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A Mahogany Eight Day Longcase Clock with Rocking Ship Automata, signed Coe, Cambridge, circa 1790, the pagoda case with good figuration and of good colour, stop brass fluted columns with brass capped capitals, moulded arched trunk door flanked by stop brass fluted pilasters with brass capitals, quatreform moulded plinth inlaid with fan and shell decoration, later skirting and bracket feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, matted dial centre with date aperture, subsidiary seconds silvered dial signed Coe, Cambridge, the arch with rocking ship automation and painted background scene, five pillar movement with anchor escapement and rack striking on a bell, later seatboard, 275cm high See illustration. Purchased from P A Oxley. William Coe is recorded working in Cambridge c.1795. See Baillie (GH) Watchmakers & Clockmakers of the World, pg 62.

An Unusual Small Mahogany Eight Day Longcase Clock signed Jno Thwaites, Clerkenwell, London, No.2393, circa 1800, the figured case with architectural pediment and side finials, side viewing windows, hood with inside holding catch, arched trunk door with moulded borders and flanked by canted corners, moulded plinth upon later feet, 12-inch square silvered dial with Roman numerals, two subsidiary dials for seconds and date, signed Jno Thwaites, Clerkenwell, London, No.2393, later hands, five pillar movement with anchor escapement and rack striking on a bell, movement frontplate stamped I Thwaites and numbered to the bottom side and top edge of the frontplate 2393 later seatboard, 206cm high See illustration

A C19th mahogany cased longcase clock by Thomas Gendle, Plymouth 220cm The arched hood with three brass finals enclosing a silver dial inscribed 'Tempus Fugit' to the arched with subsidiary second dial and calendar aperture, the case with long door and inlaid decoration.

Two 30 hour Longcase Clock movements with enamelled face and brass face named Williams Bafest Mayfield.

Box containing Longcase Clock Movements and parts, including two fusee movements.

Two arched enamel painted longcase clock Faces, a brass arched face marked W Littleford, Bridgnorth and another square dial.

An eight day longcase clock movement and painted arched dial, and a thirty hour with square painted face.

A 19th Century Longcase Clock with painted arched dial inscribed Payne, Ludlow, 8 day movement in oak case cross banded with mahogany, bird and floral inlay to the door, the hood with swan neck surmount and brass finials.

A 19th Century Longcase Clock with square painted dial, inscribed Jas Price, Rayader, 30-hour movement in mahogany case, the hood with turned columns.

A 19th Century mahogany Longcase Clock having painted arched dial inscribed Thos. Wm. Davies, Morristown, with eight day movement, the hood having swan neck pediment flanked by fluted pilasters and capitals 7ft 5in H.

Early 19th century oak eight day longcase clock cross-banded in mahogany inlaid with two satinwood shell motifs, broken arch painted enamel dial

Reproduction mahogany longcase clock, arch top, brass finish dial

A 1930's Mahogany Longcase Clock, with Roman numerals to brass and silvered dial, 8 day movement and oval glazed inset panel to door, bearing label H.A.C Make Wurttemberg.

A XVIII Century Oak Longcase Clock, with 8 day movement striking on a bell, the square brass dial inscribed "John Steel", with black Roman numerals and calendar dial, the hood with stepped pediment and side pilasters, and shaped door to the trunk, 195cms high.

A George III Mahogany and Oak Longcase Clock, the arched hood with swan neck pediment above a shaped door and conforming plinth base, the painted dial inscribed 'R Snow, P Y Bridge' and with subsidiary seconds dial and with thirty hour movement striking on a bell

An Early 20th Century Oak Longcase Clock, the dial with Arabic numerals and striking movement

A George III mahogany longcase clock by John Porthouse of Penrith, the case with Victorian alterations, with scroll carved pediment above the arched glazed door enclosing the 12.5 inch arched brass dial with moon phase and eight day striking movement inscribed to the centre "J.N.O. Porthouse Penrith", with date aperture and Roman numerals to the silvered chapter ring, with long trunk door below and base raised on short feet. Height 92 ins.

A George III mahogany longcase clock, with moulded cornice above a circular glazed door enclosing the 13 inch diameter painted dial with Roman numerals, subsidiary date and seconds hand and two train movement, in turn above a long shaped trunk door flanked by fluted quarter column corners and with conforming base. Height 90 ins.

A George III longcase clock, mahogany, with swans neck pediment with eagle and ball finial between above the arched glazed door enclosing the arched painted dial with female figure to the arch and with Roman numerals and thirty hour movement by W. Foster, Whitehaven, flanked by fluted columns and with long shaped trunk door inlaid and flanked by fluted quarter columns, with conforming base beneath. Height 92 ins including finial.

An Edwardian inlaid mahogany longcase clock, with swans neck pediment with steeple and ball finial between in turn above the arched silvered brass dial with three train movement with Arabic numerals, subsidiary seconds dial, Whittington & Westminster chimes and chime and silent to the arch, flanked by fluted pillars with Corinthian capitals and with glazed arched panelled door beneath, with conforming base and bracket feet. Height including finial 96 ins.

A George III oak longcase clock by Monkhouse of Carlisle, having a swans neck pediment above the arched glazed door, flanked by turned columns and enclosing the painted dial with Roman numerals and thirty hour movement by Monkhouse of Carlisle in turn above a fretwork collar and long crossbanded trunk door flanked by fluted quarter column corners and with conforming base.

A George III oak and mahogany crossbanded longcase clock, by Hendrie of Wigton, the case with triangular pediment above a crossbanded frieze and glazed door enclosing the 11 inch square brass dial and thirty hour movement, with date aperture, Roman numerals and subsidiary Arabic numerals, flanked by turned columns and with conforming trunk door and base. Height 77 ins.

An 18th century oak longcase clock, having a moulded cornice above the glazed door enclosing the 10.5 inch square brass dial with Roman numerals and subsidiary date aperture, by John Thornton, Brentwood, the movement of bird cage variety and being thirty hour, with mahogany trunk door beneath and conforming base, the case subject to alterations.

A 19th century provincial oak and fruitwood crossbanded longcase clock, the eight day movement with anchor escapement striking the hours on a bell, the triangular dentil cornice above a floral enamel arabic dial painted with a song bird to the arch above foliate spandrels, the star inlaid trunk door above inlaid apron, on plinth base, 212cm high

A mid 19th century longcase clock, By James Bell of Edinburgh, the architectural case with leaf-carved pediment above a silvered roman dial with subsidiary seconds dial and deadbeat escapement striking the hours on a coil, the glazed trunk door between leaf corbels, enclosing a silvered pendulum scale, on shell and leaf carved plinth base, 216cm high

A Scottish George III mahogany and inlaid longcase clock, the twin train eight day movement with anchor escapement striking the hours on a bell, the swan-neck pediment above neo-classical faux verre eglomise dial with fan paterae around a Roman dial with subsidiary seconds and calendar dials, the maker's name indistinct (town possibly Doune/Dundee), the ogee arched trunk door between reeded quadrant corners, on a line inlaid apron and cut plinth base, 209cm high

A late 17th century walnut and floral marquetry longcase clock, By Andrew Broun, Edinburgh, the anchor escapement striking the hours on a bell, the caddy top hood with foliate pierced frieze and column uprights enclosing a matted brass and silvered dial with 'boyes and crowne' spandrels, the roman dial with subsidiary arabic chapters, calendar aperture, seconds dial and ringed winding holes, the trunk door with glazed pendulum aperture, on apron base with later short cabriole legs, 235cm high

A 20th Century diminutive longcase clock with eight day Westminster and Whittington chiming movement, the brass break arch dial and silvered chapter ring with Arabic and Roman numerals, the mahogany case and plain base with moulded decoration, on ogee bracket feet.

A George V oak diminutive longcase clock with eight day chiming movement, the silvered dial with Arabic numerals and inscribed 'Wales & McCulloch, 56 Cheapside, London', the arched top above barley twist columns and scroll mouldings, on bracket feet.

An Art Deco oak diminutive longcase clock with eight day movement striking on a gong, the square dial and silvered chapter ring with Arabic numerals, on a plain base and bracket feet.

A 20th Century mahogany longcase clock with chiming movement, the break arch dial with moon phase above a silvered chapter ring framing subsidiary second, date, day and month dials, inscribed 'Charles E. Short Brighton', the case with arched hood above a glazed trunk door, on a panelled base and bracket feet, height approx 188cm.

A 19th Century mahogany longcase clock, with eight day movement striking on a bell, the brass broken arch dial with subsidiary seconds and date aperture framed by a chapter ring with Roman and Arabic numerals, cornered by leaf scroll spandrels, the hood with a swan neck pediment above a glazed door flanked by turned columns, the trunk with a plain door flanked by further columns on a plain base and bracket feet, height approx 215cm (faults).

A George III oak longcase clock with eight day movement striking on a bell, the painted breakarch dial with Roman numerals, subsidiary seconds and date dials, cornered with flowers beneath a bird to the arch, the hood with concave sided cresting above a glazed door, the trunk with arched door on a plain base and plinth, height approx 216cm (faults).

A George III oak longcase clock with thirty hour movement striking on a bell, the brass dial with Roman numerals framing a matt centre with single hand, date aperture and boss inscribed 'Avenell Farnham', cornered with pierced foliate spandrels, the case with caddy top above an arched trunk door on plain base, height approx 220cm (alterations and faults).

A Regency mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with Arabic numerals, subsidiary seconds and date dials and inscribed 'Wm Blackwood, N. Shields', cornered with green and gilt spandrels filled with cornucopia and flowers, the arch gilt with two figures watching two dogs chasing a hare, the hood with moulded arch pediment above a glazed door flanked by turned pilasters, the arched trunk door and plain base with boxwood line inlaid decoration, on outswept bracket feet, height approx 224cm (faults).

An 18th Century and later oak longcase clock with thirty hour movement, the brass dial with silvered chapter ring inscribed 'John Wilkes', cornered with pierced gilt spandrels depicting two cherubs supporting a crown, the hood with stepped pediment above a glazed door and turned pilasters, the case with rectangular trunk door above a plain base and plinth, height approx 208cm (alterations and restoration).

A 19th century oak longcase clock, with shaped cresting to the hood, breakarch trunk door, arched brass 12 inch dial with seconds and date dials, Wasbrough falseplate and 8 day movement, 222cm high

An oak and mahogany longcase clock, 19th century, the banded case with 13 inch square floral painted dial marked 'John Calcott, Cotton', with seconds and calendar dials, 8 day movement, (case and movement probably associated), 209cm high

A mahogany longcase clock, the hood with broken pediment above a shell inlaid and banded trunk door, on bracket feet, the 12 inch square dial signed 'Thos. Brookes, London', with seconds dial and Walker & Finnemore falseplate, with 8 day movement, (the case associated), 222cm high

John Vise, Wisbech, a George III and later mahogany and satinwood banded longcase clock, the pagoda hood above a break-arch trunk door, the 12 inch dial signed to a curved plaque and with strike/silent to the arch, seconds dial and date aperture, with 5 pillar movement (though lacking a pillar between the barrels), 215cm high

Brounker Watts, London, an early 18th century green lacquer oak longcase clock, the rectangular hood with three ball and spire finials and blind frets below the cornice, the trunk with raised chinoiserie decoration and lenticle, raised upon a restored plinth, the 12 N inch brass dial signed below the centre 'Brounkr Watts / London', with engraved silvered day and deity figure dial to the arch, gilt boys and crown spandrels, seconds dial and date aperture, all within a feather banded border, the 5 pillar movement with outside countwheel strike (the seatboard replaced), 259cm high

A George III mahogany eight day longcase clock, the brass Roman dial signed Cleaud Salter Crediton, below a silent strike selector, with a domed hood on plinth base, 7ft 1ins

A George III mahogany thirty hour longcase clock by Jno Baldwin, Faversham, with silvered Roman chapter ring and date aperture with pierced corner spandrels, 7ft 2ins

A George III mahogany thirty hour longcase clock, with painted Roman dial, indistinctly signed, above a plain trunk on bracket feet, 6ft 6ins

A George III oak thirty hour longcase clock, with brass Roman dial engraved Irish, Steyning, 6ft 3ins

An 18th century lacquered longcase clock, with silvered Roman chapter ring signed Henry Baker, Maidstone, with subsidiary seconds and date aperture, the case decorated with birds, buildings and flowers, on bracket feet, 7ft 8ins

A George III oak eight day longcase clock, the painted dial signed Simpson, Yarmouth, with subsidiary seconds and date aperture, 7ft 2ins

A GEORGE III EAST ANGLIAN OAK LONGCASE CLOCK having a square brass dial with roman numerals, embossed spandrels and date aperture, signed Kemp & Brown, Yoxford (Suffolk), thirty hour movement striking on a bell, the case with break arch pediment, brass sphere finial, corinthian capitals and plain panelled door, on bracket feet, 85" high overall, 10" square dial (see illustration).

A GEORGE III OAK LONGCASE CLOCK having a 12" square brass dial with silvered chapter ring, date aperture and second hand and engraved decoration, with roman numerals, signed Sam.l Smith Holywell, the case with pillar support, canted corners and cross banded panel door, on bracket feet, 83 1/2" high (see illustration).

AN EARLY VICTORIAN WELSH OAK LONGCASE CLOCK , having arched hood above arched apeture flanked by turned baluster columns, the waist with stung outlined door, Mahogany veneered freeze and quartered spirally turned pilasters on a stung outline panel base with turned feet. Arch painted face with roman numerals, flower painted spandrels and cottage scene to the arch, seconds dial and date apeture. Eight day movement striking on one bell. Marked "John James", Swansea. 87" high, the face 18" x 12". Note: John James recorded in Swansea in Iorwerth C. Peate, "Clock and Watch makers in Wales", mid 19th century, page 50.

AN EARLY 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, marked "Thos Gwynne, Llanstephan", having broken swan neck pediment with brass ball and spike finial above arched apeture, flanked by two reeded columns, rectangular waist door with inlaid strung outline, above panelled base on bracket feet. Re-painted face with rolling moon above seconds dial and date apeture. Eight day movement striking on one bell. The face 17.5" x 12", the case 90" High overall. C1820.

A VICTORIAN WELSH OAK LONGCASE CLOCK, marked "Evans, Carmarthen", having broken swan neck pediment above arched apeture flanked by turned columns, the waist crossbanded in rosewood and having pointed arch door, above crossbanded panel base on bracket feet. Arched painted face the arch decorated with sleeping young girl and dog entitled "Tired Chums", the face with Roman numerals, seconds dial and date apeture. Eight day movement striking on one bell. Dial 20" High x 14" Wide, 93" High overall.

Edwardian Longcase Clock, the hood with a swan-neck pediment and a glazed door, with brass Corinthian column supports, arched door above a base, on bracket feet, the case with boxwood and ebony stringing and satinwood crossbanding and marquetry inlay of flowers, ribbon-ties and scrolls throughout, 12½" arched brass dial, with cast spandrels, Arabic numerals, subsidiary seconds dial and strike silent dial, eight-day movement, striking on a gong, 235cms, (7'8½").

19th Century oak Longcase Clock, the hood with a moulded cornice and turned supports, glazed door, the trunk with an arched door and reeded outlines, on a box base, 12" square painted dial with floral spandrels, Arabic numerals and subsidiary date aperture, thirty-hour movement, 196cms, (6'5").

An 18th Century longcase clock movement by Thomas Aldridge, the 10ins square dial with Roman numerals and single hand to the thirty hour posted movement, complete with pendulum and brass cased weight for same (lacking bell), and with later wall bracket for same Note : Thomas Aldridge apprenticed 1753 and recorded working in Deal to 1791.

A 19th Century oak and mahogany longcase clock by E. Williams of Trecastle, the 13ins arched painted dial with Roman numerals, subsidiary seconds dial and date aperture, the arch decorated with a seated figure playing a mandolin and classical arches to spandrels to the eight day two train movement striking on a bell, contained in oak and mahogany case with scroll pediment and turned pillars to hood, the trunk door inlaid with stringings and with banded quarter columns, on bracket feet, 87ins high (dial cleaned off and some figures repainted, case split in places and in need of restoration) Note : Evan Williams recorded working as a watchmaker in Trecastle 1840.

A late 18th Century oak and mahogany "North Country" longcase clock by Richardson of Weverham, the 13ins polished brass square dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial and calendar dial to dial centre to the eight day two train movement striking on a bell, contained in case with moulded scroll pediment and blind fret frieze, and turned and fluted columns to hood, the shaped trunk door crossbanded in mahogany and flanked by fluted quarter columns, conforming plinth, on ogee bracket feet, 90ins high.

A 19th Century figured mahogany "North Country" longcase clock by William Rolls of Caburn (?), the 14ins arched painted dial with Roman numerals, subsidiary seconds dial and calendar dial to the eight day two train movement, the arch painted with three figures and the spandrels with romantic ruined buildings to the eight day two train movement striking on a bell, contained in figured mahogany case with moulded scroll pediment and turned and spiral reeded columns to hood, the shaped trunk door with conforming pillars to sides, 92ins high (lacking bracket feet).

An 18th Century longcase clock movement by John Watts of Canterbury, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and turned winding holes to the eight day two train five pillar movement striking on a bell, the movement now with added arch cast with a royal coat of arms, contained in early 19th Century oak and mahogany banded case with arched and moulded pediment and plain turned pillars to hood, angled trunk door, 83ins high Note : John Watts recorded working Canterbury 1720-1775.

A late 18th Century mahogany longcase clock by John Edgccumb (Edgecumbe) of Bristol, the 12ins arched painted dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch showing phases of the moon to the eight day two train movement striking on a bell, contained in plain mahogany case with swept top and turned, fluted and brass stopped pillars to hood, arched trunk door, 88ins high (dial scratched, plinth reduced in height and case repolished).