We found 44426 price guide item(s) matching your search

Small selection of sundry longcase clock parts including pendulums and rods, pendulum bobs, chains, movement wheels, parts etc

Princeps mahogany electric longcase master clock, the 5.25" silvered dial signed Princeps, New System, Electrical, Made by The Telephone M.F.G. Co. Ltd, the case with long glazed door over a panelled base and surmounted by a moulded stepped cornice, 66" high (no pendulum)

Very rare and early Magneta mahogany electric longcase master clock, the substantial movement, no. 1288 generating electricity by a massive falling weight which triggers an alarm mechanism in the base of the clock at the end of its fall to notify re-setting, the 8" silvered circular dial with Arabic numerals within a moulded glazed door over a removable panelled base and surmounted by a moulded arched cornice, the case fitted with an ivorine plaque inscribed `The Magneta Time Co Ltd, Electric Clock Systems Without Batteries or Contacts, Installed in Chief Postal Buildings, Chatham House Works, Chiswick, W., Patented in Britain and in Chief Countries Throughout The World`, 90" high, with original pendulum, weight and winding handle

Novelty miniature walnut alarm mantel timepiece in the form of a longcase clock, 5" high

Painted pottery timepiece in the form of a miniature longcase clock, the 2.5" dial within a case decorated in relief with a painted bird amidst flowering foliage and surmounted by an arched hood, 16" high

Box of longcase clock and other weights (13); also a small quantity of other longcase clock parts including pendulum bobs and bells, etc

Thirty hour birdcage longcase clock movement with outside countwheel, the 11" square brass dial signed George Newman on the chapter ring

Two eight day longcase clock movements (2)

Eight day longcase clock movement, the 12" painted arched dial with strike/silent dial to the arch over subsidiary seconds and calendar dials, with pendulum and pair of weights

Eight day longcase clock movement, the 10" silvered square dial signed Thomas Knight, Wickham with subsidiary seconds dial and calendar aperture

Thirty hour longcase clock movement, with outside countwheel, the 12" square brass dial signed Samuel Wright on the brass chapter ring enclosing a matted centre with wide arched calendar aperture

Eight day longcase clock movement, the 12" square brass dial signed Stephen Blackburn, Oakham on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and ring turned calendar aperture

Eight day five pillar longcase clock movement, the 11" square brass dial signed James Delance, Dounton on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, calendar aperture and ringed winding holes

Thirty hour longcase clock movement with outside countwheel, the 12" silvered engraved dial signed John Collings, Sodbury, with subsidiary seconds dial and calendar aperture

Good eight day five pillar longcase clock movement, the 12" square brass dial signed Henry Massy, London on the silvered chapter ring enclosing a subsidiary seconds dial, calendar aperture and ringed winding holes

Mahogany eight day longcase clock, the 12" painted square dial signed H. Richards, Somerton, with subsidiary seconds dial, arched calendar aperture and ringed winding holes, the case with long door inlaid with boxwood lines and surmounted by a stepped cornice, 83" high

1930`s three train longcase clock, the 11" silvered dial within a glazed carved case, 75" high

Arts & Crafts style oak two train longcase clock, the 12" square wooden dial with Arabic numerals over an open recess and carved cupboard door, 65.5" high

Oak and mahogany eight day longcase clock, the 14" painted arched dial signed Taylor, Padsey, with subsidiary seconds and calendar dials, the case with short pointed arched inlaid door and surmounted by a broken arch swan neck pediment, 84" high

Pitch pine eight day longcase clock, the 12" painted arched dial with subsidiary seconds dial and arched calendar aperture, the case with long door and surmounted by a moulded stepped cornice, 85" high

Mahogany eight day longcase clock, the 12" painted arch dial signed William Robb, Montrose, with subsidiary seconds dial and arched calendar aperture, the case with rosewood crossbanded and chevron inlaid pointed arched long door flanked by quarter ebony inlaid pilasters and surmounted by a broken arch swan neck pediment, 81.5" high

Oak eight day longcase clock, the 12" painted arched dial signed William H. Andrews, Royston, with painted galleon to the arch over a subsidiary seconds dial and arched calendar aperture, the case with long moulded arched door and surmounted by a caddy top, 85" high

Mahogany eight day longcase clock, the 12" arched dial painted with an oval rural scene to the arch over subsidiary seconds dial and arched calendar aperture, the case with long crossbanded door inlaid with boxwood lines and surmounted by a broken arch swan neck pediment and brass ball finial, 92" high

Mahogany eight day longcase clock, the 13" painted arched dial signed William Lassell Toxteth-Park, with moon phase to the arch over a subsidiary seconds dial, the case with moulded wavy edge top long door flanked by quarter fluted pilasters and surmounted by a stepped rounded arched cornice, 82" high

Oak eight day longcase clock, the 12" brass arched dial signed Robert Poll, Hakleston on a silvered circular boss to the arch over a silvered chapter ring, subsidiary seconds dial and arched calendar aperture to the matted centre, the case with long arched moulded door and surmounted by a diamond pierced moulded arched cornice, 81" high

Good oak thirty hour longcase clock, the 10" square brass dial signed John Inkpen, Horsham to the matted centre, the case with short narrow moulded door and surmounted by a stepped moulded pediment, 75" high

Mahogany eight day longcase clock, the 14" painted arched dial with subsidiary seconds and calendar dials, the case with long crossbanded door and surmounted by a broken swan neck inlaid pediment, 84" high *originally included in the estate sale of Patrick Fyffe "Dame Hilda Bracket", Bonham`s, Bath, October 2002, ex lot 164*

Oak eight day longcase clock, the 12" brass arched dial signed Harris, Wellington to the arch over subsidiary seconds and calendar dials, engraved overall with birds and flowers amidst scrolling foliage, the case with short crossbanded door inlaid with ebony lines, surmounted by a broken arch swan neck pediment, 86" high

Mahogany eight day longcase clock, the 12" square painted dial signed Oliver, London, with subsidiary seconds dial and arched calendar aperture, the case with long plain door and surmounted by a stepped cornice, 81.5" high

Oak and mahogany eight day longcase clock, the 12" painted arched dial signed Sedery, Hamstead Norris, with subsidiary seconds and calendar dials, the case with short mahogany crossbanded door and surmounted by a broken arch swan neck pediment and brass ball finial, 85" high

Mahogany and oak eight day longcase clock, the 12" brass arched dial signed David Compigne, Winton on the chapter ring, with silvered sunburst boss to the arch over a subsidiary seconds dial and calendar aperture to the matted centre, the case with long arched door and surmounted by a moulded arched pediment, 82.5" high

Good flamed mahogany eight day longcase clock, with 12" convex circular enamel dial and five pillar movement, the case with long multiple reeded arched door flanked by fluted pilasters, surmounted by an arched cornice with pierced foliate fretwork cresting, 83" high

Small early walnut eight day longcase clock with five pillar movement, the 11" square brass dial signed James Watts, Taunton, with subsidiary seconds dial, ringed winding holes and calendar aperture to the matted centre, the case with long crossbanded moulded door and surmounted by a stepped moulded cornice over barley twist pillars, 79" high

AN EDWARD VII FIGURED MAHOGANY LONGCASE CLOCK, having an arched brass dial (20.5cms) with silvered chapter ring and black Roman and Arabic numerals, the matt ground centre engraved with an eagle, leafage and drapery, having a boss to the arch engraved with thatched half timbered cottages, classical face mask spandrels, the eight day movement striking on a bell; the case having a pagoda shape hood with gilded urn finials, moulded and dentil cornice, stop-flute and brass capped Corinthian columns, arched long door to the trunk above a plain panel and on ogee bracket feet. See illustration

Samuel Heywood, Northwich, a George III mahogany longcase clock, the hood with swanneck pediment and broken verre eglomise panels below, Corinthian capped columns, the trunk with shaped top door flanked by quarter reeded pilasters, upon a panelled plinth on bracket feet, the 13.5 inch (35cm) brass dial signed above the moonphase disc, the silvered chapter ring with concentric seconds and calendar, and gilt mask spandrels, 239cm high

John Holmes London, a George III mahogany chiming longcase clock, the breakarch hood above conforming trunk, raised on a panelled plinth, the 12 inch arched brass dial signed on a shaped plaque, with strike/silent to the arch, silvered chapter ring and seconds dial, date aperture, foliate spandrels, with three train movement chiming and striking on 3 bells, 220cm high

A late George III oak longcase clock, the pagoda hood with arched painted 12 inch dial inscribed `Geo Suggate Halesworth`, calendar and seconds dials, floral spandrels, 4 pillar 8 day movement with Wilson falseplate, with rebuilt plinth, 218cm high

William Webster Exchange Alley London, a longcase clock dial and movement, the 12 inch square brass dial signed on a shaped plaque, seconds dial with later hand, date aperture, scroll spandrels, with 5 pillar 8 day movement, brass capped weights, in a later stripped oak case, 220cm high

A George III inlaid mahogany longcase clock, with painted arched dial of a seated lady with dog, floral spandrels, signed Geo Parker, Wisbeach, in swan neck case.

A George III oak longcase clock, with painted arch dial, signed M & R Camm, Stroud, oval panel of a classical figure and floral spandrels, in swan neck hood, ht 214cm.

A Scottish 18th Century mahogany longcase clock, with brass arched dial engraved Alex Mitchel, Gorbals, within fretwork hood, ht. 245cm.

A George III oak longcase clock, with brass dial inscribed John Wife, Spittlefield Markett, 215cm.

A VICTORIAN MANTEL CLOCK, maker`s mark rubbed, Birmingham 1898, in the form of a spot hammered finish longcase, with shaped top, white, green and gilt enamel dial, Swiss movement, 6 1/2" high (Illustrated)

AN OAK LONGCASE CLOCK by Richard Langford, the eight day movement with anchor escapement striking on a bell, 12 1/2" square brass dial with chased scrolling foliate centre, silvered chapter ring with signature and Roman and Arabic numerals, seconds dial, the case with later Victorian carving, moulded cornice on turned columns, arched door flanked by fluted quarter columns, canted panel base and bracket feet, 85" high

AN OAK LONGCASE CLOCK by J Lawson, Keighley, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 13" square brass dial with silvered chapter ring having Roman and Arabic numerals, the chased scrolling foliate centre with half penny moonphase and calendar aperture, the case with moulded inverted breakfront cornice on turned columns and surmounted by three brass finials, frieze with verre eglomise panel, arched door flanked by quarter columns, panel base and bracket feet, 89" high`

THOMAS HUMPHREYS, BARNARD CASTLE (c.1840), AN EARLY VICTORIAN MAHOGANY AND OAK LONGCASE CLOCK, of typical form, with short trunk door, the hood with swan neck pediment, 33cm arched painted dial with dummy winding holes, subsidiary seconds and date pointer, 30 hour pull up mechanism with outside countwheel strike on a bell. 2.18m

JOHN SANDERSON (PROBABLY WIGTON AND NEWCASTLE), AN 18th CENTURY OAK LONGCASE CLOCK, with long trunk door and caddied hood, now with a quality 18th century movement with 30.5cm square brass dial with recessed seconds and date dials, 8 day weight driven mechanism with 4 finned and scribed pillars, rack striking on a bell. 1.99m

HOUGHTON, CHORLEY, AN EARLY 19th CENTURY LANCASHIRE OAK AND MAHOGANY CROSS-BANDED LONGCASE CLOCK, with long shaped trunk door flanked by quarter round fluted pilasters, the hood with architectural pediment, 33cm square white dial, signed, with subsidiary seconds, date (not connected), 4 pillar 8 day weight driven movement, with falseplate dial attachment, rack striking on a bell. 2.12m

JOHN TAIT, WOLSINGHAM (1864), AN EARLY VICTORIAN FIGURED MAHOGANY LONGCASE CLOCK, with short trunk door, the hood with swan neck pediment, 33cm arched painted dial with subsidiary seconds (dial chipped and pierced), 8 day weight driven movement rack striking on a bell. 2.23m

A George III mahogany longcase clock with carved swan neck hood over enamel dial signed M.Archdekin, Dublin, the eight day rack striking movement with anchor escapement, the trunk with ogee top door flanked by fluted quarter columns, pendulum and two weights, 232 cm.

AN ENGLISH MINIATURE MAHOGANY QUARTER-CHIMING LONGCASE CLOCK W. GREENWOOD AND SONS, LEEDS AND HUDDERSFIELD. CIRCA 1939 The 9½ in. wide engraved and silvered dial signed 'W. GREENWOOD AND SONS, LEEDS AND HUDDERSFIELD', strike/silent to arch, movement with substantial plates, maintaining power, dead beat escapement, striking the quarters on eight gongs and hour on gong; pendulum, 2 brass weights 67 in. (170 cm.) high View on Christie's.com

An oak longcase clock, the white painted dial inscribed "J. Bell, Hexham", with roman numerals and date aperture, painted with anchors and triple-mast ship to arch, fitted two train striking eight day movement, with anchor escapement, the case with arched glazed panelled door flanked by turned columns, with arched waisted door below, raised on bracket feet, 80in. (203cms) high.

A 19th Century Scottish mahogany longcase clock, the white painted roman dial with seconds and date subsidiary dials, the two train striking movement with anchor escapement, possibly by James Wiseman, Hamilton, drum-head case over tapering trunk with long waisted door flanked by pilasters, raised on a plinth base, 75in. (188cms) high.

An 18th century 30-hour cottage longcase clock, square, enamelled dial, signed Richard Roe, Midhurst, rope-drive movement with anchor escapement, complete with pendulum and weight

A late 18th century mahogany eight-day longcase clock, by Gabriel Fowkes, Dartford, arched brass dial with silvered chapter ring and engraved, silvered dial centre, featuring subsidiary seconds, strike/silent to the arch, five-pillar movement with anchor escapement, mahogany case with unusual brass mouldings and glazed trunk door, complete with pendulum, weights and key SEE ILLUSTRATION

Early XIXth Century Mahogany 8-day Longcase Clock, the painted arched dial having galleon phase movement, signed Jackson, Newcastle

A mid 18th century japanned decorated eight day longcase clock, the arched dial signed Christ.Goddard, London, the five pillar movement overhauled

A George III oak and mahogany crossbanded 30-hour longcase clock, the arched dial painted with a fisherman, semi-circular date aperture, by Noon of Ashby, in swan-neck arched hood, long shaped trunk door and box base beneath, 215 cm

An 18th century longcase clock, the 30-hour cage movement with 30 cm square dial by Thomas Harris of Deddington (Nr. Banbury) in rustic oak slender case with long trunk door, 203 cm

Victorian satinwood banded figured mahogany longcase clock, the 8-day movement with painted arched dial, signed Jno. Ingram, Abergavenny, 229 cm high