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A fine George III London figured mahogany eight-day longcase clock, circa 1770, the substantial five-pillar rack and bell striking movement with anchor escapement and 12 inch brass break-arch dial applied with silvered Roman numeral chapter ring with Arabic minutes and gilt castle gateway pattern spandrels, the matted centre with subsidiary seconds dial, calendar aperture and signed 'Dan'l De St. Leu, London' to a silvered arched plate, the arch with Strike/Silent dial between Hoho bird and scroll cast gilt mounts, the case with pagoda shaped pediment and brass flambeau finials over break-arch cornice and frieze and stop-fluted brass pilasters to hood, with flame figured break-arch trunk door over conforming raised panel plinth base, 253cm high.

A Dorset crossbanded oak eight-day longcase clock circa 1770, the four-pillar rack and bell striking movement with 12 inch brass break-arch dial applied with silvered Roman numeral chapter ring signed 'Roger Startudge, Christchurch' to lower edge and cockleshell pattern spandrels around a foliate scroll and Hoho bird engraved centre with subsidiary seconds dial and arched calendar aperture, the arch with silvered eagle engraved boss flanked by dolphin mounts, in break-arch pedimented case with integral hood columns, break-arch trunk door and reduced plinth base with double skirt, 208cm high.

A carved oak longcase clock trunk and plinth, hood and movement lacking, 200cm high.

A good Queen Anne figured walnut eight-day longcase clock by 'Windmills, London' circa 1710, the rack and bell striking movement with five finned pillars and anchor escapement, with 12 inch square brass dial applied with silvered Roman numeral chapter ring with fleur de lys half hour markers, Arabic minutes and signed to lower edge, with female mask and scroll spandrels, the matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, in flat-top case with moulded cornice over integral pilasters to hood and square-top trunk door with book-matched veneers and lenticle, on plinth base, case with some restorations, 222cm high.

A Somerset mahogany cased thirty-hour longcase clock circa 1725, the two handed four-pillar outside countwheel bell-striking movement with 10.75 inch square brass dial applied with Roman numeral chapter ring with Arabic minutes and cruciform half hour markers, London Cherub head pattern spandrels, the matted centre with square calendar aperture beneath bridge signature plaque 'William Cuff, Wells', in a later swan neck pedimented case with wavy edge hood door, square trunk door and plain base with bracket feet, distressed, 208cm high.

A fine Bristol mahogany eight-day longcase clock with 'High Water at Bristol Key', circa 1750, the four-pillar rack and bell striking movement with 12 inch brass break-arch dial applied with silvered Roman numeral chapter ring with Arabic minutes and signed 'Isaac Hewlett, Bristol' along lower edge, with rococo scroll and cockleshell spandrels, the matted centre with subsidiary seconds ring and calendar aperture, with moonphase to arch calibrated for tidal times to upper edge, the fine case with ogee moulded caddy and cornice over integral hood pilasters and shaped-top parquetry line inlaid trunk door, on conforming plinth base with bracket feet, 245cm high. A regulator by his son, William, is also offered in this sale as 291.

A Wiltshire inlaid figured mahogany eight-day longcase clock, circa 1830, the four-pillar rack and bell striking movement with 13 inch white painted Roman numeral break-arch dial, the centre with subsidiary seconds dial, arch calendar aperture and signed 'Morse, Malmesbury', with polychrome painted Four Seasons spandrels and young girl asleep with bale of wheat to arch, in shaped pediment break-arch case with three turned wood finials and shaped Corinthian pilasters to hood, the trunk with panel inlaid door flanked by conforming quarter pilasters on similarly inlaid plinth base, 225cm high.

A Welsh oak and mahogany eight-day longcase clock with moonphase, circa 1830, the four-pillar rack and bell striking movement with 13 inch white painted break-arch Roman numeral dial, the convex centre with subsidiary seconds dial, arched calendar aperture and signed 'J. Moseley, Swansea', with polychrome floral painted spandrels and moonphase to arch, in shaped outline arch pedimented case, with wavy edge door and reeded pilasters to hood, over rectangular trunk door flanked by conforming quarter columns, on plinth base, 218cm high.

William Frost, Exeter, An arched longcase clock dial with blue and white painted decoration supporting a striking eight day movement, 12 inch dial

J Lighter, Lambeth, a George III oak longcase clock, the painted arched dial with an eight day striking movement, 320cm high

A late 18th Century mahogany longcase clock, the dial inscribed 'B Hills, Sudbury', with an eight day striking movement, 222cm

Early 18th century walnut and mahogany longcase clock with basket top hood, plain turned pilasters, arched door; the eight day movement with 11 1/2 ins square dial, cherub spandrels, silvered chapter ring inscribed "Rich. Penny, London" minus pendulum rod, plinth base loose, movement(af), 84 1/2 ins high

A Longcase Clock, the 30 cm square painted dial signed JNo HANCOCK, Yeovil, with Arabic numerals and calendar aperture, fitted a 30 hour movement, in an oak case, crossbanded in mahogany, 204 cm

A Longcase Clock, the 31 cm arched square brass dial signed Sam Delance Downtown, with tempus fugit to the arch, Roman numerals, and engraved silvered centre, fitted an 8 day movement, striking hours on a bell, in a carved oak case, with a swan neck pediment, 225 cm

An oak, mahogany and rosewood crossbanded longcase clock, early 19th century, the broken scroll swan neck pediment above a square hood door flanked by turned half columns enclosing a 14" circular white painted enamel dial with roman numerals and subsidiary seconds dial, marked indistinctly 'Hay, Shrewsbury', eight-day movement striking on a bell above rosewood crossbanded and mahogany tablet and pointed arched top crossbanded lozenge centre three-quarter length trunk door flanked by turned half columns over a further tablet and ogive moulding and conforming base board with canted corners, distressed, 81" high.

A Victorian mahogany crossbanded longcase clock, circa 1870 the broken scroll pediment centred by a pyramid finial above an arched glazed door flanked by wrythen reeded columns and enclosing 14" white painted arched enamel dial with roman numerals, subsidiary seconds dial and moon phase in the arch, and marked 'E Lashmore, Oswestry', painted with rustic housing and castle ruins to the corners and arch, eight-day movement striking on a bell above a three-quarter length shaped arched top crossbanded trunk door, flanked by wrythen reeded columns over a crossbanded panel, canted border and crossbanded base board and raised on ogee bracket feet, 90" high.

A Welsh Longcase Clock with 8-day movement, arched painted dial, in an oak and cross-banded case raised on bracket feet, dial restored.

W. Carter, Salisbury. An oak longcase clock, the 30 hour movement striking on a bell to a re-painted 12in square dial with subsidiary seconds dial and date aperture inscribed 'Wm. Carter Salisbury', the mahogany banded case with a double swan neck pediment, 6ft 7.5in (202cm) high.

A 19th century mahogany longcase clock, the 8 day striking movement to a painted arched dial with moon phase, the embossed centre with a subsidiary seconds dial, inscribed '...Bull, Bradford' (worn), with a fret bordered hood door, 6ft 7.5in (202cm) h. Associated, back feet missing.

An early 19th century oak and mahogany banded longcase clock, the 8 day movement striking on a bell to a painted arched dial, with subsidiary seconds dial and date aperture, inscribed 'Tyte, Wells', 6ft 8in (203cm) h.

An early 19th century mahogany longcase clock, the 8 day movement striking on a bell to a painted arch dial, decorated an oval depicting Hebe, subsidiary seconds dial and date aperture, inscribed 'Thos Noon, Burton', the veneered case with crossbanding and inlaid stringing, the base reduced, 6ft 10.5in (209cm) h.

A George III mahogany longcase clock, the 8 day movement striking on a bell to an arched brass dial with subsidiary seconds and date dials, the silvered chapter ring inscribed 'Wm Evill, Bath', the hood with replaced finials above a veneered front with stained pine sides, 7ft 1in (216cm) h.

A walnut veneered longcase clock, the 30 movement striking on a bell stamped 'R. Wells', to a 10" square brass dial inscribed 'James Yardley, Bishop,s Stortford', with foliage engraved spandrels and additional outer border, 6ft 4.5in (194cm) h.

An 18th century walnut veneered longcase clock, the 8 day five pillar movement striking on a bell to a brass arched dial with moon phase and subsidiary seconds dial and date aperture, inscribed 'John Gordon, London', the stepped hood with blind fret decoration, the trunk door with a moulded edge to a base with later mouldings and block feet, 8ft 3in (251.5cm) h.

An 18thc, 10 " brass longcase clock dial. Signed on the chapter ring, 'J.N.Hanson - Tuxford' . With pierced scroll and mask spandrels. The centre of the dial engraved with a swallow in flight, with a date aperture below. With 30 hour movement, striking on a bell. (af)

An early 19th century oak and mahogany banded longcase clock, the broken swan neck pediment above an arched glazed door, flanked by turned columns, the short trunk door flanked by quarter fluted columns, on a box base and later moulded plinth, the arched 13 inch painted dial depicting scenes of buildings, signed Johnathan Talbot, Stourbridge, the single train brass movement with anchor escapement, passing strike on a bell, 230cm high

A George III oak and mahogany banded longcase clock, the hood with dentil moulded cornice above an arched glazed door, flanked by columns, the arched trunk door flanked by quarter columns, above a projecting box base, feet lacking, faults, the twelve inch arched painted dial with subsidiary seconds dial and date aperture, painted with Roman hour numerals and fruit to the spandrels, the twin train brass movement with anchor escapement striking on a bell, 215cm high

An early 19th century Scottish mahogany, rosewood banded and line inlaid longcase clock, the arched hood surmounted by a brass eagle and ball finial with swan neck fretted crest, above a circular glazed door, flanked by a pair of reel-moulded half columns, the arched trunk door flanked by quarter rope twist moulded columns, above a projecting box base, feet lacking, the 13inch circular silvered dial signed 'John Mearns, Aberdeen', with subsidiary seconds and date dials and Roman hour numerals, the twin train brass movement with anchor escapement striking on a bell, 219cm high

An early 19th century mahogany longcase clock, the hood with projecting cornice above a square glazed door flanked by columns, the long trunk door above projecting box base, on tapered bracket feet, the eleven inch square painted dial inscribed 'W. Bleale(?), Brighton', decorated in gilt with flowers to the spandrels, the single train brass movement with anchor escapement striking on a bell, 197.5cm high, 47cm wide

A George III oak longcase clock, the broken swan-neck pediment above a square glazed door flanked to each side by a column, the short trunk door above a projecting panelled box base, the square twelve inch painted dial with date aperture painted with a bird to the centre and flowers to the spandrels, signed 'John Warne (?) Moreton in Marsh', the single train movement with anchor escapement and outside countwheel striking on a bell, 209cm high

An 18th century oak longcase clock, with thirty hour movement, the eleven inch brass dial signed 'Gabriel Fowkes of Dartford', with silvered chapter ring, over a plain trunk door with box base, stands 191cm high

An early 19th century oak East Midlands longcase clock, the stepped cornice above a circular glazed door flanked to each side by a column, the shaped trunk door above a projecting panelled box base and a moulded plinth, the thirteen inch circular painted dial with date aperture and signed 'Rea Walton', the single train movement with false winding holes and anchor escapement, 200cm high

A George III mahogany longcase clock, the hood with flower carved swan neck pediment and leaf scroll decorated eglomise panels, above an arched glazed door flanked by fluted columns, the ogee arched long trunk door flanked by reeded pilasters, above a panelled box base with chamfered corners, on ogee bracket feet, the fourteen inch painted dial signed 'Collier, Cheadle', with subsidiary seconds and date dials, within Roman hour and Arabic minute numerals, with flower painted spandrels, the arch with moonphase, the twin train brass movement with anchor escapement, striking on a bell, slight faults and restorations, approximately 230cm high

An 18th century oak longcase clock, the 8 day striking movement with 12 inch brass dial and silvered chapter ring,inscribed Rodgers,Chesterfield,the hood with swan neck pediment,the trunk door mahogany crossbanded with central inlaid lozenge,on later bracket feet stands 7.5ft high

A GEORGE III OAK LONGCASE CLOCK, the silvered and brass dial signed John Stoakes, Fareham with subsidiary seconds dial and date aperture with rococo type engraving, the silvered chapter ring with Roman numerals and Arabic minutes with pierced cast spandrels all beneath a strike/silent dial, the five pillar movement striking on a bell, the arched hood surmounted by gilt acorn finials, the dial flanked by twin turned columns, the trunk door with an inlaid panel of a dragon, 86" high.

A mahogany dwarf longcase clock, the arched hood with swan-neck pediment, urn finials and fluted turned columns, the double ogee arched waist-panel door enclosed by fluted quarter columns on a box base with moulded brick work decoration, the 18cm. arched brass dial with silvered chapter ring and automaton sailing boat to the arch, the twin-train movement striking to a bell, 153cm. high.

A 19th century mahogany longcase clock, the arched hood with spiral-twist columns having a plain field waist-panelled door on a box base, the 33cm. painted arch dial with subsidiary seconds, date aperture and lunar phase to the arch, the twin-train movement with anchor escapement striking to a bell, 221cm. high.

A late George III mahogany and chequer-strung longcase clock, the hood with swan-neck pediment with urn finial and turned columns, having an arched waist-panel door within canted angles on a box base, the 34cm. painted arched dial signed 'Arch Buchan, Bridgend, Perth', with subsidiary seconds and date dials, the twin-train striking to a bell, 220cm. high.

A George III carved oak longcase clock, the associated case with castellated hood and fluted columns with figural carved arched panel door within fluted canted corners on a similar decorated box base, the 30cm. square brass dial with silvered chapter ring signed 'Jn. Underwood, London', having subsidiary seconds and date aperture, the twin-train movement striking to a bell, 200cm. high

A George III mahogany and boxwood-strung longcase clock, the arched hood having fluted columns and gilt-metal Corinthian capitals, the arched waist-panel door enclosed by fluted and canted angles on a similar box base, the 29cm. arched brass dial with silvered chapter ring signed 'Tho.Eayre, Kettering', with date aperture and subsidiary seconds and regulation to the arch, the twin-train movement striking to a bell, 236cm. high.

A 19th century mahogany longcase clock, the dome topped and fret carved hood with a pair of brass capped and stop fluted columns, the trunk enclosed by a shaped waist panel door between stop fluted quarter pilasters, on a panelled box and plinth base, the 12in. brass and silvered Roman dial signed 'R Rolfe, Clerkenwell, London', having a strike/silent dial to the arch and subsidiary seconds dial, the three train movement with Whittington strike to eight bells and hour strike to a further bell, 233cm. high.

JOSHUA DENTON, HULL, AN EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK, the arched painted dial with calendar and seconds subsidiary dial, the movement striking on a bell, the hood with a swan neck pediment above an arched door, on bracket feet, 207cm (82in) high.

A WALNUT MINIATURE LONGCASE CLOCK Dial: white enamel, movement: drum, 19in.(48cm.) high

A MAHOGANY LONGCASE CLOCK dial: cream painted signed Harris & Sons, Bath, subsidiary seconds ring and calendar crescent, the arch with the muse Urania, case: the hood flanked by fluted columns with gilt metal Corinthian capitals, 94in. (239cm.) high

AN OAK LONGCASE CLOCK dial: 11inch silvered chapter ring, case: the hood flanked by fluted pillasters, 86in. (219cm.) high overall

A MAHOGANY LONGCASE CLOCK dial: 13inch silvered chapter ring, subsidiary seconds ring and chime silent ring to the arch, movement: striking on a gong and a rack of eight bells, case: the hood flanked by reeded pillars with gilt metal capitals, the case inlaid with boxwood lines and medallions, 93in. (236cm.) high

A MAHOGANY LONGCASE CLOCK dial: cream painted chapter ring, signed W. Firth, Leeds, the centre painted with Britannia and Ships of the Line, the spandrels with The Seasons and the arch with Nelson on his deck, case: the hood flanked by turned pillars with gilt metal Corinthian capitals beneath a swan neck pediment, 87 1/2in. (222cm.) high

AN OAK THIRTY HOUR LONGCASE CLOCK Dial: 10 1/2inch silvered chapter ring, signed Sandiford, Manchester, subsidiary calendar crescent, case: square hood flanked by turned pillars, 79in. (201cm.) high

AN OAK LONGCASE CLOCK dial: brass chapter ring with subisidiary seconds ring and calendar aperture, signed on a boss to the arch Richard Floyer, London, case: the hood flanked by turned pillasters, 89in. (226cm.) high

"Early 19th century 8-day longcase clock, painted square face with"gilt floral spandrels and provincial oak casing.

A mahogany three train longcase clock, North-West country provincial, circa 1840, the cream enamel arched face unsigned, depicting Jesus ascending to heaven with four apostles. Spandrels each decorated with an apostle : Matthew, Mark, Luke and John, the face painted with both Roman numerals and smaller arabic numeral

A George III oak longcase clock, the 12 inch painted dial with subsidiary seconds dial, date sector and brass ringed winding holes signed I&E Mason Worcester having floral spandrels and eight day striking movement in crossbanded case with swan neck pediment, turned pillars and incised pilasters, on bracket feet, 205cm h In fine condition, the movement and dial original to the case, the dial in good order and without repainting etc, the case of fine colour and patina. Attractive cottage longcase.

An oak longcase clock, the 12 inch painted dial with date sector, subsidiary seconds dial, ringed winding holes signed indistinctly H Bar..., having floral spandrels and a medallion of a girl to the arch, fitted eight day movement in crossbanded case with swan neck pediment and fruitwood pillars, a shaped door to the trunk, 214cm h Some old repainting to the dial. A couple of vertical splits in the base and later boarded plinth but in otherwise sound original condition. The dial, case and movement original.

RICHARD COLE, IPSWICH, A LATE 18TH CENTURY OAK LONGCASE CLOCK, the painted break arch dial with moon phase marked 'High Water at Ipswich, subsidiary seconds and date dials, the swan neck hood above a long arched top trunk door and stepped base, twin train movement, 85 1/2 ins high.

WM. EWBANK, ELLAND, AN EARLY 19TH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, with fan inlay corners, the break arch 'Wilson' rolling moon phase dial with subsidiary seconds and strawberry spandrel corners, the swan neck pediment hood above a shaped top trunk door flank by quarter columns, raised on a stepped base with bracket feet, twin train movement, 93 1/2 ins high.

A GEORGIAN MAHOGANY AND INLAID LONGCASE CLOCK, the arched pediment hood with a square glazed door flanked by boxwood inlaid pillars, crossbanded trunk door flanked by brass capped boxwood strung pillars, raised on a stepped panelled base with plinth, the associated 12 ins painted dial supporting a twin train movement, 86 1/2 ins high

A late 18th century oak Somerset longcase clock, the 30 hour movement with outside count wheel, the square brass 12in. dial engraved a scene of a ship and house above a calendar aperture, inscribed James Webb, Frome, cast pierced corner spandrels, the hood with gilt capped reeded pillars, the trunk with a sycamore banded door and base to a plinth. 6ft 2in. (219cm.)

A French provincial pine longcase clock, the movement striking on a bell, the circular white enamel convex dial with stamped brass surround with an angel of plenty surmount, the waisted trunk with a glass pendulum aperture, the base on a plinth. 6ft. 9.5in. (81.5cm.)

A late 18th Century pine longcase clock, the swan neck pediment above the glazed panelled door enclosing the 12in. brass dial, inscribed 'Thomas Morpeth, Hexham' and also 'Robert & Margaret Robinson, Hatton 1785', all within the roman numerals and outer minute scale, fitted 30 hour chain driven movement striking on a single bell, with arched panelled door to the trunk, raised on a plinth base, 18in. x 83in. high.

A fine late Georgian oak longcase clock, the broken arch pediment centred by a brass sphere, the arched hood with lined fret carved panels above the art glazed panelled door enclosing the 12in. brass dial, the silvered boss to the arch inscribed 'John Bates', with silvered chapter ring and roman numerals, fitted seconds dial and date aperture, fitted eight day striking movement, the trunk below with rectangular panelled door flanked by blind fret carved chamfered corners, raised on bracket feet, 19in. x 89in. high.