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A German mahogany longcase clock, with broken scroll pediment and brass dial, with moon phase window, of recent production, 203 cm high.

An early 19th Century Longcase Clock, the painted arched dial with date aperture and seconds ring with eight day movement in oak and mahogany case with swan`s neck pediment, lion inlaid decoration and fluted canted corners on bracket feet. 7` 2" (218cms) high.

Late eighteenth century eight day longcase clock with 12½ inch white painted circular dial with subsidiary second and calendar dials and brass surround mounted against a painted break arch background depicting a hunter with dogs, in a mahogany veneered case with reeded corners and inlaid stringing, short shaped door with central oval panel, the break arch hood with full sized glass door, shaped turned column, swan neck pediment and central brass finial, 241cm overall height Further images and condition reports are available at www.reemandansie.com

Victorian oak cased longcase clock with a square painted dial with painted floral spandrels and central floral motif Further images and condition reports are available at www.reemandansie.com

Georgian longcase clock with eleven inch painted dial. Painted shell spandrels and central bird motif, subsidiary crescent date dial, signed J Hov, Maltishall, mahogany case with domed door hood with glazed door, turned columns and swan neck pediment, approximately 200cm overall Further images and condition reports are available at www.reemandansie.com

Nineteenth century eight day longcase clock with fourteen inch break arch dial with ornate gilded spandrels. Silvered chapter ring and engraved and silvered centre. The break arch with central silvered disc engraved Tempus Fugit. Mahogany case with short moulded oak door, the plinth with ebony inlaid oak panel on bracket feet, the mahogany hood with glazed door, turned columns and swan neck pediment with brass ball finial, 250cm overall height Further images and condition reports are available at www.reemandansie.com

Eight day longcase clock with twelve inch brass dial, silvered chapter, ornate brass spandrels, subsidiary second dial and date aperture. Oak case with full length door and compressed plinth. Glazed door with turned columns and carved frieze. Approximately 190cm overall height Further images and condition reports are available at www.reemandansie.com

JOSH TRATTLE, NEWPORT AN EARLY 19TH CENTURY OAK LONGCASE CLOCK having four pillar mechanism with anchor escapement and rack bell strike faced by an arched brass dial with cast spandrels, subsidiary seconds and calendar, the case with arched hood, wa" ist door and fore-shortened base, 1.9m high, including key, two weights and pendulum

J & E MASON, WORCESTER AN EARLY 19TH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK having 30 hour mechanism with bell strike faced by a square painted dial with shell spandrels, brass capped column hood, lozenge inlaid waist door and box base," on the remains of bracket feet, 2.01m high, including weight key and pendulum

MASSEY ECCLESHALL AN EARLY 19TH CENTURY OAK LONGCASE CLOCK having hood with moulded pediment and thumb frieze, circular brass dial with Roman and Arabic chapter, four pillar mechanism with anchor escapement and rack bell strike, trunk with shaped wa" ist door and flank corner pilasters on a panelled box base and later box below, 2.2m high (two weights and pendulum)

A modern mahogany longcase clock with double brass weights and key

A Georgian oak and mahogany longcase clock, 30 hour movement, painted face, marked `Nicholas, Daventry`

A George III oak longcase clock, with a painted arched dial, eight day movement, 221cm high

A mid 18th century burr walnut veneered longcase clock by Conyers Dunlop, London, arched brass dial with matted dial centre, subsidiary seconds and date aperture, strike-silent to the arch, 8-day movement with five pillars and anchor escapement, case with pagoda pediment, cross-banded with herringbone inlay, circa 1760, 8ft. 4in. high - with winding crank, pendulum and weights SEE ILLUSTRATION

A George II provincial oak 30-hour longcase clock, unsigned 10in. square brass dial with matted dial centre, movement count-wheel striking on a bell, in oak case, circa 1740, 7ft. high - with pendulum and weight

Three assorted longcase clock dials.

A 19th century oak and cross banded longcase clock, the 30 hour movement with painted enamelled dial with subsidiary date aperture, inscribed "A : Allgood" (Alfred Allgood, Ledbury circa 1830-70)

VICTORIAN INLAID MAHOGANY MINIATURE LONGCASE CLOCK with swan neck pediment above a circular enamel Roman numeral dial, with cylinder movement, 38cm high

GEORGE III CARVED OAK LONGCASE CLOCK maker Garland of Sunderland, with arched brass dial, Roman/Arabic numeral dial and subsidiary seconds, 224cm high x 59cm wide

An oak 8-day longcase clock, the 30.5cm painted arched dial signed J. Hawkins, Southampton, with subsidiary seconds and date, the case on plinth base, height 209cm (82in.).

A mahogany 8-day longcase clock, the 30.5cm painted arched dial signed Jas. Davidson, Old Deer, with subsidiary seconds and date, the hood flanked by fluted columns, the trunk by gadrooned pilasters, on bracket feet, height 207cm (81 1/2in.).

An oak and mahogany banded 8-day longcase clock, the 30.5cm painted arched dial signed `Edmond Preecy, Fordingbridge`, with subsidiary seconds and date aperture, the hood flanked by turned columns, the case on plinth base, height 204cm (80 1/2 in.).

A modern oak cased longcase clock

A 19th century oak longcase clock, having an eight day movement and an arched painted dial, the spandrels with painted portraits of military officers, dial 33cm, case 200cm high (a/f)

A modern mahogany longcase clock, the silvered and brass dial signed Richard Broad, Cornwall, the glazed trunk door enclosing three brass weights, plinth base, 185cm height

AN 18TH CENTURY OAK LONGCASE CLOCK BY SHEPHERD AND POTTER, of Wotton, with inlaid case, and enclosing a 12 inch painted dial with secondary dial and calendar aperture and 8 day striking movement.

An 18th century brass faced oak longcase clock, John Charlton Durham, eight day movement with subsidiary dial

An early Victorian oak and mahogany eight day longcase clock, the 14 inch painted arched dial signed `J N Freeman`, with centred subsidiary seconds dial and date aperture within a ring of Roman numerals and florally painted corner spandrels, the figural painted arch showing a figure playing the flute next to a running brook, the hood with swan neck pediments over an arched glazed hood door between ring and baluster turned front corner hood pilasters over a short Gothic arch crossbanded trunk door between half split turned front corner trunk pilasters on a box base and ogee moulded short bracket feet (at fault), 227cm high

An oak thirty hour longcase clock, second quarter 19th century the 12 inch square painted dial signed `W M Edwards, Bishops Castle`, with centred date aperture within a ring of Arabic numerals and leaf painted corner spandrels the hood with swan neck pediment over square glazed hood door between reeded front corner hood pilasters over a short rectangular trunk door on a box base and skirting plinth, 204cm high NOTE: Douglas J Elliott notes William Edwards, Bishops Castle 1776-1851 Clock and Watchmaker, Church Street, 1822/3 - 1850 in Shropshire Clock and Watchmakers

A mid 18th century oak thirty hour longcase clock, the 11 inch square brass dial signed `Harrocks, Emo Bridge` with centred date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals and pierced corner spandrels, the hood with square glazed door flanked by turned front corner hood pilasters over an ogee arched trunk door on a boxed base with later skirting plinth, 195cm high NOTE: G H Baillie notes - Joshua Harrocks Lancaster and Eamont Bridge 1748-1759 in Watchmakers and Clockmakers of the World volume One

A Victorian oak crossbanded mahogany eight day longcase clock, the 14 inch arched painted dial indistinctly signed with centred date aperture within a ring of Roman numerals and florally painted spandrels under an arch depicting `Father Time`, the hood with swan neck pediment over an arched glazed hood door and Gothic arched short trunk door with central conche shell inlay on a single panel crossbanded box base between canted front corners, lacking bracket feet (at fault), 227cm high

An oak crossbanded mahogany eight day longcase clock, the 14 inch arched painted dial signed `Goodchild, Bradford`, with centred subsidiary seconds dial and painted scene depicting a hunt in full flow within an inner ring of Roman numerals, an outer ring of Arabic numerals and female figural painted spandrels to depict the seasons under a rolling moon to the arch, the hood with swan neck pediment over an arched hood door between turned front corner hood pilasters over a crossbanded and conche shell inlaid trunk door between front corner quarter fluted pilasters on a single panel box base with central conch shell inlay, raised on short bracket feet (restored movement and face) 232cm high

An oak thirty hour longcase clock, early 18th century, the 10½ inch square brass dial signed `Vaughan, Watlington`, within a ring of both Arabic and Roman numerals, between Rococo style pierced spandrels, the thirty hour bird cage movement striking on a single bell, the hood with pagoda top over ¾ turned front corner hood pilasters, above a rectangular long trunk door fitted with later brass key escutcheon, on a plank box base with later skirting plinth, 207cm high

A mid 19th century oak crossbanded mahogany eight day longcase clock, the 14 inch painted arched dial signed `Roberts, Shrewsbury` with centred subsidiary seconds dial and date dial within a ring of Roman numerals and architectural painted spandrels under a painted arch depicting a female figure carrying bushels of corn, the hood with swan neck pediment over an arched hood door flanked by reeded front corner hood pilasters over a short trunk door flanked by quarter reeded pilasters on a single panel box base and skirting plinth, 213cm high

A George III thirty hour oak longcase clock the 11 inch square brass dial signed `J N Tibbot, New Town`, with centred date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals and pierced cherub moulded spandrels, the hood with blind fret frieze over a square hood door between fluted front corner hood pilasters, over an ogee arched long trunk door between fluted quarter pilasters on a wide planked box base and later skirting plinth (at fault) 199cm high NOTE: G H Bailey notes John Tibbot, Newtown, Wales, born 1757 died 1820 worked from 1777-97 in Watchmakers and Clockmakers of the World Volume One

A George III oak thirty hour longcase clock, the 11 inch square brass dial signed `Abr Plimer, Wellington` with centred date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals and scrolling leaf pierced spandrels the hood with architectural pediment over a square glazed hood door flanked by turned front corner hood pilasters over a crossbanded trunk door and box base, raised on short bracket feet (faded), 202cm high NOTE: Douglas J Elliot notes Abraham Plimer, Wellington 1757-1822/3 in Shropshire Clock and Watchmakers

A mahogany eight day longcase clock, the 14 inch brass arched dial signed `L Hartley, York` with centred subsidiary seconds dial and foliate engraved matted centre within an inner ring of Roman numerals, outer ring of Arabic numerals and pierced corner spandrels under a strike/silent dial to the arch the associated case with arched hood over a short trunk door between spiral turned front corner trunk pilasters on a crossbanded box base, 212cm high

An oak thirty hour longcase clock the 12 inch circular brass dial signed `Tho Ove, Tong` the dial with inner date ring, outer ring of Arabic numerals and centred ring of Roman numerals, (lacking a date hand) the hood with circular glazed door flanked by reeded front corner hood pilasters, over an ogee arch trunk door on a box base and short bracket feet, 203cm high

An oak and mahogany eight day longcase clock, the 12 inch square brass dial with centred subsidiary seconds dial and date aperture within a silvered chapter ring of Roman and Arabic numerals, within pierced corner spandrels, the hood with swan neck pediment over turned front corner hood pilasters above a crossbanded short trunk door raised on a cut-out plinth, 207cm high

An eight day longcase clock movement with automata moon sphere, the 14 inch brass arch dial signed `James Bush, London` on a plate to the matted centre with subsidiary seconds dial and calendar and moon phase dial to the arch, the five pillar movement with outside wheel train mechanism operating the sphere the associated case with arched hood and fluted front corner hood pilasters over a rectangular crossbanded long trunk door between quarter fluted trunk pilasters on a single panel box base and shaped bracket feet, 226cm high

An eight day oak longcase clock, the 12 inch arch brass dial signed `Bridge, Wrexham`, with centred date aperture with inner ring of Roman numerals, outer ring of Arabic numerals, pierced corner spandrels under radiating engraved sun to the arch, the hood with arched glazed door between turned front corner hood pilasters over crossbanded ogee arched trunk door on a boxed base with rectangular mouldings and short bracket feet, 231cm high

A mahogany eight day longcase clock, the 12 inch arched brass dial signed `Jam Bullock, London`, with centred subsidiary seconds dial and date aperture within a inner ring of Roman numerals, outer ring of Arabic numerals and scrolling leaf moulded pierced spandrels under a strike / silent dial to the arch, the hood with pagoda pediment over an arched glazed hood door between fluted tapering front corner hood pilasters, above a long flame veneered arched trunk door between quarter fluted front corner trunk pilasters over a single panel box base with later skirting plinth, 245cm high

William Born, Askrigg (Yorkshire), a mahogany moonphase longcase clock having an eight-day duration movement striking the hours on a bell, the painted fourteen-inch break-arch dial having black Roman hour numerals, subsidiary seconds and date dials, decorative brass hands, painted ‘shell’ corner spandrels and signed to the centre ‘Wm. Born, Askrigg, 1837’, with a moonphase disc within the arch, the mahogany case having a raised panel to the base, shaped moulding to the trunk door, barley-twist columns to the both the trunk and hood and with a swan-neck pediment, height: 240cm.

James Delance, Downton, a lacquered longcase clock having an eight-day duration, five pillar movement striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, outer Arabic five minute markings, fleur-de-lys half-hour markings and signed ‘Jas. Delance, Downton’, the matted centre having ringed winding holes, an engraved surround to the date aperture, and a subsidiary seconds dial, with decorative blued steel hands and cast brass ‘female-head’ spandrels, the black lacquered case having raised chinoiserie decoration, three-quarter columns to the caddy-top hood, and a glass lenticle to the trunk door, height: 220cm. * James Delaunce (sometimes Delance) is recorded as working in Downton, Wiltshire from circa 1720 having previously worked in Frome from the late seventeenth century and previous to that in London where he was free of the Clockmakers company in 1678.

George Page, Naveby and George Usher, Lincoln, an oak and mahogany longcase clock having an eight-day duration movement striking the hours on a bell, the eleven-and-a-half inch painted break-arch dial having black Roman hour numerals, subsidiary seconds and date apertures, with painted cottages to the four corners and a further rural scene painted within the arch depicting a farmer with his dog, signed to the centre with the maker’s name ‘Geo. Page, Navenby’, with decorative brass hands, the oak case having mahogany crossbanding to the base, a shaped top to the trunk door, scroll-topped canted corners with ebonised inlaid stringing, the hood with further string to the door, fluted pillars with cast brass capitals, a swan-neck pediment with brass paterae and three ball-and-spire finials, the inside of the case bearing a label stating ‘George Usher, Cabinet and Case maker, Lincoln, No...’ the serial number being indistinct but possibly ‘15’, height: 215cm. * George Page is recorded as working in Navenby, Lincolnshire from before 1854 and was a member of a long line of well-known clockmakers working in the area over a number of generations. * George Usher was a cabinetmaker working in Lincoln during the mid-Victorian period and was a member of the cabinet making and watchmaking family of that name which included James Ward Usher, the jeweller, watchmaker, collector and entrepreneur who left a bequest to found the famous Usher gallery in Lincoln.

John Wood, Exon a walnut longcase clock having an eight-day duration, five pillar movement striking the hours on a bell, the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five minute markings and fleur-de-lys half-hour markings, with engraved wheatear border decoration, the matted centre engraved with doves in flight and a basket of fruit surrounding the date aperture, with a subsidiary seconds dial, blued steel hands and cast brass ‘female-head’ spandrels and engraved with the makers name ‘John Wood, Exon’, the later associated walnut veneered case having crossbanding to the trunk door, with gilt-wood capitals to the quartered hood pillars, and with three associated brass finials to the flat top, standing on bracket feet, height: 200cm (not inc. finials) * John Wood is recorded as working in Exon (Exeter) in the early 18th century and is known to have had his son James babtised in 1727 in the Bow Meeting House.

An early 20th Century walnut diminutive longcase mantel clock with eight day movement striking on bell, the dial with Arabic numerals, height approx 45cm, together with pendulum.

A George V oak diminutive oak longcase clock with eight day chiming movement, the circular silvered dial with gilt Arabic numerals, the case with moulded decoration, with pendulum and key.

A 20th Century reproduction mahogany longcase clock with eight day movement chiming on gongs, the case with swan neck pediment, above a glazed trunk door and panel base, raised on ogee bracket feet, with pendulum and three weights.

An early 19th Century mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary seconds, date aperture and inscribed `Woolerton Yarmouth`, the arched hood with glazed door flanked by Corinthian columns, the trunk with arched door flanked by cut corners on a plain base, height approx 203cm (faults), together with pendulum and weights.

A George III oak and mahogany crossbanded longcase clock with eight day movement striking on a bell, the brass broken arch dial with Arabic and Roman numerals framing subsidiary seconds and date dial, the arch inscribed `Jas Ross Glasgow`, the hood with swan neck pediment above a glazed door flanked by fluted columns, the trunk door flanked by fluted quarter columns, on a panelled base and bracket feet, height approx 235cm, together with a pendulum and two weights (some faults).

A George III mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial and chapter ring with Roman and Arabic numerals, subsidiary seconds, date aperture and inscribed `Jacob Taverner, London`, beneath a chime/silent dial cornered by engraved and pierced brass spandrels, the break arch hood with plain surmount above a glazed door flanked by reeded columns, with break arch trunk door and plain base, height approx 210cm (faults), with two weights, pendulum and winder.

A George III mahogany longcase clock, with eight day striking movement, the brass break arch dial with strike/silent dial above Roman numerals subsidiary seconds, date dial and inscribed `Atwood, Lewes`, the break arch hood above a glazed door flanked by reeded columns, the break arch trunk door above a plain base, with two weights and pendulum, height approx 201cm (lacking bell and some faults).

A George V oak diminutive longcase clock with eight day movement striking on a gong, the circular silvered dial with Arabic numerals, the case with beaded and moulded decoration, on bracket feet, with pendulum and key.

A George III oak and mahogany crossbanded longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing a matt centre with subsidiary seconds and date aperture, the arch with silvered boss inscribed `Thomas Servard, Newport`, the hood with swan neck pediment above a glazed door flanked by a pair of turned pilasters, the trunk with rectangular door on a plain base and plinth, height approx 212cm, together with pendulum and two weights.

A Victorian oak longcase clock, with eight day movement striking on a bell, the brass broken arch dial with rolling moon to arch above a silvered chapter ring with Arabic and Roman numerals framing engraved foliage and subsidiary seconds, all cornered by gilt spandrels, the moulded swan neck pediment above a glazed door flanked by barley twist pillars, the trunk door carved with lunettes, scrolls and acanthus leaves flanked by fluted quarter columns, the base carved with a diamond motif and raised on bracket feet, height approx 223cm, together with pendulum, two weights and winder.

An 18th century oak longcase clock, by Shaw of Bottesdale, with a thirty hour birdcage movement and square brass dial

A walnut eight-day longcase clock, by Joseph Windmills, London, late 17th/early 18th century, the arched dial with subsidiary date and seconds dial, within a pagoda top with gilt finials, restoration throughout and with complete replaced base section, 260cm approx.

A George III oak longcase clock, the arch brass dial with strike and silent, subsidiary second dial and date aperture, inscribed for `Nicklin`, Birmingham, with an eight-day movement, chiming on a bell

Winterhalder & Hoffmeier, Germany, a mahogany longcase clock, c.1900, the eight-day movement striking on gongs, Westminster chime, the arched dial with a moon phase, seconds dial, engraved spandrels and strike/silent mechanism, 251cm high