We found 41749 price guide item(s) matching your search

19th century oak and mahogany banded longcase clock, white painted enamel dial with Roman numeral chapter ring and subsidiary seconds hand, 30 hour movement, no weight or pendulum, H230cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

19th century oak longcase clock, white enamel dial with Arabic chapter ring, date aperture and subsidiary seconds hand, the hood with swan neck pediment and dentil work over plain arched trunk door, raised on shaped bracket feet, 30 hour movement no weight or pendulum, H210cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

19th century oak longcase clock, the 12" white painted enamel dial with Arabic chapter ring inscribed 'R Holt, Newark' under brass ball finial and swan neck pediment, plain pilasters, mahogany cross banded trunk door and base, thirty hour movement striking hammer on bell, H200cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

George III mahogany longcase clock, the white painted enamel dial with Roman and Arabic chapter ring, moon faze, date aperture and subsidiary seconds hand signed 'JN Hudfon, Nottingham' enclosed by inlaid hood and Corinthian column pilasters, over dentil cornice and chequered inlaid door and case, the eight day movement striking hammer on bell, Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

19th century Portuguese painted chestnut longcase clock, the associated white painted enamel dial with Arabic chapter ring, under hood with gilt finials, dentil cornice and faux marble pilasters, eight day striking movement, H228cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

Early 19th century inlaid mahogany longcase clock, the brass dial with Roman and Arabic chapter ring, moon phase and subsidiary date and seconds hand, inscribed 'Westmoreland, Leeds' eight day movement striking on bell, H231cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

WALNUT LONGCASE CLOCK, the brass dial with an 11 1/4" silvered chapter ring inscribed Chr Gould London, subsidiary seconds dial and date aperture on a brass, eight day, five pillar movement striking hourly to a bell, the hood with blind fretwork, ebonised columns and square door above a trunk with a long rectangular door, with weights and pendulum, height 221cm

OAK LONGCASE CLOCK, the brass dial with a 10" chapter ring inscribed Thos Thorp Colchester on a brass, single hand, 30 hour lantern clock type movement striking hourly to a bell, the hood with a square door and three quarter columns on a trunk with a long door, with pendulum and weight, height 197cm

OAK AND WALNUT LONGCASE CLOCK, the brass dial with an 11 1/2" silvered chapter ring inscribed Jno Follit Lichfield beneath a Time Fliest Automaton to the arch, subsidiary seconds dial and date aperture, on a brass, eight day, four pillar movement striking hourly to a bell, the hood with an arched door and columns, with weights and pendulum, height 229cm

OAK AND WALNUT LONGCASE CLOCK, the brass dial with a 10" chapter ring inscribed Jno. Ivison on a brass, eight day, four pillar movement striking hourly to a bell, the case with blind fretwork, square hood door and crossbanded trunk door, with key, weights and pendulum, height 209cm

MAHOGANY LONGCASE CLOCK, the brass dial with an 11 1/4" silvered chapter ring and centre inscribed Henry Hawkins Plymouth, with a subsidiary seconds dial and date aperture and beneath a Strike Silent dial to the arch, on a brass, four pillar, eight day movement striking hourly to a bell, the arched hood with columns on a trunk with a lancet shaped door, height 211cm

A George III Oak Longcase Clock, the brass inscribed Thomas Bean, Hayling, with Roman numerals and date aperture, the square hood above an arched door, the base with bracket feet, the dial 30cm diameter, 205cm tall

A Reproduction Mahogany Longcase Clock, the dial with moon phase movement and four subsidiary dials and with musical chime

A Circa 1930s Oak Longcase Clock, together with a 19th century ebonised Vienna wall clock

20th century longcase clock by Colonial of Zeeland, arched dial with Arabic numerals, subsidiary seconds dial, moon phase dial, case with broken swan neck pediment above turned columns and glazed door and sides, on plinth base and block feet, H.201cm

19th century mahogany Robbie Burns eight day longcase clock,with painted arched dial with Roman numerals, two subsidiary dials, painted decoration to the spandrels and arch, inscribed 'Burns at the Plough' and decoration to the spandrels representing the four symbols of the Union, mahogany case on plinth base, 235cm high

19th century mahogany and chequered banded eight-day longcase clock, painted arched dial with second and date aperture, by R Fox, Pontypool, the trunk door flanked by Corinthian columns, on bracket feet, H.223cm

Late 18th century eight day oak longcase clock by Edward Mann, Coventry, the silvered dial with Roman hours and Arabic minutes, floral engraving to dial centre, plaque at 12, date aperture at 6, striking on a bell, in floral carved oak case, H.200.5cm

18th century 30 hour longcase clock by Sam Ashton of Ashburn, brass dial with Roman and Arabic numerals, makers plaque at 12, date aperture at 6, with gilt metal spandrels depicting Classical ladies, in later mahogany case, H.206.5cm

Amended Description Late 18th century mahogany longcase clock, the painted arched dial signed Thurston Sharrock, Preston, having Roman and Arabic numerals, seconds subsidiary dial at 12 and date aperture at 6, the hood with swan neck pediment above Corinthian columns, the case with blind fretwork frieze, the moulded trunk door flanked by reeded pilasters, on panelled plinth base and bracket feet, H.225cm, with two weights and pendulum, later case

Early 20th century mahogany longcase clock, the round enamel dial with Roman numerals and outer minute track and central brass hour dial, the mahogany case with glazed doors flanked by bobbin turned pillars, twin train weight driven movement striking a bell, with gridiron compensating pendulum and two weights, H228 x W60 x D24cm

18th century oak 8-day longcase clock, the brass dial with twin train movement, subsidiary seconds dial, Arabic and Roman numerals, signed John Sale Dublin, 222cm high, With weights, pendulum and door key.

18th century mahogany and burr walnut longcase clock, the silvered dial with twin train movement, Arabic and Roman numerals, Strike/Silent dial, subsidiary seconds dial and central brass hour dial, striking on a bell, face signed 'Alexr Cumming Inverary', 231cm high, with weights and two pendulums,

~ An oak thirty hour longcase clock, signed Thos Greaves, Newcastle Upon Tyne, 18th century, later caseNo weight and no pendulum.

~ An oak eight day longcase clock, signed John Greaves, Newcastle, late 18th century, later caseNo weights and no pendulum

~ A mahogany eight day longcase clock, early 19th century, arch painted dial unsignedNo weights and no pendulum.

~ A walnut veneered thirty hour longcase clock, arch brass dial bearing a later inscription Jno Charlton, Durham, later movement

~ An oak thirty hour longcase clock, signed John Weston, Fecit, Wolsingham, late 18th century

A Regency style mahogany eight day longcase clock, silvered circular dial unsigned, 20th century. Case with cracks and chips in parts. Case has been cleaned. Dial is later, as is case.

An oak thirty hour painted dial longcase clock, dial inscribed Lawley, Wellington, later case

A longcase clock

~ An oak and mahogany thirty hour white dial longcase clock,early 19th century

~ A mahogany eight day longcase clock, signed Jon Rowlands, BerwickNo weights and no pendulum.

AN EARLY 19TH CENTURY PROVINCIAL OAK 30 HOUR LONGCASE CLOCK the brass dial inscribed 'Rea Walton' to the chapter ring, the cast spandrels formed as figures, the case with moulded cornice to hood, 56cm wide 32cm deep 198cm high

A GEORGE III MAHOGANY CASED 8-DAY LONGCASE CLOCK the brass dial with subsidiary seconds dial and date aperture, inscribed 'W I Geach St. Columb' to centre and 'TEMPUS FUGIT' to break arch, 53cm wide 224cm high

A longcase clock, the 30 cm arched square brass dial signed Wm Threlkeld, London to a silvered arch on the centre, the silvered chapter ring with Roman numerals, the matt centre with subsidiary seconds dial and calendar aperture, and with Strike/Silent dial to the arch, fitted an eight day five pillar movement striking on a bell, in a case veneered in walnut, on a plinth base with bracket feet, 270 cm high, removal cost CReport by RBClearly not run for a long time, top ball finial is loose, movement full of cobwebs, lacks seconds dial hands and I cannot see anything connecting behind it, so this has probably been removed, trunk door warped, some slight and occasional loss, feet knocked, probably by a vacuum cleaner, on the hood on the back left hand section there is the brass capital missing to the column, needing some repair and restoration

A longcase clock, the 30 cm arched square brass dial signed John Carle, Penzance, on a plaque to the matt centre, the chapter ring with Roman numerals and with subsidiary seconds dial, the arch with Tempus Fugit, fitted an eight day five pillar movement, in a black lacquered case with chinoiserie style decoration, 216 cm high, removal cost CReport by RBThe dial looks to have a small repair/piece let into the disc at the top, the seatboard looks later, the case has had a few repairs and is worn as usual, with an oval panel section let in/repaired above the hood door, with two weights and a pendulum.Bottom left corner of the brass dial is missing the case

A GEORGE III EIGHT DAY MAHOGANY LONGCASE CLOCK, THE BREAKARCHED BRASS DIAL WITH DATE APERTURE, SUBSIDIARY SECONDS DIAL AND FOLIATE ENGRAVING, LUNAR WORK TO THE ARCH, MASK SPANDRELS, THE CASE INLAID AT LATER DATE WITH URN AND SHELL PATERAE, SWAN NECK PEDIMENT WITH CARVED ROSETTES AND GILT TRELLIS WORK, ON LATER OGEE FEET, WITH PENDULUM AND BRASS SLEEVED WEIGHTS, 25CM H Case re-polished

A George III style oak longcase clock, the dial marked Tempus Fugit, 212cm high

A Mayfair Collection gilt brass miniature model longcase clock, 12.5cm, number 883-800, presentation box and sleeve; others, Anniversary clock, boxed; Carriage clock, boxed; Mantel clock, boxed; etc (12) Condition Report: Good generally, boxes a little worn, Bamfords cannot guarantee that these are in working order, only one without a box

JO. COOPER, WHITCHURCH, A LATE 17TH/EARLY 18TH CENTURY 8 DAY LONGCASE CLOCK, the square dial with silvered chapter ring, subsidiary seconds and date aperture, in a carved oak case with lenticle door, 84 ins high. £200-£300

SIMPSON YEATES, PENRITH, A MID 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, arched painted dial with 30 hour movement, swan neck hood, short door on a stepped base and bracket feet, 88 ins high. £120-£180

SPENDLOVE, CAMBRIDGE, AN 18TH CENTURY OAK LONGCASE CLOCK, 8 day arched brass dial with strike/silent, date and seconds, the blind fret hood above a long arched door, raised on a stepped base and plinth, 94 ins high. £250-£400

REPRODUCTION LONGCASE CLOCK, 3 WEIGHT MOVEMENT

An oak and mahogany eight-day longcase clock, the white painted dial, signed Thomas Slater, Litchfield, 221cm high

A George III mahogany eight-day longcase clock, the arched brass face with a lunar phase and ship aperture, the dial with the label of S Nixon, Newcastle, 244cm high/see illustration CONDITION REPORT: The case: painted frieze scratched and decoration lifting in places, both pillars with damages, legs to trunk and front plinth missing.The movement: moon phase working chapter ring and dial rather dull and grubby, Not in working order.

An 18th Century mahogany cased penny-moon longcase clock, Richard Hornby, Oldham, the square dial with silvered chapter ring, moon phase at 6 o'clock, date aperture and engraving of two gentlemen by an armillary sphere, the dial 31cm wide, the case 204cm highNote: the engraving to the dial is perhaps the work of clockmaker William Barlow of Ashton Under Lyne CONDITION REPORT: Dial tarnished, phases of the moon operable, case in good condition, scratches and other blemishes acceptable with age. Case in good condition and scratches and other blemishes acceptable with age. The movement is original.

A reproduction Georgian style mahogany longcase clock with arch top, brass dial with moonphase and triple weight striking movement

An 18th century crossbanded oak longcase clock, the hood with swan neck pediment and turned side columns, arched full length door to the trunk, arched brass dial with mock winding holes and 30 hour movement, the centre dial lettered Thos Wallace Brompton, the arch lettered Thirlall Isaac & Dorothy, 87"

A LONGCASE CHIMING WALL CLOCK

C19th walnut veneer Longcase clock, with square hood, below a broken arch pediment, to a silvered and ormolu decorated dial, subsidiary dial, twin winding holes and date aperture, RUBEN LAMUDE, in CHARD, complete with 2 weights, pendulum and winder, 210cmhigh (condition in need of restoration. some joints loose, some damage, old worm holes to base, door lock and key in working order) PURCHASERS: PAYMENT BY BANK TRANSFER ONLY. COLLECTIONS BY APPOINTMENT ONLY - CALL 01793 861000.

A reproduction mahogany longcase clock with visible pendulum and weights the dial with a moon roller - NO RESERVE

A. Cockburn, Haddington, an unusual Scottish bracket clock with windmill automata: the eight-day duration timepiece single-fusee movement with 'A' shaped plates and having an anchor escapement, with a subsidiary alarm train sounding on a bell, the painted break-arch dial having black Roman hour numerals, decorative fruit and floral corner spandrels and with further floral decoration within the arch, the centre showing a windmill within a field with sails turning as the movement runs, with brass hands and an alarm setting disc to the centre, signed for the maker A. Cockburn, Haddington, Scotland, the mahogany break-arch case having quarter-round corner moulding, brass inlaid decoration to the base and brass fishscale fretwork to the sides with cast-brass carrying handles above, on cast-brass lion's-paw feet, the wall bracket in the form of a cast-brass winged bird, height 34cm clock, 54cm inc. bracket.*Biography Adam Cockburn is recorded working at Haddington, East Lothian, circa 1810 and was also known as a minor poet. He emigrated to Canada in 1843. *Notes Reference Donald Whyte Clockmakers & Watchmakers of Scotland, Pub. Mayfield Books 2005. An oak longcase clock with painted dial is illustrated on page 74, fig. 71.

William Threlkeld, London a Georgian quarter-repeating bracket clock: the eight-day duration, five-pillar single-fusee timepiece movement having a verge escapement, a fully engraved backplate of floral and c-scroll decoration and with pull-repeat repeating the last hour and quarter-hour on two bells, with an engraved apron to the pallet arbor and engraved 'up and down' regulation lever, the break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute outer numerals and fleur-de-lys half-hour markings, the matted centre with an engraved 'false-pendulum' aperture with decorative blued steel hands and an applied brass plate engraved with the maker's name Wm. Threlkeld, London, the corners with cast-brass female-head spandrels and 'up and down' regulation dial to the arch, the ebonised bell-top case having glazed panels to the sides, fretwork to the front corners, a cast-brass handle to the top and standing on ebonised pad feet, height 40cms (handle down) 43cms (handle up). * Biography William Threlkeld, born in Brancepeth, County Durham, is recorded as working in the Strand, London from before 1701 until at least 1727. A fine seaweed marquetry longcase clock signed for Threlkeld is situated in the bathroom in the Sir John Soane's Museum, London, inventory XF92, within a purpose made niche as it has done from at least 1837. A watch signed for him was known to be in the James Arthur collection situated in New York University, at that point the largest collection of horological timekeepers in the Northern hemisphere, with the collection split in 1982 between the Smithsonian Museum and the museum of the National Association of Watch and Clock Collectors in Pennsylvania who have consequently taken on the full collection and where the watch is now on show.*Notes Reference. Baillie G.H. Watchmakers & Clockmakers of the World Methuen & Co 1929.*Notes Reference Sir John Soane's Museum, London

Joseph Dudds, London a mid-18th Century walnut longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell with the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and outer five-minute markings, the matted dial centre having a subsidiary seconds dial and date aperture with cast-brass corner spandrels and decorative blued steel hands, the arch having a round convex boss engraved with the maker's name Joseph Dudds, London with cast-brass dolphin spandrels to either side, the walnut case having a burr walnut veneer to the trunk door with castellated inlaid stringing, the hood having a break-arch top with a deep concave moulding, cast brass capitals to the fluted pillars, arched wood frets to the sides and with matching stringing inlaid to the trunk door, the base with a shaped and raised panel set to the front and standing on bracket feet, height 228cms.*Biography Joseph Dudds is recorded as working in London having been apprenticed to Richard Haughtin on the 15th of January 1723 for 7 years becoming free on the 6th of July 1730 when he was admitted as a Freeman of The Clockmakers' Company and is recorded as still working in 1770.*Notes Reference The Company of Clockmakers' Register of Apprentices 1631-1931, pub. Privately for the Clockmakers' Company 1931.

Thos Udell, London, a George III mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute outer numerals, the matted dial centre with an inset silvered seconds dial, date aperture and a raised plaque engraved with the maker's name Thos. Udall, London, with a strike/silent dial within the arch and cast-brass gilded c-scroll corner spandrels and decorative blued steel hands, the mahogany case having fluted quarter columns with brass stops and cast-brass capitals, with a break-arch top to the trunk door, the hood having matching fluted columns and surmounted with a pagoda top with brass ball finials and inset fretwork to the front, the base having a shaped raised moulding and standing on a double-plinth, height 232cm.*Biography Thomas Udall is recorded as working in Shoe Lane, London being a member of The Clockmakers' Company from 1789 until 1814.*Notes Reference Brian Loomes Watchmakers and Clockmakers of the World, Pub. NAG Press 1988.

A mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch break-arch painted dial having black Roman hour numerals, a subsidiary seconds dial, date aperture, decorative gilded-brass hands, painted cottage scenes to the four corners and phases of the moon disc within the arch, the mahogany case with barley-twist columns to the trunk, a short door with inlaid decoration and crossbanding above and below, the hood having barley-twist pillars and whales-tooth cresting surmounted with brass finials, the base with further inlaid crossbanding and stringing and standing on bracket feet, height 230cm.

William Lancaster, Plymouth Dock a mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute outer numerals, the centre having a subsidiary seconds dial, silvered date aperture and engraved with a scene depicting ships leaving a harbour and signed Willm. Lancaster, Plymo. Dock, with decorative blued steel hands, with cast-brass female-head spandrels to the four corners, the arch having a well-painted moonphase disc depicting a sailing boat within a rough sea, the moon appearing from behind two engraved brass discs engraved with further maritime scenes, with a silvered arch above showing both the moon phase dates and time and engraved with High Water at Plymo. Dock, the mahogany case having fluted canted corners to the trunk and a break-arch moulding to the door, the hood having full fluted columns with cast-brass capitals, all standing on bracket feet, height 210cm. *Biography William Lancaster is recorded as working in Queen Street, Plymouth Dock (now Devonport) having married Mary Pinhey at Stoke Damerel parish church in November 1771. Interestingly the watchmaker Richard Pinhey was both a witness to the marriage and to Lancaster's will dated Feb 1815 prior to his death in February 1820 in which he left an estate valued at under £800 including his workshop tools which he left to his son Thomas Lancaster. William Lancaster's name is to be found on many good quality clocks and watches and it is known he was supplied with movements by a number of top London makers including Thwaites. *Notes Reference Clive N. Ponsford Devon Clocks and Clockmakers Pub. David & Charles 1985.

John Sweeby London, a mulberry, walnut and seaweed marquetry longcase clock: the eight-day duration movement having finned pillars and striking the hours on a bell with an inside countwheel, the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman hour numerals, Arabic five-minute numerals and decorative half-hour markings, the matted dial centre having ringed winding holes, a raised silvered seconds dial and a date aperture with engraved surround, with blued steel hands and cherub-head cast-brass corner spandrels, engraved either side of VI o'clock with the maker's name John Sweeby Londini fecit, the flat-top walnut case inlaid having shaped marquetry panels to the trunk door and a round lenticle glass and inlaid marquetry to the trunk, base, hood and convex throat moulding, with the tapered hood pillars having cast brass capitals, with ebonised mouldings, complete with brass bund weights, height 211cm.*Biography John Sweeby (Sweby) is recorded as having been apprenticed to William Speakman in 1663 and a member of The Clockmakers' Company from 1671 until 1690.*Notes Reference Brian Loomes Watchmakers and Clockmakers of the World, Pub. NAG Press 1988.

Antique eight day longcase clock having painted case and brass arched dial, signed James Glyd, Westminster.