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An early 20th century oak longcase clock, the brass dial signed John Stanclife, eight day movement (198cm).

A 1930's three train longcase clock Westminster chimes exposed pendulum - Height 181cms

An oak and mahogany eight day longcase clock with a 12" arched painted convex dial signed John Hall,Sleaford with weights and pendulum - Height 91"

An oak and mahogany eight day longcase clock with a 14" arched painted dial having secondary and calendar dials signed C. Blakeway Albrighton with weights and pendulum - Height 93"

An 8 day longcase clock, mahogany and inlaid case with painted convex dial, movement by M Hick of York circa 1834, Roman numerals to dial - Height 230cm Condition report: One weight missing

An early 19th Century oak longcase clock, painted arched dial, eight day movement, case with side columns with brass capitals - H230cm. CONDITION REPORT: good condition, in going order when removed from vendors property

An 18th century scumbled pine longcase clock with arched pediment, silvered dial with date aperture inscribed Roger Wearn, St Erth, thirty hour movement, lower portion of case shortened, dial probably associated - H203cm (without finial) CONDITION REPORT: case needs polishing, lacking finial, single weight and pendulum present, movement needs attention/repair

A late 18th/early 19th century inlaid oak longcase clock, 30cm square brass dial with cherub spandrels, subsidiary seconds dial, date aperture, five pillar eight day movement, cased lead weights, brass bob pendulum and winder - H197cm CONDITION REPORT: case, dial and movement in clean order

A late 18th/early 19th century oak longcase clock, arched painted dial with date aperture, eight day movement, two lead weights and pendulum - H218cm CONDITION REPORT: good condition, in going order when at vendors property

A late 18th/early 19th century oak and mahogany longcase clock with arched brass dial, date aperture, arch inscribed Corrie, Langholm, eight day movement, two iron weights and pendulum - H220cm approx CONDITION REPORT: splits to base of trunk, movement appears complete but not tested

20TH CENTURY GERMAN MAHOGANY LONGCASE CLOCK with brass dial with 'Tempus Fugit' above dial, made in West Germany, with pendulum and three brass weights, 180cm high

A George III Oak Longcase Clock the arched hood with reeded pilasters and three brass finials above an arched carved door and upon bracket feet, the brass dial inscribed Turner and Son, Rochford and with subsidiary seconds dial and date dial, and with strike silent, the two train eight day movement striking on a bell

A longcase clock, the 29 cm square painted dial, having Roman numerals, subsidiary seconds dial and date aperture, signed Sam Cottell Crewkern, fitted an eight day movement, in an oak case, crossbanded in mahogany, 205 cm high (over finial)

A longcase clock, the 33 cm arched square brass dial, with Roman numerals and calendar to the silvered chapter ring, the silvered centre with subsidiary seconds dial, the arch with a phase of the moon and inscribed The Man is yet unborn who duly weighs an hour, signed Thos Harrison, Liverpool, fitted an eight day movement, in a mahogany case, the hood with verre eglomise painted sections, 233 cm high (over finial) See illustration Condition report Report With pendulum and two brass cased weights. Report by RB From a local deceased estate. I have known the client and clock for about 15 years, during which time absolutely no attention whatsoever has been paid to it on running repairs. That being said, it appears at some point to have had quite a lot of restoration work to it. The dial is quite crisp, the blue steel centre to the revolving phase of the moon has light surface rust, the seat board is probably a replacement, and the case cheeks, where it sits, has also been altered. The hood: A small section of the verre eglomise is missing, the finials have been broken, and there is probably missing two roundels to the swan neck section, some damage/loss to the bottom of the inner columns, and slight loss to the capitals also. The trunk door is generally good and straight, and the base is slightly warped and split. Lacks feet. Report by GH More specifically there is a chip of the right hand piece of verre eglomise on the far left hand edge of approx. 1/2 cm. There is also some rubbing and loss to the gilt decoration on these panels. The chip is not visible unless standing on a raised platform. Again, we cannot confirm whether the moon dial works but all of the relevant workings are in place, and the rest of the movement operates.

A longcase clock, the 26 cm square brass dial having Arabic numerals and date aperture, signed Edward Billington Harborough, fitted a 30 hour movement striking on a bell, in a carved oak case, 192 cm high See illustration Condition report Report by MW It has a pendulum (lacks feather) and two weights

A longcase clock, the 30 cm square brass arched dial having Roman numerals, subsidiary seconds dial, date aperture and phase of the moon, signed John Spencer, fitted an eight day movement, striking on a bell, in an oak case, 230 cm high (over finial) Condition report Report by MW With pendulum and weights Report by RB From a private client. An attractive dial with leaf engraved decoration to the border, the arch profile does not 100% perfectly fit the arched profile of the hood, the winding arbors are not square or identical, but quite decorative, the movement does not appear to have run for some time, the case is generally good, but requiring some colour putting in to it, especially to the trunk door, with the side cheeks, where the movement sits on the trunk, having been altered. Actually quite a nice looking clock, now requiring some repair and restoration.

A longcase style clock, the 19 cm arched silvered dial with Roman numerals, and subsidiary Chime/Silent, Slow/Fast and Chime on 8 bells/Westminster chime dials, fitted an eight day movement (lacks bells), in an inlaid mahogany case, 192 cm high See illustration Condition report Report by RB Really looks like a bracket clock put onto a dwarf longcase clock type trunk and base, the colour is a pretty good match but not quite 100%. The dial is silvered, and slightly discoloured in parts, both wooden side panels are loose with damage and loss, as is the frame to the back door, strikes on eight gongs but as noted, there are no bells, there are four plates which hold the movement to the case, and these have later/modernish steel screws fixing it. The trunk door is generally good and not warped, the base has a vertical split, which should be easily visible, and there are smaller splits to the sides. The brass finial is damaged where it fits into the top of the case. Not a fusee movement.

A longcase clock, the 30 cm square painted dial with Roman numerals, signed Wm Preddy Langport, fitted a 30 hour movement, in an oak case, 204 cm high (over finial) See illustration

A longcase clock, the 28 cm square painted dial having Arabic numerals and date aperture, signed Jno Tratt Colyton, fitted a 30 hour movement striking on a bell, in a pine case, 192 cm high

A Victorian mahogany drumhead longcase clock the plain circular face with black Roman numerals, 214cm high

A German Art Deco walnut veneered longcase clock the silvered dial with chromed weights and pendulum, the hinged glazed door above a box base, 181cm high

A 19th Century mahogany longcase clock the brass face inscribed Chas Campbell, Bo'Ness, surrounded by scrolling foliage with subsidiary seconds dial, 227cm high

A Victorian oak longcase clock the brass face with silvered dial, chime/silent and strike/silent subsidiary dials, striking on five steel tubular bells, the case heavily carved with masks and scrolling foliage, 230cm high

20th century mahogany Howard Miller longcase clock, silvered chapter ring, Arabic numerals, lunar phase to arch, striking on a gong and weights

A George III oak longcase clock, the hood having an arched top and turned columns, over a painted arch door, the box base raised on bracket feet; the 30 hour bell strike movement faced by a painted Roman dial 95.5''h BC

The movement of a 19th century pocket watch, converted to a miniature longcase clock, with silvered dial and Roman Numerals, the dial engraved James Wishart, Glasgow, 33cmH

A George III longcase clock, painted metal dial with Arabic numerals and date aperture, in mahogany effect pine case with gilt mounts

A George III longcase clock, the dial signed Jn Harding Ringwood, gilt metal dial with Roman numerals and date aperture, 12in dial

A George III oak and mahogany longcase clock, circa 1810, the dial inscribed 'T. Smith, Sheffield' the the hood with a swan neck pediment with brass applied terminals, the circular glazed door set between turned columns, opening to reveal a white enamelled dial with a hand painted scene to centre and black Roman numerals, with an eight day movement, the case door opening to reveal a double weight movement, cross-banded edges, 215cm high

A George III oak cased longcase clock, attributable to Derby, the hood with a circular glazed door, mechanism in pieces and requires restoration

A George II longcase clock, silver brass dial, Roman numerals, no makers name, in oak case

An early Victorian mahogany eight day longcase clock, hood with a swan neck pediment, the white enamelled dial with black Roman numerals inscribed to centre 'George Mutch, Ellon', the corners with hand painted scenes

An 18th Century oak longcase clock, 30 hour, the brass dial with black Roman numerals, inscribed 'J Sillito, Uttoxeter'

A late George III longcase clock in need of repair (af) Edward Radford of Hanley

Oak brass faced 8-day longcase clock. Condition report: see terms and conditions

An 18th century eight day oak cased longcase / grandfather clock by John Thomas of Crewkerne. The twin-train movement striking on a bell having brass and silvered dial with gilt metal spandrels and date aperture to lower centre with notation for John Thomas Crewkerne (Recorded The Clockmakers of Somerset 1650-1900 as working in Crewkerne circa 1690-1760 )

A 20th century mahogany tempus fugit longcase clock with decorative face, brass weights and pendulum

A retro vintage oak longcase clock of tall form being handmade with inset round dial clock and movement. Ex Industrial factory. Measures: 184 x 30 x 17.

Oak thirty hour longcase clock, the 12" square brass dial signed Steph. Miles, Kidderminster to the foliate engraved centre, also engraved with a Hebrew name and enclosed by a silvered chapter ring, the case with long wavy pointed arched moulded door and the hood surmounted by a moulded swan neck pediment, 85" high (pendulum)

A Victorian oak inlaid longcase clock, curly pediment with carved paterae to hood, arched dial flanked by turned columns, painted dial with landscape scenes in arch and spandrels Roman chapter, indistinctly signed by a Cambridge maker, thirty hour movement striking on a bell, short trunk door inlaid with shell patera and later brass knob, flanked by fluted quarter columns, panel below door and skirt to base. 87in (221cm) tall.

A MAHOGANY BOXWOOD STRUNG LONGCASE CLOCK, arched brass dial, Roman and Arabic numerals to chapter ring, gilt spandrels, engraved Char Dunlop, Paisley, eight day movement over panel door, box base on bracket feet, approximately 212cm high (weights and pendulum)

A 19th Century Longcase Clock with white enamel circular dial inscribed James Smith, 115 Fleet St, London, three train chiming on eight bells movement, in mahogany case with well figured arched door, 6ft 6in

A George III brass mounted mahogany striking longcase clock, Thomas Drew, London, late 18th century, the brass dial with silvered Roman chapter ring with Arabic five minutes, subsidiary seconds and date, signed Thos Drew London, the two train movement with recoil anchor escapement, rack striking to bell and strike/silent (234cm high) (pendulum and case key).

A thirty hour longcase clock, the square hood with broken arch pediment and corinthian pillars enclosing a painted square dial detailed 'Olive & Birch, Cranbrooke', over a pinched waist trunk, 194cm high. (pendulum and one weight)

A late 19th century thirty day mahogany and inlaid longcase clock, the arch top hood enclosing a painted metal dial plate, with moon phase and subsidiary seconds dial and half moon aperture detailed 'Jos Wilde, Macclesfield', mounted over a pinched waist trunk and plinth base, 225cm high. (pendulum, two weights and three keys)

A 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK with painted dial

AN 18TH CENTURY OAK LONGCASE CLOCK with brass dial, inscribed "T Simpson Durham"

Three 19th century longcase clock dials.

Walnut crossbanded and marquetry inlaid longcase clock, the square hood flanked by three quarter spiral twist columns above a rectangular panelled door with oval glass pendulum window and a moulded plinth base, the gilt brass and silvered dial later inscribed Daniel Quare with subsidiary seconds dial and calendar aperture, the two train five pillar movement striking on a bell

George III oak mahogany banded and shell inlaid longcase clock, the square hood above a rectangular panelled door and plinth base, the painted and enamel dial with Roman numerals, single train thirty movement striking on a bell

Early 19th Century mahogany longcase clock, the square hood with swan neck pediment and blind fretwork decoration above a shaped panel door and plinth base with bracket supports, the painted dial with Arabic and Roman numerals with subsidiary seconds, the two train movement striking on a bell

18th Century longcase clock dial with cherub spandrels, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed James Michel, London, fitted to a two train four pillar movement striking on a bell, 12ins square

19th Century oak, mahogany and satin birch longcase clock, the broken arch hood above a rectangular panelled door and conforming plinth base, the painted dial with Roman numerals and thirty hour movement

19th Century mahogany longcase clock, the broken arch hood with swan neck pediment above a shaped panelled door and conforming plinth base, the painted dial with decorated arch above Roman numerals, subsidiary seconds and date aperture, the two train movement striking on a bell, signed to the dial David Shaw, Leicester

George III mahogany shell and line inlaid longcase clock, the arched hood with swan neck pediment above a shaped door and conforming base raised on low bracket supports, with a silvered and gilt dial with moonphase, inscribed Jo Simpson, Wigton, the two train eight day movement striking on a bell

18th Century oak longcase clock, the pagoda hood enclosing a brass dial with pierced spandrels, the chapter ring having Roman numerals, subsidiary seconds and date aperture, the two train movement striking on a bell, above a flush panel door with moulded edge and conforming plinth base

18th Century walnut longcase clock, the arched hood above a crossbanded arched door and a plinth base (reduced and extended with a later mahogany plinth), the gilt brass and silvered dial with Arabic and Roman numerals, subsidiary seconds and date aperture, inscribed Thomas Smith Norwich, the two train movement striking on a bell

Antique oak longcase clock case with later carved decoration

A late George III rosewood cased longcase clock, of small proportions, with a painted dial and an eight day movement, 192cm tall

An early 20th century carved oak cased longcase clock, with an engraved brass dial, signed Maple, London, having Westminster chimes, 196cm tall