAY LONGCASE CLOCK having a flat-topped hood with arched mahogany-framed door between turned columns with brass capitals, the trunk having a satinwood-framed mahogany frieze above an ebony-strung arched door between strung flat 'pilasters', on a matching base with shaped apron and integral bracket feet, the white-painted arched dial decorated with a farmer stooking corn, the Roman numberals framing a subsidiary seconds dial and date dial flanking inscribed maker's name 'MATTW ORD/HEXHAM', the spandrels decorated with roses and diaperwork, with gilt enrichment, 211cm, (83in) high (sold with two weights, and key and pendulum).

William Porthouse I, Penrith, (1706-1790) A MID 18TH-CENTURY OAK-CASED 30-HOUR LONGCASE CLOCK having a flat-topped hood with square door between turned columns, the trunk door with re-entrant top corners, on a plain base and bracket feet, the movement having a square brass dial, the silvered chapter ring, inscribed 'W.Porthouse, Penrith' with Roman hours and Arabic minutes, framing a matted centre with silvered ownership boss inscribed 'John Burtholm 1749', above a square date aperture within foliate scrollwork, the spandrels cast with mask amidst foliage, 208cm, (82in) high (sold with weight and pendulum).

Alexander Nimmo, Kirkcaldy, (fl.c.1820) A LATE GEORGIAN OAK-CASED 8-DAY LONGCASE CLOCK having a swan-neck pediment above an arched hood door between turned columns with brass capitals, the trunk having an arched door between fluted quadrants, on a plain base with bracket feet, the movement having an arched white-painted dial, the arch centred by an anchor within oval floral surround flanked by pink roses in bud, inscribed beneath 'Nimmo Kirkcaldy', the Roman hours and Arabic minutes framing a seconds dial (hand lacking) and date dial, the spandrels decorated with gilt oval medallions, 212cm, (83.5in) high (sold with two weights plus pendulum).

An oak and chequer strung longcase clock, 18th century, with shaped pediment and ogive cornice above a square glazed door flanked by turned pilasters enclosing an 11" brass dial with matted centred and Roman numerals marked Phillips, Tenbury, pierced foliate corner spandrels, 30 hour movement, striking on a bell above a full length arched top crossbanded trunk door, cushion moulding and panel base raised on a shaped plinth and bracket feet, 85" high

A George III oak and mahogany crossbanded cottage longcase clock, early 19th century, the pierced broken scroll pediment surmounted by three ball and spire finials above an ogive cornice and square door flanked by turned pilasters enclosing a 12" brass dial inscribed Nickisson, Newcastle, with Roman numerals, subsidiary seconds dial and date aperture, foliate engraved centre, pierced foliate spandrels, eight day movement striking on a bell above a crossbanded full length trunk door flanked by fluted quarter pilasters over an ogive moulding and crossbanded panel base and raised on shaped bracket feet, 83" high.

A George III oak and mahogany crossbanded longcase clock, late 18th century, the pediment surmounted by two turned finials over an ogive cornice and blind fretwork design frieze above a square glazed door flanked by fluted pilasters enclosing a 12" brass dial with Roman numerals, subsidiary seconds dial and date aperture and marked Evans & Sons, Salop, pierced foliate spandrels to the corners, eight day movement striking on a bell over an ogive moulding and shaped top crossbanded full length trunk door between fluted quarter pilasters, further ogive moulding and raised base board and later shaped plinth, 82" high

A George III mahogany longcase clock, circa 1790, the blind fretwork carved pediment above an arched ogive cornice and glazed door flanked by fluted Corinthian capped and brass pilasters enclosing a 14" brass dial with silvered chapter ring and Roman numerals, subsidiary seconds dial and central calendar hand, the centre foliate engraved, foliate pierced spandrels, rolling moon phase in the arch painted with a moon and landscape and Tempus Fugit and inscribed Robert Lawson Leigh, eight day movement striking on a bell above a cushion moulding and blind fret carved frieze and shaped top, full length trunk door between fluted brass capped quarter pilasters, further moulding and raised base panel between canted angles and raised on shaped bracket feet, 87" high.

A George III oak and mahogany crossbanded longcase clock, 18th century, the caddy top above a painted foliate frieze and square hood flanked by fluted brass capped pilasters enclosing a 10" brass dial with foliate engraved centre, Roman numerals and mask spandrels and marked Bennett, Cheadle, 30 hour movement striking on a bell above a shaped top, crossbanded trunk door, flanked by fluted quarter pilasters over an ogive moulding and raised baseboard and on ogee bracket feet, the dial possibly associated, 79" high

A George III crossbanded oak longcase clock, late 18th century, with shaped pediment and blind fret carved frieze above a square door flanked by fluted brass capped pilasters enclosing a 13" white enamel dial with Roman numerals, subsidiary seconds dial and date aperture, foliate painted corners, eight day movement striking on a bell above a shaped top, trunk door flanked by fluted quarter pilasters over an ogive moulding raised baseboard on a shaped plinth and bracket feet, 88.5" high

A mahogany and boxwood strung longcase clock, early 19th century, with broken scroll pediment and gilt brass terminals above an arched glazed door flanked by reeded brass capped pilasters enclosing a 14" white painted enamel dial marked John Minshull, Birmingham, with Arabic numerals and date aperture, rolling moon phase in the arch, the corners painted with young girls representing the seasons, the moon humps painted with classical maidens, eight day movement striking on a bell above a double pointed arch top boxwood strung trunk door flanked by reeded brass capped quarter pilasters over an ogive moulding and base panel centred by a boxwood and harewood conche shell motif between canted angles and raised on shaped bracket feet, 91" high

An oak and mahogany crossbanded and boxwood strung longcase clock, mid 18th century, the broken scroll pediment terminating in gilt brass roundels and centred by a ball and spire finial above a square glazed door flanked by fluted brass capped pilasters enclosing a 12" square brass dial with Roman numerals, subsidiary seconds dial and date aperture and inscribed George Hewitt, Marlbro, foliate engraved, eight day movement striking on a bell, above an ogive moulding and frieze applied with gilt brass cornucopiae, three-quarter length shaped top crossbanded trunk door, centred by a gilt brass applied foliate motif in a lozenge surround, over a further ogive moulding and baseboard raised on a shaped apron and bracket feet, 85" high.

A George III oak and mahogany crossbanded and chequer strung longcase clock, early 19th century, the arched hood surmounted by eagle and ball finials over an arched glazed door flanked by fluted brass capped pilasters enclosing a 14" engraved brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial and date aperture and marked A Rowley, Shrewsbury, cherub mask spandrels, the arch with central boss inscribed 'Tempus Fugit' between dolphin spandrels, eight day movement striking on a bell over a plain frieze and ogee arched top, crossbanded three quarter length trunk door flanked by fluted brass capped quarter pilasters over an ogive moulding and raised crossbanded base board with fan inlaid top corners between canted angles and raised on a plinth and bracket feet, dial varnished, 89" high

A Scottish George III mahogany longcase clock, the break arch hood with gilt finial above 32cm circular enamel dial marked indistinctly 'P.XXXX Edinburgh', with seconds and calendar subsidiary dials, the boxwood strung trunk with arched door flanked by quarter reeded columns, on a rectangular base and bracket feet, 220cm high.

A modern longcase clock, the arched dial inscribed 'Tempus Fugit' with Westminster chimes, case with an arched top and glazed door, 77 _in. (197cm) high.

A 19th Century oak pine and later painted longcase clock, the arched painted dial inscribed 'M. McGibbion, Dumfries' with subsidiary second dial, date aperture, the arch painted to depict a farmhouse scene, the spandrels depicting strawberries and roses, the hood with a swan-neck pediment and turned columns, the trunk with quarter fluted columns and bracket feet, 85in. (216cm) high.

A MID 18TH CENTURY FIGURED WALNUT LONGCASE CLOCK, with three train, hour striking and rod chiming movement, the brass dial with painted mechanical moon phases within the arch with mask and foliate scroll spandrels, the chapter ring with roman hour and arabic minute numerals, the matt centre having a second dial with calendar aperture on aperture and inscribed "Thomas Bristol", the domed rectangular hood with open fret work and fret angle pillars, the sides with open fret panels, the trunk with long arched cross banded door, the base similarly banded, on a moulded plinth, the pine sides simulating walnut. Dial Width 12". Width 13.5". Height 96". Alterations and additions.

A 19th Century oak and mahogany longcase clock by W. Matthews of Penrith, the 13ins arched painted dial with Arabic numerals and scene of country park to arch, subsidiary date aperture to the thirty hour striking movement, contained in case with shaped and moulded pediment, slender turned pillars to hood, shaped trunk door crossbanded in mahogany, with quarter columns, 90ins high

An 18th Century oak longcase clock by Henry Baker of Malling, the 11ins square brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the thirty hour brass framed movement with outside locking plate striking on a bell, contained in plain case with moulded cornice and plain pillars to hood, with later ball and eagle finials, plain trunk door, on bracket feet, 84ins high.

A late 18th Century mahogany longcase clock by John Lacy of Portsmouth, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in case with deep moulded and arched cornice, plain turned pillars to hood, shaped trunk door and double plinth base, 85ins high (in need of restoration - hood in pieces and plinth base water damaged)

A George III mahogany longcase clock by James Warren of Canterbury, the 12ins arched painted dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch painted with two exotic birds and differing flowers to spandrels to the eight day two train movement striking on a bell, contained in figured mahogany case probably by Goulden of Canterbury, with arched and moulded cornice, and turned and fluted pillars to hood, the trunk with dentil cornice, the arched trunk door with moulded edge and fluted cant corners, on bracket feet, 83ins high (door twisted and somewhat damaged, and cresting to hood altered).

An oak longcase clock, the brass dial with a single hand, a silvered chapter ring and cherub and crown spandrels engraved "Geo Cook, London" supporting a 30 hour birdcage movement with an alarm mechanism, dial 28cm diameter.

A George III oak longcase clock, the painted arched dial inscribed 'Rich.d Gilks Devizes', with a striking eight day movement with subsidiary seconds dial and calendar aperture and strike/silent option, 234cm high.

A late 18th century oak 30hr longcase clock by T Gragg, c.1785, 213cm high.

A George III oak longcase clock, Fearnly Wigan, the square brass and silvered dial with eight day movement, 223cm high.

An 18th century mahogany longcase clock with stepped moulded cornice, the arched frieze inlaid with floral oval paterae on brass capped column supports, the arched dial painted with black Roman numerals, subsidiary seconds and calendar aperture within floral spandrels and inscribed 'Thos. Brownbill, Leeds', the spire top moulded rectangular door outlined with boxwood stringing with fan corner paterae, the canted angles outlined with satinwood banding, the stepped curl veneer base with a chequer inlaid shield shaped medallion enclosed by boxwood stringing with fan paterae angles, shaped apron and outlined bracket feet, 8 day movement striking on a bell, dial 47cm high, 215cm high.

A Georgian oak and mahogany cross-banded longcase clock, with swan-neck pillared hood, short trunk door and plane base, the 12" painted dial having a garden scene to the arch entitled 'The Miniature' and seasonal figures to the spandrels, Roman numerals, subsidiary seconds and date rings, 8-day movement striking on a bell, 84" high.

A GEORGE III OAK LONGCASE CLOCK having an arched painted dial signed J P Saddleton Lymm with second hand and Roman numerals, carved fretwork cornice, arched panel door and bracket feet, two weights, pendulum and winding key, 80" high.

A LATE 17TH CENTURY WALNUT AND SEAWEED MARQUETRY LONGCASE CLOCK having a square brass dial with raised spandrels and etched silvered chapter ring with second hand and date aperture, signed Anthony Hebert in Morefields, London, the case with later added oak pediment and brass ball finial, fine arabesque scroll decoration, on bracket feet, some restoration and reconstruction, 84" high overall.

AN EARLY 19TH CENTURY SCOTTISH MAHOGANY LONGCASE CLOCK having a circular white enamel dial with roman numerals, the case with gadrooned and boxwood line decoration, two weights and pendulum, 80" high.

A George III mahogany longcase clock, circa 1800, the square hood with concave cornice, enclosing a 12 1/2 inch enamelled dial, Roman numerals, moonphase and subsidiary seconds aperture, fruit painted spandrels, fanciful birds, inscribed Latham, Macclesfield, eight day movement, the trunk with arched door, on a plinth base, height 201cm, 79 inches.

*Early 19th century mahogany longcase clock with painted dial and rolling moon

Oak watch stand in the form of a miniature longcase clock, stationery box and another with the contents - metal figures

A French Miniature Longcase Striking Clock, late 19th century, the mock red tortoiseshell case with arched pediment, brass moulded plinth, white enamel dial with Arabic and Roman numerals, twin barrel movement striking on bell, {59cm high}.

An Oak and Mahogany Eight Day Longcase Clock, signed Hudson Fox, Beverley, circa 1800, the case with pagoda top, hood with brass ball and spire finials, fluted pillars, the trunk door with central shell patera flanked by canted angles, 12 inch painted dial signed "Hudson Fox, Beverley", subsidiary seconds and date aperture, falseplate stamped "Osbourne", four pillar movement with anchor escapement striking on bell, {219cm high} (on later seat board) .

An Impressive Mahogany Eight Day Musical Longcase Clock, signed Jas Shaw, Halifax, circa 1820, the inlaid case with swan neck pediment and turned pillars, arched trunk door with flame veneer, upon a plinth with canted inlaid corners, 16 inch break-arch painted dial with large subsidiary seconds and Psalms selection dial 95, 50, 6, 8, 40, 78, the corners depicting the four continents, arch with rolling moon and lunar scale, the massive three train movement with anchor escapement playing the Psalms on eight bells with eight hammers and striking further the hour with two hammers on two bells, {282cm high}.

A George III Mahogany Longcase Clock, signed Jas Stewart, London, circa 1780, the break arch moulded pediment with stop fluted pillars, the break-arch moulded trunk with a flame veneer of rich colour, moulded plinth, the 12 inch brass arched dial with silvered chapter ring, centre field with subsidiary seconds, date aperture and a plaque signed "Jas Stewart, London", the arch with strike/silent, five pillar movement with rack striking on a bell, and anchor escapement, {201cm high} (shortened plinth).

An Oak Thirty Hour Longcase Clock, signed Yeoman, Gisbrough, circa 1760, the case with later pediment, break-arch trunk door, shortened plinth, 11 inch square brass dial with silvered chapter ring, matted centre field with date aperture and a silvered plaque signed "Yeoman, Gisbrough", four pillar movement with anchor escapement and countwheel strike on bell, {197cm high}.

A Mahogany Longcase Clock, signed Jonathn Meadows, Yarmouth, late 18th century, the break-arch pediment with reeded pillars, break-arch trunk door with later marquetry inlaid panel of an urn, moulded plinth with later marquetry panel, 12 inch brass arched dial with silvered chapter ring and centre field with subsidiary seconds, date aperture, the arch with a circular plaque signed "Jonathn Meadows, Yarmouth", four pillar movement with rack striking on later bell, anchor escapement, {214cm high} (central finial lacking).