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Oak eight day longcase clock, the 14" brass arch dial signed Winstanley, Holywell above the moon phase to the arch, the chapter ring enclosing a subsidiary seconds dial and arched calendar aperture, the case with long crossbanded wavy arched door, the hood surmounted by a swan neck pediment, 86" high (two weights) (a.f)

Eight day oak and mahogany longcase clock, the 12" brass dial plate with silvered chapter ring enclosing a silvered engraved centre with subsidiary seconds dial and calendar aperture, the case with short door and the hood surmounted by a swan neck pediment, 79" high (2 weights, pendulum and keys)

Oak and mahogany eight day longcase clock, the 12" painted square dial signed William Bullock, Bradford with subsidiary seconds dial and arched calendar aperture, the case with crossbanded short door with central conch shell inlay flanked by reeded pilasters and inlaid with boxwood chevron banding, the hood surmounted by a swan neck pediment, 82.5" high (pendulum, two weights)

Mahogany eight day longcase clock, the 13" silvered circular dial signed William Clarke, Cerne with subsidiary seconds dial, the long rounded arched moulded door flanked by reeded canted corners and the hood by a rounded arched moulded stepped cornice, 90" high (pendulum, two weights)

Oak eight day longcase clock, the 12" painted arched dial signed Thomas French Mennoc below the calendar aperture and subsidiary seconds dial, the case with long door flanked by canted fluted pilasters and the hood surmounted by a swan neck pediment, 82.5" high (two weights)

Mahogany longcase clock with single train and six pillar movement, the 14.25" brass arched dial signed Jos Smith, Bristol on a shaped plate surrounding the winding aperture, with subsidiary calendar dial to the arch over the main chapter ring enclosing a matted centre with subsidiary seconds dial, the case with medium length crossbanded wavy door inlaid with boxwood and ebony lines and the hood surmounted by triple gabled fluted pillars, 101" high (two weights)

Mahogany eight day longcase clock, the 13" painted arched dial signed Jas Monkhouse, Carlisle to the centre with calendar aperture, subsidiary seconds dial and moon phase to the arch, the case with long crossbanded and chevron banded wavy arched door and the hood surmounted by a swan neck pediment, 88" high (two weights)

Oak eight day longcase clock, the 14" painted arched dial signed W. Sykes to the centre with subsidiary seconds dial and calendar aperture, also with moon phase to the arch, the case with long crossbanded door inlaid with a central oval conch shell and flanked by quarter fluted pilasters, the hood surmounted by a swan neck pediment, 95" high (two weights)

Mahogany eight day longcase clock, the 12" painted arched dial signed Weare, Wincanton, with calendar aperture and subsidiary seconds dial, also with moon phase to the arch, the case with short crossbanded door inlaid with boxwood lines and the hood surmounted by a swan neck pediment and brass ball and spike finial, 91" high (two weights)

Oak eight day longcase clock, the 13" painted arched dial signed Jonathan Thomas, Worcester, with subsidiary seconds dial and calendar aperture, the case with long crossbanded wavy arched door and the hood surmounted by a swan neck pediment, 86" high (two weights)

Oak eight day longcase clock, the 12" painted arched dial signed George Tyacks, Breage with subsidiary seconds dial and calendar aperture, the case with long crossbanded door and the hood surmounted by a moulded broken arch pediment with three brass ball finials, 90" high (two weights)

Mahogany eight day longcase clock, the 14" painted arched dial signed Thomas Gaskell, Knutsford, with subsidiary seconds and calendar dials, also with moon phase to the arch, the case with long wavy arched door and the hood surmounted by a moulded swan neck pediment, 87" high (two weights)

Venetian mahogany and ebonised regulator longcase clock, the movement with deadbeat escapement and maintaining power, the 12" circular dial with subsidiary seconds dial, the case with long glazed ebonised door flanked by canted corners, the ebonised hood with blind fret carving and gilt painted corners surmounted by an architectural pediment with scrolling brass top and Fleur de Lys finial, 81" high (pendulum)

Mahogany regulator longcase clock, the 12" circular dial signed Jas Poole, Liverpool to the centre and with subsidiary seconds and hour dials within a rounded arched glazed case, 78" high (pendulum, weight)

Mahogany eight day granddaughter longcase clock, the 6.5" brass arched dial with silvered engraved boss to the arch over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial, the case with long rounded moulded arched door flanked by quarter fluted pilasters and the hood with caddy top and three brass finials, 52.5" high

Mahogany inlaid three train longcase clock, the movement playing on a nest of eight bells and striking on a large bell, the 14" brass arched dial with subsidiary seconds dial to the engraved centre, the arch inscribed `Time Shows The Way of Life`s Decay` above a moon phase aperture, the case with long moulded crossbanded wavy arched door flanked by fluted pilasters, the hood surmounted by a moulded broken arch pediment with central brass finial of a phoenix with outstretched wings, 6" high (pendulum, three weights)

Small reproduction Japanese lacquered longcase clock, the 9.5" arched brass dial within an ornate glazed case surmounted by a caddy top and three ball and spire finials, 85" high (pendulum, three weights)

Mahogany three train longcase clock, the movement striking on tubular bells and playing Oxford, Whittington and Westminster chimes, the 13" circular dial signed Waltham Clock Co. on a silvered plaque to the foliate embossed gilt metal centre enclosing a subsidiary seconds dial, also with silent/strike and chime/silent levers within a glazed pillared lancet shaped case, 77.5" high (pendulum, three weights)

Contemporary Japanese lacquered triple weight longcase clock, the 11" brass arched dial within a heavily decorated pillared case surmounted by a broken arched pediment and three turned finials, 90" high (pendulum, three weights)

Unusual eight day longcase clock, the 14" painted arched dial signed D. Jones, Lampeter below the subsidiary seconds dial and arched calendar aperture, the case with slender trunk fitted with unusual enclosed weight channels, with short wavy arched door flanked by turned pillars, the hood surmounted by a broken arched pediment, 88" high (pendulum and two long flat weights)

Oak eight day longcase clock, the 13" square brass dial signed Higginson, Chester to the silvered dial plate with subsidiary seconds dial and engraved centre, the case with long moulded door flanked by reeded pilasters, the hood surmounted by a swan neck pediment, 90" high (pendulum, two weights) (a.f)

Mahogany eight day longcase clock, the 12" brass arched dial signed William Gibbs, London on a silver boss to the arch, the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long moulded arched door, the hood with fluted pilasters and surmounted by a caddy top with three ball and spike finials, 99" high (two weights, pendulum)

Mahogany eight day longcase clock, the 12" circular dial signed Hillard, Tralee, with subsidiary seconds dial, the case with short moulded pointed arched door flanked by canted corners, the hood surmounted by a moulded arched cornice, 84.5" high (a.f)

Oak and mahogany crossbanded eight day longcase clock, the 14" painted dial with subsidiary seconds dial and arched calendar aperture, with moon phase to the arch, the case with long moulded wavy top door, the hood surmounted by a swan neck pediment, 85" high (two weights) (a.f)

Mahogany eight day longcase clock, the 12" engraved brass arched dial signed Thomas Blatchly, Bradford to the arch with ship automata over a silvered chapter ring enclosing a subsidiary seconds dial and calendar aperture, the case with long moulded wavy door, the hood surmounted by a stepped moulded cornice, 82" (pendulum, two weights)

Mahogany eight day longcase clock, the 13" painted arched dial signed Blagburn, Gateshead with subsidiary seconds and calendar dials, the case with short inlaid panelled door, the hood surmounted by a swan neck pediment, 89" high (pendulum, two weights)

Oak eight day longcase clock, the 13" painted arched dial indistinctly signed with subsidiary seconds dial and arched calendar aperture to the centre, the case with long panelled door flanked by pilasters, the hood surmounted by a decorative carved pediment, 89" high (pendulum, two weights)

Mahogany three train longcase clock, the movement playing on six rods, the 13" Arts & Crafts square dial with silvered chapter ring enclosing a foliate gilt strapwork decorated centre with subsidiary seconds dial, the case with long canted glazed door flanked by fluted pilasters and the hood surmounted by a moulded arched pediment, 94" high (two brass weights)

Mahogany eight day longcase clock, the 13" round painted dial signed Jonathan Holmes, Cheadle, with subsidiary seconds and calendar dials to the floral painted centre, the case with unusual oval door inlaid with boxwood stringing and the hood with a moulded stepped pediment, 73" high (pendulum, two weights, winding key)

Golden oak eight day longcase clock, the 13" painted arched dial signed Jonathan Chambley, Woverhampton beneath a subsidiary dial and arched calendar aperture, the case with long moulded crossbanded door flanked by fluted pillars, the hood surmounted by a stepped broken arched pediment, 87" high (pendulum, two weights)

Good mahogany eight day longcase clock, the 12" brass arched dial signed John, Greenwood to the silvered dial plate, with subsidiary strike/silent dial to the arch, the case with long moulded rounded arched door flanked by reeded canted corners, the hood with fluted pilasters and surmounted by a caddy top with ball and spire finials, 98" high (pendulum, two weights)

Good flame mahogany eight day longcase clock, the 12" painted circular dial signed Dwerryhouse & Carter, London with subsidiary seconds and date dials, the long moulded door flanked by fluted pilasters, the hood with reeded canted corners and surmounted by a moulded arched stepped cornice, 81" high (pendulum, two weights)

Walnut eight day longcase clock, the 12" brass arched dial signed Du Puis, London under a strike/silent subsidiary dial to the arch over a brass chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long door fitted with a circular lenticle and the hood surmounted by a stepped rounded arched caddy top, 95" high (two brass case weights, keys) (a.f)

Good month going verge Chavin Freres Comtoise longcase clock, the movement with pinwheel escapement, the 12" convex white enamel dial signed Than Lefors a Marseilles, with centre seconds and calendar, Roman numeral and Arabic numeral chapter rings, the long door fitted with a circular beaded lenticle and within a shaped waisted swollen case supported upon a square panelled pedestal and surmounted by a rounded carved hood, 88" high (pendulum, weight and key)

Oak thirty hour longcase clock, the 10" brass dial signed David Hatfield, Bosworth to the engraved centre with arched calendar aperture, the case with long moulded door, the hood surmounted by a moulded stepped cornice, 82" high (pendulum)

Good Dutch Amsterdam walnut marquetry eight day longcase clock, the 12" brass arched dial signed Dirk Van Der Vinoen, Schudam on a silvered convex boss to the arch over a slow/fast lever and silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the floral marquetry case with long door pierced with an oval bronze pierced vase lenticle and the hood surmounted by a rounded arched stepped pediment over a pierced foliate fretwork frieze, 94" high (two brass cased weights and pendulum)

Good period walnut eight day longcase clock with five pillar movement, the 12" brass arched dial signed Jos Norris, Abingdon on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, also with a silver sunburst engraved boss to the arch, the case of good patina and with long moulded featherbanded quarter veneered door, the hood surmounted by a rounded moulded arched pediment with pierced foliate blind fret carved frieze, 95" high (pendulum and two weights)

Black lacquered eight day longcase clock, the 12" square brass dial signed Robert Coster, Newbury on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long moulded door fitted with a circular lenticle and the hood surmounted by a flat pediment over a blind fret geometric carved frieze, 82" high (pendulum, two brass cased weights)

Fine walnut marquetry month going longcase clock with five pillar movement, the 11" square brass dial signed George Cooke, London to the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long moulded door fitted with a glass lenticle, the hood surmounted by a stepped cornice above a blind fret carved panel, 82.75" high (pendulum, two weights)

French two train mantel clock movement striking on a bell, with 3.75" white dial; Vienna clock movement and a Vienna dial, 12.5" arched brass longcase clock dial, novelty framed Rolls Royce advertising picture made up of watch parts and four various brass clock weights

Single fusee clock movement, 6.25" high; together with an eight day and thirty hour longcase clock movements (3)

Quantity of Vienna and longcase clock pendulums

Eight day longcase clock movement in need of extensive restoration, with 9.5" arched dial; together with three electric slave dials in need of restoration, a contemporary quartz carriage clock timepiece, various movements, dials and bezels

Six various size longcase clock pendulums with brass bobs; also five various longcase clock weights and a quantity of longcase clock and other winding keys

Miscellaneous clock parts, to include longcase pulleys, clock dials, two chronometer guard boxes etc

Novelty painted spelter clock modelled as a clock pedlar, with 2.5" arched clock timepiece attached to his front upon a stepped rectangular stand, 16" high; together with a 1930s oak miniature longcase clock timepiece, 12.5" high and another miniature longcase clock timepiece, 15" high (3)

Golden oak single train miniature longcase clock timepiece, the 3.25" chapter ring enclosing an engine turned centre within a pillared brass mounted case surmounted by a broken arched pediment with central brass finial, 18" high

A late C18th/early C19th oak longcase clock with an eight day movement, the square gilt brass and silvered dial signed 'Thos, Willm Lutwyche, Worcester', weights and pendulum present, 77'' high

An eight day longcase clock by Ralph Banks, Plym Docks, with arched brass dial having engraved ""Tempus Fugit"" emblem to arch, subsidiary seconds dial and date aperture, engraved with sailing vessels, in mahogany case with arch top to hood, full length trunk door and on low bracket supports, 211cms to top of hood with weights and pendulum ++lacks decorative hood finials

An eight day longcase clock with arched brass dial by Robert Savery, Taunton, the arch engraved with eagle and ""Tempus Fugit"", engraved spandrels, subsidiary seconds and date dials, swans neck pediment to the hood and in crossbanded and line inlaid mahogany case, with weights and pendulum, approx 217cms high NB Robert Savery made the church clock at Bishops Hull and at Holy Trinity, Taunton.

An eight day longcase clock having arched brass dial by Abraham Bernard, Bristol, with rocking Father time in the arch, subsidiary seconds dial and date aperture, in mahogany case with swans neck pediment to the hood, shaped full length trunk door, with weights and pendulum ++requires restoration

An eight day longcase clock by Ralph Banks, Plym Docks, with arched brass dial having engraved ""Tempus Fugit"" emblem to arch, subsidiary seconds dial and date aperture, engraved with sailing vessels, in mahogany case with arch top to hood, full length trunk door and on low bracket supports, 211cms to top of hood with weights and pendulum ++lacks decorative hood finials

An eight day longcase clock with arched brass dial by Robert Savery, Taunton, the arch engraved with eagle and ""Tempus Fugit"", engraved spandrels, subsidiary seconds and date dials, swans neck pediment to the hood and in crossbanded and line inlaid mahogany case, with weights and pendulum, approx 217cms high NB Robert Savery made the church clock at Bishops Hull and at Holy Trinity, Taunton.

An eight day longcase clock having arched brass dial by Abraham Bernard, Bristol, with rocking Father time in the arch, subsidiary seconds dial and date aperture, in mahogany case with swans neck pediment to the hood, shaped full length trunk door, with weights and pendulum ++requires restoration

An 18th century oak longcase clock with brass dial inscribed "Nich. Bodle East Grinstead"

A George III oak longcase clock, the brass dial inscribed "John Hayes Wrexham" the chapter ring surmounted by a roundel engraved with an eagle and the name "Charles Harrison"

Moses Evans, Llanddoget, an oak longcase clock: the eight-day duration movement striking the hours and half-hours on a bell, the thirteen-inch square brass dial having a raised chapter ring engraved with black Roman numerals and Arabic outer five-minute numerals, the centre having a subsidiary seconds dial, a date aperture and an applied cartouche signed for the maker Moses Evans, Llanddoget, with cast-brass female-head spandrels and decorative steel hands, the oak case having a swan-neck pediment with brass ball-and-spire finials to the sides and a brass eagle finial to the centre, with turned pillars to the hood, and quarter columns to the trunk, the base with a raised plinth, canted corners and standing on bracket feet, height 223cm including finial. * Biography - Moses Evans is recorded as working in Llanddoget, Wales from circa 1780 until 1819.

Thomas Hunter Junior, London, a walnut longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised chapter ring engraved with black Roman numerals, five-minute outer numerals, the matted dial centre with subsidiary seconds dial, date aperture and an applied plaque engraved with the maker's name Thomas Hunter Junior, London, with decorative blued steel hands and cast-brass c-scroll corner spandrels, the arch with a strike/silent dial, now adapted and with a cast mask head attached, the walnut veneered case with decorative ebony and satinwood stringing to the base, trunk and hood, with a break-arch moulding to the door, raised panel to the base, the hood with brass capitals to the front pillars and a pagoda top with brass ball finials, height: 244cm. * Biography - Thomas Hunter Junior is recorded as working in Lombard Street, London circa 1770.

A mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the fourteen-inch break-arch painted dial having black Roman numerals, subsidiary seconds and date dials to the centre, painted spandrels to the four corners depicting anchors on a gilt and green fishscale design with a sailing ship painted within the arch, with decorative brass hands, the mahogany case having ebony stringing to the base, hood and trunk, the hood with a swan-neck pediment with brass ball-and-spire finials, brass paterae, and square pillars, the case standing on bracket feet, height 228cm including finial.

George Margetts, London, a mahogany longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell, the twelve-inch silvered break-arch dial engraved with black Roman numerals, Arabic five-minute outer numerals, decoration to the four corners and a basket of flowers to the arch, the dial centre with subsidiary dials for seconds and date and signed for the maker Geo. Margetts, London, having a mahogany case, the base with a raised panel and double plinth, the trunk having fluted pillars with brass stops to the lower third and a break-arch moulding to the door, the hood with brass Corinthian capitals to the fluted pillars, with the break-arch top having brass ball-and-spire finials to the sides and a brass eagle finial to the centre, height: 222cm, not including finial. * Biography - George Margetts was a well-known maker being free of the Clockmakers Company in 1779 and a Liveryman from 1799 until 1808.