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William Wise, Wantage, an 18th century 8-day oak longcase, with square brass dial and silvered chapter ring, 189 cm h Damage to the hood of the clock, small part next to hinge top left is broken, damage to wood surrounding glass with splitting where hinge connects, top right hinge with small part of beading around door hinge broken
A MIXED WOOD LONGCASE CLOCK having swanneck pediment over pilaster sided hood, part painted dial depicting a peacock, maker name & town unfortunately rubbed, main carcass having decorative banding & inlay, standing approx. 207cm high, sold together w ith pendulum & weights (minus back feet!)
Early 19th Century oak and mahogany cased longcase clock, the hood with pierced scroll pediment above an arched glazed door flanked by turned pilasters, the painted dial with Roman numerals, subsidiary seconds dial and date aperture, the arched top painted with a cottage beside a river, the case with shaped door above a plinth base, 48cm wide, 216cm high
George III oak longcase clock, Thomas Barker, Framlingham, the pediment with three gilt metal finals above the arched glazed hood and long trunk door above a panel base, the white painted signed dial with Roman hours and Arabic quarter numbers and subsidiary seconds dial, twin train movement with anchor escapement striking on a bell, 203cm high
George III mahogany longcase clock, Thomas Wilmhurst, Deal, the arched hood above the arched glazed door and long trunk door flanked by reeded canted corners and a panel base, the signed brass dial with moon phase, Roman hours and Arabic minutes, subsidiary seconds dial and date aperture, twin train movement with anchor escapement, with a single weigh and pendulum, 225cm high
George III oak longcase clock, Bar Dammant, Colcestrie, with swan neck pediment above a glazed hood flanked by columns and a long trunk door with panel base, the signed brass dial with silvered chapter ring, date aperture and subsidiary seconds, together with two weights and pendulum, 202cm high
A selection of 18th/19th century longcase clock painted and brass dials and movements, including a painted dial with swan automata in the arch, rolling moonphase dial signed William Greaves, Newcastle, brass dial signed Wm Smith, London, circular regulator silvered dial signed T.Lancaster, Bd Castle, etc (five boxes)
A selection of 18th/19th century longcase clock painted and brass dials and movements, including a thirty hour square brass dial and movement signed Jonas Barber, thirty hour brass dial and movement signed Jno Harrison, Newcastle, eight day arched painted dials signed R.Marshall and Michael Clark, Blyth, etc (four boxes)
A mahogany eight day longcase clock, signed Jno Jones, Carnarvon, early 19th century, painted arch dial with Cavalry soldier on horseback automata, together with an oak eight day longcase clock, signed A Talbot, Crook, early 19th century, painted arch dial with automata in the arch (a.f.) (2)
David Sutherland of Leith, a late 18th century 8-day longcase clock chiming on a single bell, fitted with a broken arch painted dial marked out in Roman numerals with a secondary dial at 12 o'clock and calendar dial at 6 o'clock. Housed in an oak case with an arch-topped trunk door. 204 cm high x 52 cm wide x 26 cm deepFootnote: David Sutherland is recorded in Brian Loomes's Watchmakers & Clockmakers of the World book on page 751. He is listed as working between 1775-1805Condition report: Splits to the plinth door
An early 19th century oak and mahogany cased thirty-hour longcase clock; the broken swan-neck pediment surmounted by an open-winged gilded eagle above a painted dial 29.7cm (11") signed 'Archer - Stow' and with date aperture, the painted dial with Roman numerals and spandrels decorated as stiff leaves and spiral scrolls, flanked by classical-style columns with gilt-metal capitals, the arched mahogany crossbanded trunk door above a lower shaped base (215cm high)
A late 20th century longcase clock produced to commemorate the Prince and Princess of Wales' 1981 wedding: the mahogany hood, centrally carved with a fleur-de-lys above two reeded Classical-style columns with gilt-metal capitals, pulling forward to reveal the gilded mechanism striking on four gongs; the silvered chapter ring with Roman numerals and cornered by pierced fleur-de-lys spandrels, signed 'Smallcombe, England'; rectangular trunk door and with three heavy brassed weights and pendulum, raised on bracket stile feet (191cm high x 49.5cm widest at top)
An early 19th century mahogany and boxwood-strung eight-day longcase clock; the broken swan-neck pediment centrally surmounted with an Adams-style urn above a twelve-inch painted broken arch dial with Roman numerals, subsidiary seconds hand, date aperture and signed 'JAS Hardy, Dorchester' within hand-decorated topographical-style spandrels flanked by reeded columns, rectangular trunk door with kite-shaped boxwood escutcheon, raised on plinth base, together with weights, winding key and pendulum (208cm high to tip of central finial)
A 19th century eight-day longcase clock by V. De Moulpied of Guernsey, the painted square and arched dial with haystack to the arch and shells to the spandrels, painted Roman numerals denoting hours, subsidiary seconds dial and calendar aperture, housed in veneered burr walnut case, with domed top, fielded panel door and pedestal base, on later bun feet, 198cm tall, two weights, pendulum and winder present
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41749 item(s)/page