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COLLECTION OF MIXED SILVER, mixed dates and makers, comprising a silver dressing table box, by George Nathan & Ridley Hayes, Chester, 1914, oval form, the hinged cover with pierced scrolls, raised on four scroll feet, 16.5cm long, a 1935 silver Jubilee commemorative silver tea strainer, by Robert E Stone, London, 1935, photograph frame, compact, toddy ladle, 18th sugar nips, two patch boxes, continental violin, longcase clock, six Swedish silver-gilt enamel teaspoons (cased) and a 9ct gold horn cheroot holder (cased) (c. 21.9oz total weight) (qty)
A Very good early 30 hour longcase clock by John Whitehurst of Derby.Nice clock of slim proportions contained in an oak case. Unusually signed with the full signature Jo Whitehurst DERBYProvenance The clock stood in the bar of the Saracens Head Public House at Shirley Derbyshire for many years. It is also featured in two of Maxwell Cravens books, Derbyshire Clockmakers ( pages 28) and John Whitehurst of Derby (pages 132)
A 19th Century 8 day Black Forest eight day longcase clock, 12 inch wooden dial with raised centre Central calander (hand missing) fitted with a Black Forest wooden plated movement, strikng on a bell Fruitwood case possibly cherrywood. Glazed sides to the hood in shape of diamond. Two weights and pendulum
A George II gilt japanned longcase clock, mid 18 th century, the caddy top surmounted by three eagle and ball finials above an arched glazed door flanked by Doric columns enclosing a 12 inch arched brass dial with matted centre engraved with birds, silvered seconds ring with Arabic numerals and tablet inscribed in italic Edward Sanders, Poole, above a date aperture silver chapter ring with Roman numerals and Arabic outer numerals, with urn and eagle cast spandrels, strike silent dial in the arch, flanked by dolphin spandrels, 8-day movement with four ringed pillars striking on a bell above an arched top door with raised moulded edge and decorated with oriental figures on terraces, the interior applied with two paper labels for ‘Edward Sanders, Goldsmith in Poole’, over a concave moulding and base floor with further japanned scenes and stepped plinth, plain side, 258cm overall height
A GEORGE III OAK, MAHOGANY AND PARQUETRY INLAID 8 DAY LONGCASE CLOCK, swan neck pediment, the hood flanked by cylindrical columns, the painted dial with lunar calendar to arch, Roman numerals and seconds dial (missing handle) marked D. Hall, Ripley (winding key, two weights and two pendulums)
AN EARLY 19TH CENTURY OAK AND MAHOGANY BANDED LONGCASE CLOCK, the broken swan neck pediment with brass sphere finial to centre, the hood with fluted columns, painted 13 1/2'' / 34cm dial, dial with floral spandrels, lunar phase mechanism date aperture, Arabic numerals, named 'W. Edwards, Bishops Castle', shaped trunk door with shell paterae, flanked by quarter columns with brass caps and castors, the plinth with shell paterae, on bracket feet, overall height 225cm, replacement winding key, key for trunk door, pendulum and weights (condition: repainting to areas of the dial, dial probably matched to case)
~ An Oak and Mahogany Oval Shaped Dial Eight Day Longcase Clock with Windmill Automata, signed Wainwright, Nottingham, No.5, circa 1780, swan neck pediment, Corinthian capped columns, mahogany crossbanded trunk door, 14-inch silvered oval shaped dial signed and numbered, dial centre with an engraved landscape scene and a windmill automata, moonphase aperture inscribed above ''Time Sheweth The Way Of Mans Decay'', four pillar movement with an anchor escapement and striking on a bell, later case, 241cm high 05.06.19. Later case, hood with chips and detail moulding missing in parts, one piece of veneer is missing around the hood door, hood door with chips and small cracks, trunk with beading missing and one piece of crossbanding, plinth with scuff marks and small pieces of later veneers in parts, dial slightly discoloured, later wooden side cheeks, later wooden dial surround, movement looks complete, in going order, with two weights and a pendulum.
~ An Unusual Scottish Column Shaped Eight Day Longcase Clock, signed Wm Paterson, Edinburgh, circa 1820, drum shaped pediment with a carved shell crest, column shaped trunk, faceted recessed panelled plinth, 13-inch circular painted dial with Roman numerals and signed, seconds and date dials, four pillar movement with an anchor escapement and rack striking on a bell, 214cm high see illustration 06.06.19. Hood sides with cracks and one piece of veneer is missing, trunk and plinth with small dents, plinth with chips and scuff marks, dial with scratches, winding holes with minor chips, movement looks clean and complete.
~ A Mahogany Eight Day Longcase Clock, signed John Wyke, Liverpool, circa 1780, swan neck pediment, later inlaid case, pierced side sound frets, inset fluted pilasters, later skirting and paw feet, 13-1/4-inch arch brass dial, dial centre with engraved scroll decoration, seconds dial and date aperture, arch with moonphase aperture and signed above, four pillar movement with an anchor escapement and rack striking on a bell, 252cm high see illustration 06.06.19. Case is faded in parts, later inlay, pediment with chips and later finials, hood with later wooden sound frets, case with cracks in parts, later skirting and later feet, front of the plinth with one later piece of beading added, front panel is slightly lifting and slightly bowed, wooden dial surround is missing, dial is discoloured, seconds hand is missing, later seatboard, small wooden blocks added to both side cheeks, movement needs cleaning.
~ A Walnut Eight Day Longcase Clock, signed Greaves, Newcastle, circa 1750, flat top pediment, arched trunk door, 12-inch arched brass dial with a chapter ring signed, seconds dial and date aperture, arch with lunar dial and aperture, four pillar movement with an anchor escapement and rack striking on a bell, 221cm high see illustration 05.06.19. Case is faded, case with cracks and chips in parts, some scuff marks, trunk door is bowed, base and feet with chips, dial is dirty, movement is dirty.
~ A Green Chinoiserie Eight Day Longcase Clock with Rocking Father of Time Automata, signed Edward Greatrex, Birmingham, circa 1750, green chinoiserie case with gilt painted floral decoration, trunk dial with oriental scenes depicting a pagoda, boats and figures, 14-1/4-inch arched brass dial with a silvered chapter ring signed, dial arch with a rocking ''Father of Time'' aperture, dial centre with a lunar scale and date aperture, four pillar movement with an anchor escapement and inside countwheel striking on a bell, 240cm high see illustration 05.06.19. Case is nicely aged throughout, gilt painted scenes are discoloured, case with cracks, chips and rubbing in parts, some surfaces feel dry and some shrinkage to the paint, door mouldings with splits, base with scuff marks, dial is slightly discoloured, movement is clean, with two weights and a pendulum.
An Early 18th Century Walnut Longcase Clock, signed Roger Penton, circa 1710, later caddy pediment, pierced blind fret work panels, side viewing windows, well figured trunk door with moulded borders, re-built plinth, 12-1/4-inch square brass dial with a silvered chapter ring signed, matted dial centre with seconds dial and date aperture, crown and cherub spandrels, five latched pillars, anchor escapement, outside countwheel striking on a bell, 266cm high see illustration 06.06.19. Case with a later built caddy pediment, case needs restoration throughout, hood door with later hinges, wooden dial surround is later, hood with chips and cracks to veneers and some veneers are missing, trunk door with cracks to the top and bottom sides, half of the trunk door moulded edges are missing, plinth has been re-built, backboard is patched to the top and bottom sides, dial is dirty, movement with one dial foot not locating into the movement front plate, movement needs cleaning, with two weights and a pendulum.
An Impressive Inlaid Carved Chiming Longcase Clock, signed John Lewis, London, circa 1900, swan neck pediment, Corinthian capped columns, case back sides finely carved with flower heads, griffins head and scroll decoration, finely inlaid canted sides, inlaid trunk door with swag and musical instruments, urn and floral inlaid recessed plinth, raised upon a carved plinth and paw feet, 17-inch arched brass dial with a silvered chapter ring signed, two selection levers at 3 and 9 for chime on eight bells/chime on four bells and chime/silent, arch with moonphase, triple weight driven movement, chiming on a nest of eight bells and striking the hours on a larger bell, 251cm high see illustration 06.06.19. Hood right hand side sound fret with one small piece of fret missing, case sides with small staining marks, case with scratches and dents in parts, dial is slightly discoloured, movement plates are dirty and needs a service.
George Hobart, London; a George III and later mahogany and inlaid longcase clock, the arched hood with pierced fretwork and three brass ball and spike finials, brass mounted rounded freestanding pillars, the trunk with arched moulded long door, the 11.75" brass dial with silvered chapter ring, Arabic and Roman numerals, the movement now three train and striking on a gong and chiming on eight bells, 227cm high. Illustrated
A 19th Century West Country longcase flame mahogany grandfather longcase clock having l detailing to the trunk and case. The painted face with church scene and married couple on path, fruits to the spandrels. Complete with the weights and the pendulum. Measures 230cms high x 65cms wide x 27cms depth
A George III mahogany longcase clock, maker Isaac Hewlett, Bristol, the domed brass 11 3/4 inch dial with phases of the moon, date aperture and secondary dial, the eight-day movement striking on a bell, the hood with Chippendale style pierced swan neck design and barley twist supports, 227cm high
SHAKESHAFT, PRESTON, NINETEENTH CENTURY LINE INLAID AND FIGURED MAHOGANY LONGCASE CLOCK, the 15? gilt lined circular, enamelled dial with subsidiary seconds and date dials to the centre, powered by an eight day movement striking on a bell, and housed in a case with eagle and ball finial to the floral painted porcelain mounted swan neck pediment, above a circular glazed door and free standing fore columns with brass Corinthian capitals, set over a long trunk door with shaped top, flanked by split quarter columns, and raised on a conforming chamfered and crossbanded base with bracket feet, 89 ½? (227.3cm) high Supplied with copies of receipts detailing work carried out on the movement and dial, dated 1997 and 1998
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41749 item(s)/page