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19th Century Longcase Clock, the case with a domed hood, painted with a landscape scene, turned supports, long door and turned legs below, brass dial with Roman numerals, subsidiary date and seconds dial and signed "Fearnly, Wigan", eight-day movement.

Late 18th Century Longcase Clock, with square brass arched dial, with silvered chapter ring inscribed 'John Stanier-Chester', secondary seconds and date dials, cast and embossed brass spandrels, rolling move phase, eight day movement and contained within a oak case with swan-neck pediment, fluted brass mounted columns, across a blind fretwork frieze, crossbanded door, plain base and bracket feet.

19th Century Longcase Clock, the painted arched dial inscribed, "Shakespeare - Burton", the spandrels and arched painted with shooting scenes, thirty-hour movement, contained within an oak and mahogany case with swan-neck pediment, the door with mahogany crossbanding and flanked by quarter fluted column pilasters.

A XIX Century Mahogany Longcase Clock, with eight day movement by Thos. Kirk, Hull, the hood with swan neck canopy, arched glazed door and barley twist supports, the white dial with gilt floral decoration and black Roman numerals, the case with inlaid boxwood panels and spiral spandrels, the base with double dome panel.

A 1920's Oak Longcase Clock, with dome top, glazed door and plinth base, three weight Westminster chimes movement, with black Arabic numerals to silvered dial, 196 cms high.

XX Century Mahogany Longcase Clock, with thirty hour movement, carved blind fret work decoration to the hood, black Roman numerals to brass and silvered dial, with long door and bracket feet.

XX Century Walnut Longcase Clock, the hood inlaid and with turned pillar supports, the door with poker work carving and glass bullseye panel, the base on bracket feet. Eight day movement by Thos. Finney, Sheffield.

An early 20th century timepiece modelled as a miniature longcase clock, the oak case with gilt metal mounts, height, 39.4cm, with two keys.

A mahogany cased dwarf longcase clock, the arched hood flanked by columns with silvered arch dial engraved A H Rowley London above arched trunk door and panel base upon ogee supports, pendulum, 180 cm high.

An early 19th century oak and mahogany longcase clock, the swan neck hood with turned columns enclosing square enamel dial with eight day Birmingham movement, the trunk with quarter columns and shell inlaid crossbanded door, pendulum and two weights, 206 cm high.

An early Victorian mahogany longcase clock, the break arch hood with circular painted wooden dial and wooden frame movement, the trunk with flame veneered door, 199 cm high.

An oak longcase clock, the brass dial signed Fra. Webb Watlington, with open frame brass and steel movement of lantern clock type, the trunk with plain door, pendulum and weight, 195 cm high.

An early Victorian mahogany longcase clock, the swan neck hood with turned columns and painted dial, the eight day movement with anchor escapement, the crossbanded trunk and plinth, pendulum and two weights, 221 cm high.

Late George III mahogany longcase clock the hood with gadrooned borders and the case with ribbon and foliage metal mounts on bracket feet, round silvered dial engraved with bird heads, eight-day striking movement, by John Morse, Southampton, 74" high

18th Century eight day longcase clock by William Ray, Sudbury, the lacquered case in the Japanese manner, brass dial with subsidiary seconds dial, date aperture and a strike/silent dial, with twin train eight day movement striking on a bell, h: 78 in.

19th century oak longcase clock the brass dial with sweep minute hand and with subsidiary 24 hour and seconds dials h: 71 in.

Late 18th/early 19th Century mahogany longcase Clock by W Buxton, Bishop Auckland, painted dial with date aperture, to thirty-hour movement h: 81 in.

18th century mahogany cased longcase clock by Peter Amyot of Norwich the brass dial with subsidiary seconds dial and date aperture, eight day striking movement h: 84 in.

An early nineteenth century mahogany veneered longcase clock, the eight-day movement striking on a bell, the arched painted twelve inch dial with rotating moon phases and globes, Roman and Arabic numerals, a subsidiary seconds dial and calendar, sprays of flowers to the corners, the case inlaid stringing the hood with brass filigree mounts to the horns of the swan neck pediment, brass eagle ball finial cast gilt brass Corinthian capitals to the reeded pillar, a serpentine edge back, the trunk with a well figured door, reeded angled corners, the base with a replaced plinth. 7ft 9in (236cm) high overall.

An 18th Century oak thirty hour longcase clock, 11in. painted square dial with date aperture and floral spandrels 6ft. 9in.

A 1930's chiming walnut longcase clock, with silvered dial in three glazed panel case height 5ft. 5in.

An early 19th century mahogany longcase clock, the swan neck hood with fluted columns, the painted enamel dial inscribed Jno Johnson & Co Prescot, the eight day Birmingham movement with anchor escapement, the trunk with quarter columns and flame veneered door and plinth, pend ulum and two weights, 233 cm high.

A Georgian oak and mahogany longcase clock, the hood with turned columns enclosing square brass dial engraved Woodley Kington, the 30 hour movement with anchor escapement, the trunk with crossbanded door, pendulum and weight, 210 cm high.

A Biedermeier satinbirch longcase clock, circa 1850, with ebonised moulding's, the drum shaped hood enclosing a circular enamel dial with inner calendar dial, the tear drop shaped case upon flaring base, pendulum and two weights, 205 cm high.

An oak longcase clock with three train musical movement, circa 1920, the square brass dial with engraved foliate scrolls, the oak case with panelled door and plinth, 187 cm high.

A late Georgian oak longcase clock, the square brass dial signed Phil. Avenell, Franham, the centre with scroll engraving and calendar aperture, the 30 hour movement with anchor escapement, 200 cm high.

An oak longcase clock, the Victorian case enclosing a 19th century movement with an 18th century dial signed Ben Pullan, 201 cm high.

A 19th century oak longcase clock, the thirty hour movement converted from a lantern clock, the dial signed Geo. Leach, Salisbury, 135 cm high

A mid 18th century oak longcase clock, the hood (with alterations) having an overlu cornice and turned three quarter pilasters flanking square brass dial (width 10Ó), having a brass chapter ring with Roman numerals, cast brass corner spandrels, matted centre and single blue steeled hand, the whole with thirty hour weight driven movement, striking on a bell, the trunk with plain panel door to a box base, height 182cm

A 19th century mahogany longcase clock By William Petrie, Kirkcaldy the twin train movement with anchor escapement striking the hours on a bell, the floral incised swan-neck pediment above an enamelled dial painted with cottage revellers to the arch and figures to the spandrels, the Roman dial with subsidiary seconds and calendar dials above a bowed trunk door between fluted columns and foliate incised apron, on short turned feet 207cm high

A George III period provincial oak longcase clock the twin train movement with anchor escapement striking the hours on a bell, the swan-neck pediment with turned finial above simulated 'verre eglomise' enamelled Roman dial with subsidiary seconds and calendar dials flanked by gilt fan spandrels and a swagged patera to the arch, the scalloped trunk door between reeded quadrant corners, on panelled base, on shaped apron and bracket feet 214cm high

A George III period mahogany longcase clock By George Smith the twin train movement with anchor escapement striking the hours on a bell, the swan-neck pediment with eagle finial above a floral painted Roman dial with subsidiary seconds dial and calendar aperture, the ogee arched trunk door between reeded quadrant corners, on apron base with short turned feet 220cm high

A George III period mahogany, satinwood banded and ebony strung longcase clock By William Breakenrig, Edinburgh the twin train movement striking the hours on a bell, the swan-neck pediment with eagle finial and brass rosettes above a rococo cast brass dial with silvered Roman and Arabic chapters, subsidiary seconds dial and calendar aperture above spirally reeded quadrant corners and an arched trunk door, on panelled base with splayed bracket feet 230cm high

A 19th century mahogany longcase clock By J. Wilson, Beith the twin train movement with anchor escapement striking the hours on a bell, the floral carved pediment above an arched dial painted with a romantic highland scene above a Roman dial with subsidiary seconds and calendar dials between emblems of the United Kingdom to the spandrels, the foliate carved case with bowed trunk door, on panelled plinth base 232cm high

A late George III period oak eight day longcase clock by Pinkerton, Haddington the twin train movement with circular escapement, the painted arched dial with subsidiary seconds and date dials, the hood with swan neck pediment above fluted columns, the door flanked by fluted quadrant pilasters, on shaped bracket feet 215cm high

A George IV period mahogany eight day longcase clock by JAS, Muirhead, Glasgow the twin train movement with anchor escapement, the circular gilt dial with maker's mark and subsidiary date and second dials, the hood with a moulded cornice and column corners, the trunk with conforming columns and a flame mahogany door and panelled base with short turned feet 206cm high

Belgian oak longcase clock by Boris Ruppel of Niel, white enamel dial

Oak longcase clock with later carved decoration, the square brass dial signed John Evans, Lampeter with subsidiary seconds dial and fan shaped calendar aperture - eight day striking movement, 207cm high

19th Century mahogany longcase clock having a broad North Country case, the hood with a turned finial and swan neck pediment and with turned pillars, the arch shaped trunk door flanked by fluted pillars, arch shaped painted dial with two subsidiary dials and signed James Scott, Kendal, eight day striking movement, 217cm high

George III mahogany longcase clock, the arch shaped hood with shaped crest, case with arch shaped door, the painted dial with rocking mechanism in the form of a swan on a lake, secondary seconds dial and fan shaped calendar - eight day striking movement, 216cm high

18th Century thirty hour striking longcase clock movement, the brass dial with silvered chapter ring, signed James west, Sidbery, 27.5cm

George III walnut longcase clock with arch shaped moulded pediment, the trunk with arch shaped door, the hood with four tapered pillars and three brass finials, the arch shaped silvered dial engraved with a phoenix and motto 'Tempus fugit', the spandrels engraved as putti depicting the four seasons and signed William Davey, Penzance, subsidiary seconds dial and fan shaped calendar aperture - eight day striking movement, 226cm high

A Regency mahogany eight day longcase clock, the 13.5" square painted dial signed 'D Jones, Patton' (indistinct), with subsidiary seconds dial and ring of Roman numerals, the eight day movement striking on a single bell, the hood with wavy pediment over a square glazed hood door, between wrythen moulded front corner pilasters, over an arched trunk door, between wrythen moulded front corner trunk pilasters on a box base and tall bracket feet, 206cm high

An eight day longcase clock, second quarter 19th century, mahogany boxwood and ebony herringbone strung, probably Scottish, the 13" circular painted dial with centred subsidiary seconds dial and date dial within a ring of Roman numerals, the eight day movement striking on a single bell, the arched top hood with circular glazed hood door over a Gothic arch trunk door, between wrythen moulded quarter columns on a box base and shaped bracket feet, 203cm high

A late George III oak eight day longcase clock, the 13" arched brass dial signed 'Taylor, Whitehaven', with silvered chapter ring of Arabic and Roman numerals, centred rolling aperture for flowing and ebbing of the tide, inner date dial, between pierced scrolling spandrels under a rolling moon, the movement striking on a single bell, the hood with swan neck pediment over an arched hood door, flanked by front corner turned pilasters, over a shaped crossbanded trunk door, between front corner quarter pilasters on a box base with canted corners and ogee moulded bracket feet, 227.5cm high

A George III eight day longcase clock oak crossbanded mahogany, the 13" square painted dial signed S Neunes, Whitchurch with centred subsidiary seconds dial and date aperture within an outer ring of Arabic numerals, inner ring of Roman numerals and sunburst design painted spandrels, the movement striking on a single bell, the head of a swan neck pediment over a square glazed hood door between fluted front corner pilaster over a short shaped trunk door with central Britannia inlay between fluted front corner quarter pilasters on an ogee moulded panelled box base and cut out plinth, 212cm high,

A 1930S longcase clock, oak, the 12" circular dial with ring of Arabic numerals, the three weight driven movement chiming on rod gongs, the case with hexagonal aneroid barometer to the door, with sunburst glazing bars, 191cm high, 45cm wide, 26cm deep

Early 19th century oak and mahogany longcase clock, painted enamel moonphase dial by T Adams Midlewich, with centre date hand and subsidiary second dial

An C18th Lacquered Eight Day Arch Dial Longcase Clock, Bearing Signature Of Edward Speakman, London, The Columned Hood And Trunk Having Later Decoration, The Twin Train Movement Striking On A Bell, The Circular Name Plate Between Fretted Spandrels, The Silvered Chapter Ring Between Spandrels, With Seconds Ring And Date Aperture, 212cm High (In Need Of Restoration, Not Running)

William Brider, Headly, 30-Hour Striking Longcase Clock having 10" square brass dial, with single hand, in pine case, 1m 92cm high

Thomas Wild, Reading, 30-Hour Striking Longcase Clock having 11" square brass dial with silvered chapter ring having Roman and Arabic numerals, in oak case, having later fixed base, 2m 9cm high

Daniel Le Count, London, 17th Century 8-Day Striking Longcase Clock, having square 11" brass dial with seconds dial and calendar, having pierced and raised figurehead, floral and scroll spandrels, in walnut marquetry case, with barleytwist column supports to hood, having all over inlaid bird, vase, floral and stringing decoration, 2m 5cm high

A George III mahogany crossbanded oak 8-day longcase clock, the arched enamel dial painted with hunting scene, having Roman numerals and subsidiary seconds and date dials, the hood with swan neck pediment above trunk with quarter columns on plinth base, 203cm high

A longcase clock, with chiming eight day movement, the black circular dial inscribed Perivale with silvered numerals, in black lacquered case having domed top on tapering support and stepped base, painted and gilded with Chinoiserie figures and landscapes, 51" high

An early 19th Century longcase clock by Thos Smythe, London, the eight day movement with brass dial having painted rolling moon phase and seconds dial, applied pierced spandrels with mask heads, in oak and mahogany cross banded case with scrolling swan neck pediment on reeded columns, shaped door flanked by reeded pilasters on panelled base with bracket feet and shaped apron, 91" high

A 19th Century longcase clock by Frank Dobson, Driffield, the eight day movement with arched painted dial depicting a man shooting with dog, seconds dial and date aperture, in oak and mahogany case with scrolled swan neck pediment on baluster turned columns, the shaped trunk door flanked by canted corners, on panelled base and bracket feet, 87" high

A longcase clock, the eight day movement with silvered arched dial inscribed William Paine, Trowbridge, having seconds and calendar dials (moon phase vacant), in carved dark oak case with pagoda top on turned columns, floral carved door, on similar base and bracket feet, 89" high

A late 18th Century longcase clock by George Lupton, Altringham, the eight day movement with circular enamelled dial, seconds dial and calendar aperture in mahogany case with broken pediment, on reeded columns and blind fret work spandrels shaped trunk door flanked by reeded quarter pilasters on canted panelled base and ogee bracket feet, 91 1/2" high

A 19TH CENTURY OAK LONGCASE CLOCK the painted dial with Roman numerals, two secondary dials, signed Lumsden, Pittenweem, with cottage spandrels and painted with a castle and river landscape to the arch, of eight day striking movement, the hood with a swan neck pediment, turned pilasters, plain trunk door flanked by quarter round columns and on a deep plinth, 201cms high See Illustration

18TH CENTURY RED LACQUER EIGHT DAY LONGCASE CLOCK, the 12" arched brass dial signed Charles Coulon, London to the arch over the matted centre with subsidiary seconds dial and calendar aperture, the pagoda case with gilt chinoiserie decoration, 94" high