We found 44426 price guide item(s) matching your search

FRENCH COMPTOISE LONGCASE CLOCK, the black "Japanned" case painted with polychrome flowers with a lenticle to the door, the circular white enamel dial with Arabic numerals and two train movement

A miniature longcase clock with extensive pen work floral decoration and legend to dial surround - with battery movement

An oak and mixed wood longcase clock with 23cm square 18th Century single hand brass dial marked for Webster, Salop, married to a 19th Century thirty hour bell striking movement

A 19th Century stained oak North Country longcase clock, the 33cm painted arched dial with moon phase, seconds hand and date aperture marked for G. Davies, Dolgelly with eight day bell striking movement

An 18th century oak longcase clock with an 8-day bell strike movement, brass dial and silvered chapter ring, inscribed John Roberts A/F, 210cm highLocation:

An early/mid 20th century Ingersoll 8-day oak longcase clock, the brass dial having Roman numerals and movement striking on five rods, 186.5cm h x 41.5cm wLocation:

A 19th century country made mahogany longcase clock with a moon face and painted dial A/F, 237.5cm h x 65cm wLocation:

A George III mahogany longcase clock, with an eight day bell strike movement, silvered chapter ring subsidiary seconds and date inscribed john Campbell GlasgowLocation:

A George III 30 hour longcase clock by Jas Webb, Frome having arched painted dial with makers name below the calendar aperture and in oak case with inlaid detail to the dial door, swans neck pediment and pillars flanking the dial door, 222cms high

A George III 30 hour longcase clock having arched painted dial and in oak case, the hood with swans neck pediment and pillars to the dial door, 218cms high

A George III Oak cased Longcase Clock. Circa 1800. The silver dial tarnished. With a key pendulum and two weights

Peter Green, Liverpool, a mahogany musical longcase clock for the Danish market, late 18th century, with restorations to the case, the 15inch brass dial with six tune selection to the arch, scroll engraved centre with seconds dial and concentric calendar, mask spandrels, the three train movement with 16 bell 33cm pin barrel, six-pillar shaped plates, striking on a larger bell, the case with dentil moulded swanneck pediment hood above arch top trunk door, upon a panelled base with concave shaped skirting and ball feet 250 cm highFootnote: Peter Green was one of the best-known clockmakers working in Denmark, at Aabenraa, or 'Apenrade', as the signature is written on most of his clocks. Peter Green emigrated with his wife and children from Liverpool to Aabenraa around 1745 and worked there until his death in 1795. He had two sons, William and Jonathan, who also became clockmakers in Aabenraa. William had a son, Jakob, who continued making clocks until his death in 1847. Condition report: case probably later than the dial and movement, with some repolishing and restored elements. lacking a few gilt 'dentelles'. movement untested

A mahogany longcase clock, early 19th century, the break arch hood above painted 12inch dial signed 'Ed. Elliott, Lenham', with floral decoration, seconds and calendar dials, eight day movement, figured wood trunk door on a stepped plinth base 210cm highCondition report: The clock is currently ticking and striking; the plinth base looks to have been restored at the front. All looks original. The finials on the hood may have been later added.The case has quite a high polish to it and the timber is nicely figured.

An inlaid mahogany Longcase Clock with arched brass dial, silvered chapter ring, the back of the movement stamped Gustar Becker, Medaille D'or, 8-day movement with Westminster-Harfon chimes, 6ft 8in H

A 19th Century oak Longcase Clock with square brass dial inscribed Collier, Chapell, having subsidiary and date aperture with floral engraving and cherub masks to the spandrels, and with eight-day movement, 6ft 4in H

An early 19th Century Longcase Clock with arched painted dial inscribed Geo Bain, Brechin, 8-day movement in mahogany case, the hood with swan neck surmount

An Art Deco design oak longcase clock, Arabic numerals, Westminster chime, 190cm high, 60.5cm wide, 35.5cm deep

AN ANTIQUE OAK BRASS FACED LONGCASE CLOCK BY FRANCE OF WARRINGTON, EIGHT DAY MOVEMENT WITH TWIN WEIGHT / PENDULUM H-230 CM

A NINETEENTH CENTURY OAK AND MAHOGANY BRASS FACE EIGHT DAY LONGCASE CLOCK BY BROWN - CHESTER, the 13" dial with subsidiary seconds dial, bearing makers name, the good and case with crossbanded detail, H 215 cm, two weights and pendulumConditon Report:Case shows no signs of woodworm, general age related wear to case, trunk door has play, we cannot guarantee it s working capacity but the movement ticks when hand pressure is applied to the gut line, also the clock strikes too when hand pressure is applied to gut line.

An early 19th century mahogany longcase clock, with eight day striking movement with moon phase to arch, the case with swans neck pediment, bowfronted trunk door flanked by columns with panelled base. Height 224 cm, width across top of hood 54 cm. CONDITION REPORT: The clock case is in particularly good order with no condition issues of any note. The clock winds on both trains and is currently ticking away. It also strikes when advanced. As stated the overall condition is really extremely good.

An 18th century oak eight day longcase clock, Robert Thwaites of Barnard Castle, with broken dentil moulded architectural surmount with ball and eagle finial over the arched glazed door with turned columns and with brass dial with silvered chapter ring with Roman hours and Arabic minutes all within applied ornate brass spandrels and surmounted by a circular disk with makers details. Shaped trunk door between fluted quarter columns and raised on a plain base. Height 223 cm. Provenance Greystoke Castle.

A 19th century figured mahogany longcase clock by Telford of Wigton, the 32 cm wide painted dial with Roman numerals, calendar aperture and moonphase to arch with eight day striking movement. Height 220 cm.

An early 18th century walnut and marquetry longcase clock with two train striking movement by Hen Stockar London, with 12" dial with ringed winding apertures with long trunk door and base raised on a plinth. Height 212 cm (see illustration).

A 19th century continental oak and possibly walnut longcase clock, with two train striking movement, the case with blind fretwork and latticework carving to the base. Height 217 cm. CONDITION REPORT: The clock case is structurally sound. The hood has traces of woodworm which appears to be long gone. This should be evident on our image if you look around the door surround and hood plinth. There are further woodworm holes to the sides but as stated these appear to have long gone. Whilst we have not had the movement running, when weight is applied to both the strike and going train the clock does appear to operate. We have a pendulum and two weights. The pendulum suspension is missing. The main body of the clock is in good general order. There are some blemishes around the extremities of the base with small losses on the canted angles and a stress fracture on the right hand canted angles. The right hand return base moulding is a little loose.

An early 19th century mahogany longcase clock, with arched painted dial by H Davies Yeovil, with Kirkstall Abbey scene to arch, with two train striking movement. Height including finial 227 cm. CONDITION REPORT: Both swans neck terminals are detached but we have the pieces and they would easily refix. One brass roundel is missing. The case generally is in good order with no serious issues. The hood and trunk are in good condition and the door is not warped. The lefthand base panel has stress fractures and the right less so. The plinth base beneath this is in generally order with the usual scuffs and marks that one would expect. The movement is extremely dirty but appears complete. We do not have either the weights or pendulum. When weight is applied to the going train the escapement does operate. The strike train is quite stiff but does appear to move when weight is applied. A full clean of the movement will be required. There is no gut to the strike train. Both barrels do wind.

A George III mahogany longcase clock, with arched painted dial decorated with figures emblematic of the four seasons and with eight day striking movement with long trunk door and raised on bracket feet. Height 231 cm.

An early 19th century mahogany longcase clock, with broken arch pediment above the arched painted dial with Roman numerals, the trunk door with Prince of Wales plume and all raised on bracket feet. Note: Strike train and bell missing. Height 230 cm including finial.

A George III oak longcase clock by David Lion Biggar, with two train striking movement with subsidiary seconds dial and date aperture, with arched trunk door and raised on bracket feet. Height including finial 216 cm, width 49 cm.

A George III oak longcase clock, with swans neck pediment above the arched glazed door enclosing the brass dial and eight day striking movement marked Taylor Dumfries. Height 208 cm.

An early 19th century longcase clock in mahogany case, and with two train striking movement by Joseph Stomier Glasgow. Height 218 cm. CONDITION REPORT: The hood and case are in generally very good order with no significant issues. The doors are not warped. There are no splits and no problems of any note. We have both weights and pendulum. The movement appears to be very clean and when weight is applied to the going train it does seem to operate. The same comments apply to the strike train. We do not have a bell for this clock. The movement does wind on both trains.

A George III mahogany longcase clock by John Player Reading, with two train striking movement, the hood with broken arch pediment and glazed door, the base raised on ogee moulded bracket feet. Height 232 cm. CONDITION REPORT: The clock interior lining is in good condition. There are no cracks to the glass and the legs and front feet are in good condition. The backboards are original. There is no evidence of any woodworm. We have both weights and pendulum. The movement is relatively clean. It winds on both trains and is currently ticking away. The movement does strike when manually advanced. There is some issue with the movement of the hour hand. The second pointer is currently detached. There is unlikely to a great deal wrong with the mechanism as stated it seems very clean. The silvered brass dial is in generally good order with the exception of the seconds ring which is tarnished. The clock is likely to be a marriage as the cheeks are built up on both sides. The mask around the face does however fit with the hood in situ. The hood is in generally good order. The glass is not cracked. The pillars are firm. The trunk door closes well and is only very slightly warped. There is a tiny gap at the top of the door which could probably be rectified by slight movement of the door hinges. There are some stress fractures to the veneer at the top and bottom of the door but no significant losses. The left hand pillar has a small loss. The sides of the case, the base and feet are all in generally good order with only minor scuffs and marks.

A George III inlaid mahogany longcase clock, with swans neck pediment above the arched glazed door enclosing the two train striking movement by David Somerveille St Ninians. Height 221 cm. CONDITION REPORT: The cheeks upon which the movement seatboard sits have been altered. This would suggest that the movement and case are associated. Whilst we have not had the movement operating, when weight is applied to both the strike and going trains it does seem to operate. The movement is extremely dirty. When the hands are advanced it does however strike. When the hands are advanced the moonphase does not appear to be operating. The movement requires a good clean as does the dial. The seconds hand is missing. The case is structurally fairly sound, however the French typed surface is allover crazed particularly on the trunk door. The terminals are missing to the swans neck. The remainder of the hood is structurally sound. The brasswork to the capitals is very tarnished. There are numerous small scuffs and scratches. The rear right hand vertical moulding is missing. The trunk door is crazed. There are losses to the polished surface on both corner pillars. The trunk door is not warped. The sides of the case have some losses to the rear edges. The base panel has veneer losses to the edges and is very dirty but not split. The right and left hand rear moulded returns have losses to the rear half on both sides.

A Regency mahogany Scottish longcase clock, with circular silvered brass dial and eight day striking movement and with long trunk door with ebony stringing flanked by carved quarter round pilasters. Height 210 cm (see illustration).

An early 19th century Scottish mahogany longcase clock, with swans neck pediment above the arched glazed door enclosing the painted dial with spandrels emblematic of commerce, war etc and with long trunk door beneath. Height 220 cm.

An early 19th century mahogany longcase clock, with painted dial and two train striking movement marked Robert Jardine Bathgate, the spandrels painted with the ages of man and with domestic scene to arch. Height 222 cm.

An early 19th century Scottish mahogany longcase clock by Jonathan Loudon Irvine, with eight day striking movement and painted dial emblematic of the four seasons, the case with swans neck pediment, crossbanded trunk door and raised on bracket feet. Height 211 cm.

A George III mahogany longcase clock by J Rawson Penrith, with swans neck pediment above the arched glazed door enclosing the painted dial and two train striking movement with subsidiary seconds and date dials and with moon phase to the arch, with long trunk door beneath flanked by canted angles. Height 230 cm including finial. CONDITION REPORT: The case is in generally very good order. The hood has no issues of any note and the glass is not cracked. The trunk door is a little warped but when closed and locked does shut fairly flush. The sides of the trunk are in good condition as is the door. The base has a seam split down the centre and the front lefthand rear foot return is detached. The clock has no rear feet. The clock winds on both trains. We have two weights and the pendulum. The suspension is however missing. When weight is applied to both the strike and going trains they appear to operate. The movement winds on both trains as it should.

A mahogany longcase clock, in a George III style case and with eight day striking movement with moonphase. Height including finials 270 cm.

A Georgian oak longcase clock case only, later carved. Height 197 cm.

An oak longcase clock, with painted dial, height 191 cm, the unmarked dial with date aperture, the case raised on bracket feet. CONDITION REPORT: Whilst the case is in generally good condition it has had repairs. We believe also that the case and movement are associated. We have a pendulum and the weight and the movement is seemingly ticking away at present. There is no bell however the strike train does appear to operate when the movement is advanced. It is however a little sporadic.

A George III oak longcase clock by Monkhouse Carlisle, with 30 hour movement with silvered brass dial and date aperture, the case with moulded cornice with long trunk door flanked by fluted quarter column corners and with conforming base. Height 211 cm. CONDITION REPORT: There is a letter with this clock saying that the movement was restored by The Clockworks in 2007. The movement and weights do appear to be clean and we do have the weight and pendulum but have not had the movement actually ticking. The case itself is in reasonably good order. Some of the dentil work around the foot of the hood is missing. The trunk door is not warped. The base has a seem split to the centre but is generally in good order. The bottom section of the original backboard is completely missing.

A George III mahogany longcase clock by Brough Workington, with 30 hour movement, the case with blind fretwork between the swans neck pediment and with long shaped trunk door flanked by fluted quarter column corners and raised on bracket feet. Height 218 cm. CONDITION REPORT: In our opinion the clock is not a marriage. The seatboard is original and the cheeks have not been altered. Whilst there is minor shrinkage around the mask the dial does fit the aperture. The movement and dial again appear to be original to each other. We have noted locally the addition of an arch to what would have been a square dial. This seems to happen regularly and is perhaps transitional. The arch does appear to be contemporary with the dial. The movement is currently ticking away and strikes when advanced. The date wheel operates when advanced also. The case is in generally extremely good condition with no significant issues. There is an old stress fracture to the top right hand corner of the door. The door is not warped. The lock and key are present. The sides of the case are in good condition. The base is in good order as are the feet.

A George II mahogany longcase clock with eight day striking movement by W Gregor Edinburgh, swans neck pediment with blind fretwork carving above the arched glazed door enclosing the painted dial with long trunk door flanked by fluted quarter column corners and all raised on bracket feet. Height 224 cm including brass finial.

A George III mahogany longcase clock with eight day striking movement by Hudson Nottingham, the case with swans neck pediment above the arched glazed door enclosing the painted dial with eight day striking movement with moonphase to the arch, with long trunk door below flanked by canted angles, the case raised on bracket feet. Height 221 cm.

A George III mahogany crossbanded longcase clock by W Bucknall Burslem, eight day with moonphase, the case with swans neck pediment, arched glazed door, fluted quarter column corners and panel to base. Height 214 cm.

Victorian mahogany longcase clock , with square painted white dial marked Plowman Chichester, and floral painted decoration, and black Roman numerals, 2 subsidiary dials, chain driven movement - 30 hours 192 cm high

A George III oak cased thirty hour longcase clock, by Joseph Smith, Wrexham, the flat top hood with freestanding pillars flanking the 30cm square brass dial, centred with a date aperture and the makers name, enclosing the chain driven movement striking on a saucer bell, above the crossbanded rectangular door and conforming lower panel, 193cm high, weight and pendulum

A George III oak cased eight day longcase clock, signed S Ashton, Bradbury, the flat top hood above a gilt highlighted frieze and brass capped freestanding fluted pillars flanking the 31cm square brass dial, centred with a subsidiary seconds dial and date aperture, signed with the makers name and enclosing the two train movement striking on a saucer bell, over a blind fretwork frieze and an oak case with conforming fluted quarter pilasters upon simulated brick detail, flanking the rectangular door with applied beading above the conforming lower panel an plinth base, 203cm high, two weights and pendulum

A George III mahogany longcase clock,by John Holmes, London, with a white enamelled dial and strike/silent, inscribed to the dial ‘Holmes, 156 Strand, London’, enclosing an eight-day movement, striking the hours, surmounted with a finial, with an arched top, fish scale side panels, and an arched case door with original receipt to the door,41cm wide25cm deep215cm highJohn Holmes worked from 156 Strand in London between 1761 and 1802. Holmes was regarded as one of the finest clockmakers of his time and F J Britten comments 'he seems to have been one among the leading mechanicians and when the turret clock at Greenwich Hospital was destroyed by fire in 1779, he was given the order for a new one. The Wetherfield Collection contains two long mahogany case clocks of his manufacture, one a particularly choice example of Chippendale dating from about 1770'. The Ludlum pendulum was used by Holmes and enabled the user to make very fine adjustments, and in turn, gave improved timekeeping.Condition report: Case: front has discolouration to concave surface of moulding beneath hood. Veneer on carcass around arched top of door with multiple cracks and jagged split. Veneer on door has extensive shallow cracking and small splits. Also some apparent later added colouration. Lower flame veneered panel has multiple vertical cracks which appear unslightly. Back of case has long vertical split and signs of old woodworm. Two wing pieces replaced at some stage. Moulding piece detached from one side but present. Hood - top split in two places. Both sides have splits emanating from top of brass grill 'windows', one side more pronounced.Dial: chip to right winding hole. Brass spandrels and flat plan backplate quite tarnished and original lacquer perished.Backplate: both main drum holes have been alternately rebushed (raised bush) and 'hammered'. Both weights very tarnished.

A George III mahogany longcase clock, c.1770, the dial signed 'Lassel, Park', eight-day striking movement, an arched brass and silvered dial with moon phase and date, the hood with swan neck break-arch pediment, two wood ball and spike finials and verre églomisé panels, the trunk with a shaped top long door, to a panelled and staged base, on ogee bracket feet,56cm wide28cm deep228cm highCondition report: The movement hasn't run for some time and is dusty, the moonphase has been disconnected and the feather is missing from the pendulum. The two finials are later and there is no central finial. There are cracks to one of the verre eglomise panels and an old repair to the arch of the hood door.

A 19th century carved oak cased longcase clock with brass and enamel dial signed William Reader of Hull , pendulum and two weights

A reproduction longcase clock

An antique longcase clock with painted dial signed Maideman and Son, in a painted oriental style case

A continental painted longcase clock with circular dial

A Scandinavian Tempus Fugit painted narrow longcase clock

A continental painted longcase clock with circular dial

A contemporary longcase clock with moon phase dial

A continental painted longcase clock with circular dial

A 19th century inlaid mahogany longcase clock with painted dial, Whitby

A continental painted longcase clock with circular dial