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Click here to subscribe"DAVIS CHELTENHAM AN EARLY 19TH CENTURY OAK LONGCASE CLOCK having swan neck and flank column hood, arch crossbanded door and box plinth on later shoe, 8-day four pillar Clerkenwell type mechanism with anchor escapement and rack bell strike faced by a" n arched painted dial with subsidiary seconds and calendar, 2.15m high
A Japanned long duration longcase clock, the case with oriental decoration throughout, side viewing windows, moulded skirting, 12-inch brass dial with silvered Roman and Arabic chapter ring, bottom of the dial plate highly engraved with figural and scroll work, signed Tempus Rerum Imperator David Lestourgeon, London within an ormolu frame depicting father of time, five pillar movement with anchor escapement and rack striking on a bell, dial and movement circa 1720, associated to the 18th century case, 216cm high
A Georgian Mahogany Longcase Clock having painted face with symmetrical patterns and shells. Makers name indistinct - possibly Davidson, Merthyr. The hood having swan necked pediment with columns. Short door flanked by quarter reeded columns. Boxwood string inlay throughout. 20`` wide x 85`` high x 10`` deep.
"John Griffith of Carnarvon and Rhiwbryfdir, an early 19th century oak and mahogany longcase clock, the painted dial with secondary dial, date aperture and moon phase, supporting a twin train striking movement under an arched hood with swans neck pediment, the trunk with panelled door on a conforming base with plinth foot"
Late eighteenth century eight day longcase clock by Lomax Blackburn, thirteen inch engraved brass dial with brass chapter ring, subsidiary second and calendar dials in an oak case with fluted columns. Blind fret decoration and dentil frieze, the hood with inlaid stringing surmounted by swan necked pediment with swirl carved rondels, 216cm overall
"JAMES BRAHAM, TORQUAY AN EARLY 18th CENTURY EIGHT DAY LONGCASE CLOCK having 12" brass dial with silvered centre, Roman and Arabic chapters and subsidiary calendar, eight day mechanism with rack bell strike and anchor escapement, in a Mid Victorian G" othic revival carved oak case, the hood with swept pediment and foliate frieze, asped pilasters, the trunk with panel door carved with a mask motif and all over floral decoration, on a box plinth with later shoe
An Early 19th Century North Country Mahogany Longcase Clock, the arched hood with swan neck pediment flanked by turned pilasters above a rectangular door and moulded plinth base, the painted dial with Roman numerals and subsidiary seconds dial and with eight-day two train movement striking on a bell
A George III Oak Longcase Clock, the mahogany crossbanded arched hood with turned pilasters above an arched door flanked by quarter pilasters above a conforming plinth base, the brass dial inscribed John Dison, St Ives, the silvered dial with Roman and Arabic numerals and with date apertures, seconds aperture and strike silent aperture and with brass corner spandrels, the thirty hour movement striking on a bell
THOMAS MEEDELL, BLANDFORD: AN EARLY 19TH CENTURY OAK CASED THIRTY HOUR LONGCASE CLOCK, the white enamel dial decorated with a ship in full sail, the spandrels with fan type decoration with central date aperture and Arabic numerals, the case with flat pediment top, the glazed door and side panels flanked by applied turned columns, 82" high. See illustration.
An 18th Century oak, possibly later carved longcase clock, the square hood having turned pillars and the front of the body having carved geometrical motifs with `Time Waits For No Man` to the long narrow door, brass and silvered dial with two subsidiary dials, eight day movement by Joyce, Ruthin (catalogue illustrated)
A 19th century oak longcase clock, with a cavetto moulded cornice, the hood with turned supports, the door flanked by three-quarter columns and on bracket feet, square painted dial with Arabic numerals, subsidiary seconds dial and date aperture, floral spandrels, signed J.N. Evans, Pwllheli, eight-day movement, striking on a bell.
A 19th century oak and mahogany longcase clock, the hood with a plain moulded cornice and turned tapering supports, long arched door with three-quarter columns, on ogee bracket feet, square painted dial, with Roman numerals and subsidiary date aperture, thirty-hour movement, striking on a bell.
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