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Late Georgian oak 30hr longcase clock by 'Foulks Bakewell' with weight and pendulum. Condition report: see terms and conditions

A George III oak and mahogany eight day longcase clock, circa 1815, the hood with a swan-neck pediment, the glazed door opening to reveal a 13.5 inch white enamelled dial with black Roman numerals and painted corners, subsidiary dial and two winder holes, the door opening to reveal two weights and pendulum, raised on bracket feet, 220cm high

Longcase clock, West German made, sun and moon dial.

A modern reproduction longcase clock by Fenclocks of Suffolk

Pine thirty hour longcase clock, the 12" painted arched dial signed Foxton, Sutton Ashfield below a calendar aperture, the case with long rounded arched door and the hood surmounted by a broken moulded swan neck pediment, 86" high (pendulum and weight)

Oak eight day longcase clock, the 11" square brass dial signed Gabriel Smith to the foliate engraved centre with subsidiary seconds dial and calendar apertures enclosed by a silvered chapter ring, the case with long door, inlaid with stars and quarter paterae, the hood surmounted by a stepped moulded cornice over a carved dentil frieze, 80" high (pendulum, two weights and crank winding key)

A pine longcase clock case 19th Century with converted dial, 214cm

An oak cased longcase clock, by Enfield, domed top, silvered dial, Arabic numerals, glazed door to trunk, bun feet. C.1930/40

An early 19th century mahogany 30-hour longcase clock, with calendar aperture and subsidiary seconds dial, the spandrels painted with castle vignettes, 201cm high

A 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, the painted arched dial with windmill decoration to the arch, thirty hour movement, the case inlaid with satinwood and ebony, fluted pilasters, raised on bracket feet, two weights and pendulum, H 225 cm A/FCondition Report:The face is in need of renovation. Various losses to the case.

A 19TH CENTURY OAK AND MAHOGANY EIGHT DAY LONGCASE CLOCK, the painted arched dial with subsidiary seconds dial and date aperture, maker's name 'Jn Bloor - Newcastle', the Gothic style case with inlaid detail, twin weights and pendulum, H 219 cm

A CONTEMPORARY OAK LONGCASE CLOCK WITH MOON ROLLING MECHANISM & TRIPLE BRASS WEIGHTS

An oak 8 day longcase clock by Thomas Savage of Clifton, with two subsidiary dials

Reproduction mahogany longcase clock

An early 19th century mahogany eight day longcase clock, by 'William Wynn, Farnham', the white painted arched dial with two subsidiary dials and a two train movement, 246cm high. (pendulum, two brass cased weights)

A George III mahogany eight day longcase clock, Barwise London, the 'London' case with quarted fitted brass fluted columns and well figured body and base, the eleven and three quarter inch arched white painted dial with subsidiary seconds, date and strike/silent dials, with supporting twin train movement striking on a bell, 214cm high. (winder, two weights and pendulum) Provenance: Countess of Shannon and thence by descent, until being sold in 1972.

A George III eight day oak and mahogany inlaid longcase clock, dismantled, with brass arch top dial detailed with two subsidiary dials, and with a two train movement (a.f). (pendulum and two weights)

E. J. Goodfellow of Wadebridge mahogany veneered cased longcase clock.

A longcase mahogany framed wall clock with visible heavy brass Magento pendulum.

Good early 18th century longcase clock with thirty hour movement, 11 inch brass dial with foliate and face mask spandrels, matted centre with engraved birds, single pierced hand and silvered chapter ring, signed - William Gunn. Wallingford, in a simple ebonised oak case, 184cm overall height. N.B. William Gunn was a Quaker and worked in Wallingford in early 18th century. The simplicity of the case reflects his beliefs CONDITION REPORT Case 184cm high

18th century longcase clock with eight day movement, 12 inch brass breakarch dial, face mask spandrels, ringed winding holes, matted centre, subsidiary seconds dial and date aperture, breakarch with dolphin spandrels and signed - Christopher Goddard London, in a mahogany case with arch top, hood with fluted columns, pagoda top and two ball finials, 233cm overall height (weights and pendulum present, key lacking) CONDITION REPORT General overall condition good. Movement is clean and as far as we are aware is in working order. There is no evidence of major damage or repair, however, movement may have been cleaned professionally. Dial has been cleaned, possibly with Brasso and any trace of possible original silvering removed. Case is in good overall condition. Some traces of past woodworm holes now filled. Plinth has some cracks and lower part may have been added or repaired

Late 18th / early 19th century longcase clock with eight day movement and 14 inch diameter circular brass dial with engraved foliate decoration, subsidiary seconds dial and gilt metal hands, in an oak case in the Northern style, with short door and deep plinth, hood with circular glass, fluted columns and shell and swan-neck pediment with three brass ball finials, 232cm overall height (pendulum and weights present, key lacking)

Late 18th / early 19th century longcase clock with eight day movement and 12 inch painted breakarch dial with foliate spandrels, subsidiary seconds and calendar dials, brass winding holes, breakarch with painted floral spandrels and strike / silent regulator, in an oak case with dome-topped door, hood with turned columns and domed top with scroll pediment, 212cm overall height (weights and pendulum and key present)

A 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, the 12½ inch break arch dial painted with Crystal Palace in the arch, subsidiary seconds and date calendar, the case with bowed front door flanked by half columns, weights and pendulum. 216cm

LONGCASE CLOCK, George III, oak and mahogany with brass and silvered face, inscribed Standring, Bolton, date Aperture, painted moon phase dial and eight day movement, 210cm H x 54cm W x 30cm D.

LONGCASE CLOCK, late 18th/early 19th century Dutch burr walnut and string inlaid with gilt painted figures above a brass, silvered, bronze and velvet face with date aperture, moon phase dial and 8 day movement, 288cm H x 71cm W x 36cm D (with faults, parts later).

An 18th Century Oak Longcase Clock with thirty hour movement by Richard Marshall. The 10¼ ins (26 cms) square brass dial with a single steel hand, engraved chapter ring with Roman numerals encircling a calendar aperture and round maker's plaque inscribed 'Rich Marshall 1752'. The case with flat hood surmounted by three turned ball finials, a break-arch topped trunk door and moulded base on bracket feet 83 ins (211 cms) high.

An 18th Century Oak Eight-day Longcase Clock by Sherwood of Doncaster. The 12¼ inch (31 cm) brass dial having a silvered convex roundel engraved with maker's name in the break arch top, flanked by cast dolphin mounts, above a silvered chapter ring encircling subsidiary seconds and calendar dials surrounded by engraved sprays of scrolling foliage. The hood with a moulded swan-neck pediment surmounted by brass spired finials, 93½ ins (237 cms) overall in height. 2x keys (1x winding), 2x weights and a pendulum.

A Late 18th Century Oak Longcase Clock. The eight day movement having a 12 inch (30.5 cm) square brass dial signed Courtier Ruthin, with a seconds and calendar subsidiary dial to the centre encircled by a silvered chapter ring and embellished with scrolling gilt brass spandrels. The case having a flat topped hood with blind fret carved frieze and octagonal side columns. The trunk with a shaped lip-moulded door with mahogany cross-banding flanked by recessed quarter columns, 79¾ ins (203 cms) high.

Early 19th century longcase clock, the enamel dial with coursing scene with line inlaid mahogany case, 220cm high.

1920s oak Jacobean style longcase clock, the repeating movement striking on gongs, 186cm high.

1940s oak longcase clock, the movement striking on gongs, stamped MS, 211cm high.

Victorian mahogany longcase clock with floral enamel dial, 216cm high.

A George III inlaid oak and mahogany eight day longcase clock, with painted Roman numeral dial signed Wainright Nottingham, with movement striking on a bell, the hood with broken swans neck pediment, above an arched door, on bracket feet, 217cm

A George III oak and mahogany thirty hour longcase clock, with broken swans neck pediment above a painted circular dial with Roman numerals, floral detailing and indistinctly signed Cecelia Fletcher Rotherham, above trunk with serpentine top door and fluted corner pilasters to the side, on later plinth base PLEASE NOTE: The proceeds of this lot are being gifted to several animal charities including Animals Asia, Blue Cross, Born Free, China Animal Protection, Compassion Without Borders, Fauna & Flora International, P.E.T.A, Rahat India, RSPCA Hampshire and Surrey Borders, SPANA, Humane Society International, Whale and Dolphin Conservation Sanctuary, Four Paws International and Retired Greyhound Trust

An early 19th century Shropshire oak thirty hour longcase clock, the painted square dial with Roman numerals and date aperture, indistinctly signed Francis Careswell the trunk flanked by fluted corner angles, on plinth base (some damage). Cereswell worked out of a premises in Mardol Shrewsbury in the late 18th / early 19th century and is credited with making some of the finest Shropshire longcase clocks of the period, 211cm PLEASE NOTE: The proceeds of this lot are being gifted to several animal charities including Animals Asia, Blue Cross, Born Free, China Animal Protection, Compassion Without Borders, Fauna & Flora International, P.E.T.A, Rahat India, RSPCA Hampshire and Surrey Borders, SPANA, Humane Society International, Whale and Dolphin Conservation Sanctuary, Four Paws International and Retired Greyhound Trust

A George III eight day oak longcase clock, with 29cm Roman numeral chapter ring signed John Spence Market Harboroug[h], with engraved centre, seconds dial and date moon phase, and movement striking on a bell, with domed hood and trunk door, on plinth base, 228cm

A good mid 19th c. Mahogany eight day Longcase Clock by Hancock of Yeovil, the hood having swan pediment with central brass finial, single pane door, opening to reveal painted face with lady at a stile and flowers to the corners, circular Roman numeral face with second hand and date roller, thirty hour movement, long flame Mahogany strung door, flanked by canted fluted corners, on lower flame and strung panel base, and bracket feet, 19 1/4'' wide x 88'' high x 9 1/2'' deep

An early 19th century nautical themed longcase clock by Jonathan Benham, Cullompton:, the arched painted dial signed as per title, Roman numerals and subsidiary seconds dial, with automaton ship movement to arch section of dial, the upper spandrels painted with churches the lower with ships, under a swan neck pediment hood with eagle and ball finial, cross grained door and chamfered inlaid trunk, 228cm high.

An early 19th century inlaid mahogany longcase clock by Swann, Stockport, the hood with 3 brass finials, swan neck pediment and square reeded side pillars, similar pillars and triple arch door to the trunk, on ogee bracket feet, square painted dial with inset moon phase, 8 day striking movement, height 99"

Hadwen, Liverpool, a late 18th century mahogany longcase clock, the broken arch hood with ball finial, fluted columns, 13inch dial with moonphase disc, seconds dial and date aperture, 4 pillar 8 day movement, the trunk with quarter columns to the corners, on a canted rectangular base, ogee bracket feet, 237cm (92in) Condition report: the finial is now detached.  

William Cattell in Fleet Street Londini fecit, a 17th century walnut marquetry month going longcase clock, the hood with later giltwood cresting above gilt pilasters, 10inch dial signed at the foot, winged mask spandrels, slender chapter ring and seconds dial, date aperture, maintaining power, scored winding squares, large outside countwheel to the six pillar movement, (five of which latched), latched dial feet, the trunk with three marquetry panels to the door, marquetry front plinth, on bun feet, 210cm (82in), measures approximately 255 cm with the hood lifted.  William Cattell is recorded by Britten as working 1664-90, apprenticed to Edward Stanton 1664, made a Freeman of the Clockmaker's Company in 1672. Condition report: Chapter ring outer engraving rather faint. Chapter ring possibly later. Seconds dial possibly replacement. Hands probably later. Seatboard looks old. Crack across top of trunk door. Various other marks and typical cracks and age-related wear and tear. Lacks one side throat convex moulding.  

An imposing walnut seaweed marquetry longcase clock, the caddy top hood with fretwork mouldings, 12.25inch dial with silvered calendar ring to the arch, dolphin spandrels below, silvered chapter ring and seconds dial, marked to a recessed oval 'D.Delander, London, No.9', strike silent lever to the right side, mask spandrels, 4 pillar 8 day movement with replacement seatboard, rectangular trunk door and plinth with replaced skirting, restorations, 249cm (97in) Condition report: Case has a warm colour and appropriate looking shrinkage to mouldings. Skirting looks later. Small losses and knocks to case. Trunk lock key present (later lock). Non-original winding key. Good looking dial although we are unsure whether this is the original movement. Movement appears to fit though it is a simple four pillar type. We are unsure as to the authenticity of the Delander name on the dial.  Trunk door with loose moulding and part missing (see photo). Slight packing under seatboard. Guiderails possibly replaced. The inside of case appears to have an old colour wash. Two brass case weights present. 

A Regency mahogany longcase clock, signed William Okey, Clerkenwell, London, the circular silvered 12inch dial with subsidiary seconds and calendar dials, moon hands, 5 pillar movement, brass side frets to hood, the trunk with canted front corners upon a panelled plinth, 225cm (88in)

Francis Wheelhouse, Sheffield, an eight day burrwood longcase clock, the 12inch dial signed to a boss in the arch, subsidiary seconds and calendar dials, Rococo spandrels, 4 pillar movement with cut away dial plate, upon a shortened plinth base, case possibly associated 211cm (82in) reinforced cheeks to case, old damage, lacking pendulum

Jacob Hasius, Amsterdam, an 18th century Dutch walnut marquetry longcase clock, the square brass dial signed to the silvered chapter ring around VI, foliate scroll mask spandrels, small inset lunar disc, day and date inset dials below, ringed winding holes, matted centre, 5 pillar month going movement, later large weights, classical cast mount to the glass lenticle, oak carcase, 208cm (81in)

Bartholomew Rowning, Cambridge, an 18th century oak eight day longcase clock, the 12inch brass dial painted with a lakeland landcape with fisherman to the arch, above engraved seconds dial and date aperture, urn spandrels, 5 pillar 8 day movement, all within a rectangular case 212cm (83in)

Charles Frodsham, London, an early 20th century oak longcase clock, in late 17th century style, the 11inch square brass dial signed to a plate to the matted centre, silvered chapter ring and seconds dial, gilt mask spandrels, strike/silent lever to one side, deadbeat escapement, steel rod pendulum with adjustable shaped bob, with two brass cased weights 205cm (80in)

A 19th century mahogany longcase clock, signed John Clark, Bristol, the hood with swanneck pediment, painted 13inch dial with moonphase disc to the arch, concentric calendar, seasonal figural spandrels, some retouching, 4 pillar 8 day movement, the trunk with canted blindfret corners, 229cm (89in)

An 18th century mahogany eight day longcase clock, the break arch case with central ball finial, 12inch brass dial with strike/silent to the arch, silvered chapter ring and seconds dial, date aperture, signed 'William Kipling London' around VI, urn spandrels and six pillar movement, (case late 18th century, dial and movement earlier) 216cm (84in)

A George III mahogany longcase clock,swan neck pediment,brass dial, Roman numerals, Lanrie of Carlisle

A 1920's oak longcase clock, the glazed case enclosing a silvered dial, the three train movement striking on gongs 192cm high

An Edwardian mahogany longcase clock, the domed hood over a glazed trunk door and sides, on ogee bracket feet, the three train movement with Westminster, Whittington and St Michael chimes on tubular bells, 209cm high

AN OAK LONGCASE CLOCK by John Lawson, Bradford, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 13" arched brass dial with silvered chapter ring having Roman and Arabic numerals, the centre chased with foliage, calendar dial and signature, painted moonphase with inscription "He Appointed the Moon for Seasons", the associated oak with scrolled pediment having brass finials and roundels, plain frieze on turned columns, arched door and panelled base, 91" high

A MAHOGANY LONGCASE MUSICAL CLOCK, the Edwardian eight day triple weight driven chiming movement with anchor escapement, rack striking on a bell, quarter chiming with eight hammers striking on a nest of bells, 13" associated arched brass dial signed Thomas Lister, Halifax, the silvered chapter ring chased with foliate scrolls and with signature, Roman and Arabic numerals, painted moonphase, the associated mahogany case crossbanded with stringing, scrolled pediment with verre eglomise panels, brass finials and roundels on fluted columns, arched door flanked by quarter columns, canted base with cut corner bead panel, on bracket feet, 88 1/2" high (Illustrated)

A WALNUT LONGCASE CLOCK by J. Windmills, London, early 18th century, the eight day movement with anchor escapement rack striking on a bell, 11 1/4" square brass dial with silvered chapter ring having Roman and Arabic numerals, the matted centre with ringed winding holes, seconds dial and calendar aperture, the banded walnut case with ebony trim and stringing, moulded cornice over fret frieze on plain engaged columns, panelled door with lenticle, panel base, on plinth, 19 1/2" x 79" (Illustrated)

A WALNUT AND MARQUETRY EIGHT DAY LONGCASE CLOCK, 18TH C the brass dial engraved on the chapter ring SAMSON WROTH TAUNTON, with matted centre, date aperture and 'Indian' mask spandrels, having four pillar movement, the marquetry door to the trunk with lentical, 199cm h ++Dial/movement associated to the case, the case with old alteration, repair and damage including a shrinkage crack to the reduced base

A WALNUT AND FEATHERBANDED EIGHT DAY LONGCASE CLOCK, 18TH C the brass breakarched dial engraved on a silvered tablet to the matted centre Walter Bosley London, with date aperture and subsidiary seconds dial, Strike/Silent ring to the arch, the flat topped hood with moulded cornice and turned pillars, 220cm h ++Some old repair and requiring some cosmetic restoration, dirty/dusty

A VICTORIAN MAHOGANY LONGCASE REGULATOR, MID 19TH C the painted dial inscribed Jackson Nottingham with twin subsidiary dials, the well engineered movement with deadbeat escapement, rectangular plates and substantial baluster pillars, in richly figured case with scroll carved mask and panelled base, 208cm h ++A high quality clock in basically original condition, lacking pendulum rod, the dial with some old repainting, small veneer chips and wear to case

A GERMAN JUGENDSTIL OAK LONGCASE CLOCK, C1910 with stamped and silvered brass dial and gong striking movement, in carved case with glazed door, matching oxidised art metal sleeved weights, 229cm h ++In very good original condition