We found 44425 price guide item(s) matching your search

William IV Scottish mahogany drumhead longcase clock, maker J Templeton of Ayr, the enamel Roman dial above and arched flame mahogany trunk and plinth, lacking bracket feet, 191cm. CONDITION REPORT: No weights present. Pendulum is present. Clock will work with weights and chime. Pierced grill on left side of hood damaged and crack leading from it to rear edge.

George III mahogany eight day longcase clock circa 1760, maker Marmaduke Storr of London, the arched brass dial with makers name above strike / silent dial. Roman / Arabic chapter, the matt centre having seconds dial and date aperture, the figured corner CONDITION REPORT: Veneer losses around hood. Door columns loose, door warped, astragal damaged, base split. Some wormholes to reverse and side of hood. Two weights and pendulum. 206cm tall. Missing finials.

George III mahogany longcase clock, maker John Galbraith of Falkirk, the arched brass dial with Roman/Arabic chapter and centre seconds, the trunk with quarter columns on plinth base, 210cm. CONDITION REPORT: Columns loose. Wear around door. Veneer losses and 'filled'. Hood moulding off. Needs repolished. Some splits to base. Large shard missing from trunk column. Lacks finials.

Fine George III mahogany longcase clock, maker John Smith of Pittenweem (fl. 1770-1814), the arched thirteen inch enamel dial with automaton frigate, in an oval, above Roman Arabic chapter, seconds dial and arched date aperture, the backplate stamped 'Wilson' the case with swan neck pediment to hood, conch shell and line inlay, on bracket feet, 219cm.

Winterhalder and Hoffmeier carved oak longcase clock, the arched dial with silvered Arabic chapter, seconds, strike / silent, chime / silent and Whittingdon / Westminster dials, the movement striking on eight tubes, the case with arched door and barley twist supports, 235cm

18th century oak thirty-hour longcase clock, maker Gilkes of Adderbury, with brass Roman dial and plain case 205cm. CONDITION REPORT: Has two weights, door trunk locked, pendulum is inside. Woodworm holes to case and hood. Base split. Backboard is crumbly with losses. Dial sits of square in case.

An early Victorian mahogany longcase clock, the hood having turned pillars, over canted flanks and a panelled box base, raised on bracket feet; the 8 day bell strike movement faced by a painted Roman dial 95''h RSF

Modern Mahogany Finish Longcase Clock

A finely made miniature Georgian style mahogany longcase clock, English probably late Victorian, with scroll pediment, dial with smaller second dial, painted surround of four seasons and lighthouse shipping scene above, centre with carved pillars to sides on a stepped bottom section on ogee style bracket feet, 12 ½” (32cm) tall.

Eight various longcase clock weights (8)

Scottish eight day longcase clock movement, the 12" brass arched dial signed Hugh Barclay, Edinburgh to a silvered boss to the arch, above a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture (pendulum, two weights)

Eight day longcase clock movement, the 12" square brass dial signed Mordan, Nottingham on the silvered brass chapter ring enclosing a matted centre with calendar aperture (two weights and pendulum)

Eight day longcase clock movement, the 12" painted arched dial signed Edwards, London to the arch over subsidiary seconds and calendar dials

G. Matthews eight day longcase clock movement, with five latched pillars and Harrison maintaining power, no. 8504 (two weights, pendulum)

G. Matthews eight day longcase clock movement, with five latched pillars and Harrison maintaining power, no. 8505 (two weights, pendulum)

G. Matthews eight day longcase clock movement, with five latched pillars and Harrison maintaining power, no. 8512 (two weights, pendulum)

G. Matthews eight day longcase clock movement, with five latched pillars and Harrison maintaining power, no. 8514 (two weights, pendulum)

Eight day longcase clock movement, the 13" painted arched dial with subsidiary seconds and calendar dials

Four flat iron longcase clock weights (4)

Two similar pairs of brass cased longcase clock weights (4)

Quantity of mainly lead and iron longcase clock weights (13)

Thirty hour longcase clock movement, the 12" painted square dial indistinctly signed ..., Wootton Bassett (pendulum and weight)

Eight day longcase clock movement, the 12" brass arched dial signed Thomas Padbury, BPS Waltham to the engraved centre with subsidiary seconds dial and arched calendar aperture, with rocking ship aperture to the arch

Mahogany and stained wooden eight day longcase clock, the 13" painted arched dial signed Nicholson, Berwick, with subsidiary seconds and calendar dials, the case with long wavy arched door flanked by quarter fluted pilasters and the hood surmounted by a swan neck pediment, 85" high (two weights and pendulum)

Oak eight day longcase clock, the 12" brass arched dial signed Thomas Stringer, Namptwich on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, also with a silvered convex engraved boss to the arch, the case with long crossbanded door and the hood surmounted by a moulded rounded arched pediment, 86" high (pendulum, two weights and keys) This clock is sold with a copy insurance valuation dated 28th March 1991 and an estimate for restoration work from 1989

Oak thirty hour longcase clock, the 12" square painted dial signed Jonathan Smith, Wrexham, the crossbanded case with medium length door and the hood surmounted by a swan neck pediment, 78" high (weight, key, but no pendulum)

Eight day longcase clock, the 13" painted arched dial signed William Nickifson, Newcastle, with subsidiary seconds dial and calendar aperture, within a home made plywood case, 82" high (pendulum and two weights)

Scottish mahogany eight day longcase clock, the 13" painted arched dial (re-painted), signed Alexander Gray, Aberdeen to the centre of the dial with subsidiary seconds and calendar dials, the case with short bow fronted door flanked by turned pillars and the hood surmounted by a swan neck pediment, 83" high (wooden rod pendulum, two weights and winding key)

Pine thirty hour longcase clock, the 10" square brass dial signed John Reynolds on the brass chapter ring enclosing a matted centre with calendar aperture, the case with long door and the hood surmounted by a moulded stepped pediment, 71.5" high (weight and pendulum)

Good mahogany three train musical longcase clock, the 12" brass arched dial signed Goldsmiths & Silversmiths Company, 112 Regent Street, London on an arched plate to the matted centre with subsidiary seconds dial, also with chime/silent subsidiary dial to the arch, the substantial movement playing on four small gongs and striking on a larger gong, the case with long astragal glazed door flanked by fluted canted corners and the hood surmounted by a carved foliate cornice, 96" high (pendulum, three weights and winding key)

Good English red lacquer and chinoiserie decorated eight day longcase clock (in need of restoration), the 12" brass arched dial signed Willingham Billingshurst, Haymarket, London on a silvered convex boss to the arch over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long rounded arched door, the hood surmounted by a caddy top with three gilded ball and spike finials (one missing), 92" high (pendulum and two brass cased weights)

Fine mahogany three train musical longcase clock, the 12" brass arched dial with strike/silent subsidiary dial to the arch over a silvered chapter ring enclosing a subsidiary seconds dial and three winding apertures, the substantial movement playing on a nest of eight bells and striking on a large gong, the case with long moulded rounded arched door with fine applied foliate mouldings, also carved with stylistic foliate designs to the sides and base, the hood surmounted by a carved caddy top with three classical gadrooned vase finials, 103" high (pendulum and three weights)

Mahogany regulator longcase clock, the 12" circular white dial with subsidiary hour, seconds, calendar and days of the week dials, the case with long glazed doors and the hood surmounted by a moulded stepped cornice, 82" high (wooden rod, pendulum, weight and keys) (see condition report)

Oak eight day longcase clock, the 13" brass arched dial signed Barber, Winster to the chapter ring enclosing a subsidiary seconds dial and calendar aperture to the engraved centre, no. 437 on the movement, the case with long crossbanded door flanked by reeded pilasters, the pillared hood surmounted by a stepped broken arch pediment, 83" high (pendulum, two weights) *This clock comes with a copy of B.W. Cave-Browne-Cave - Jonas Barber, Clockmaker of Winster, paperback book

Oak thirty hour longcase clock, the 12" painted square dial signed George Greenway, Broadsummerford and with an arched calendar aperture to the centre, the case with long moulded door and the pillared hood surmounted by a swan neck pediment, 80" high (pendulum, weight)

Impressive James Elliott carved oak three train musical longcase clock, the 13 3/8" brass arched dial signed Russells LImited, 18 Church Street, Liverpool, the silvered chapter ring enclosing a subsidiary seconds dial, with strike/silent lever at nine o'clock and chime/silent and Whittingham/Westminster chime subsidiary dials to the arch, the whole dial plate overlaid with pierced scrolling foliage, the substantial movement with deadbeat escapement and pinned cylinder playing on eight tubes and striking on another, the case with long rounded arched bevelled glazed door flanked by carved angel torsos over bunches of fruit and upon paw feet, the sides with pierced carved scrolling foliage, the panelled base profusely carved with scrolling foliage and the front carved in high relief with a lion's head, the rounded moulded arched foliate carved stepped hood also over complimentary carved angel torsos, 100" high (with adjustable pendulum, three brass weights, nine metal tubes and winding key) *This particular clock features in an article that appeared in Watchmaker, Jeweller & Silversmith magazine dated July 1950. A copy of this article is included with the lot

Mahogany eight day longcase clock, the 13" engraved brass arched dial signed George Thorne, Cornbury, with subsidiary seconds dial, arched calendar aperture to the centre and moon phase to the arch, the case with long moulded wavy arched door flanked by reeded pilasters, the hood surmounted by a stepped cornice with applied Greek key carving over a blind fret panel, 86.5" high (pendulum, two weights)

Mahogany eight day longcase clock, the 13" painted arched dial indistinctly signed, with subsidiary seconds dial and arched calendar aperture, the inlaid case with short moulded door flanked by wrythen fluted pilasters, the hood surmounted by a wavy arched cornice and three turned brass finials, 86.5" high (pendulum, two weights)

Black lacquer and chinoiserie decorated eight day longcase clock with five pillar movement, the 12" brass arched dial signed Jeremiah Martin, Tottenham, High Cross on a silvered circular boss to the arch, over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long moulded arched chinoiserie decorated door and the hood surmounted by a moulded rounded arched pediment, 84" high (two brass cased weights and pendulum) (at fault)

Mahogany eight day longcase clock, the 12" square brass dial signed Charles Merry, London on the silvered chapter ring enclosing a foliate engraved centre with subsidiary seconds dial and calendar aperture, the case with long door and the hood surmounted by a moulded stepped caddy top, 94" high (pendulum and two weights)

Oak eight day longcase clock, the 12" square brass dial signed Samuel Becket, Dover on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long door and surmounted by a moulded caddy top, 94" high (pendulum and two weights)

Oak thirty hour longcase clock, the 11" square brass dial signed Francis Pile, Honiton on the silvered chapter ring enclosing a matted centre engraved with birds in flight, the case with long door and the hood with a stepped flat pediment, 86" high (pendulum and weight)

Mahogany crossbanded eight day longcase clock, the 12" painted arched dial signed James Aiken, Kincardoneil, with subsidiary seconds and calendar dials, the case with long rounded arched crossbanded door inlaid with boxwood lines and the hood surmounted by a swan neck pediment with brass turned finial, 86" high (pendulum, two weights and winding key)

Single fusee mantel clock movement; together with eight various longcase clock movements (9)

Interesting unfinished project to build a musical longcase clock movement (The M.E. Musical Clock designed by Claude B. Reeve), with twelve pillar constructed movement housing, a nest of ten bells with hammers and a nest of eight bells with hammers etc; also accompanied by detailed drawings from Claude B. Reeve

H.M. Vehmeyer - Clocks, Their Origin & Development, 1320-1880, volumes I and II; also John Robey - The Longcase Clock Reference Book, volumes 1 and 2, published by Mayfield Books 2001, signed by the author; Frederick Kaltenbock - Viennese Timepieces, Vienna - A Centre of Clock and Watch Mounting in the 18th and 19th Century, published 1993 and Reinhard Meis - A. Lange & Sohne, The Watchmakers of Dresden, published 1997; all books within original outer cardboard cases and in good condition

Oak miniature longcase clock, 16.5" high; also a German Mercedes small oak mantel clock, 6" high (2)

An oak and mahogany 30 hour longcase clock by Smith, Tipton, swan neck pediment, arched painted dial, Roman and Arabic numerals, calendar wheel. (One weight and pendulum)

Books - Antique Reference - Edwards (Ralph), The Shorter Dictionary of English Furniture: From the Middle Ages to the Late Georgian Period, Country Life, London 1969, hb; Gilbert (Christopher), The Life and Work of Thomas Chippendale, Artline Editions, 1978, hb, dj; other furniture reference works; Rose (Ronald E.), English Dial Clocks, Antique Collectors' Club, 1978, hb, dj; Robinson (Tim), The Longcase Clock, Antique Collectors' Club, 1981, hb, dj; The Antique Collectors' Club edition of Old Clocks and Watches & Their Makers, 1977, hb, dj; other horological reference; Wood (Christopher), The Dictionary of Victorian Painters, Antique Collectors' Club, 1991, hb, dj; Mallalieu (H.L.), The Dictionary of British Watercolour Artists up to 1920, Antique Collectors' Club, two-volume set, hb, dj; Dictionary of British Art: British Artists 1880-1940, Antique Collectors' Club, hb, dj; Fallon (John P.), Marks of London Goldsmiths and Silversmiths 1837-1914, hb, dj; other silver works; etc

An Early 19th Century Mahogany and Crossbanded Longcase Clock; the painted square dial having date aperture, the hood with swan neck pediment, wavy edge door and fluted columns.

A William Born Mahogany Longcase Clock; having a moon phase dial with painted decoration, dated 1837. Clock needs restoration.

An 1900 Century Oak Longcase Thirty Hour Grandmother Clock; brass dial with cherub spandrels and silvered chapter ring, overall height 188 cm.

An Oak Longcase Clock, having an arched top enclosing a silvered dial with Arabic numerals and with a striking and chiming movement.

Antique mahogany cased eight day longcase clock having arched brass dial, signed John Walford, London

Georgian oak cased 30 hour longcase clock having square brass dial signed Corrie, Langholm

A George III oak cased longcase clock The broken swan neck pediment above the brass dial with moonphase roller and subsidiary dials and inscribed John Stokes, Bendley, the eight day movement encompassing a Gingers Patent winding mechanism striking on a bell and four gongs. 228 cm high. CONDITION REPORTS: One hammer lacking, some scuffing and scratching, some small splits to case, general wear.

An early 20th Century glazed oak cased chiming longcase clock, having a silvered chapter ring, flanked by cherubic spandrels, above three brass weights and pendulum, the whole raised on flat bun feet.

An 18th Century longcase clock, Giles Coates of Chedworth, the brass dial applied with fretwork to each corner, Roman numerals to chapter ring, within a later mahogany case, 208cm high, 50cm wide

A late 18th century oak longcase clock, the full length door crossbanded in walnut and with an oval marquetry panel set within, the trunk with reeded and canted corners, the hood of square cut form with turned column supports enclosing 25 cm square brass dial with applied spandrels with single pointer and 30 hour movement by Thomas Bruton of Cromhall, Gloucestershire

An 18th Century oak and mahogany cross banded longcase clock by J N Wright of Linton