We found 41737 price guide item(s) matching your search

John Bickard, Exeter, a mahogany longcase clock: the thirty-hour duration movement striking the hours on a bell, the eleven-inch square painted dial having black Roman hour numerals and decorative corner spandrels with the centre having a date aperture, a painted bird, decorative blued-steel hands and signed for the maker John Bickard, Exeter, the flat-top mahogany case having with three-quarter columns with gilt-wood capitals to the hood, a long trunk door and plain base, height 200cms.

Jas. Gardner, Greenock, a Scottish longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch round painted dial having black Roman hour numerals, subsidiary seconds and date dials and signed Jas. Gardner, Greenock, with blued steel moon hands, the shaped mahogany case having applied carved mouldings to the hood and base of the trunk, with a glazed trunk door, the shaped base with canted corners and a flared plinth, height 205cms.* Biography James Gardner is recorded as working at 14, Hamilton Street, Greenock, Renfrewshire as a watch and clockmaker, jeweller and chronometer maker from at least 1853 and was known to be at number 8 by 1868. * Note Reference Donald Whyte, Clock & Watchmakers of Scotland, pub. Mayfield Books, 2005.* Note Being sold on behalf of Rowcroft Hospice

John Belling, Bodmyn, an oak longcase clock: the thirty-hour duration movement having a birdcage movement with anchor escapement and striking the hours on a bell with an outside countwheel and shaped hammer return, the ten-inch square brass dial having a raised chapter ring engraved with black Roman hour numerals and meeting-arrowhead half-hour markings with the matted dial centre having a date aperture, with cast-brass c-scroll spandrels to the four corners and a blued-steel single hour hand, the oak case having shaped pillars with cast-brass capitals to the flat-top hood and all decorated with later carving, height 203cms.* Biography The first John Belling, born 1685, is recorded as working in Bodmin, Cornwall (spelt Bodmyn on the dial) until 1761 with his son, also named John and born 1738, working until his death in 1807, this example being made by Belling Snr in the early-to-mid 1700s.

A primitive oak longcase clock case, early 17th CenturyHaving a twin swan neck pediment above a break arched glazed door flanked by reeded columns above the rectangular crossbanded door flanked by reeded canted corners and checkered inlay, above a plain lower board, 214cm.

A VICTORIAN FLAME MAHOGANY AND BANDED EIGHT DAY LONGCASE CLOCK, scrolled swan neck pediment, the painted dial with seconds dial with automaton landscape scenes, faded Roman numerals, indistinctly signed J. Moore, Birmingham, the case with triple gothic lancet door flanked by turned uprights, height approximately 237cm (distressed case)

A 19th century mahogany longcase clock

A 19TH CENTURY LONGCASE CLOCK the painted dial signed G. Stephenson, Warminster, having a hunting scene above Roman numerals, a subsidiary second hand and a date aperture, the mahogany case overall 209cm in height

An early 19th century oak longcase clock by Juler of North Walsham H.232cm

William Lauder Pather - an early 19th century mahogany longcase clock, the arched brass 12" dial signed to arch disc, with dolphinium spandrels, silvered chapter ring with Roman and Arabic numerals, engraved centre with subsidiary seconds dial, date aperture, twin winding holes for a brass eight day four pillar weight driven movement striking on a bell, the case having bowed door over a boxbase, h.222cm. Restored and re-polished.With fixed metal back/wall plate.Scuffs throughout; upper arch, centre left body spindle, feet etc.With key, pendulum and weights, but no winder.

A circa 1900 Continental geometric moulded oak longcase clock, having an arched brass and silvered dial, glazed trunk door, with three weights

A late 19th / early 20th century century continental carved walnut and stained wood eight day longcase clock, c1900, with Roman numeral chapter ring, subsidiary seconds and date dial, with movement striking on a gong, within an elaborately carved and shaped case decorated with a maiden, 209cm H CONDITION REPORT: There is a fininal lacking and the central finial to the hood is damaged to the block base. The left hand side of the carved swag to the underside of the hood door is lacking. There is a loss to the block detailing to the right finial on the base. The sides of the clock have some hair line cracks. The clock appears to have been overhauled but not toon recently. The movement is not original to the case and may be earlier. The hinges to the door are not original. General age wear patina throughout with some degradation to the varnished finish. Overall appearance ok. The movement may be made up from older clock parts

A George III eight day oak longcase clock, with silvered Roman numeral dial signed 'Jno Oliver Manchester', the matted centre with date aperture and subsidiary seconds and movement striking on a bell, in oak case with bracket feet, 206cm H CONDITION REPORT: The movement may not be original to the clock, the seat board is very thick and in two section (one later to the other). There some holes in the back plate which do not appear to be currently used and a shadow from where a former bracket may have been, The movement may have been altered.

A George III eight day oak longcase clock, the painted dial indistinctly signed 'Malpas', with Roman numerals, subsidiary seconds and date aperture, with movement striking on a bell, 191cm H

An early 19th century oak 30 hour longcase clock, the 11in square painted dial inscribed 'J Miller, Kingsclere', 190.5cm high, with weight and pendulum.

A reproduction Metamec mahogany small longcase clock, 153cm high, with pendulum. 

A good Edwardian musical longcase clock, with 12in gilt brass and silver dial, 223.5cm high, with three brass weights and pendulum, (hood lacking glass to door).

A reproduction oak longcase clock, the brass dial with moon phase arch, 201cm high, with three weights and pendulum. 

An oak longcase clock, the 9½in painted circular dial inscribed 'Aurange, a Villeneuve', 182cm high, with weights and pendulum.

A George III oak eight day longcase clock, the 13in square painted dial inscribed 'J Joyce, Ruthin', 208cm high, with weights and pendulum.

A George III oak and mahogany crossbanded eight day longcase clock, the 12¾in brass and silvered dial inscribed 'Seddon, Frodsham', height including finial 214cm, with weights and pendulum, (alterations to dial and movement).

An Early XX Century Mahogany Cased Mantel Clock, white enamel dial, Roman numerals, on plinth base, a 1930's oak cased miniature longcase clock with 'Mercedes' movement, an an Edwardian inlaid mahogany clock. (3)

A 1930's Oak Longcase Clock, with chrome numerals to silvered dial, three weight movement.

A 1920's Oak Longcase Clock, with glazed door, silvered dial, eight day movement.

MAHOGANY LONGCASE CLOCK, the 12" brass dial with subsidiary seconds dial and date aperture, inscribed Henry Watts, Poole beneath an eagle crest and the motto Tempus Fugit, on a brass eight day, four pillar movement hourly striking to a bell, the domed hood with three quarter columns, the case with arched door, with weights and pendulum, height 197cm

MAHOGANY LONGCASE CLOCK, the brass dial with a 11 1/2" matted silver chapter ring and subsidiary seconds dial and vacant date aperture, beneath a strike silent dial and an arch inscribed Fladgate and Willder, London, on a brass, eight day striking movement, the case with pagoda hood and arched trunk door, with pendulum, weights and key, height 240cm

GEORGE III MAHOGANY LONGCASE CLOCK, the 12" painted dial beneath an arched panel and with maiden to the spandrils, subsidiary seconds dial and date aperture on a brass, eight day, four pillar movement striking to a bell, the case with pagoda hood and reeded columns, the trunk with an arched door and panelled base, height 235cm

WELSH OAK LONGCASE CLOCK, the brass dial with 12" silvered chapter ring enclosing a seconds dial, beneath a moonphase and arch inscribed Waktin Owen, Llanrwst, on a brass, eight day, four pillar movement striking to a bell, the case with an arched hood and the trunk door flanked by quarter columns, with key, weights and pendulum, height including finial 230cm

OAK LONGCASE CLOCK, the brass dial with pierced fretwork decoration and inscribed Thos Akers, Collingbourn on a thirty hour four pillar steel and brass movement striking hourly on a bell, the case with a square glazed door flanked by columns, with pendulum and weight, height 199cm

MAHOGANY LONGCASE CLOCK, the 11" brass dial with moonphase and date aperture and inscribed Edwd Barlow Oldham on a brass, eight day, four pillar movement striking to a bell inscribed Gainsworth Warrn., the Regency case with arched hood and the trunk door with glazed aperture, with pendulum and brass cased weights, height 213cm including finial

LATE 18th CENTURY LONGCASE CLOCK FACEwith an eight day movement with two brass weights, the arched face decorated with castle scenes around a circular dial with Roman numerals and two subsidiary dials, the movement with a perspex box around it, 43cm high

Victorian oak, rosewood crossbanded and marquetry inlaid 8-day longcase clock with painted dial, Groom, Willington

An oak thirty hour longcase clock, square brass dial, signed William Terry, Masham, in a later case

19th century mahogany cased grandfather longcase clock with painted dial.

19th century G and T Gibson of Alnwick longcase grandfather clock with painted dial, the arch top with recumbent lady in a forest and stag, the spandrels with conch shells, within a mahogany case, 217cm tall

A retro 1970's 20th Century teak wood Danish made longcase clock by Westminster Clocks of Copenhagen. The dial baton hands to the clock face with fitted quartz movement, full length glazed door to front with shelved interior in the modular style

INLAID MAHOGANY EIGHT DAY LONGCASE CLOCK BY O'SHAUNASSEY, CORK, PAINTED DIAL, TWO TRAIN MOVEMENT, 223CM HIGH

OAK EIGHT DAY LONGCASE CLOCK PAINTED DIAL WITH ROMAN NUMERALS SIGNED R VORLON STAMFORD, 223CM HIGH (1932 ATS)

OAK EIGHT DAY LONGCASE CLOCK, WHITE ENAMELLED DIAL SIGNED B E COALES, WAKEFIELD, 220CM HIGH

A WILLIAM AND MARY WALNUT AND FLORAL MARQUETRY LONGCASE CLOCK by Edward Bird, London, the case with long inlaid panelled door with oval lenticle, the hood with stepped domed pediment, the 11" brass dial with Roman numerals to the chapter ring and pierced cherub spandrels enclosing a date aperture and seconds dial, the two train movement striking on a bell, basically circa 1700, 89" high

A mahogany longcase clock by Richard Broad of Bodmin, with brass dial, silvered chapter ring and Roman numerals

Miniature Clock - various brass clocks in different styles, including a longcase, alarm clock, mantel clocks, Napoleon clock, etc (15)

An early 19th century oak longcase clock with arched painted dial and twin-train bell-striking movement, in need of complete restoration, case with woodworm.

Mid-18th century eight day longcase clock, by Barnaby Dammant, Colchester, with gilt brass and silvered arched dial with name plate in arch, dolphin and cherub head spandrels, silvered chapter ring, subsidiary seconds and date aperture, in oak case with gilt ball finials and arched door, 221cm high

Early 19th century eight day longcase clock, by Mathews Leighton, painted square dial with subsidiary seconds and date dials, scroll spandrels, in mahogany case, 199cm high

Early 18th century eight day longcase clock, by Sales Watts Dover, with gilt, brass and silvered arched dial with man in the sun to arch, gilt brass cherub and dolphin spandrels, silvered chapter ring, subsidiary seconds and date aperture, ringed winding holes, four-pillar movement striking on a bell, in ornate red and gilt lacquered chinoiserie decorated case with gilt ball finials, 230cm high x 48cm wide (pendulum and weights present)

Early 18th century eight day longcase clock, by Sam Holyar London, square brass dial with cherub spandrels, subsidiary seconds and date aperture, ringed winding holes, four-pillar movement striking on a bell, in oak case with swan-neck pediment and reeded canted corners, 217cm high (pendulum and weights present)

Fine George III regulator longcase clock with eight day six-pillar movement, deadbeat escapement and Harrison maintaining power, 11 inch silvered dial in flattened arch, George Gowan, London, subsidiary seconds dial, winding hole shutter, black-finished metal pendulum with large brass bob and single brass weight, in a 'plum pudding' mahogany case with reeded canted pilasters to hood, 192cm overall height (door keys, weight and pendulum present, winding key lacking)

Early 19th century eight day longcase clock, by Richard Holt, Newark, with painted arched dial with farmer going to market to arch and floral spandrels in oak and mahogany case and swan-neck pediment, 200cm high (key and pendulum present)

A 19th Century "North Country" oak and mahogany banded longcase clock by Owen Richards of Bala, the 13ins square painted metal dial with Roman numerals, subsidiary seconds dial and date aperture, to the eight day two train movement striking on a bell, contained in oak and mahogany case with scroll pediment and square turned pillars to hood, the trunk with octagonal moulded panels, inlaid with oval stringings, on conforming plinth base with bracket feet, 83ins high Note: Owen Richards of Bala recorded working 1868 to 1876

An early 19th Century mahogany longcase clock by Broderick of Boston, the 12ins arched painted dial with Roman and Arabic numerals, subsidiary seconds dial and phases of the moon to arch, to the eight day two train movement striking on a bell, contained in case with shaped pediment with fretted and carved panel, turned and fluted pillars to hood, arched trunk door and fluted cant corners, on plinth base with bracket feet, 89ins high Note: William Broderick recorded working Boston 1835-1876

An early 19th Century mahogany longcase clock by John Thomson of Edinburgh, the 12ins arched brass dial with Roman and Arabic numerals, subsidiary seconds dial and engraved with leaf scroll ornament, to the eight day two train movement striking on a bell, contained in mahogany case inlaid with stringings and with classical urn to trunk door, shaped and moulded pediment and turned and fluted pillars to hood, shaped trunk door flanked by quarter columns, and with conforming plinth base on bracket feet, 89ins high (dial previously silvered) Note: John Thomson recorded working in Edinburgh 1794-1814

An Edwardian inlaid mahogany longcase clock by Maple & Co. of London, the 11ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial, to the eight day two train movement striking on a bell, contained in mahogany and marquetry case inlaid with classical urn, crossed trophies, oval paterae and bell flower and leaf swags, the hood with moulded scroll pediment, with frieze inlaid with leaf ornament and with slender turned and fluted columns with brass Corinthian capitals, rectangular trunk door and plinth inlaid with wide satinwood bandings, on bracket feet, 87.5ins high

Mahogany and astragal glazed triple weight longcase clock with brass and silvered dial.

Victorian 8 day longcase clock in an oak case maker Thomas Wilson Spalding H 215cm

Victorian 8 day longcase clock with painted dial by R H Bryan Lincoln in an oak case with mixed wood veneer, swan neck pediment & phoenix finial Ht 209cm

Georgian 8 day longcase clock with painted dial by James Colhoun Dublin with depictions of Collingwood, Lord Nelson & Britannia in an oak & mix wood veneer case with swan neck pediment & phoenix finial Ht 214cm 

A George III oak longcase clock, the eight-day movement by James Foy, Taunton H.194cm

A George III eight-day oak longcase clock H.223cm

An oak longcase clock, B Downs, Mansfield H.225cm

A modern darkwood Longcase Clock, the 31 day two train spring driven movement striking on a gong, 77'' high x 15 1/2'' wide x 9 1/2'' deep