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A GEORGE III OAK LONGCASE CLOCK by Roberts, Otley, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" brass dial with Roman and Arabic numerals, the centre chased with animals, foliage and a building, calendar dial and penny moonphase, the case with moulded cornice with pierced surmount and blind fret frieze on turned columns, arched door, panel base and bracket feet, 87 1/2" high (Est. plus 21% premium inc. VAT)Movement appears good but moonphase not connected - merely attached to back of face, dial good, case needs some attention with chips to gesso of columns, shrinkage splits to base, feet may have been reduced, overall quite a rich colour, weights exist but only bob of pendulum

An 18th century oak cased longcase clock by Savage of Clifton, the 26 cm brass dial with chapter ring, spandrels and calendar aperture to the 30 hour movement striking on a bell. Contained in case with turned pillars to hood and shaped trunk door. 214 cm high. CONDITION REPORT: We have the pendulum and weight. The movement appears to be ticking away and striking when advanced. The movement is a little dirty but as stated seemingly operational. The case itself is in generally good condition also. There are no issues with the hood or glass. The trunk door closes as it should and is not warped. The sides of the trunk are in generally good order. The left hand side rear does have some traces of old woodworm which appears in our opinion to be long gone. The base of the case is probably later to the main case but is in good order and in keeping. There is a stress fracture along the join of the two front planks. The bracket feet are in generally good order with only minor surface scuffs.

A George III mahogany longcase clock by Thomas Dodd Chester, with verre eglomise between the swans neck pediment and with glazed door enclosing the 13 1/4" square arched dial with moon phase and eight day striking movement by Thomas Dodd Chester, the case with long trunk door flanked by fluted quarter column corners, the base with canted angles and all raised on bracket feet. Height 253 cm, maximum width 54 cm (see illustration).

An 18th century oak longcase clock with thirty hour movement and single pointer, the case with moulded cornice above a glazed door flanked by turned columns, the 10" square dial with date aperture, the case with long trunk door and all raised on bracket feet. Height 182 cm.

A George III mahogany longcase clock by Thomas Thompson Liverpool, with eight day striking movement with moon phase, dial width 13 1/4", the case with long trunk door flanked by fluted quarter column corners with well figured panel base raised on ogee moulded bracket feet. Height 235 cm, hood width 56.5 cm(see illustration). CONDITION REPORT: The movement winds on both trains and is currently ticking away and striking as it should. It seems to be keeping good time. The moon phase appears to be working as does the date. The case is in generally good condition. There are some cracks to the verre eglomise in the swans neck. The hood door is not warped. There are some nibbles to the edge of the hood door and to the side panel at the front but again this is not problematic. The rear of the hood side panel has a loose slither of timber but we have piece. The main trunk door is not significantly warped and locks as it should. There are some veneer stress fractures as one would expect but no real issues with the door. The sides of the trunk are in good order. The base is in generally good condition also. The base panel is slightly sprung at the bottom left hand corner. We can see no evidence of any woodworm. The height excluding the central finial is 230 cm.

A 19th century Scottish oak longcase clock by D Sutherland Keith, with two train striking movement with subsidiary date and seconds dials and with strike/silent to the arch, with long trunk door, panelled base and raised on bracket feet. Height 211 cm, width 47.5 cm.

A George III mahogany longcase clock by Peter Hunter Edinburgh, with two train striking movement with seconds dial and date aperture, with long trunk door and boxwood strung case. Height 214 cm, width 43.5 cm.

A George III chinoiserie lacquered longcase clock, with two train striking movement by John Page Ipswich, the painted case with long trunk door, the base raised on bracket feet. Height 208 cm, width 47.5 cm (see illustration). CONDITION REPORT: The movement winds on both trains. It strikes when advanced. It appears to be ticking away as it should. The date does not appear to be advancing. The case is in generally good condition. The doors are not warped. There are some minor nibbles and losses to the paintwork and gesso particularly on the front right hand hood pillar. As you will see from our image there is some lifting to the lacquer on the trunk door and some small areas of missing paint, evidenced by the blue ground beneath. There are no splits to the trunk. The base has all of the usual typical scuffs and marks one would expect form an item of this age.

A George III mahogany longcase clock, with swans neck pediment above the arched brass dial and two train striking movement with subsidiary seconds dial and date aperture, the case with long trunk door, quarter column corners and conforming base raised on bracket feet. Height 236 cm including finial. CONDITION REPORT: Whilst we have the pendulum and weights we have not attempted to have the movement running. The metal suspension at the top of the pendulum is missing. The movement is dirty but appears to be complete. The brass dial is a little warped from top to bottom and the spandrels are all a little loose but all present. The silvering is very tired and mostly missing. The hood is principally complete but some of the moulding between the swans necks is loose. There are some stress fractures to the veneers also. The hood door is not warped and closes as it should. The hood glass is cracked. There are some pieces of dentil work missing beneath the hood. The same comments apply to the blind fretwork around the frieze. The door is not warped. There is a small loss to the top left hand corner. The door is currently locked, we do not have the key. The sides of the case are in good condition. The plinth is also in generally good order. The plinth side panels have shrinkage gaps between the panels. The feet are all in good condition. We can see no evidence of any woodworm.

An early 19th century oak and mahogany longcase clock by Parkinson of Lancaster, with eight day striking movement, subsidiary seconds dial with long trunk door. Height to top of swans neck, 224 cm, width 53 cm.

A George III longcase clock with 30 hour movement by W Bellman Broughton, the case later painted. Height 203.5 cm, width 47 cm.

A George III mahogany longcase clock, with eight day striking movement by Sam Farrer Pontefract, with penny moon to arch and date aperture, dial width 12", height 232 cm, width 49 cm.

AN OAK LONGCASE CLOCKEARLY 19TH CENTURY, WEBB & SON, FROMEWith eight-day bell striking movement, the painted Roman numeral dial with moonphase to the arch, subsidiary second dial and crescent date aperture220cm highProvenance: Supplied by Robert Kime Condition Report: The clock would appear to be trade tidy. Dial restored and parts of both the case and hood with replacement/restoration sections of new timber. Movement looks complete and original to the dial, could do with a clean but does appear to be running. Has weighs, winding key, pendulum and case keyCondition Report Disclaimer

A GEORGE III MAHOGANY LONGCASE CLOCK, BARKER, WIGAN CIRCA 1770The arched 14in. dial with moon phase automaton, in a rusticated architectural case of Gillows type261cm highProvenance: Supplied by Robert Kime Catalogue Note: William Barker was a well-known maker working in Wigan, Lancashire, with a whole chapter devoted to him in The Clockmakers and Watchmakers of Wigan by Arthur J. Hawkes published in 1950. A member of the Barker family of clockmakers, William was believed to have come to Wigan with his father Thomas in circa 1737 and established himself as a clockmaker and gunsmith.Condition Report: The movement appears original to the dial and looks fundamentally original but neglectedWith weights, pendulum and key. Key escutcheon of the door is missing, Some of the blocks that hold the back of the case together are missingOne section of the entablature of the right hand column of the hood. A spilt to the pediment above the hood doorSome historic wood worm to the carcass. General knocks and marks The top edges of the cheek uprights of the case have applied horizontal timber 'capping' pieces; this detail coupled with the seatboard perhaps being an older replacement would cause some to suspect that the movement and dial are not original to the case however both sit very well together.   Condition Report Disclaimer

EIGHT DAY LONGCASE CLOCK - Edwards of Holyhead with painted moon over a square dial, mahogany, case with pillared hood and shield panel trunk, the stepped base with canted corners, twin weight pendulum driven bell strike movement (pendulum and weights included), 232cms H, 67cms W

VICTORIAN MAHOGANY LONGCASE CLOCK - arched top, moon face dial with painted centre and spandrels set with Roman numerals, subsidiary seconds dial and date aperture before a twin weight pendulum driven bell strike movement (pendulum and weights included), the hood with broken swan neck pediment and pillared detail repeated to the trunk door sides over a stepped base with panel detail, 232.5cms overall H, 70cms W

CIRCA 1840 OAK LONGCASE CLOCK - 13inch painted square dial set with Arabic numerals and subsidiary seconds dial before a twin weight pendulum driven bell strike movement (pendulum and weights included), the hood with broken swan neck pediment and carved fan crest over a single glazed door and turned flanking pillars, shaped top long trunk door with quarter cut reeded pillar decoration and concave mouldings to the trunk base, 212cms overall H, 49cms W

A 19th century longcase clock with painted dial signed Johnson of Wigan, with one weight and no pendulum

A 19th century longcase clock with painted dial, pendulum and weight

George III mahogany eight day longcase clock by John Henry, Dublin, with anchor escapement striking bell, lion mask and acanthus carved cornice over square brass face, applied spandrels, Arabic and Roman numerals, subsidiary date and seconds dials, flanked by fluted Corinthian columns, arched trunk door, on plinth base, 219cm high.

19th century mahogany eight day longcase clock, the swan neck pediment over painted face depicting 'The Lady of the Lake', Roman numerals, subsidiary date and seconds dial, flanked by columns, crossbanded shaped trunk door flanked by ebonised Doric quarter columns, on plinth base, 53cm wide and 215cm high.

A George III oak thirty hour longcase clock, the re-painted dial marked Ollive, Cranbrook, height 204cm

An 18th century thirty hour walnut longcase clock, William Monk, Berwick St John, height 188cmA

Three longcase clock weights including a brass bound weight

Early 19th century figured mahogany longcase clock, scrolled and moulded swan neck pediment with carved flower head roundels over square hood, stepped arch trunk door, plain base, square brass dial with Arabic and Roman numerals, the dial signed 'James Niccoll, Canongate', twin train driven 8-day movement striking on bellDimensions: Height: 213cm 

Early 19th century oak and mahogany longcase clock, the hood with scrolled pediment over stepped arch glazed door, multi-cusped and pointed arch trunk door flanked by two reeded square columns, the enamel painted dial decorated with floral spandrels and Country House scene, signed 'Jos.h (Joseph) Churton, Whitchurch', eight-day movement striking on bellDimensions: Height: 242cm 

19th century mahogany longcase clock, the hood with scrolled pediment above turned pilasters enclosing stepped arch glazed door, concaved figure frieze over a shaped trunk door, shaped apron and bracket feet, the enamel Roman dial painted with lake and ruin scene with windmills, signed 'T. Lister, Halifax', eight-day movement striking on bellDimensions: Height: 250cm 

Early 19th century oak longcase clock, projecting cornice over frieze painted with scrolls, square glazed door enclosed by plain pilasters, square brass dial with ornate cast metal spandrels, Roman chapter ring and false subsidiary date aperture, engraved decoration and inscribed 'Torkington, Newcastle', 30-hour movement striking on bellDimensions: Height: 197cm 

Fenclocks Suffolk - contemporary mahogany longcase clock, stepped arch hood with plain pilaster columns, moon phase dial and silvered Roman chapter ring, with chime set/silent lever, triple weight driven quarter chiming movementDimensions: Height: 196cm 

Early 20th century oak longcase clock, circular Roman dial signed 'Barnby & Rust, Hull', twin weight driven movement striking on rodsDimensions: Height: 205cm 

19th century carved oak longcase clock, projecting cornice over guilloche carved frieze, square brass dial with silvered Roman chapter ring and calendar aperture, decorated with ornate mask cast spandrels, the trunk door and base carved with potted plant, twin train driven eight day movement striking on bellDimensions: Height: 205cm 

An early 19th century oak longcase clock, the arched dial painted with a woman and hound titled 'My Friend in Youth', with two weights and a pendulum, the glazed hood flanked by spiral columns, the trunk inlaid with contrasting veneers, 221 cm high x 51 cm wide x 27.5 c m deep

An early 19th century mahogany longcase clock, having an unsigned painted 12" arch dial, with subsidiary seconds dial and rolling date dial, twin winding holes for a brass eight-day weight driven four pillar movement striking on a bell, the case having spiral turned pilasters and rosewood crossbanding, h.223cm

Thomas Bevan of Marlboro' - an 18th century walnut longcase clock, having a square brass 10" dial, with cast brass spandrels, signed silvered Roman chapter ring, subsidiary seconds dial, matted centre, twin winding holes for a brass eight-day weight driven four pillar movement, the case having ebonised spiral turned pilasters, the door with glass lenticel to a boxbase, h.230cm, with weights and pendulum

An Art Deco oak dwarf longcase clock

A George III oak 30-hour longcase clock, the square brass dial signed Thomas Lister

An oak eight day longcase clock, signed Jos Harle, Rothbury, 18th century

An oak thirty hour longcase clock, dial bearing a later inscription Gandy Cockermouth, together with an eight day longcase clock, arch painted dial, 19th century, later case (2)

An oak thirty hour longcase clock, painted arch dial signed R.Weston, Wolsingham, later case, together with an oak eight day longcase clock, signed John Greaves, Newcastle, 18th century, later case (2)

A mahogany eight day longcase clock, arch brass dial signed in the arch Chas Campbell, Bowness, 18th century

An oak eight day longcase clock, signed J&E Hunter, Longtown, 18th century, later case

An elm eight day longcase clock, dial signed William Greaves, Newcastle, later case, together with an oak eight day longcase clock, painted arch dial, later case (2)

A George III oak and mahogany eight-day longcase clock with brass arch top dial, silvered chapter ring, moon roller and two subsidiary dials, 220cm high 23.02.21 Case is faded in parts, swan neck pediment is later, case with small chips in parts, some later added beading, trunk door is slightly bowed and the door lock is missing, dial is dirty, dial winding holes have been later drilled to fit a later eight day movement, later seatboard, pendulum suspension spring is broken, with two weights, movement is dirty.

Goldsmiths & Silversmiths Company, a good mahogany three-train chiming longcase clock, the 12in brass arched dial with silvered chapter ring and decorative spandrels, signed Goldsmiths & Silversmiths Company, 112 Regent Street, London, with subsidiary seconds dial and chime/silent subsidiary dial to the arch, the substantial movement playing on four small gongs and striking on a larger gong, the case with long door and swan-neck hood with brass-capped columns, 85in (216cm) high, with pendulum, three weights and winding key.

S. Daniel, an oak and walnut banded 8-day longcase clock with rocking ship automaton, the 12in painted dial with rocking ship automaton to the arch, black Arabic numerals, subsidiary seconds and date aperture, signed S. Danial, the two-weight movement striking on a bell, the case with arched hood and columns, 80½in (204.5cm) high, with pendulum, lacks one weight.

Ogden, Halifax, an oak 8-day longcase clock with two-weight movement striking on a bell, the twelve-inch square brass dial with black Roman and Arabic numerals, subsidiary seconds, date aperture and decorative spandrels, signed Ogden, Halifax, the case with plain trunk door, square hood and columns, 87½in (222.25cm) high.

Ben. Wilson, a mahogany 8-day longcase clock with rocking ship automaton, the 12in brass dial with rocking ship automaton to the arch and moon phase below, a silvered chapter ring with Roman and Arabic numerals and decorative spandrels, signed Ben. Wilson, the two-weight movement striking on a coiled gong, the case with arched hood, brass-capped columns and pilasters, 89in (226cm) high, with pendulum and weights.

An Oak, Walnut and Mahogany cased 30 hr. Longcase Clock having a scroll-topped hood enclosing an arched painted face with illustrations of rural scenes and with Roman numerals, 18 1/2'' wide x 83 1/2'' high

A 20th c. arched top Oak cased Longcase Clock having a silvered dial with Arabic numerals, the three train movement with chromium finished weights, 75'' high x 20 1/4'' wide x 11 1/4'' deep

18TH CENTURY OAK CROSSBANDED 30-HOUR LONGCASE CLOCK, Humphrey Morgan, 10inch signed brass Roman and Arabic dial with silvered chapter ring, pierced brass spandrels, matt centre, square hood with cavetto cornice and blind fret frieze, four turned pillars, shaped crossbanded door, square base, 204cms high Condition: back board base damaged, top of boards with metal bracket repairs,pendulum arm broken,

19TH CENTURY WELSH 8-DAY OAK LONGCASE CLOCK, Jno Evans, Newcastle Emlynn (sic), signed, painted 11 1/2in. dial with subsid. seconds dial and calendar aperture, swan neck pediment, and fluted columns to the break arch hood, shaped door and fluted canted angles, square base, 224cm high Condition: crack to base, painted dial flaking.

A 1920's oak cased longcase clock, with Westminster chimes194cm highCondition report: Looks to be basically complete. Movement adjusts ok, but is running backwards and the chains are not all connected, so we have been unable to assemble the weights. Has weights and pendulum. The case has both keys. Quite dirty, with general wear to the case. mostly around the base.

An early 19th Century oak longcase clock, painted metal square 11" Roman dial signed Warren, Ixworth. 30 hour rope driven movement of birdcage form, recoil anchor escapement and countwheel striking a bell, with pendulum. 206cm high

An 18th Century flame mahogany longcase clock with blind fretwork detail to hood. 12" square brass dial with Roman/Arabic silvered chapter rings and pierced steel hands with calendar wheel, signed Benjamin Anns, Highworth. 8 day movement with rack and snail striking a bell, of four pillar construction with recoil anchor escapement. With keys, pendulum and weights, 216cm high, case a/f in places

Early George III oak and walnut-cased 8-day brass dial longcase clock, 'Rider Fecit', 12-inch square dial with Roman hours and Arabic minutes to the engraved chapter ring, matted centre with subsidiary seconds ring and calendar square between engraved foliate scrolls, Baroque mask spandrels, knopped four-pillar movement striking on a bell, case with caddy top on turned columns, with walnut crossbanding to trunk, long door and base, 220cm highCondition report: Dial is lacking seconds hand. Tarnishing to chapter ring lacquer. Loss to one top corner of trunk door. Lower half of trunk door outer edge moulding is missing. No trunk door key, lock is in locked position but door is open. Later bracket feet and moulding. Sold with two lead weights, pendulum and crank winder.Clocks, Watches, Musical boxes and other mechanical itemsWhilst we endeavour to mention losses or alterations where obvious, we do not guarantee the movement or accuracy of any mechanical items in the sale and our assessment is purely cosmetic.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

Irish George IV mahogany-cased 8-day painted dial longcase clock, Henry Gardiner, Dublin, circa 1822-24, 13-inch square dial with Roman hours and Arabic minutes, subsidiary calendar dial, decorated winding squares, inscribed beneath 'HEN'Y GARDINER DUBLIN', within gilt scroll spandrels, knopped four-pillar movement rack-striking on a bell, case with swan-neck pediment and pierced foliate scrollwork over fluted columns, matching trunk quadrants flanking crossbanded door, on conforming base with shortened ogee bracket feet, 229.5cm highFootnote: Henry Gardner, Clockmaker, is recorded in Belfast, 1819 –1824 but circa 1822 opened in Grafton Street in Dublin, until 1824. Later Gardner & Dowling of Belfast.Condition report: Sold with restoration notes dated November 1997 listing work to dial, seconds hand, replaced seatboard, clean and overhaul, etc. Some losses evident to fret frieze, blistering to dial, hood glass cracked, repolished case with slight trunk door warping, feet reduced by about 3cm. Sold with pendulum and two weights plus door key. Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

George III oak and mahogany-cased 8-day painted dial longcase clock, Joseph Denton, Hull, (fl. c. 1782-1814), 12-inch break-arched Arabic dial, subsidiary seconds and calendar rings, arch painted with an oval vignette of a couple (perhaps for their marriage), movement rack-striking on a bell, the mahogany-crossbanded oak case with pagoda hood, three brass ball finials with eagle between spires, and fluted columns, ogee-arched long trunk door, on bracket feet, 231.5cm highCondition report: Dial has dark all-over crazing, has been reblacked and refreshed, portrait panel repainted. Movement has been cleaned. Later seatboard and upstands (cheeks). Case with detached central finial, horizontal hood cracking, dial glass broken, trunk door catch depleted, vertical gap to base where planks meet. Decent colour. Sold with two weights, pendulum and winderDue to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

19th Century inlaid mahogany-cased 8-day painted dial longcase clock, Thomas Rickards, Wootton-under-Edge, circa 1830, signed 13-inch break-arched Roman dial with convex centre, subsidiary seconds and terrestrial calendar dials, floral spandrels, the arch with rolling moon phase and lunar calendar, knopped four-pillar movement rack-striking on a bell, case with wavy cresting and inner hood door edge between spirally-reeded columns over conforming quadrants flanking inlaid short trunk door on matching base and bracket feet, 227cm highCondition report: Dial wirth crazing, light staining and edge flaking. Movement has been cleaned and reovated, now with copper wire instead iof catgut. Later seatbloard. Case missing two corners finials, cracking to wavy hood door veneer, minor blistering obver trunk door, a few veneer chips to base. Sold with two weights, pendulum and key.Clocks, Watches, Musical boxes and other mechanical itemsWhilst we endeavour to mention losses or alterations where obvious, we do not guarantee the movement or accuracy of any mechanical items in the sale and our assessment is purely cosmetic.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

French ebonised mantel clock, A & N Paris 31515, circa 1900, in the style of a 'Regence' miniature longcase clock, 3-inch sectional dial with Roman hours and Arabic minutes, two-train movement striking on a bell, stamped and numbered, case with star surmount and cast wreath over bevelled oval lenticle on paw feet, 50.5cm highCondition report: Upper section is loose, one side moulding detached but present, one screw missing where attaches. Pendulum correct size but different number stamp to bob. Some scratches to side of case.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.Further category-specific notesClocks, Watches, Musical boxes and other mechanical itemsWhilst we endeavour to mention losses or alterations where obvious, we do not guarantee the movement or accuracy of any mechanical items in the sale and our assessment is purely cosmetic.

A modern longcase clock, in mahogany case