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A William and Mary style eight day walnut veneered longcase clock, the 10 inch square brass and silver dial with chapter ring of Roman and Arabic numerals, centred subsidiary seconds dial and date aperture, the brass back plate engraved 'Henry Jones in the temple', the eight day movement striking on a single bell, the hood with blind fret frieze over three quarter spiral turned front corner hood pilasters above a quarter veneered rectangular long trunk door on a box base and four compressed bun feet, 192cm high

A late George III thirty hour longcase clock, the 12 inch square repainted face signed Thomas Gilbert, Rugeley, with ring of Arabic numerals and centre date aperture, the hood with swan neck pediment over half fluted front corner hood pilasters above a short crossbanded trunk door flanked by quarter fluted front corner trunk pilasters on a box base and short bracket feet, 205cm high

A thirty hour longcase clock, oak, crossbanded mahogany, the 11 inch square painted dial (restored) signed Plimer, Wellington, with ring of Roman numerals and centre date aperture, the hood with swan neck pediment over three quarter fluted front corner hood pilasters above a long narrow crossbanded trunk door with conch shell inlay on a planked base and short bracket feet, 215cm high

An early 19th century mahogany longcase clock, the pagoda top hood centred with a blind fretwork panel and three acorn finials above reeded columns, the circular 16 inch enamel dial signed "Reynolds Spalding" with seconds dial and Roman numerals, with 8 day four pillar movement, the trunk with reeded quarter pilasters, raised on a rectangular plinth and short bracket feet, door loose, some damage to plinth veneer, 240cm high

An early 19th century oak and mahogany longcase clock, the hood with swan neck pediment and eagle finial and Corinthian columns, the break arch 13 inch dial signed "Ino, Barber Nottm" with painted floral spandrels and octagonal pastoral scene to the arch with 8 day four pillar movement, centre calendar, the trunk with canted corners and oval inlay to the door, the plinth with circular stringing banding and bracket feet, 213cm high

John May London, an 18th century and later walnut longcase clock, the hood with gilt wood figure finials adorning the caddy top, with blind fret panels and glazed side panels, the 12 inch break arch brass dial with engraved calendar aperture and seconds dial to the matted centre and signed "John May London" to the lower chapter ring, with mask spandrels and moon dial to the arch, with 8 day five pillar movement chiming on a nest of 6 bells, the broken arch trunk door with oval lenticle over a canted rectangular plinth, (case probably Dutch, alterations to movement) 242cm high

A George III mahogany longcase clock. the arched 11.5 inch dial with steel chapter ring, pierced hands, subsidiary seconds dial, arabesque gilt spandrels and upper disc marked, "Geo. Goodall, Tadcaster", with three winding holes, the three train eight day movement striking on a bell and father bells for the quarters, the hood with a dentilled swan neck pediment inlaid with paterae and ovals, the glazed door flanked by fluted and brass strung Corinthian columns, the flame mahogany case with fluted corners, chequer stringing and foliate ovals, on a later plinth base. 225cm high

A William and Mary walnut and marquetry longcase clock. the 10 inch polished steel dial with subsidiary seconds dial, date aperture and twin winding holes marked for 'F Windmills London' with updated twin train eight day movement, the case inlaid with stringing, flowers, foliage and birds. 208cm high

A Regency mahogany longcase clock. the 11 inch arched painted dial marked for 'Thomas Stewart Auchterarder', with subsidiary second and calendar dials and pierced gilt hands, the arch painted with a scene involving Nelson and the spandrels with portraits of literary figures, the twin train eight day movement striking on a bell, the hood with a broken arch pediment, giltwood finials and faceted string columns, the case inlaid with stringing and with concave corners to the trunk. 220cm high

An unusual George III oak mahogany banded longcase clock. the oval white painted face with a 12 inch dial and marked "Bickerton, Ellesmere", with a subsidiary second dial and oval painted maiden to the arch, with eight day twin train movement striking on a bell, the broken arch hood with satinwood banding and fan corners enclosed by fluted columns, the case with satinwood canted corners, chevron banding and a shell and fleur de lys inlaid oval medallions. 222cm high

A George III style oak longcase clock. the 18th Century movement and 11 inch arched dial marked 'George Reid Hawick', with chapter ring, subsidiary seconds dial and central brass section etched with scrolling foliage and a sailing boat, the corners with twin cherub and crown spandrels, the eight day twin train movement striking on a bell, the Victorian oak case with a broken arch pediment and fluted columns to the hood. 235cm high

A George III oak longcase clock. the arched brass 11 inch dial with strike/silent dial, second dial and date aperture, the corners with ho-ho bird pierced spandrels, marked, 'John Dalgleish Edinburgh,' the twin train eight day movement striking on a bell, the hood with a swan neck pediment and three urns above columns the fielded panel trunk with quarter column corners (base reconstructed). 200cm high

A George III mahogany longcase clock. By James Miller, Alloa. the twin train movement striking on a bell, the swan neck pediment with brass rosettes above a rococo cast brass and matted dial with silvered chapter ring, subsidiary seconds dial and calendar aperture, signed 'James Miller Alloa', to the arch, the arched trunk door between reeded quadant corners, on panelled plinth and bracket feet. 218cm high

A Regency mahogany longcase clock. the white enamel 12 inch dial marked 'J. Breckenridge, Edinburgh' with subsidiary second and calendar dials and twin winding apertures, the eight day twin train movement striking on a bell, the arched case inlaid with ebonised stringing and the flame veneered trunk door flanked by fluted quarter columns. 200cm high

A GEORGIAN OAK LONGCASE CLOCK having a square brass dial, signed Brown of Litchborough with Roman numerals and engraved decoration and thirty hour movement, the case with plain hood and panel door, 76½" high.

An oak eight day longcase clock, mid 18th Century, the dial with subsidiary seconds and date dials with repeating action, inscribed 'Thos Walesby, Horncastle', 212cm

A 19th Century inlaid mahogany longcase clock case, with fine flower, urn and trophy inlay 164cm high, hood in poor condition

Burton and Pattison, Halifax, A mid 18th century carved oak longcase clock, the arched brass dial inscribed with an eight day striking movement, surmounted with a painted landscape vignette, 233cm

An oak longcase clock, mid 18th Century, the brass dial with a silvered chapter ring inscribed Wilmshurst, Deal, a striking eight day movement, subsidiary seconds and date aperture, 201cm high

A carved oak longcase clock, the 8 day 5 pillar movement striking on a bell to a 12.25inch arched brass dial with subsidiary dial and date aperture, with a foliage and bird engraved centre, the arch with an applied boss inscribed 'Heny Baker, Malling,' 93.5in (237.5cm) h; pendulum and two weights. Henry Baker, Malling mid 18th century

A George III mahogany longcase clock, with an 8 day five pillar movement striking on a bell with a 12 inch arched brass dial and chapter ring with a subsidiary seconds dial and date aperture, the arch with a boss inscribed 'Francis Perigal, London,' with Strike/Silent lever below, the hood with stop fluted canted corners above an arched trunk door flanked by stop fluted quarter pilasters, on a panel base, 86.75in (220.5cm) h; pendulum, two weights. The Perigal family of clockmakers spanned the 18th century and into the 19th century in various partnerships. Five named Francis continued the family business who produced high quality clocks and watches.

A late George III mahogany longcase clock, the 8 day 5 pillar movement striking on a bell to a 12 inch arched brass dial with subsidiary seconds dial engraved a pagoda and date aperture, the centre with a shaped applied plaque inscribed 'Wm Tomkins, London,' the arch with a Strike/Silent dial, the case with fluted columns and a figured trunk door, base moulding missing, 88.75in (225.5cm) h; pendulum, two weights and a winding key.

A Victorian Welsh oak and mahogany longcase clock, with an 8 day movement striking on a bell with 14inch painted arch dial, having a subsidiary seconds dial and date aperture, inscribed 'R. Hughes, Llangollen,' 88.75in (225.5cm) h. Robert Hughes, Llangollen, from Rhos-y-Medre 1873-1895.

A Victorian mahogany longcase clock, the 8 day movement striking on a bell to a 12.25inch painted arch dial, with subsidiary seconds and date dials, the moonphase with shipping scenes, the case with stringing, 87.5in (222cm) h; pendulum, two weights, winding and door keys.

An 18th century burr walnut longcase clock, with an 8 day movement striking on a bell having a 12 inch arched brass dial with leaf engraved border and a silvered chapter ring, inscribed 'Sam: Greaves, Bromsgrove,' with subsidiary seconds dial and engraved date aperture, the arch with a moonphase calendar, the hood with gilt brass capped columns, the banded trunk door and base with stringing, on a moulded plinth, 88in (223.5cm) h; movement and case associated.

A George III mahogany longcase clock, with and 8 day five pillar movement striking on a bell, with a 12 inch arched brass dial having a silvered chapter ring and subsidiary seconds dial, the silvered centre engraved and inscribed 'Conyers Dunlop, London,' above a date aperture, the arch with a Strike/Silent dial, the case with a pagoda hood and stop fluted columns to an arched trunk door with stop fluted quarter pilasters to a panelled base with bracket feet, 99in (251.5cm) h; pendulum, two weights. Conyers Dunlop, London 1725 - 79.

An oak and mahogany longcase clock, the 8 day movement striking on a bell to a 12inch brass arch dial with an engraved edge, subsidiary seconds dial and date aperture, the arch with an applied boss inscribed 'John Willoughby, London,' the trunk door with a moulded edge and crossbanded, 91.5in (232.5cm) h; pendulum and two weights.

A late George III oak longcase clock, with a 30 hour movement striking on a bell, having a 10.25inch arched painted dial with date aperture and inscribed 'G. Stevens, Hindon,' 89in (226cm) h; pendulum, weight.George Stevens, Hindon, Wiltshire c.1770 - 1805 and his son, also George, died 1806.

A mahogany longcase clock, with an 8 day movement striking on a bell to a 12inch arched brass dial with subsidiary seconds dial and date aperture, strike/silent lever at 12, the arch with a boss inscribed 'Jean Gruchy, Jersey,' 79.25in (201cm) h; pendulum and two weights.

A mahogany longcase clock, with an 8 day movement striking on a bell to a 12inch arched brass dial with subsidiary seconds dial and date aperture, applied shaped plaque inscribed 'Michael Quesnel, Jersey, ' the arch with a Strike/Silnet dial, 84in (213.5cm) h; pendulum and two weights.

A mahogany longcase clock, the 8 day movement striking on a bell with a 12inch painted square dial with subsidiary seconds dial hand missing, 81.25in (206.5cm) h.; pendulum and two weights.

A miniature oak longcase clock, with a platform cylinder escapement and a 3.5inch dial, the case with carved and turned decoration, 21.5in (54.5cm) h.

Daniel Quare, London. A Queen Anne month going marquetry longcase clock, with five ringed pillars and striking on a bell, with a 12 inch square brass dial and silvered chapter ring inscribed 'Dan Quare London', the matt centre with subsidiary seconds dial and date aperture having blued steel hands, with cast crown and cherub pierced spandrels, the walnut veneered case with floral marquetry panels with an ebonised ground, the hood with a tiered caddy top and blind fret friezes with corner pilasters, the rectangular trunk door with a replaced glass lenticle, the sides banded and inlaid stringing, the base panel to a moulded edge plinth, 93.5in (237cm) h; pendulum, two weights. Daniel Quare was born in Somerset in 1647 and became a Free Brother in the Clockmakers' Company in 1671 and a Master in 1708. He was a strict Quaker and refused to accept the prestigious position of clockmaker to King George I on account of not wishing to take the oath of allegiance. He was, however, received at the palace and allowed to enter by the back stairs. He died at Croydon in 1724.

An early 19th century oak longcase clock, with an 8 day movement striking on a bell having a 12 inch arched painted dial with subsidiary seconds dial and date aperture, inscribed 'Sweeper, Romsey,' 84.75in (215cm) h; pendulum, two weights

A Victorian oak and mahogany longcase clock, with a 30 hour movement striking on a bell and a 12 inch square painted dial, having a date aperture, inscribed 'Rowden, Stapleford,' 83.5in (212cm) h; pendulum, weight. Charles Rowden, Stapleford, Wiltshire 1855-1880.

An oak and yewwood longcase clock, with a 30 hour posted movement striking on a bell with an 11inch square brass dial, the chapter ring inscribed 'David Bowen, Swansea,' the case with dentil moulding and banding, inlaid a butterfly and flower head, 79.5in (202cm) h; David Bowen, Swansea died 1791.

Thomas Wentworth Jnr, Sarum. A fruitwood longcase clock, the 8 day 5 pillar movement striking on a bell to a 12 inch square brass dial, with subsidiary seconds dial and date aperture, the centre inscribed 'Thos Wentworth Jnr, Sarum,' 83in (211cm) h. The Wentworth family of New Sarum (Salisbury) produced at least seven clockmakers, three of whom were called Thomas, following the tradition of naming the eldest son after his father. The above movement was made by the third Thomas (1678 - 1769) whilst his father was still alive, hence 'Jnr', his father died in 1740.

19th Century oak Longcase Clock, swan-neck pediment, the hood with fluted supports, long arched door with an oval fan inlay, arched painted dial with Arabic numerals, subsidiary seconds dial and date aperture, inscribed, "Jn. Pitt, Tetbury", eight-day movement.

Mahogany Longcase Clock, with an arched hood, arched bevelled glazed door and on bracket feet, arched brass dial with silvered chapter rings, Roman numerals, subsidiary chime silent dial, eight-day movement, striking on eight gongs, triple chain movement.

AN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, having painted face, with eight day movement, subsidiary seconds dial, date aperture, the case having inlaid decoration, H 200cm

AN OAK AND MAHOGANY LONGCASE CLOCK, having painted face with eight day movement, subsidiary seconds dial and date aperture, makers name John Barker, Newport, moon roller mechanism, crossbanded case, H 221cm, A/F

AN EIGHT DAY LONGCASE CLOCK MOVEMENT, having painted face with moon roller mechanism, maker's name J. B. Brindley, two weights and pendulum, together with case in pieces

George III mahogany longcase clock, the hood having a swan neck pediment with blind fret decoration and with reeded columns, trunk with long door and standing on bracket feet, arch shaped engraved brass dial with Roman numerals, subsidiary seconds dial and calendar aperture, signed Robert Alexander, Leith, eight day striking movement, 216cm high

19th Century mahogany longcase clock having a stepped arch shaped hood with reeded pillars, the case with a long arch shaped door on bracket feet, the brass dial with a painted maritime scene to the arch, silvered chapter ring with Roman numerals and signed Ramsbottom, Hall Green, eight day striking movement, 210cm high

19th Century mahogany longcase clock, the hood with swan neck pediment and reeded columns, trunk with long door and standing on a plinth base, square painted dial with Roman numerals and subsidiary seconds and month dials, signed J.K. Saunders, Warminster, eight day striking movement, 207cm high

17th Century style small oak longcase clock, the hood having moulded cornice and pilasters, the trunk with long arch shaped door on bracket feet, engraved brass dial with cherub head spandrels signed J. Whitehurst, Congleton - eight day movement striking on a gong, 163cm high

19th Century inlaid mahogany longcase clock, the arch shaped hood having spiral twist pilasters, trunk with short door and conforming pilasters, painted arch shaped dial with rocking ship and signed Jacob Moseley Neath, eight day movement, 210cm high

George III mahogany longcase clock within a fine case having swan neck pediment with brass mounts and pierced decoration, Greek key fretwork, the hood with wavy edge and brass mounted Corinthian caps to the twisted pillars, serpentine shaped long door with ornate brass escutcheon and with reeded pilasters - arch shaped brass dial showing 'High Water at Bristol Quay' with silvered dials and subsidiary seconds dial and calendar aperture, the engraved centre signed Joseph Avard, Bristol - eight day moon phase movement, 245.5cm high

18th century mahogany cased eight day longcase clock by Robert Coats, Hamilton the hood with swan neck pediment, brass dial with pierced spandrels, and silvered chapter ring, arched top with phases of the moon, shaped subsidiary seconds dial, date aperture, twin train movement striking on a bell h: 89.50 x w: 19 in.

19th century oak longcase clock, by I. Gilbert of Hythe, 30-hour weight driven movement, painted dial with Roman and Arabic numerals, and subsidiary date dial, h: 73 x w: 19 x d: 10 in.

18th century oak thirty hour longcase clock by a Carlisle maker the hood with swan neck pediment with column supports, painted arched dial with subsidiary seconds dial and date aperture, weight driven movement striking on bell, ( face and movement are a marriage) the movement is stamped Walker h: 87.50 x w: 19 in.

18th century eight-day twin-train mahogany longcase clock by Thomas Withers of Kentbury, the hood with brass ball and swan neck pediment, above a door flanked by columns, the silvered, brass and painted dial with arabic and Roman numerals, date dial and subsidiary day of the week, month and seconds dials, ( movement altered and not original to this case) h: 96 x w: 22.50 x d: 11.50 in.

An early 19th Century oak and mahogany longcase clock, the hood with swan neck and fluted tapered column to the sides, the trunk enclosed by a shaped arch top door, fitted a painted arch top dial, signed Payne, Ludlow and having an eight-day striking movement

An oak cased miniature longcase clock, the square dial with silvered chapter ring and Roman numerals fitted in a carved case the trunk flanked quarter columns raised on bracket feet, 47cm (18.5") high

A thirty hour longcase clock, Thos Hay, Shrewsbury, the broken swan neck pediment above a square painted dial with date aperture flanked two reeded column supports, the oak and mahogany crossbanded case with long door flanked quarter columns on a panelled base and low plinth, the dial, 30cm (11.5") wide

A late 18th Century oak and mahogany longcase clock, the hood with swan neck and fluted columns to the sides, the trunk enclosed by a shaped arch top door with canted columns to the sides, on splay feet, the arch top painted dial with second hand fitted an eight day striking movement

An early 19th Century Longcase Clock, the painted square dial inscribed James Probert, Wrexham, with seconds ring and date aperture in oak case with fluted half round pilasters on bracket feet. 6' 9" (207cms) high.

A miniature Longcase Clock in poker work case, 14" (36cms) high, another similar and an ebonised clock case. (3).

A miniature Longcase Clock with pocket watch movement in inlaid mahogany case, 10" (26cms) high, 2 others and another in ceramic case. (4).

A George III Longcase Clock, the brass arched dial inscribed "Joseph Wood, Scarborough" with date aperture and ormolu spandrels with 8 day striking movement in oak case with swan's neck pediment, arched trunk door and bracket feet. 7' 5" (226cms) high.