We found 44425 price guide item(s) matching your search
There are 44425 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
44425 item(s)/page
A late 18c eight day longcase clock, the 12in square brass dial signed John Owen and is numbered 145 to the silvered chapter ring. The corner spandrels represent the four seasons and the chapter ring has Roman numerals with outer arabic five minute markers and the clock has unmatched steel hands. The movement has anchor escapement and striking using the pinned great wheel as a countwheel. It is contained in an oak and mahogany case with swan neck pediments to the hood with a central ball and spire finial and baluster columns flanking the dial. The trunk has fluted quarter columns flanking the long wavy top door which has mahogany edge crossbanding and the base has canted corners and a central mahogany panel with three double boxwood line inlay around its scalloped. The base moulding has small bracket feet and the clock stands 83in tall overall.
A Large Exhibition Type Longcase or 'Grandfather' Clock with a three train movement on eight chiming bells, supported by three large brass weights of varying sizes, playing Westminster and Whittington chimes. Subsidiary dials to the arched brass dial with silent and chimes display dial; the brass dial fitted with cast ormolu mounts to back corner, silvered chapter rings to the dial, maker or retailers name to the face, Thomas Armstrong and brothers, Manchester. Impressive mahogany case profusely inlaid with satinwood and various coloured exotic woods, with an Adams type urn to the central panel of the door; inlaid swags to the base, supported by shaped bracket feet. The hood with finely carved rosette roundels to the scrolls, with a central finial, fret work sides to the hood and finely matched Corinthian columns with capitals to both the case trunk and hood, 90" high, 18" wide, 12" deep.
Important 18th Century black lacquered Chinoiserie cased Act of Parliament or Tavern clock by William Mayhew of Woodbridge, the 70cm cm dial to the eight day four train movement with royal pendulum, contained in case decorated with figures, 155cm high Note: William Mayhew (1725-1791) was a prolific maker of high quality clocks, especially longcase clocks and tavern clocks
A GEORGE III MAHOGANY LONGCASE CLOCK BY THOMAS WATTS OF LAVENHAM, the hood with swan neck pediment and floral terminals and central spherical brass finial, above domed glazed panel door flanked by fluted columns, enclosing brass dial inscribed 'Thomas Watts, Lavenham', with pierced spandrels decorated with cast human masks and dolphins around chapter ring with Roman numerals and subsidiary dial, above waisted trunk with single door and platform base. 237cm high x 48cm wide
A selection of clock and watch reference books consisting of: ''The Longcase Clock'' volumes one and two by John Robey; ''Pocket Watches from the Pendant Watch to the Tourbillon'' by Reinhard Meis; De Carle's ''Watch & Clock Encyclopedia''; ''Practical Watch Repairing'' and ''Clock and Watch Escapements'' by W.J. Gazeley; clock magazines etc (two boxes)
Good English oak eight day weight driven three train longcase clock, early 20th century, the 11" square brass dial signed Maple, London, with subsidiary seconds dial and foliate engraved centre, with chime/silent and six gongs/four gongs selection levers, the case with long carved panelled door and the hood surmounted by a stepped moulded pediment over a carved frieze, 80.5" high (pendulum and three weights)
Mahogany three train musical longcase clock, the 14" brass arched dial signed W Drew, Lynn on the silvered chapter ring, with four bells/eight bells lever positioned at three o'clock enclosing a foliate engraved centre with subsidiary seconds dial, with moon phase and painted ships to the arch, the movement playing on a nest of eight graduated bells, the flame mahogany case with long triple pointed arched ebony banded door, surmounted by a swan neck pediment and inlaid overall with oval reserves depicting conch shells, birds and Classical urns, 88" high (pendulum and three weights)
Oak eight day longcase clock, the 12" painted arched dial signed R. Hampton, Manchester to the centre with subsidiary seconds dial and calendar aperture, the case with long rounded arched mahogany banded door and the hood surmounted by a pagoda top with three brass ball and eagle finials, 94" high (pendulum and two weights)
Impressive oak three train longcase clock, the 11" silvered circular dial with raised gilt Arabic numerals, fitted with chime/silent and Whittington/Westminster selection levers, the case with long glazed door with applied foliate carvings and the hood surmounted by a carved foliate border, 90" high (pendulum and three weights)
Oak thirty hour longcase clock, the 12" square painted dial signed Samuel Shortman, Newnham to the centre with subsidiary seconds dial and calendar aperture, the case with medium length crossbanded door and the hood surmounted by a swan neck pediment and three brass finials, 80.5" high (pendulum and weight)
Mahogany three train musical longcase clock, the 12" arched dial with moon phase and calendar chapter ring, over a silvered principal chapter ring with Arabic numerals enclosing an engine turned centre with subsidiary seconds dial, the movement playing on eight tubular bells, the case with long rounded arched bevelled glazed door and the hood surmounted by a rounded arched moulded pediment, 91" high (pendulum and two weights)
Good walnut month going longcase clock with five pillar movement, the 11" square brass dial signed William Williamson, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, calendar aperture and central engraved Tudor rose, the case with long featherbanded beaded door fitted with an oval lenticle and the hood surmounted by a flat stepped top over a blind geometric carved fretwork panel, 82" high (pendulum, two weights and keys)
Mahogany grandmother eight day longcase clock, the 6.5" brass arched dial signed Thomas Scott, Bath on a silvered arched plate to the matted centre, the case with long moulded rounded arched door, the hood surmounted by a swan neck pediment with brass ball and eagle finial, 68" high (pendulum, two weights and key)

-
44425 item(s)/page