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A 19th Century Scottish mahogany longcase grandfather clock by William Robb Montrose having and arched glazed hod housing a brass worked dial and a silver and Roman numeral chaptering. Mahogany case with single door and raised on bracket type supports. Measures approx; 205cm x 45cm x 23cm. 

A 19th Century Victorian mahogany longcase grandfather clock having an arched glazed hood housing a hand painted dial with central Roman numeral chapter ring. Flame mahogany case with single door above a stepped base with all raised on bracket feet. Some feet loose. Measures approx; 226cm x 51cm x 23cm.   

A 19th Century Scottish mahogany cased mahogany longcase grandfather clock. Arched pagoda topped hood with reeded columns flanking the circular enamel dial painted with Roman numeral chapter ring and set with faceted hands. The trunk with flame mahogany door and all raised on small bracket feet. Measures approx; 204cm x 44cm x 22cm.

An 18th Century George III longcase grandfather clock by Thomas Pace of London. Silvered signed dial with faceted hands contained within the glazed door hood. The trunk with long carved door and raised on bracket feet. Measures approx; 224cm x 49cm x 28cm.

A Victorian Mahogany Eight Day Longcase Clock, circa 1840, the 14 inch painted arch dial signed H. T. Iliffe, Ashton

IMPORTANTE HORLOGE DE PARQUET D'EPOQUE REGENCE EN BOIS SATINE ET AMARANTE, ORNEMENTATION DE BRONZE CISELE ET DORE, D'APRES UN DESSIN DE JUSTE-AURELE MEISSONNIER, ESTAMPILLE DE E.J.CUVELLIER DEUXIEME QUART XVIIIe SIECLEAN IMPORTANT REGENCE ORMOLU-MOUNTED BOIS SATINE AND AMARANTH LONGCASE CLOCK, AFTER A DESIGN OF JUSTE-AURELE MEISSONNIER, THE CASE STAMPED E.J.CUVELLIER SECOND QUARTER 18TH CENTURY The lyre-shaped case fitted with a bust of Louis XIV depicted as a Emperor, before seven gilt bronze cords simulating that of a lyre, flanked by scrolling upswept acanthus sprays, the sides with parquetry ornated with ribbon-tied musical trophies, surmounted by the circular enamelled and brass dial, with Roman and Arab chapters, surmounted by a figure of Diana holding an arch flanked by a cherub and a dog, with floral swags on both sides, the lower shaped section with ribbon-tied foliate husks and centred by a large sea-monster mask headed by a pierced stylised shell motif, above a further socle mounted with delicate oak foliate branches, C-scrolls and shaped sabots surmounted by acanthus, the case overall banded with brass and ebony filets, the back of the case stamped 'E. J. CUVELLIER', the later associated movement signed 'J. P. Du Commun à Paris', regilt, partly remounted , 85cm wide, 39cm deep, 220cm high (33in wide, 15in deep, 86 1/2in high). Footnotes:Provenance:Private French Collection;Weschler's Auctioneers, Rockville, Maryland, 20 February 2015, lot 213, (USD 76,000);Estate of Guy Martin, Jr., by inheritance from:Edith Kingdon Gould (1920-2004); Kingdon Gould, Sr. (1887-1945);George Jay Gould I (1864-1923).Related Literature:Peter Fuhring, Juste-Aurèle Meissonnier, Un génie du rococo 1695-1750, 1999, pp.175-179.J.Aronson, Encyclopedia of Furniture, 3rd Edition, 1965, p.220A. Pradère, Les ébénistes Français de Louis XIV à la Révolution, Paris, 1989, p.134, fig. 96.The horloge de parquet presented here belongs to a small group of at least two other related horloges de parquet called 'à la lyre' known at the present time. The most celebrated one being originally in the collection of the 18th century painter Charles-Antoine Coypel, who became premier peintre du roi after his father's death in 1722, and Director of the Académie Royale in 1747. In the sale following the death of Charles-Antoine Coypel in 1753, lot 579 was recorded as : 'Une pendule à secondes qui donne l'heure du temps vrai, la course du soleil, le jour et la date de la semaine, le mouvement est de Monsieur Claude Martinot et la caisse de Monsieur Meissonnier'. During that sale, it was purchased by the eminent French horologist Julien LeRoy, who then resold it a few years after. This horloge is presently conserved in the collection of the French group AXA, in the Hôtel de la Vaupalière in Paris. It is interesting to note that the case is described as being conceived by Juste-Aurèle Meissonnier (1695-1750) who must have designed this horloge de parquet circa 1725-27. The complicated astronomical movement of the Coypel horloge de parquet is signed 'Claudius Martinot / invenit, et fecit.' and dated 1727. The second related horloge de parquet, stamped by François Duhamel was sold on 9 July 1931 at Christie's London. Very much similar in form, the Christie's horloge shares the same if not identical sea monster pierced stylised shell motif to the lower section as our horloge, as well as the lyre ormolu cords, but with a few other differences in the ormolu scheme, and without the bust depicting Louis XIV found on our horloge. Both ormolu groups to the top of the movement cases differ from each other, our horloge is headed by a group depicting Diana the huntress, while the Coypel's example is mounted with a group depicting 'Amour et Psyche' and the Christie's clock stamped by the ébéniste Duhamel (maître ébéniste in 1750) is headed by a group of cherubs playing. It is conceivable that Duhamel was fascinated by the earlier and very innovative Meissonnier's lyre-shaped design and decided to reproduce it a few decades after, since his maîtrise dates from 1750. Christie's 1931 horloge was most probably later on in the French & Co. collection, as illustrated in J.Aronson, Encyclopedia of Furniture, 3rd Edition, 1965, p.220. The horloge was subsequently sold at Sotheby Parke Bernet, New York, 9 October 1971, lot 147. And most probably the same one sold again at Bonhams New York, 24 April 2013, lot 1143. The Duhamel stamp is equally present alongside that of Balthazar Lieutaud on a related régulateur conserved in the Musée des Arts et Métiers in Paris. However, more Louis XV in treatment, another two almost identical models as the one in the Musée des Arts et Métiers are stamped respectively Jacques Dubois and attributed to Jacques Pierre Latz, showing the difficulties of attributions and of the paternity of the designs and makers. An 18th century engraving reproduced here (Bibliothèque de l'Ensba, 22620, f.43) depicts the model of our horloge de parquet, with only minor differences. Unfortunately, the border of this design is slightly cut out, therefore no inscription, signature nor engraver is visible. It is however plausible to assume that the engraving could be that of Juste-Aurèle Meissonnier, before 1727, as his name is mentioned in the sale description of the horloge sold from the Coypel sale. Juste-Aurèle Meissonnier (1695-1750), born in Turin, was a goldsmith, sculptor, painter, architect and most of all a furniture designer. He owes his extravagant decorative style to his italian origins and mastered the flamboyant style of rococo like no one else. Meissonnier worked his whole life in Paris where he became appointed by Louis XV as Dessinateur de la chambre et du cabinet du roi. His books of design: Livres d'ornements en trente pièces, and Ornements dela carte chronologique are conserved in the collection of the Cooper-Hewitt, National Design Museum. The ormolu group of Diana the huntress which is on our horloge above the clock case appears to be a group often used by Charles Cressent (1685-1768) on other pieces of furniture he has executed, as on the pendule Crozat, and on various cartonniers attributed to him. Cressent was known to have designed and produced his own ormolu mounts for his furniture; this upset some of his fellow ébénistes as well as the corporation of the fondeurs-ciseleurs and for this reason, he had constant problems with the corporations and was sued various times.Known to excel in the manufacturing of longcase clocks, Cressent produced related cases to the horloge de parquet here presented, such as the Régulateur de parquet veneered in bois satiné, amaranth and parquetry, with its ormolu Chronos cresting in the English Royal Collection (RCIN30035), illustrated in A. Pradère, Les ébénistes Français de Louis XIV à la Révolution, Paris, 1989, p.134, fig. 96. The only present estampille on our horloge de parquet is that of E.J.Cuvellier. A rather unknown ébéniste whose stamp is found only on a few pieces of furniture, some of them being important. Not mentioned in 1953 on the Salverte book of Les ébénistes du XVIIIème siècle, Cuvellier has been more recently discovered to have worked d... This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A George III pine longcase clock, 8 day movement, the 12' silvered break-arch dial with ship automaton and painted seascape, signed Peter Upjohn, Bideford. 81¾' high

AN 18TH CENTURY LONGCASE CLOCK BY SAMUEL JEMMETT OF MIDHURST the 25.5cm square brass dial with chastened centre and crowned putti spandrels, to the thirty hour movement striking on a bell, contained in possibly associated oak case with scrolled cresting and turned pillars to hood, 208cm high

A GEORGE III OAK LONGCASE CLOCK the silvered arch dial inscribed "Rob Burfield Arundal", with single train movement, in an oak case, 201cms high

A GEORGE I WALNUT LONGCASE CLOCK the brass arched dial with subsidiary seconds dial and date aperture, the arch with moon phases, inscribed " George Spurr Aylesbury", the five pillar movement striking on a bell, in a walnut case, 212cms high

A 19th Century mahogany and oak longcase clock, with 32cm painted arched dial, blind fretwork decoration to hood and eight day bell striking movement a/f

An early 18th century Dutch longcase clock, the dial signed Huygens Amsterdam, with silvered chapter ring with Roman numerals, walnut and crossbanded case with oval aperture to trunk door, on bun feet, 203cm high

An 18th century red japanned longcase clock, the movement signed John Thomas, Crewkerne, pediment top with gilt blind fretwork, the dial flanked by columns, the trunk door depicting figures and pagodas, within a floral border, 198cm high

A mahogany longcase clock, the pediment with red silk backed blind fretwork, above a domed enamel dial with Roman numerals, flanked by fluted columns, domed trunk door, on plinth base, 239cm high

A mahogany longcase clock comprising associated George III elements, the eight-day bell striking movement with 12inch arched brass Roman numeral dial inscribed for James Adair of Stranraer, in a mahogany case of Lancashire type, 225cm high overall

A Regency mahogany longcase clock, circa 1820, with eight-day bell striking movement, the painted 14inch Arabic numeral dial, with moon phase automaton, subsidiary seconds dial and date aperture, the lower margin inscribed Jno Smith, Wrexham, the falseplate stamped FINNEMORE, the mahogany case with Gothic arches to the trunk door flanked by wrythen columns, 220cm high overall Provenance: Property from Plas Llangatock, Crickhowell, Wales

A George III fruitwood longcase clock, late 18th century, with thirty-hour movement, the 12inch brass dial with subsidiary silvered seconds and date dials, the centre signed for John Juler, N. Waltham, 198cm high Provenance: Private Collection from a Country House, Berkshire

A mahogany, crossbanded and inlaid eight-day longcase clock. Circa 1800, with arched painted dial, etched bone inlay and split twist column side pieces, height 224cm.

An 18th Century and later mahogany longcase clock, the eight-day movement with 12 inch broken arch brass dial with subsidiary strike/silent, seconds and date dials, signed Jas. (James) Windsor London, enclosed by a brass finial mounted hood over a long trunk door and canted plinth base, height 231cm, S/D

A 19th Century mahogany longcase clock by Thomas Adams Middlewich, eight day striking movement with moon phase enclosed by a glazed pillared hood over a short door, on canted plinth bracket base, height 215cm, S/D.

A 19th Century and later oak longcase clock, the later associated eight-day movement with 12 inch arch brass dial with subsidiary seconds dial and date aperture, bearing roundel signed George Horlette, Coventry, enclosed by a pillar hood over a long trunk door on canted plinth base, height 204cm, S/D

A 19th Century mahogany longcase clock, the 14 inch painted dial with moon phase, subsidiary seconds dial and date aperture, with eight-day striking movement enclosed by a glazed pillar hood and broken swan neck pediment over a short trunk drawer and canted plinth base, un-named, height 224cm, S/D

A 19th Century oak longcase clock with later associated eight-day movement striking on a bell, the 12 inch square brass dial with silvered chapter ring date and subsidiary seconds dial enclosed by a pillared hood, over a long trunk door and canted plinth base, height 200cm, S/D

An early 19th Century oak longcase clock with an eight-day movement, the 12 inch broken arch moonphase dial with subsidiary seconds dial and date aperture, signed John Evans, Llanarth, height 213cm (excluding the finial), S/D

Miniature longcase clock, pair of War Office model field glasses, jewellery box, wooden bridge of elephants etc

CLOCKS ROBEY, J. The Longcase Clock Reference Book. 2 vols. d/ws in s/case, plus EDWARDS, E.L. The Grandfather Clock. 1980, d/w, plus ROBERTS, D. British Longcase Clocks.1990, d/w, plus 3 others (7). Est. £40 - £50.

Smith Crowland. An early 19thC Lincolnshire longcase clock, the arched painted dial decorated with a female figure in a rural landscape, anchors, etc., with an eight day movement, in oak and mahogany case, 215cm high.

A Victorian mahogany, fruitwood and inlaid thirty hour longcase clock, Nicholas Daventry,  207cm h, pendulum and weight

A MONTH-GOING SEAWEED MARQUETRY WALNUT LONGCASE CLOCKThe movement by Jonathan Lowndes, London, early 18th century and laterThe stepped domed hood with pierced sound frets above three-quarter columns, glazed hinged door and glazed sides, above panel door and stepped base, the sides with chequer inlay; the 12in square brass dial, cherub and crown spandrels, signed silvered chapter ring, seconds subsidiary, calendar aperture and harboured winding holes, the twin train movement with six ringed and finned pillars, anchor escapement and inside countwheel strike on a bell, case and movement possibly associated 236cm highJonathan Lowndes, recorded by Loomes as working 'At the dial in Pall Mall', 1680 to 1710.With two gilt-painted cast-iron weights, a modern winding key, brass bob pendulum.The movement: the dial and movement are in good original condition.  It will require a service as the plates are dirty and the oil sinks show old oil now darkening.  Seatboard is a replacement.  It is 32mm thick in oak.The case:  this has been subject to restoration in the past.  The backboard is 95% complete.    Overall it has been repolished and little of the original patina remains.  Some reveneering. Cheeks reduced slightly.  Incorrect use of a polish to the internal carcass.  Door hinges replaced.  Long lateral carcass crack to panel door on right-hand edge.  Cleat shrinkage damage at top and bottom with each area having replaced veneer panel which is decorated to match the marquetry.  Unusually the original oval cut-out for the glass has been removed and an oak panel of matching grain has been inset, whilst the front side has an oval marquetry inlay which is a very close match to the rest of the door.  It was well done and appears very old work.  Marquetry base plinth has a lateral crack.  Plinth moulding is not original nor are bun feet.  Overall losses and repairs to veneers and marquetry.

A WALNUT, SEAWEED MARQUETRY STRIKING LONGCASE CLOCKThe dial inscribed Robert Sly, King Street, Westminster, early 18th century and laterThe hood with later swan-neck pediment above a square glazed panel door, flanked by fluted columns and Corinthian capitals, above a panelled door inlaid with three outlined marquetry panels, on a stepped base with marquetry on moulded base; the 12in square brass dial, with crown and twin cherub spandrels, silvered chapter ring, enclosing a matted centre with seconds subsidiary, the twin train movement with four knopped and finned pillars, with anchor escapement and strike on a bell (movement and case associated, case substantially restored and with altered elements, the chapter ring associated)238 cm high overallProvenanceChristie’s, London, 6 December 2006, lot 75.Robert Sly is recorded as apprenticed in 1707 and as a member of the Clockmakers' Company in 1720.  He was working in King Street, Westminster.  1 pendulum. 2 winding keys. 1 case key. The clock has been subject to ‘restoration’ in the past.  This would benefit possibly from some consolidation: however, it’s very much subject to personal preference.Taking the clock from the top:The swan-neck decoration to the hood is later, as is the rectangular marquetry panel between the glazed door and pediment.  The walnut fillets to the dial edge are probably replaced if one considers the movement associated.  A piece of veneer from the lower right side of the hood is loose, also other veneer losses to the left side.  The pillars and capitals to the door are not period.  The cheeks do not seem reduced.  There is a badly filled carcass crack to the marquetry above the panel door, also some associated damage to the left and right side panels.  The marquetry door has a filled repair to the top and the bottom which is due to the door cleats drying.  The hinges are replaced and should be iron.  Both sides are likely to have been reveneered.  The backboard runs complete to around 12in from the floor with another old board filling most of the remainder, with the grain running horizontally.  The back of the backboard has had a wash put on it. From the rear, the construction and mouldings look period.  The plinth side veneers look old.  The 5/8in. slip at the base is later.  The movement is rack striking with four turned pillars.  It appears in good order.  There are two filled holes and a vacant hole visible to the back of the dial which evidences the chapter ring being changed.  The present chapter ring does not cover the dial maker’s score line.  The spandrels have been changed and previous drilled holes for these are filled and re-drilled.  It appears to be be clean and well cared for: however, we would suggest a service.  The seatboard is oak but not the original.  An interesting Camerer Cuss label fixed to it is dated 1964. 

A GEORGE II WALNUT LONGCASE CLOCKThe movement signed Robert Sadler, LondonThe arched hood with a deeply-moulded edge above fret panel, arched glazed door flanked to each side by a three-quarter column, the sides with a rectangular glass panel and quarter-column, the trunk enclosing an arched door, crossbanded and herringbone outlined, on a base with stepped moulding and twin plinths; the 12in. arched brass dial with convex signature roundel, above foliate mask spandrels, silvered chapter ring with chevron half-hour markers, enclosing a matted centre with seconds subsidiary and calendar aperture, the twin train movement with five ringed and knopped pillars, anchor escapement and strike on a bell (replacements and restorations, movement probably associated)242 cm high overallThe case has been subject to extensive restorations and partial reveneering.  The base and hood with evidence of reconstruction.  The minute hand to the dial is a replacement.  The movement will require a service.  with a brass bob pendulum.  

A GEORGE I WALNUT STRIKING LONGCASE CLOCKThe movement by Daniel Quare, London, the case early 18th century and laterThe hood with caddy top and brass finials, above a fret panel and moulded pediment, with glazed square door, flanked by brass-capped three-quarter columns, the sides each with a glazed panel and quarter-cut column, above the trunk with rectangular panel door, on stepped plinth base; the 11 ½ in. square brass dial with crown and cherub spandrels, silvered chapter ring, enclosing the matted centre with seconds subsidiary, harboured winding and calendar apertures, the movement with five knopped, ringed and finned pillars, anchor escapement and internal countwheel strike on a bell, the case with restoration and replacement, case and movement possibly associated246cm highPROVENANCE:  Bonhams, London, 9 July 2014, lot 55.Daniel Quare (d. 1724), one of England's greatest clockmakers from the 'golden era' of English Clockmaking.  George I offered him the post of the King's watchmaker; however his Quaker faith made him unable to swear an oath of alligence.  Nevertheless the King told him that he could visit at any time, so his nickname 'Quare of the back stairs' was coined as the Yeoman of the Guard were instructed that he could only use the back stairs.His commercial success can be measured in part from the guest list of his daughter, Anne's wedding, which included envoys from many of the Royal houses of Europe.The case has been subject to restoration.  It is repolished.  The upper part of the hood may have some reconstruction which is well done. The frets are replaced.  The door hinges have modern screws.  The hinges are likely replacements, of the correct type.  Old screw holes for each butt on the inner edge of trunk.  The plinth has been rebuilt.  The backboard has a replacement part at this point.  Possibly moulding around the trunk door is replaced.  The movement is dirty and will require a full service.There are two brass bound weights and the pendulum.  

A WILLIAM AND MARY WALNUT AND MARQUETRY LONGCASE CLOCKBy John Greenhill, Maidstone, circa 1695The hood with a moulded cornice above a fret with glazed panel below, flanked to each side by turned handed columns, with a quarter-column to the back, the trunk inset with a panel door with three bordered marquetry panels cut with abundant flowers, scrolls and birds, centred with a glazed aperture, the inside of the door with an engraved silver presentation panel dated 1961, the base with conforming panel, on bun feet; the 11in square brass dial with cherub head and foliate spandrels, silvered chapter ring, signed John Greennhill, Maidston Fecit (sic), enclosing a matted centre with rose engraved centre, seconds subsidiary, harboured winding holes and calendar aperture above the six, the twin train movement with five knopped and finned pillars, anchor escapement and internal countwheel strike on a bell203cm highJohn Greenhill III, recorded 1655-1712.  Pearson states Greenhill was a man of some substance in Maidstone for, in addition to being in business as a gunsmith and clockmaker, he was a member of the Corporation and had substantial land holdings.COMPARATIVE LITERATURE:Michael Pearson, Kent Clocks & Clockmakers, Ashbourne 1997, p.71.Two brass cased weights and its pendulum.  The clock was running before consignment and has been carefully maintained.  It is in very good condition.The case has been the subject of some sympathetic restoration, mainly to the base.  The sides of the base may be reveneered and each has a slight vertical crack, due to carcass movement. Some of the banding to the marquetry base panel seems replaced.  There is an old repaired crack laterally across the base marquetry.  This is fairly usual and indicates originality.  There is a small amount of ‘repainting’ on this area.  The trunk door hinges appear original.  The lock is a brass replacement.  The seatboard cheeks have not been reduced.  There are nail holes (square handmade nails) to the inner side of each cheek and the surface of the oak board here is not so oxidised.  The seatboard is possibly replaced.  The fret panel to the hood is a replacement.  The backboard is 90% complete.In summary a charming clock which presents very well.

A CHARLES II WALNUT, OYSTER VENEERED AND MARQUETRY LONGCASE CLOCK WITH 10” DIAL AND BOLT-AND-SHUTTER MAINTAINING POWERThe movement signed Daniel Quare, London, the case associated, circa 1680The hood with a moulded cornice above a glazed door, flanked by handed columns, above the trunk inset with a panel door, oyster veneered and with two small foliate spandrels and two larger foliate marquetry panels, the sides with oyster veneered panels, the base with a marquetry panel of a vase and flowers, on bun feet; the 10in square brass dial, signed on the dial plate Daniel Quare, London, with cherub mask and foliate spandrels, silvered chapter ring enclosing a finely matted centre, engraved with a rose, blued steel hands, narrow seconds subsidary and calendar aperture, the twin train movement with five knopped and finned pillars, bolt and shutter maintaining power, latched to the front plate, anchor escapement and external countwheel strike on a bell, case and movement associated193cm highPROVENANCE: Bonhams, London, 11 July 2018, lot 65.A marquetry clock, with virtually identical dial and movement by Quare, was sold at Bonhams, London, 13 December 2017, lot 12.Daniel Quare (d. 1724), one of England's greatest clockmakers from the 'golden era' of English Clockmaking.  George I offered him the post of the King's watchmaker.  However: his Quaker faith made him unable to swear an oath of alligence.  Nevertheless the King told him that he could visit at any time, so his nickname 'Quare of the back stairs' was coined as the Yeoman of the Guard were instructed that he could only use the back stairs.His commercial success can be measured in part from the guest list of his daughter, Anne's wedding, which included envoys from many of the Royal houses of Europe.With two brass bound weights and its pendulum.  The clock is in good condition and was running prior to consignment.The dial has two pairs of filled holes on the top edge of the dial plate (perhaps once holding an arched panel as a later addition?).  The movement is clean and the steel work is clean and bright. The bolt & shutter mechanism is likely a replacement, well done.The case has been restored.  The base appears to have been reconstructed, utilising the marquetry panel and re-laying it.  The sides and front border are reveneered.  The backboard is 90% complete and runs 173cm in length.  The cheeks have been reduced by approx 10mm.  There is no indication it originally had a rising hood.  There is no sound fret to the hood.The clock presents very well and with the 10in dial and the proportions of the case it has a charming presence.

A GEORGE III 10” SQUARE BRASS DIAL 30 HOUR STRIKING LONGCASE CLOCK MOVEMENTBy John Dadswell, BurwashThe dial with cast pierced spandrels, brass chapter ring and engraved centre with signature, posted frame movement with anchor escapement and countwheel strike on a bellSee also lot 1254 for a lantern clock by Dadswell.In good original condition. The movement and dial are dirty and will require a service if to be used.  Note - there is no pendulum or weights.

A LATE GEORGE III BRASS-MOUNTED MAHOGANY QUARTER CHIMING AND STRIKING BRACKET CLOCKBy Robert Roskell, Liverpool, circa 1815Ivory Declaration THZ42QA4The break-arch case with a single pad top, above glazed panel door, flanked to each side by a stop-fluted quarter-column, above a chevron moulded panel, the sides each with a lion mask ring handle and brass grille panel, on stepped plinth and hairy claw feet, the 8in arched white-painted dial, with strike / silent above the chapters, signed, with finely pierced blued steel hands, the substantial three train gut wire fusée movement signed ROBERT ROSKELL LIVERPOOL, with engraved backplate, locking pendulum block with knurled finger nut, anchor escapement, chiming the quarters on a carillon of eight bells and striking the hour on a larger single bell, with trip repeat53cm highProvenance: The Waterhouse Collection Please see the following story for further details: Autumn at Bellmans | The Waterhouse Family CollectionThis clock (along with the longcase domestic regulator, also by Roskell in this sale) will have come from his family who originated in Liverpool (Everton).  His father, also Alfred Waterhouse - 1798-1873, his grandfather Nicholas Waterhouse of Everton 1764-1837.   The clock is in good original condition.  It has its pendulum and a steel key.  The case is in very good condition and is of a fine colour.  The dial has lost some paint over the chapters and minute ring and in the arch on the strike / silent.  The movement looks to have been well cared for.  It functions: however the chime is a bit sluggish.  The oil sinks are dirty so it would be advisable to have it serviced.

SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, JOHN MURDOCH, EDINBURGH 18TH CENTURY the swan neck pediment carved with flower heads and a central urn finial, above an engraved arched brass dial signed to the arch over Roman numerals and subsidiary seconds dial and date aperture, flanked by fluted columns with brass mounts above a shaped trunk door flanked by fluted quarter columns, on a plinth base with ogee bracket feet; the eight day movement striking a bellDimensions:53cm wide, 226cm high, 28cm deepNote: Note: The Edinburgh clockmaker John Murdoch was active from 1752-1775, having been apprenticed to Andrew Dickie. His son, also John, worked as his father's apprentice from 1767.

GEORGE III SCOTTISH MAHOGANY LONGCASE CLOCK, JAMES YOUNG, DUNDEE LATE 18TH CENTURY the hood with a swan neck pediment with brass roundels enclosing an arched brass dial with a silvered chapter ring and engraved centre with two winding holes and a subsidiary seconds and calendar dials, the arch with a signed boss and pierced spandrels, above a banded trunk door with urn marquetry flanked by quarter columns, on a moulded plinth base raised on bracket feet; the eight-day, twin chain movement striking a bellDimensions:211cm high, 46cm wide, 24cm deep

LATE GEORGE III SCOTTISH ADAM AND EVE AUTOMATA MAHOGANY LONGCASE CLOCK, WILLIAM BISSETT, DUNDEE EARLY 19TH CENTURY the moulded swan neck pediment with brass mounts above an arched painted Roman numeral dial, with subsidiary seconds dial and date aperture, the arch painted with Adam and Eve in the Garden, flanked by fluted columns, above a trunk with a crossbanded shaped door flanked by quarter-columns, on plinth base; the eight-day twin chain movement striking a bellDimensions:220cm high, 53cm wide, 25cm deepProvenance:Provenance: Careston Castle, Brechin, Angus

A Welsh 18th century 8-day longcase clock by Thomas Davies of Carmarthen. The silvered dial with Roman and Arabic numerals. Seconds subsidiary and calendar aperture. The arch engraved with cottages. In a fine mahogany case, together with a key two weights and a pendulum. Davies, Thomas, King Street, Carmarthen, Wales; carver and cabinet maker. (b.1777-d.1845). It is possible the clock was made for him.

A George III oak longcase clock, 28cm square brass dial inscribed Hutchinson, Retford, Roman and subsidiary Arabic numerals, subsidiary calendar dial, thirty hour movement striking on a bell, the case quite plain, 216cm high, 50.5cm wide, 25.5cm deep

An early 20th century Germany two-room room setting, with original floor paper, door way between rooms and two back windows, blue velvet and red stained sofa and three chairs, gilt metal umbrella stand, a soft metal longcase clock, all-bisque toddler with blonde moulded hair and blue boots (chipped hip), a bisque shoulder head elderly male doll and other items --20in.(51cm.) wide (re-papered walls)

18th century longcase clock case with a Victorian painted dial & a single weight

CIRCA 1830 OAK & MAHOGANY LONGCASE CLOCK having a 13ins square painted enamel dial with eight day bell strike movement by J Hardy, Neston, 207cms H, 50cms W, 23cms D (no weights or pendulum)

ANTIQUE OAK LONGCASE CLOCK by George Bucke, Bungay, 12ins square brass dial having pierced spandrels, the dial set with Roman numerals, subsidiary seconds dial and date aperture before a twin weight pendulum driven bell strike movement (pendulum and weights included), single glazed door hood with three quarter pillar decoration above a shaped top long trunk door and a stepped trunk base, 206cms H overall, 47.5cms W

CIRCA 1800 OAK LONGCASE CLOCK by Gabriel Smith, Chester, arched top moon phase dial set with Roman numerals, subsidiary seconds dial and date aperture with painted rolling moon detail before a twin weight pendulum driven bell strike movement (pendulum and weights included) to a single glazed door arched top hood with broken pediment and brass ball finial, ribbed pillars and glazed side views over a shaped top trunk door and stepped trunk base, 114cms H overall, 56cms W

An early 19th century oak longcase clock with painted dial, Hexham maker, pendulum and weights

A 19th century oak longcase clock with painted dial, pendulum, weights and key

Arnold precision scales, Victorian mantel clock, cast iron kettle, postal stampers, oil burner, cameras, miniature longcase clock, etc.

Antique oak and mahogany banded eight day longcase clock having arched dial signed Nich Muddle, Tunbridge, 233cm.

An inlaid mahogany longcase clock with painted dial, eight day going.

A Georgian mahogany eight day longcase clock by Thomas Ogden, Halifax. With twin swan neck pediment. Having painted moon phase, subsidiary and date dials, Roman and Arabic numeral markers. Height 230cm. Minor cracking to veneer in places. Spit to back of case.

AN EARLY 20TH CENTURY OAK LONGCASE CLOCK, with a rounded top, single long glazed door enclosing a brass dial, with Arabic numerals, height 202cm, with three weights and pendulum (condition:-good condition)

An 18th century chinoiserie longcase clock, height 224cm

Tasker of Folkingham. An oak and mahogany eight day longcase clock, height 231cm

An early 19th century mahogany and oak eight day longcase clock marked J Elliot of Leeds, height 225cm

An early 19th century oak eight day longcase clock marked Symonds of Reepham, height 208cm

An Emperor longcase clock with acorn and eagle finials.

An 18th century chain driven 30-hr longcase clock in an oak case by James Pepper of Biggleswade c 1760, with a caddy top pediment and three (later) spun brass finials, blind fret to the front and square hood door with attached pilasters, slim trunk with a full length flat topped door on a rectangular plinth with applied skirting, 11� brass dial with chapter ring, Roman numerals, minute track and five minute Arabic's, matted dial centre with decorative engraving and urn pattern spandrels, square date aperture with engraved date ring behind, countwheel striking movement, striking the hours on a cast bell. With pendulum and weight.The Pepper family of Biggleswade were a prolific family of Bedfordshire clockmakers working from c1720-1889 Dimensions: Height: 225cm  Length/Width: 44cm  Depth/Diameter: 22cmCondition Report:Intermediate date wheel missing.

Early 19thC Oak Cased Longcase clock with painted dial by James Peters of Cambridge