We found 41637 price guide item(s) matching your search

An 18th Century oak longcase clock by John Nash of Bridge, the 12ins arched brass dial with wide chapter ring (formerly silvered) with Roman and Arabic numerals, subsidiary seconds dial and date aperture with matted dial centre to the eight day two train five pillar movement striking on a bell, contained in a plain oak case with moulded cornice and plain split turned columns to hood, plain trunk door and moulded plinth base, 89ins high Note: John Nash recorded in partnership with his brother William in Bridge, near Canterbury, Kent from before 1762, partnership dissolved in 1769

A late 18th/early 19th Century "North Country" oak and mahogany longcase clock, the 13ins arched painted dial with Roman numerals and the arch decorated with a reclining classical female and Cupid, the spandrels decorated with a representation of the "Four Continents" to the eight day two train movement striking on a bell, contained in oak case with moulded scroll pediment and slender turned mahogany pillars to hood, shaped trunk door crossbanded in mahogany and flanked by fluted quarter columns, on later bun feet, 81ins high

An early 19th Century oak and mahogany longcase clock by Marshall of Greenside, the 13ins arched painted dial with Roman numerals and subsidiary seconds dial and calendar dial to the arch painted with a girl and a dog and with floral and gilt spandrels to the eight day two train movement striking on a bell, contained in oak case with shaped and moulded pediment and slender turned mahogany pillars, the trunk door crossbanded in mahogany, with conforming plinth on bracket feet, 88ins high Note : Robert Marshall recorded working Greenside (near Newcastle Upon Tyne) circa 1775-1856

A late 18th Century mahogany longcase clock by Thomas of Trowbridge, the 12ins arched painted dial with Arabic numerals, subsidiary seconds dial and date aperture, and showing phases of the moon to the arch to the eight day two train movement striking on a bell, contained in plain mahogany case, the altered hood with moulded cornice and plain turned pillars, arched trunk door and later plinth base, 84ins high (in need of restoration and lacking one weight)

An early 19th Century figured mahogany longcase clock by William Fletcher of Gainsbro', the 12ins arched painted dial with Arabic numerals and subsidiary seconds dial and date aperture, the arch painted with a young shepherdess to the eight day two train movement striking on a bell, contained in figured mahogany case with moulded scroll pediment and turned and fluted pillars with Corinthian capitols to hood, shaped and banded trunk door flanked by fluted cant corners, on bracket feet, 86.5ins high

A late 18th Century mahogany longcase clock by James Lock of Bath, the 13ins arched painted metal dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch and spandrels enamelled in colours with floral sprays and gilt oval, to the eight day two train movement striking on a bell, contained in mahogany case with moulded scroll pediment and carved giltwood leaf paterae, slender turned pillars to hood, shaped and moulded trunk door flanked by fluted quarter columns, the plinth base crossbanded in mahogany, on bracket feet, 92ins high Note : James Lock recorded working in Bath 1780

An early 19th Century "West Country" figured mahogany longcase clock, the 13ins arched painted dial with Roman numerals and subsidiary seconds dial and date aperture, and with "Rocking Ship" automaton to arch, to the eight day two train movement striking on a bell, contained in figured mahogany case with moulded scroll pediment, the front door with shaped borders and flanked by turned pillars, the trunk inlaid with chequered and boxwood stringings, on bracket feet, 89ins high

An 18th century mahogany longcase clock by William Dowell Swan of Margate, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, textured inner dial engraved with cornucopia and birds, urn, eagle and leaf scroll pattern spandrels to the eight day two train five pillar movement striking on a bell, contained in figured mahogany case, the hood with shaped cresting above moulded cornice and with turned, fluted and brass stopped columns, shaped trunk door and the base with astragal panel, on bracket feet, 85ins high Note : William Dowell Swan recorded working Margate before 1754

Early 19th century longcase clock with eight day movement, 12 inch painted breakarch dial with brass winding holes and edged in gold, subsidiary seconds dial and calendar aperture, signed - Jn. Bright Saxmundham, breakarch painted with scene of a castle by a river, in a dark oak case with arched door and domed hood with turned columns and three ball finials, 221cm overall height (weight, keys and pendulum present)

18th century longcase clock with eight day movement and 12 inch brass breakarch dial, face mask spandrels, matted centre, subsidiary seconds dial and calendar aperture, breakarch with dolphin spandrels and signed - Arch. Straton Edinburgh, in a mahogany case with shaped door with inlaid boxwood and ebony stringing and central shell paterae, hood with fluted columns and swan-neck pediment with decorative inlay and two gilt metal rosettes, 204cm overall height (weights, key and pendulum present)

George III longcase clock with eight day movement, 12 inch white enamel breakarch dial with gold painted urn spandrels and subsidiary seconds dial, signed in the arch - Jno Blomfield Norwich, gold painted pierced hands in an oak case with full-length arched door, caddy top with three ball and spire finials, 238cm overall height (pendulum, two weights, winding key and door key present)

Oriental style carved redwood triple weight longcase clock

An early to mid-20th century longcase clock, with Westminster, Whittington, and St. Michaels chimes on rods 197.5cm H

An oak and mahogany longcase clock having pillar swan neck with painted dial and eight day movement on pillar and arch trunk on square base

20thC Mahogany cased Longcase clock with Brass Dial and weights, Condition - Good Overall

Tempus Fugit Brass Faced Longcase clock with leaded glass door and brass weights, Condition - Good Overall

A mahogany cased three train chiming longcase clock with a brass 25cm square dial - Height 199cm Condition report: In need of some restoration

An oak 30 hour longcase clock with a 12" square brass dial signed JN Wyld Nottingham - Height 81 inches - in need of some restoration - with weight and pendulum

A 18th Century brass longcase clock thirty hour striking movement, the ten inch brass movement with corner spandrels inscribed Richard Hunt.

An 18th Century and later oak longcase clock with 30-hour movement, the hood with twin swan neck pediment enclosing a 10 inch square brass dial with single hour hand and corner spandrels, the chapter ring signed 'W. Morgan, Hereford', later alterations and repairs, height 207cm.

**AMENDMENT** An 18th Century brass longcase clock eleven inch clock dial inscribed J Barber Winfter 30 hour striking movement with arch date aperture and mounted with corner spandrels with chain (no case or weights)Please note this is a 30hr movement as opposed an eight day as previously catalogued.

A 19th Century oak longcase clock with 30-hour movement, the hood surmounted by three brass finials above the 11 inch square painted dial with date aperture and floral painted corner spandrels, height 216cm, S/D.

An early 20th Century oak veneered longcase clock with eight-day movement, with brass broken arch dial with silvered chapter ring and decorative spandrels above the glazed trunk door, height 195cm, S/D.

LATE EIGHTEENTH CENTURY MAHOGANY LONGCASE CLOCK BY H. WALKER with painted floral dial and square hood, 216cms high

VICTORIAN EIGHT DAY LONGCASE CLOCK BY MUSSON OF LOUTH having a white convex dial with Roman numerals, surrounded by a painted traditional scene, the case in mahogany with broken swan pediment, 225cms high

A GEORGE III OAK LONGCASE CLOCK, the eight day movement with cast spandrels and silvered chapter ring, with later carved decoration featuring The Green Man, to the hood frieze, trunk door and base, 216cm high

A reproduction small longcase clock, 177cm high.

A George III and later mahogany longcase clock, with 8 day bell striking movement, the 12 inch brass arched dial inscribed 'Jn Bowen, Bristol', 220cm high, with weights and pendulum, (dial and movement associated). Condition Report: Overall this clock is in good, clean, restored condition. Clock appears complete. Scuffs and scratches commensurate with age and use. Chapter ring has a chip to the edge between V11 - V111. Back plate has a chip along the bottom. Hood has cracks in veneer to sides. Weights and pendulum present.

A George III oak 30 hour longcase clock, with bell striking 'birdcage' movement, the 11 inch square brass dial inscribed 'Richd Daking Halsted', 206.5cm high, with weight and pendulum.

A late 18th/early 19th century eight day longcase clock by Ralph Banks of Plymouth Docks, striking on a bell, the brass and slivered brake arch face with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, rolling moon phase below two hemispheres and a high tide indicator, within a mahogany reeded case and arched hood, h. 230 cm CONDITION REPORT: Case with split. Some losses to beading. Some alterations to case. One new piece of beading. Two weights, pendulum, winding key.

An 18th century oak, mahogany, rosewood and parquetry line inlaid eight day longcase clock, the swan neck pediment above a painted face with Roman numerals, second dial and pierced hands by Lawnt of Chesterfield, h. 231 cm, w. 57 cm, d. 29 cm CONDITION REPORT: Second dial hand missing. Pendulum missing. General wear and tear

An 18th century and later oak, mahogany and rosewood longcase clock, the swan neck pediment above an enamelled face with Roman numerals, date aperture, pierced hands and painted flower spandrels, by Benjamin Edwards of Knowle, with a thirty hour movement, h. 211 cm, w. 52 cm, d. 25 cm CONDITION REPORT: Later plinth. Restorations to case. General wear and tear

Oak granddaughter two train longcase clock, the French mantel clock movement striking on a bell, the 4.5" white chapter ring enclosing a visible recessed escapement, within a plain case, 40.5" high (key)

Three assorted longcase clock cases.

John Stokes, Walden, a brass dial Longcase Clock the eight day movement with silvered chapter ring having Roman numerals and Arabic minutes with subsidiary seconds dial and date aperture, in associated case 232cm (90in)

An 18th century and adapted oak longcase clock, the flat top hood with dentil moulding flanked by turned pillars with brass capitals, the trunk with arched panel door and flanked by canted corners over a plain base and bracket feet, the 10" brass dial with silvered chapter ring and Roman numerals and Arabic five minutes, signed 'W. Porthouse, Penrith', and with silvered plaque engraved 'Nicholas and Mary Lowes, 1748', within gilt mask spandrels, with associated four pillar movement with anchor escapement and striking on a bell. 215cm high

A 19th century and later oak cased longcase clock, with painted dial showing arabic numerals (adapted)

A 19th Century oak longcase clock with a brass dial and thirty hour movement 'Henry Deeme, Honiton' 197cm high

A longcase clock of architectural proportions, the brass dial pierced to the top with vertical bars with veneered wooden plaque behind the chapter ring, Roman numerals, the centre dial with shaped fret cut inner dial and subsidiary seconds dial, the case with simulated brickwork, the top with arched bell tower, further towers flanking, the case with porticos and niches, the glazed door with simulated keystones and flat tracery with sand blast textured glazed panels, the top bearing brass plaque inscribed Made by W. Keegan AD 1988, three weight five tube striking movement, the base with classical arcaded pillar gallery, 288cm high approx., 90cm wide approx.

A George II black painted longcase clock, the arched dial inscribed John Thompson, London, within an engraved circle flanked by a pair of mythical horse and scroll cast spandrels, the brass chapter ring with Roman and Arabic numerals, matted centre dial, cherub pierced spandrels, the hood with pair of ebonised pillars, the arched trunk door with gold painted ovolo moulding, 196cm high (extensive faults, old restorations, newer restorations, reduced); together with a box inscribed Black Grandfather Clock containing a number of items relating to this particular clock including: cogs, bell striker etc.

Seven longcase and other clock movements, some incomplete (qty)

A George III oak cased longcase clock with swan neck pediment, the arched enamel dial painted to the top with sailing ship and castle, the spandrels floral painted, Roman and Arabic numerals with subsidiary seconds and month dial, twin winding holes and pierced hands the hood with pair of brass capped fluted pillars, the trunk door shaped with shaded shell patera within two strung lozenges, the panelled base similar, 218cm high; a George III oak longcase clock, the hood with fret cut swan neck pediment, the arched enamel dial painted to the top with a half length portrait of a young woman holding a sprig of flowers, floral painted spandrels, Roman and Arabic numerals, subsidiary seconds and month dials, twin winding holes, the hood with pair of brass capped pillars, the trunk with indented angles and mahogany crossbands, fluted angles, 212cm high approx., Circa 1780; a Victorian mahogany cased longcase clock with hood, swan neck pediment centred on a ball and eagle finial enclosing an arched dial inscribed Tho Hawxwell, Brompton, decorated with scrolls, Roman and Arabic numerals, shaped crossbanded trunk door, 217cm high approx., all late 18th / early 19th Century (all with extensive faults, the latter with serious faults to case) (3)

REPRODUCTION LONGCASE CLOCK by Ridgeway, the unsigned weight driven movement striking on gongs, the silvered brass 9 inch dial with Arabic numerals, pierced steel hands, encased within an arched hood, the oak case with glazed door and sidepieces, on plinth base, 200cm

A George III Mahogany Longcase Clock: William Garrett, London The brass arched dial with Roman numeral chapter ring and outer Arabic dial, subsidiary seconds dial and calendar aperture, gilt foliate spandrels, eight-day movement, the hood with fret-cut panel and free standing pillars, brass ball and eagle finials. H 241 cm CONDITION REPORT: Clock stands well, bowing to the door to the arch, door opens (no lock) & closes freely. Clean condition overall, recent service with new catgut & weight holders. Minor surface dirt to the dial, original lead weights, later pendulum. Card set to the back of the clock as a gap.

A 19th Century Chinoiserie Miniature Longcase Clock: Black lacquered and gilt case, with Chinese scenes and pagoda-style top, Arabic numeral dial with French key wound movement. H50cm x W14cm x D8cm CONDITION REPORT: In good original condition, minor nibbling to the edges of the lacquer & gilding. Structurally sound. Movement in good working order

An early 19th century 30-hour longcase clock by Mich. Thorne, South Wolton, Square dial painted with a cockerel, subsidiary calendar aperture, plain oak case on pedestal base, 200cm high

An early 19th century 30-hour longcase clock by John Telford of Wigton, floral painted arched dial with Roman numerals, subsidiary calendar aperture, oak and mahogany-crossbanded case with swan-neck pediment, 220cm high

A mid 20th century oak longcase clock, Arabic numerals, twin weights

An oak Lancashire George III longcase clock, the 34cm dial, with Roman chapter with Arabic minutes numerals, floral spandrels, white moon phase within main chapter painted with bucolic scene, subsidiary date dial , pierced gilt hands, signed Hodghon[sic]/Preston, eight- day movement striking on a bell, the hood with mahogany frieze, turned pilasters, shaped door, flanked by plain quarter columns, canted angles to base, 199.4cm high The blundered signature relates to Thomas Hodgson of Preston was working in the later decades of the 18th century and is thought to have been related to the Hodgson clcokmakers of Lancaster.

A VICTORIAN OAK THIRTY HOUR LONGCASE CLOCK, WITH PAINTED DIAL BY STEVENSON OF NOTTINGHAM

A 19TH CENTURY OAK AND MAHOGANY EIGHT DAY LONGCASE CLOCK, the painted arched dial with subsidiary seconds dial and date aperture, maker's name 'Jn Bloor - Newcastle', the Gothic style case with inlaid detail, twin weights and pendulum, H 219 cm

A William & Mary Longcase Clock with 11 inch square brass dial inscribed James Tudman, London, subsidiary seconds dial and date aperture, cherub spandrels, 8-day movement, in walnut and floral marquetry case, the hood with spiral pilasters, 6ft 9in high

An early 19th century oak and inlaid longcase clock, the eight day movement to a painted dial with seconds and date apertures, 206cm high

An inlaid mahogany longcase clock, the arched painted dial inscribed 'John Lacey, Cardiff' with 8 day movement and rocking swan, 207cm high

A Mahogany Longcase Clock; with a broken arch pediment, trunk with long door, brass and silvered dial with moonphase and Arabic numerals, three brass weights

A LATE 19th CENTURY LONGCASE CLOCK, oak and mahogany, having a square hood with painted dial and eight-day movement by John Owen, Pwllheli

An 18th century cottage longcase clock, 12in. square, enamelled dial signed I. Pickett, Marlbro., 30-hour movement striking on a bell, in oak case, with pendulum and weight

A lot to include the parts of a Grandfather / longcase clock to include the trunk, face, movement etc ( af )

'GWILLIAM' 20TH CARVED MAHOGANY LONGCASE CLOCK WITH PAINTED DIAL, BATTERY MOVEMENT

Mid-19th century mahogany and boxwood inlaid and rosewood crossbanded 8 day longcase clock, Stonehouse Leeds, the hood with swan neck pediment over a broad frieze panel to freestanding bobbin-turned columns and moulded throat, to a short trunk with chamfered cornice flanking short and shaped trunk door and raised on a plinth base, to a 13 arched and painted 3rd period dial, decorated to the arch with a musician and a shepherd over floral spandrels, to a Roman chapter ring with outside minute track and enclosing subsidiaries for seconds and days, to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 88 (losses and damage throughout)