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A collection of 18th Century and later brass cased longcase and wall clock weights.

An 18th Century thirty hour longcase clock movement striking on a bell, the square brass dial with rolling date and inscribed `James Golston, Brislington`, width approx 28cm, within an later oak wall clock case, with weight, together with an early 18th Century brass dial inscribed `Wm Carter, Ampthill`, width approx 30cm.

A William & Mary style stained faux walnut longcase clock with thirty hour movement striking on a bell via an outside countwheel, the square brass dial detailed `No. 178`, the chapter ring with Roman hours and Arabic outer minutes, cornered with mask and scroll spandrels, the hood with barley twist columns, the trunk door with circular glazed lenticle, on a plain base and bracket feet, height approx 210.5cm (faults), with a pendulum and weight.

An 18th century oak longcase clock, the square brass dial supporting a two train striking movement, the case later carved

A GEORGE III OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the eight day movement having a painted dial with date aperture and secondary dial, decorated with pink lilies and signed T. Richardson Weaverham with two weights and a pendulum (for restoration)

A GEORGE III OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the eight day movement having a painted dial with date aperture and secondary dial, decorated with pink lilies and signed T. Richardson Weaverham with two weights and a pendulum (for restoration)

A 19th century oak longcase clock by J Knight of Coggeshall

An early 19th century longcase clock, the silvered dial signed Jo Kirkwood Kelso' with 8 day movement

A George III mahogany-cased 8-day movement longcase clock by George Wenham Watton, Norfolk. the white faced dial with handpainted hunting scene above

A 19th century oak longcase clock by J Knight of Coggeshall

An early 19th century longcase clock, the silvered dial signed Jo Kirkwood Kelso' with 8 day movement

A George III mahogany-cased 8-day movement longcase clock by George Wenham Watton, Norfolk. the white faced dial with handpainted hunting scene above

An 18th century Scottish stained mahogany 8-day longcase clock with arched brass dial by John Barr of Glasgow, in arched hood above long trunk door flanked by quarter pilasters and moulded box base, 231 cm

19thC pine longcase clock case

18th century Scottish mahogany longcase clock, brass dial with date and second subsidiary dials, by John Hamilton, Glasgow. 211cm high

A George III mahogany 8-day longcase clock by John Gibson, Edinburgh, with anchor escapement striking bell, the swan neck pediment over arched brush metal face, Roman and Arabic numerals, subsidiary seconds and silent dials with date aperture flanked by fluted columns and shaped moulded trunk door flanked by quarter columns and plinth base, 212cm high

A George III mahogany 8-day longcase clock by John Gibson, Edinburgh, with anchor escapement striking bell, the swan neck pediment over arched brush metal face, Roman and Arabic numerals, subsidiary seconds and silent dials with date aperture flanked by fluted columns and shaped moulded trunk door flanked by quarter columns and plinth base, 212cm high

18th century Scottish mahogany longcase clock, brass dial with date and second subsidiary dials, by John Hamilton, Glasgow. 211cm high

Victorian longcase clock with painted arched dial

Walnut longcase clock with brass dial engraved, Henry Harper, London

An early nineteenth century marquetry decorated oak and mahogany eight-day longcase clock, the landscape painted dial bearing Roman Numerals and enclosed by a broken pediment and pillared hood over a short trunk door on canted plinth base, maker unknown, 82ins high (209cms)

An eight day Essex longcase clock with pillared arched hood and decorated with brass finials, the painted arched dial bearing Roman Numerals, painted pheasants at each spandrel and with reclining child above, inscribed WATKINS - MANNINGTREE, the mahogany trunk of rich colour, with quarter Corinthian columns, Gothic-arch door and cantered base, 85ins high (216cms)

A late 18c eight day longcase clock, the 12"" arched silvered dial signed William Marsh, London and having strike/silent (mechanism removed) and seconds dials (the date aperture has been filled). The five pillar movement has rack strike and anchor escapement and brass bound weights and brass pendulum rod. It is contained in a black lacquered case with full arched hood and plain columns flanking the dial. The trunk door is divided into two transfer printed scenes, the top one of a shepherdess and her flock and the lower showing a domestic scene of a couple, these are divided by gold lacquered floral and geometric panels. The door has a raised edge London type moulding and the base has another transfer panel showing a bird and floral display. The clock has a plain plinth and stands 85.5"" tall.

An early 19c eight day longcase clock with 12"" square painted dial having florally painted corners and seconds and date rings. The dial centre has been re-painted and bears the spurius name Thomas Moore, Ipswich. It is contained in an oak case with swan neck pediments to the hood with a central ball and spire finial and the plain columns flanking the dial. The trunk has plain quartered columns and a long trunk door with wavy top and the base has an applied rectangular panel with indented corners and a wavy plinth, 85.5"" tall.

A mid 18c eight day longcase clock, the 12"" arched brass dial signed David Rivers, London and having a matted dial centre, scroll spandrels, date and seconds rings and a strike/silent in the arch (disconnected). The five pillar movement has rack strike and anchor escapement and the original bell strike has been converted to a gong in the back of the case. It is contained in a black lacquered case with chinoiserie decoration, the arched hood is surmounted by a pagoda top and has attached columns flanking the dial. The long arched trunk door has chinoiserie decoration of pagodas and trees and at the base a horseman. The base panel shows two lions and the base has a double plinth, 91"" tall overall.

BEN FIELDHOUSE, Leominster, circa 1740. An 18th Century black chinoiserie longcase clock with raised moulding, silvered dial and subsidiary seconds, date and hands and moving eyes to the automata to the arch painted with a face

A VICTORIAN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK having hood with swan neck pediment, waist door and box plinth raised on bracket feet, 30 hour mechanism faced by a painted dial with dog and pheasant motif, 2.06m high

EDW. GREATREX, BIRMINGHAM AN EARLY 19TH CENTURY OAK LONGCASE CLOCK having arched hood with caddy top and pilasters, eight day four pillar mechanism with anchor escapement, faced by a brass and silvered dial with subsidiary seconds and calendar, 2.35 m high

BEN FIELDHOUSE, Leominster, circa 1740. An 18th Century black chinoiserie longcase clock with raised moulding, silvered dial and subsidiary seconds, date and hands and moving eyes to the automata to the arch painted with a face

An oak miniature longcase clock and a decorative modern clock raised on plinth (2).

An early Victorian broad mahogany and inlaid longcase clock, the hood with broken swan neck pediment above arched painted dial set with rolling moon and inscribed "Jn Barnish, Rochdale", above short arched door flanked by ring turned pilasters to a plinth base, height 236cm. Please note the clock is sold with a dial but there is no movement, pendulum or weights.

A miniature stained beech longcase clock, the circular dial set with Arabic numerals with turned pilasters and stepped plinth base, height 26.5cm. CONDITION REPORT: Not working. Age is c1900.

A 19th century brass 12 inch longcase clock, dial and eight day movement, the chapter ring set with Roman numerals inscribed "JN. Waldorn, Tiverton", with subsidiary seconds hand and date aperture. CONDITION REPORT: Seems to be complete, just slightly dirty as one would expect.

A carved oak longcase clock of narrow proportions, the moulded hood above arched silvered dial inscribed "Lawley Fecit" above chapter ring set with Roman numerals and date aperture housing an eight day movement above a long arched carved door to arched plinth base, height 214cm.

A 19th century elm and stained beech longcase clock case, the moulded hood above square glazed door flanked by turned pillars, long door and plinth base, height 201cm. Please note this is case only, no movement.

An early 19th century mahogany inlaid musical longcase clock, the arched painted dial inscribed "Jno. Barnish Rochdale" above rolling moon phase and main dial set with Roman numerals and central dial inscribed "66th Psalm", "104th Psalm", "Evening Hymn" and "184th Psalm", the case with arched door flanked by inlaid pilasters above a plinth base, the movement striking on eight bells, height 263cm. CONDITION REPORT: Professionally restored throughout, so generally good. Appears complete and functional but we cannot guarantee accurate working order. From a local private collection.

An early 19th century mahogany longcase clock, the broken swan neck pediment above arched painted dial set with date aperture, subsidiary seconds and eight day movement inscribed "R.Wyatt, Plymouth", above arched door flanked by fluted freestanding turned pilasters to a plinth base and bracket feet, approx 222cm. There is a Robert Wyatt listed as operating in London c.1811. CONDITION REPORT: Well restored throughout.

A 19th century oak and mahogany crossbanded longcase clock, the broken swan neck pediment above arched dial with painted floral spandrels, subsidiary seconds and Roman numerals, inscribed "John Bloor, Newcastle" above rectangular door flanked by quarter cut fluted pilasters raised on plinth base, height 225cm.

A late George III mahogany and satinwood inlaid longcase clock, the hood with broken swan neck pediment above arch dial with rolling moon phase and set with Roman numerals, housing an eight day movement above arch door, raised on a plinth base, approx height 240cm.

A rare late 17th century marquetry walnut longcase clock, the hood with moulded cornice above 11" square dial set with silvered chapter ring, seconds dial and date aperture, with detailed pierced corner spandrels and engraved "Chr. Gould Londini, Fecit" with eight day movement flanked by half cut ebonised gilt heightened pilasters above a long marquetry inlaid door centred with a bullseye glass to a plinth base, the inlay centred with an exotic bird amongst detailed floral sprays, height 216cm. Christopher Gould operated in London between 1682 and 1718.

A 19th CENTURY SATINWOOD INLAID MAHOGANY LONGCASE CLOCK, the 12" silvered dial signed William Rust, Hull, with Arabic numerals, subsidiary dial, striking on a bell, the drum head case of Regency design but with inlay in the Adam taste. 2.07 by 0.48 by 0.24

A LATE 19th CENTURY INLAID BURR WALNUT AND MAHOGANY LONGCASE CLOCK, MAPLE & Co. in 18th century style, the eight-day five pillar movement with 11" silvered chapter ring, Roman numerals and subsidiary seconds dial, signed Maple & Co. Ltd, London, the arch with `chime/silent` and `Westminster/chime on six gongs` levers and with scroll cast gilt-brass spandrels, the hood with moulded arch and brass mounted columns, the sides with pierced fret panels, the trunk with a panelled door centred by a chequered string inlaid triple lozenge, on a moulded cross-banded plinth base, raised on bracket feet. 2.29m by 0.57m by 0.36

Crested Ware - a Buxton chair, Swan China; a Matlock Bath egg cup, by Victoria China; a Flamborough longcase clock, with Shakespearean quote, by Willow Art; a Blackpool Beachy Head Lighthouse; qty (16)

A 1930's oak longcase clock, Westminster/Wittingham chime, three weights

AN IMPOSING EDWARD VII MAHOGANY LONGCASE CLOCK THE BRASS BREAKARCHED DIAL WITH SILVERED CHAPTER RING, SUBSIDIARY SECONDS DIAL AND CHIME/SILENT RING TO THE ARCH, ENGRAVED CENTRE AND MASKED SPANDRELS, SUBSTANTIAL THREE TRAIN MOVEMENT CHIMING ON NINE TUBULAR BELLS, THE CASE WITH SWAN NECK PEDIMENT, TURNED FINIAL, BRASS MOUNTED FLUTED PILLARS AND FLORAL SIDE FRETS, THE CONFORMING TRUNK WITH GLAZED DOOR AND PANELLED BASE, 274CM HIGH, C1900

AN IMPOSING EDWARD VII MAHOGANY LONGCASE CLOCK THE BRASS BREAKARCHED DIAL WITH SILVERED CHAPTER RING, SUBSIDIARY SECONDS DIAL AND CHIME/SILENT RING TO THE ARCH, ENGRAVED CENTRE AND MASKED SPANDRELS, SUBSTANTIAL THREE TRAIN MOVEMENT CHIMING ON NINE TUBULAR BELLS, THE CASE WITH SWAN NECK PEDIMENT, TURNED FINIAL, BRASS MOUNTED FLUTED PILLARS AND FLORAL SIDE FRETS, THE CONFORMING TRUNK WITH GLAZED DOOR AND PANELLED BASE, 274CM HIGH, C1900

AN OAK LONGCASE CLOCK CASE

Synchronome electric longcase master clock, the 6.5" cream dial signed Synchronome Electric within a glazed oak case, 70" high (without pendulum) (a.f)

Thirty hour longcase clock movement, the 9.75" square brass dial signed Elizabeth Jones on the dial plate and Richard Bullock, 317 Ellesmere on the chapter ring enclosing a foliate engraved silvered centre with calendar aperture

Thirty hour longcase clock movement, the 9.75" square brass dial signed Jos. Head, Cirencester on the brass chapter ring enclosing a stylised foliate engraved matted centre

Good eight day longcase clock movement, the 11" square brass dial signed Jonathan Graves, Birmingham on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, two ringed winding holes and ringed calendar aperture (a.f)

Eight day longcase clock movement, the 12.25" brass arched dial signed Edward East, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, also with silvered calendar ring and moon phase to the engraved arch

Thirty hour longcase clock movement, the 10" square brass dial signed Thomas Beall, Mayfield to the chapter ring enclosing a foliate engraved centre and calendar aperture; together with another thirty hour longcase clock movement, the 10" square brass dial signed Thomas Hill, Lambourn to the silvered chapter ring enclosing a foliate engraved centre (2)

Thirty hour longcase clock movement, the 10" square brass dial signed Thomas Sone, Fareham to the engraved centre; together with another thirty hour longcase clock movement, the 10" square brass dial signed James Grene to the silvered chapter ring (2)

Thirty hour longcase clock movement, the 10" square brass dial signed Thomas Dicker, Silchester to the chapter ring; together with another thirty hour longcase clock movement with 9.5" square brass dial (2)

Eight day longcase clock movement, the 12" painted square dial with subsidiary seconds dial (a.f); together with two contemporary German chiming longcase clock movements (3)

Good eight day longcase clock movement, the 12" square brass dial signed Thomas Vernon, Ludlow to the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture; together with another eight day longcase clock movement and a 12" silvered arched dial signed Jas Wilson, London (3)

12" brass arched longcase clock dial, signed Henry Beker, Maidestone to a convex boss to the arch, with subsidiary seconds dial and calendar aperture to the matted centre; together with another 12" brass arched dial signed William Gibbs, London to the arch, with subsidiary seconds dial to the matted centre and subsidiary strike/silent and Poloniois/Menuet dials below the arch, also two chapter rings and a dial back plate (5)

Interesting thirty hour longcase clock movement, the 11" square brass dial signed George Payne, Ludlow to the chapter ring with centre date dial, the movement with rack strike

Substantial three train musical longcase clock movement, the back plate signed Winterhalder, Germany, the 8" cylinder controlling eight hammers, the 13" square brass dial with subsidiary seconds dial to the matted centre and with silent/strike and chime/silent levers (pendulum)