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Late 17th/ early 18th century mahogany longcase clock, the hood with pierced fret work and fluted pilasters with metal mounts over quarter round fluted pilasters with metal mounts, flanking arched full length trunk door, the brass dial signed 'John Andrews, Leadenhall street,' with Roman and Arabic chapter ring, subsidiary seconds ring and date aperture and gilt metal spandrels, eight day movement striking hammer on bell, with pull repeater, no weights or pendulum, H242cm - Condition Report
Early 20th century eight day longcase clock, swan neck pediment over turned pilasters, 12" arched brass dial with silvered Roman numeral chapter ring and subsidiary seconds hand, gilt metal spandrels, signed 'Maple and Co, London' eight day movement, no weights or pendulum, H216cm - Condition Report
George III oak and mahogany banded longcase clock, the associated silvered brass dial with Roman and Arabic chapter ring and subsidiary seconds ring, inscribed 'William Dobbie, Falkirk', enclosed by ring turned pilasters, over inlaid and cross banded case with quarter round fluted pilasters with brass capitals, no hands, weights or pendulum, H222cm - Condition Report
19th century oak longcase clock, white enamel dial with Arabic chapter ring, date aperture and subsidiary seconds hand, the hood with swan neck pediment and dentil work over plain arched trunk door, raised on shaped bracket feet, 30 hour movement no weight or pendulum, H210cm - Condition Report
LATE VICTORIAN MAHOGANY LONGCASE CLOCK, with three train movement, the brass dial with silvered Roman and Arabic numeral chapter ring, with subsidiary seconds dial and painted calendar lunette, the pillared broken hood with broken swan neck pediment above reverse painted glass panels, the pillared trunk with blind fretted frieze above a block base, on ogee bracket feet, 232cm high
LATE VICTORIAN LONGCASE CLOCK, by H. Russell of Moffat, with two train movement, the painted dial with Roman numerals, with subsidiary seconds and calendar dials, the spandrels painted with flowers, the pillared hood with broken swan neck pediment, above a pillared trunk and block base, 225cm high
LATE VICTORIAN LONGCASE CLOCK, by Robert Currer of Falkirk, the painted dial with Roman numerals, the spandrels with allegorical figures representative of Europe, Asia, Africa and America, the lunette with Sir James the Rose, the pillared hood with broken swan neck pediment and hoho bird cresting, above a pillared trunk and a block base with splayed feet, 222cm high
A Georgian style mahogany longcase clock, the 11" gilt dial with silvered chapter ring, signed Comitti, London, Made in London, the movement with night silent/night chime lever and with silent/Winchester/Whittington and Western lever to the other side, swan neck pediment, the door with glass panel, three weight, pendulum, winding key two door keys, 208 cm, https://comitti.com/collections/heritage-wall-clocks.
John Smith, York, (active 1750-1764), a George III/Victorian carved dark oak eight day longcase clock, The 12" gilt dial with silvered chapter ring, signed Jn. Smith, York, with subsidiary seconds and date dials, the movement striking on a bell, housed in a later case with floral and medieval helmet carving, decoration, key, pendulum, two weights, height 235 cm.
James Murdoch, Enz'ie, a Scottish Victorian oak eight day longcase clock, the 12" painted dial, signed, with milk maid arched top, subsidiary seconds and date dials, the movement striking on a bell, swan neck pediment hood to a plain case. Jame Murdoch is recorded as working in Enz'ie, Morayshire between 1825 and 1865.
R. Brookhouse, Barton, a Victorian oak 8 day painted dial longcase clock, the 12" dial signed, with moon and pastoral 29 1/2 dial to the arch, inscribed SIC EST VITA HOMINIS, (So Is The Life of A Man), above two terrestrial globes, subsidiary seconds dial,, the movement striking on a bell, swan neck pediment to the hood, plain case, pendulum, two weights, 218 cm.
A mahogany cased longcase clock by R Feren of Dundee, Scotland, ca 1850, the case surmounted by swan necked pediment and three ball and spire finials, colourful painted arched dial showing period characters in the corners and an image of Rob Roy to the arch, seconds and date indication, 8 day movement, hourly strike on a bell, approx 218 cm (high), with weights and pendulum.
A mid-19th century 8-day mahogany-cased longcase clock, square painted dial signed for Thomas Milner of Wigan, working 1848 to 1858 (Loomes) with seconds indication and subsidiary date dial, matched brass hands, the trunk with well-figured veneers, square-reeded corners, short door over separate panel, hood surmounted by swan-necked pediments and flanked by turned columns, standing on bracket feet, bell-striking on the hours, with pendulum and two weights.
19th century and later longcase clock, round dial with Roman hour numerals and Arabic minutes, date aperature and painted roses to centre, signed to dial, later case with floral carved hood and glazed door to trunk flaned by barley twist columns, on plinth base and cabriole feet, H.240cmEdward Bell was born in 1774 and worked at premises in High Street Uttoxeter from c.1793-1834
A Georgian mahogany longcase clock, the door with rosewood cross banding, the hood enclosing a 30cm broken arch dial, with cast brass spandrels, the silvered dial with engraved detail and further secondary dial, to the arch rolling lunar phase with painted details, enclosing an eight day striking movement, beneath a swan necked cornice, with pendulum
A good George III mahogany longcase clock, the trunk with arched and panelled door enclosing a flamed veneer, within reeded and brass inlaid column supports, the hood with matching columns, enclosing 30cm arched brass dial, with silvered chapter ring and engraved centre, with subsidiary secondary and calendar dials, to the arch a strike/silent selector and enclosing an eight day striking movement, with pendulum, winder and two brass cased weights - Philip Rundell of London (Rundell and Bridge) 245cm high
***PLEASE NOTE DESCRIPTION IN THE PRINTED CATALOGUE SHOULD READ' A VICTORIAN STYLE MAHOGANY LONGCASE CLOCK'*** by Howard Miller, of upright rectangular form with glazed panel front and sides, set with white enamel dial with Roman numerals and gilt bezel with polished brass pendulum on slightly offset plinth base. 204cm high, 63cm wide, 36cm deep
Early 19th century oak and mahogany longcase clock, the hood with swan neck pediment, trunk door flanked by canted corners with turned quarter columns, enamel dial painted with town church and river scene, singed 'C. Skelton, Malton', 30-hour movement striking on bell, H224cm - Condition Report
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41749 item(s)/page