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Lot 463
Monkhouse of Carlisle. A Regency inlaid mahogany musical longcase clock, the 13 inch arched brass dial with painted moonphase, alarm hand and tune selector for 'Abide With Me', 'Home Sweet Home' and 'Bluebells of Scotland', signed in the arch George and Mary Peat, later movement chiming on eight bells, 8ft 1in.
Lot 1900
Early 19th Century mahogany longcase clock, the square hood with swan neck pediment and blind fretwork decoration above a shaped panel door and plinth base with bracket supports, the painted dial with Arabic and Roman numerals with subsidiary seconds, the two train movement striking on a bell
Lot 1877
19th Century mahogany longcase clock having arched hood with brass dial and silvered chapter ring with Roman numerals, date aperture and two train weight driven movement striking on a bell, flanked by turned pilasters above a flush arched top door and conforming plinth base with pendulum and weights
Lot 1893
19th Century mahogany longcase clock, the broken arch hood with swan neck pediment above an arched panel door flanked by spiral quarter pilasters and conforming plinth base, the gilt brass dial with mask head and dolphin spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds and date dials, signed William Robb Montrose, the two train movement with anchor escapement striking on a bell
Lot 1854
Pine longcase clock with broken arch hood above a rectangular door and plinth base, the painted dial with Arabic numerals, moonphase arch, subsidiary seconds and date aperture with a two train movement, with anchor escapement striking on a bell, the dial and movement 19th Century, the pine case modern
Lot 1832
George III oak and mahogany crossbanded longcase clock, the pagoda top with a painted glass frieze above a shaped door flanked by quarter fluted pilasters and a plinth base, the gilt brass and silvered dial with Arabic and Roman numerals, subsidiary seconds and calendar, inscribed William Lawton, Newton, the eight day movement striking on a gong
Lot 1855
Mahogany longcase clock, the broken arch hood with swan neck pediment above an arched panel door and conforming plinth base, the painted dial with Roman numerals, subsidiary seconds dial and date aperture, the two train movement with anchor escapement striking on a bell, the dial and movement 19th Century, the case modern
Lot 1846
Mahogany longcase clock, the broken arch hood with flanking pilasters above a figured, arched and moulded panel door with conforming plinth base, the painted dial signed Sam Harley Salop, with Arabic and Roman numerals, subsidiary seconds dial and date aperture, the two train movement striking on a bell (the dial and movement 19th Century, the case modern)
Lot 1909
George III oak longcase clock, the square hood with swan neck pediment and flanking pilasters above a rectangular panel door and conforming plinth base, the brass dial with mask head spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed Thomas Brown, Birmingham, the two train movement with anchor escapement striking on a bell
Lot 1899
Late Victorian oak longcase clock, the arched hood with turned columns above an arched door with floral carved panels and a plinth base, the gilded brass dial with silvered chapter ring, Roman and Arabic numerals and chime/strike and seconds subsidiary dials, the three train movement striking on gongs
Lot 1850
George III oak longcase clock, the broken arch hood above a crossbanded arched panel door and conforming plinth base, the brass dial with Arabic and Roman numerals, strike silent selector to the arch, subsidiary seconds dial and date aperture within floral spandrels, signed George Brown, Beverley, the two train movement with anchor escapement striking on a bell
Lot 1881
George III oak longcase clock, the square hood with flanking pilasters above a rectangular panelled door and conforming plinth base, the painted dial with Arabic numerals, subsidiary seconds dial and date aperture with a single train thirty hour movement striking on a bell (with alterations)
Lot 1902
George III longcase clock the square hood with broken arch pediment and flanking pilasters above a panel door and conforming plinth base with original grained painted finish, the square 10in brass dial with floral spandrels, Arabic and Roman numerals, signed John Dadswell, Burwash with single train thirty hour movement
Lot 1876
George III mahogany cased eight day longcase clock having arched hood enclosing a brass dial with silvered chapter ring, Roman numerals and strike silent dial, subsidiary seconds with date aperture, inscribed Junior Gatward Hitchin, the two train movement striking on a bell above a flush panelled door and conforming plinth base
Lot 1908
George III oak and mahogany crossbanded longcase clock, the broken arch hood with flanking pilasters above a shaped panel door and conforming plinth base, the brass moon phase dial with mask head spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed John Day, Wakefield, the two train movement with anchor escapement striking on a bell
Lot 1897
George III oak longcase clock, the broken arch hood with swan neck pediment and flanking pilasters above an arched panel door and conforming moulded plinth base with splay bracket feet, the gilt brass dial with floral spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed Thomas Spence Dysart, the two train movement with anchor escapement striking on a bell (case with some alterations)
Lot 341
A 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK the broad case with fluted decoration, the hood with swan neck pediment and the arching dial with moon phase aperture, subsidiary second hand and date indicator and the dial with Roman numerals, painted decoration of flowers, the clock 66cm wide x 227cm high overall
Lot 791
A George III oak cottage longcase clock the hood with swan neck pediment terminating in brass roundels with three ball and spire finials, the arched enamel dial painted to the top with a female figure in extensive landscape oval, floral spandrels, the cream enamel dial with subsidiary seconds dial and month aperture, inscribed "J Levy, & Co, Boston", eight day movement striking on a bell, the hood door flanked by a pair of brass capped tapered pillars, mahogany crossbanded trunk door, on plain plinth with shaped apron and bracket feet, 216cm high overall, Circa 1800 (faults and old restorations)
Lot 792
A George III oak cottage longcase clock the hood with swan neck pediment terminating in embossed brass roundels and three brass ball and spire finials, carved with brick work and dog tooth, the cream enamel dial inscribed to the arch "Thomas Regis ?, Cambridge", Arabic numerals with subsidiary seconds dial and month aperture, eight-day movement striking on a bell, floral painted spandrels, the hood with brass capped fluted tapered pillars, the trunk door with applied moulding to the lancet arched door, skirted plinth, shaped apron with bracket feet, 218cm high, Circa 1800
Lot 77
A George III oak and mahogany inlaid longcase clock, the round 33cm dial painted with two boys playing shuttlecock, Roman chapter, Arabic minutes, subsidiary seconds dial, eight-day movement striking on a bell, the hood with curly pediment, centred by a brass ball-and-spire finial, fluted brass capped Corinthian columns, the door inlaid with a navette shaped shell patera, canted angles, base panel with similar patera, ogee bracket feet, 220cm high, c.1785/95 Condition Report: Dial chapter faded
Lot 121
An Edwardian mahogany musical longcase clock, of George III design, 31.5cm brass dial with silvered chapter ring inscribed with Roman and subsidiary Arabic numerals, Strike & Chime/Silent selector to arch, Whittington/Westminster Chimes selector to side, cast dolphin, mask and leafy scroll spandrels, the centre engraved with scrolling foliage, triple winding holes, the movement chiming on eight graduated tubular gongs, the hood with swan neck pediment, brass capped reeded Corinthian column, shaped arched rectangular door to waist, flanked by reeded quarter-columns, canted base, ogee bracket feet, 228cm high, c.1910
Lot 523
A George III longcase clock with 8-day movement striking a bell, Rob. Knox of Bath, brass dial with arched top, applied pierced brass spandrels and chapter ring with Roman and Arabic numerals, the hood with swan-neck pediment, fluted columns, quarter pilasters to the trunk, pedestal base, 225cm, (as found without hood glass panel).
Lot 385
AN OAK EIGHT DAY LONGCASE CLOCK, 18TH C AND LATER the engraved brass breakarched dial with date sector and subsidiary seconds dial, in crossbanded case with swan neck pediment, 220cm h ++ Dial original to the movement but associated to the case. Tempus Fugit disc to the arch of later date. Case with minor old repairs but basically complete
Lot 320
A George III mahogany longcase clock, with 8-day movement and painted arch dial having river scene with swan automaton movement and painted with castles to the spandrels, with date aperture and signed AM Reed, Helford, the hood with fret cut scroll pediment to the arch hood, and the figured case with a long door, 220cm high.
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44425 item(s)/page