We found 41749 price guide item(s) matching your search

Oak Longcase clock banded in mahogany, the flat top hood enclosing a painted face "John Kitchen Nantwich", subsidiary seconds, on fluted corner trunk and set out plinth. (Key, pendulum & two weights).

An early 19th century oak longcase clock, domed arched hood and cornice enclosing 35cm enamel circular dial, roman numerals and subsidiary seconds dial, inscribed Rowland, Leicester, short pendulum door, canted corners, on plinth base and ogee bracket fee

An early 19th century oak and mahogany longcase clock, the scroll hood with brass dial Edward Shepherd, Leicester, roman numerals, eight day movement, 193cm h

A George IV oak and mahogany crossbanded longcase clock, enamel dial, circa 1820

A Georgian design miniature Longcase Clock with white dial in inlaid rosewood case, 12" (30cms) high.

A miniature Longcase Clock in floral decorated case with German movement, another and 1 other brass mounted case. (3).

A Georgian design miniature Longcase Clock in black pottery case, 15" (38cms) high and 2 others in metal cases. (3).

Another miniature Longcase Clock in carved oak case, 13 1/2" (35cms) high, another with metal dial in mahogany case and 2 others. (4).

A miniature Longcase Clock with ivorine dial in silver mounted case, 11 1/2" (29cms), another in ebonised case and 1 other in oak case. (3)

C18th thirty-hour longcase clock in C20th oak case, the movement with outside count-wheel, the 10-inch square brass dial with single hand and silvered chapter ring inscribed 'MILES / SHASTON', with pendulum and weight, 77ins. high (see illustration).

Property of a deceased estate - an C18th oak longcase clock with 30-hour movement, the 11-inch square engraved brass dial with seconds dial and calendar aperture, the silvered chapter ring inscribed 'K AVERY / MERE', recently restored, 79.4ins. high (see illustration).

Property of a deceased estate - a George III mahogany eight-day striking longcase clock with 12-inch square painted dial inscribed 'J.T.NOAKES / BATTLE', 75.75ins. high (see illustration).

A 19th century mahogany longcase clock, the thirty hour movement with painted square dial a/f

George III eight day longcase clock with arched painted floral dial signed Chaplin, Bury, with subsidiary seconds and date aperture in oak case with pierced scroll pediment, 212cm

Regency 30 hour longcase clock movement with square painted dial signed Bing, Hastings with painted shell and anchor spandrels in mahogany case with swan neck pediment and gilt ball decoration, 212cm

George IV eight day longcase clock with painted arched dial signed Dodson, Leeds, subsidiary seconds and calendar dials painted in arch with cottage landscape and floral spandrels in inlaid mahogany case with swan neck pediment, 238cm high

Victorian painted dial eight day longcase clock, by Leithead of Galashiels, the enamelled dial with Roman numerals on decorative face painted with figure and interior scenes, set in swan-neck pedestal hood with turned supports, 204cm high, 46cm wide

Early 19th century eight day longcase clock, by Rob Cudsdale, Edinburgh, the face with Roman numerals, subsidiary seconds dial and week aperture, 207.5cm high, 54cm wide

19th century mahogany eight day longcase clock, with painted dial by Cha Campbell Boness, set in swan-neck hood with turned supports, 205cm high, 46cm wide

Victorian mahogany eight day longcase clock, with painted dial and indistinct Glasgow maker, in decorative flamed mahogany case, 199cm high

a Miniature Longcase Clock Pocket Watch Holder, circa 1840, swan neck pediment, ribbed columns, shaped trunk door flanked with inset ribbed pilasters, boxwood stringing to the borders, inlaid plinth upon ogee feet, top of back board with hinged door to locate pocket watch, 35cm high See illustration

a Small Longcase Clock, the case with swan neck pediment, flued turned columns, wavy shaped trunk door flanked by inset fluted pilasters, inside trunk door with presentation inscription to brass plaque, rectangular plinth with brick work decoration and upon bracket feet, 4-1/4-inch brass dial with Roman chapter ring, the arch with circular plaque bearing inscription "Peter Brown Manchester", twin weight driven movement with deadbeat escapement, and striking on a small bell, (dial associated to the movement and to the case), 106cm high

a Small Chiming Longcase Clock, the case with swan neck pediment ending with flowerheads and carved scroll work to the front, fluted columns, wavy shaped trunk door flanked by inset fluted pilasters, plain rectangular plinth with canted corners upon bracket shaped feet, 7-inch arched brass dial with silvered Roman chapter ring, the arch with silvered circular plaque bearing inscription "W Webester London", triple barrel movement with deadbeat escapement, chiming on five steel gongs, 143cm high See illustration

an Oak Longcase Clock, the case with flat top pediment, "later" applied brass mounts, rectangular shaped door, re-built plinth and feet, 11-inch circular Roman numeral brass dial signed "Whitehurst Derby", single weight driven four pillar movement with anchor escapement (dial and movement, associated to case), 198cm high

an Oak Eight Day Longcase Clock, signed Jno Rigg, Gisbrough, circa 1760, the case with flat top pediment, blind fretwork to the front, arched trunk door with stepped edges, rectangular reduced plinth, 12-inch arched brass dial with Roman and Arabic chapter ring, matted dial centre with arched date aperture, cherub spandrels, the arch with circular plaque signed "Jno Rigg Gisbrough", four pillar movement with anchor escapement and inside countwheel striking on a "later" bell, 232cm high See illustration john Rigg is recorded as working in Guisborough circa 1750. See Baillie (G H): Watchmakers & Clockmakers of the World, page 270.

an Oak Eight Day Longcase Clock, signed Lawson, Leigh, circa 1780, the case with swan neck pediment, "later" finials, verre eglomise panel to the front of hood, turned columns, mahogany crossbanding to trunk door flanked by plain inset pilasters, rectangular plinth with raised quatre form panel and canted corners, feet "missing", 13-inch square brass dial with silvered Roman and Arabic chapter ring, inner date ring with corresponding date hand, dial centre with lunar moon disc aperture and signed "Lawson, Leigh", scroll decorated centre, four pillar movement with anchor escapement and rack striking on a bell (dial foot broken), 217cm high See illustration

an Oak Thirty Hour Longcase Clock, the case with flat top pediment, "later" made columns to hood, arched trunk door, rectangular shaped plinth, 10-inch square brass dial with Roman chapter ring signed "Barber Winster", matted dial centre with date aperture, single blued steel hand, four pillar movement with anchor escapement, and outside countwheel striking on a bell, movement frontplate numbered "323" (dial and movement circa 1750), associated to the case (later), 195cm high

an Oak Thirty Hour Longcase Clock, signed Thos Lister, circa 1760, the case with flat top pediment, "later" made columns, rectangular trunk door flanked by inset fluted pilasters, plinth with raised quatre form panel and upon bracket feet, 12-inch square brass dial with Roman and Arabic chapter ring, nicely engraved dial centre signed "Thos Lister", date aperture and "Halifax" rolling moon disc for lunar scale, "later" hands, four pillar movement with anchor escapement and outside countwheel striking on a bell, "later" seatboard, 200cm high thomas Lister (senior) is recorded as starting his own clockmaking business in Luddenden, near Halifax in about 1740 until his death in 1779.

a Mahogany Eight Day Longcase Clock, the case with swan neck pediment, fluted columns with Corinthian capitals, "later" inlay to the case, wavy shaped trunk door flanked by inset pilasters and capped with Corinthian capitals, raised panel to the plinth with fluted canted corners and upon bracket feet, 12-inch arched brass dial with Roman chapter ring, dial centre with engraved scrollwork, arched date aperture and seconds dial, the arch with circular disc bearing inscription "Cooper Whitchurch", four pillar movement with anchor escapement and rack striking on a bell (dial associated to movement and associated to the case), 227cm high

a Mahogany Eight Day Longcase Clock, signed Burton, Kendal, circa 1820, the case with swan neck pediment, nicely inlaid with stringing throughout the case, arched door flanked by inset fluted pilasters, rectangular plinth with canted corners and upon bracket shaped feet, 13-inch painted arched dial with Roman and Arabic numerals, dial centre with seconds, arched date aperture and signed "Burton, Kendal", green and gold coloured floral spandrels, the arch depicting a lady in dress within a landscape scene, four pillar movement with anchor escapement, rack striking on a bell, 224cm high See illustration emanuel Burton (Junior) is recorded as working in Kendal between 1790-1828. See Baillie (G H): Watchmakers & Clockmakers of the World, page 47

an Oak and Mahogany Eight Day Longcase Clock, signed James Butler, Bolton, circa 1780, the case with swan neck pediment and finely carved flower heads capitals, fluted columns, the trunk with blind fretwork, wavy shaped trunk door with mahogany crossbanding and flanked by inset fluted pilasters, rectangular plinth with canted corners and upon bracket feet, 13-inch square brass dial with Roman and Arabic numerals and signed "James Butler, Bolton", dial centre with scroll decoration, date aperture and seconds, four pillar movement with anchor escapement and rack striking on a bell, "later" seatboard, 223cm high See illustration james Butler was born in 1757 and worked as a clockmaker in Bolton, Lancashire until his death in 1809. See Loomes (Brian): Clockmakers of Northern England, pg 105.

a Stained Burr Maple Eight Day Longcase Clock, signed Mark Hawkins, St Edmunds Bury, circa 1715, the nicely figured case with flat top pediment, turned columns, glazed side windows, concave throat mouldings above a rectangular shaped trunk door with a moulded edge, plum wood crossbanding and with a central glazed lenticle, reduced plinth with continued crossbanding, 12-inch square brass dial with silvered Roman chapter ring signed, matted dial centre with seconds dial and date aperture, five pillar movement with anchor escapement and rack striking on a bell, "later" seatboard, 206cm high See illustration

a Mahogany Eight Day Longcase Clock, signed Clements, London, circa 1780, the case with arched pediment (finial missing), canted fluted corners, nicely figured arched trunk door with moulded edges, rectangular plinth with raised moulded panel, 12-inch arched brass dial with Arabic and Roman chapter, dial centre with seconds, date aperture and signed "Clements, London", arch with strike/silent, five pillar movement with anchor escapement and rack striking on a bell, 214cm high (case in need of restoration) See illustration

a Sid Pollard Oak Longcase Clock, arched brass dial and silvered chapter ring with Roman numerals, the arched hood with three finials above a glazed trunk, unmarked, 183.5cm purchased by the present owners from Sid Pollard of Thirsk in the 1970's.

French comtoise longcase clock, the 9" white enamelled dial with a repousse floral brass bezel signed Croissant, the stained case with a glazed door and visible brass pendulum, 90" high

Good mahogany eight day longcase clock, the 12" arched brass dial signed John Grant, Fleet Street, London, with subsidiary seconds dial and calendar aperture to the matted centre, with strike/silent dial to the arch, five pillar movement with anchor escapement, within a handsome figured mahogany case with long cockbeaded moulded door flanked by quarter fluted ormolu mounted columns and surmounted by an arched moulded hood, 87" high (with two brass cased weights)

An oak case tempus fugit longcase clock, the arched hood with fluted canted pilasters enclosing brass and silvered dial above arched trunk door upon panelled base with bun supports, 164 x 35 x 24 cm.

Early 19th Century Longcase Clock, with painted arched dial, eight day movement.

Continental stained wood Longcase Clock Case, (a.f.).

19th Century Longcase Clock, with painted square dial with secondary seconds dial and date aperture, eight-day movement, striking on a bell, contained within a mahogany and oak case, with square hood with swan-neck pediment, panelled door and plain base.

An early 18th century gilt Japanned Chinoiserie eight-day longcase clock, made by John Kimpton of Maldon, the square 30cm brass dial with silvered Roman and Arabic numerals interspaced with fleur-de-lys half hour marks, subsidiary seconds dial and square date aperture, the matted centre with finely engraved foliate tendrils, the pierced case spandrels decorated with masks and roses, the movement striking on a bell, the hood with moulded cornice and original glass panels, above the trunk with rectangular door decorated with pagodas and trees having a circular glass panel, on a plinth base with bun feet, 206cm high x 51cm wide

A modern George III design mahogany longcase clock,. the brass dial with silvered Roman numeral chapter ring, marked James Stewart, Armagh, the trunk with glazed door, the pedestal base on bracket feet

A pine eight-day longcase clock, the mid 18th century (27.5cm square) brass dial by Robt Davy of Honeton with Arabic and Roman numerals, cast pierced spandrels and matt centre, the movement chiming on a bell, in later pine case, 200cm high

A Victorian oak eight-day longcase clock, maker James Robertson of Dysart, the arched Roman numeral dial painted with huntsman and hounds, with subsidiary seconds dial and date aperture, the hood with swan neck pediment and column over a trunk and pedestal with bracket feet, 216cm high

A George III oak eight-day longcase clock, maker Daniel Binny of Edinburgh, with an arched engraved brass dial having Roman numerals, strike/silent and seconds dials, date aperture and shell engraved spandrels, the hood with swan neck pediment on a trunk with later pedestal base, 208cm high

A Regency crossbanded mahogany eight-day longcase clock, the circular enamel Roman numeral dial with subsidiary seconds and date dials, the arched hood with serpentin crest on a trunk with fluted pilasters and pedestal base on bracket feet, 220cm high

A Victorian mahogany eight-day longcase clock, maker james Gray of Balfron, the arched Roman numeral dial painted with sailing ships and spandrels representing the four continents, with subsidiary date and seconds dials, the hood with swan neck pediment, on a trunk with satinwood banded door, the pedestal base with splayed bracket feet, 234cm high

A 19th century mahogany eight-day longcase clock, maker Thomas Steel, the arched Roman numeral dial painted with 'Sir James The Rose', 'England', 'Scotland', 'Ireland' and 'Wales', with subsidiary seconds and date dials, the tall hood with swan neck pediment on a trunck with quarter columns, on turned bun feet, 228cm high

18th century oak cased thirty hour longcase clock with square brass dial, signed Edwd. Gatland, Cuckfield

Early 19th century Scottish mahogany longcase clock having eight day movement, circular enamelled dial with subsidiary second and calendar dials, signed Fernbach & Co. Edinburgh,

A George III Longcase Clock, the 8-day movement with foliate engraved brass dial, seconds dial, date arch, by George Gwyn, Ramsbury, the arch with strike/silent dial, rococo scroll spandrels, contained in mahogany case with swan neck pediment, 229cm high

A Georgian oak 30 hour longcase clock, the arched painted dial with date aperture, the movement striking on a bell, 78 1/2" high.

ERNEST L EDWARDES, 2 ttls: THE GRANDFATHER CLOCK, 1971, 3rd edn, revised and enlarged, orig cl, d/w, WEIGHT-DRIVEN CHAMBER CLOCKS OF THE MIDDLE AGES AND RENAISSANCE, 1976 reprint, 4to, orig cl, d/w + JOSEPH NEEDHAM, WANG LING AND DEREK J DE SOLLA PRICE: HEAVENLY CLOCKWORK THE GREAT ASTRONOMICAL CLOCKS OF MEDIEVAL CHINA, 1960, 1st edn, 4to, orig cl, d/w + ERIC BRUTON: THE LONGCASE CLOCK, 1964, 1st edn, orig cl, d/w + M CUTMORE: THE WATCH COLLECTORS HANDBOOK, 1976, 1st edn, orig cl, d/w (5)

Puckridge, London, an early 19th century mahogany longcase clock having twin train eight day movement supporting a silvered arched dial, the case in the manner of Gillows, having ball finial and arched broken pediment over ormolu mounted half turned reeded pilasters, the three quarter length arched door flanked by quarter turned reeded pilasters above a box base on bracket feet. See Illustration.

A miniature longcase clock, possibly a convered biscuit tin, the case traditionally gilt decorated in the Chinese manner on later canted wooden plinth. See Illustration.

A rosewood veneered and boxwood strung miniature longcase clock having an arched pediment with fan inlay over a circular Arabic enamel dial named R. Chambers, Luton, backed by a French movement, the body set with a glass thermometer and the box base with aneroid barometer, on plinth. See Illustration.

A mid 19th century oak longcase clock, having moulded square pediment and hood enclosing a twin train thirty hour movement, faced by an enamel Roman dial with painted shell spandrels, above a full length door on box base and plinth. See Illustration.

A GEORGE III MAHOGANY LONGCASE CLOCK with square brass and silvered dial by Morris of Dublin with seconds dial and date aperture in an inlaid mahogany and satinwood case with break arch pediment, dial 12" diameter x 84" high (see illustration)

A 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK by John Bryden of Maybole with silvered arched 13” dial and two subsidiary dials in an inlaid case with scroll pediment, 88” high

An oak longcase clock with swan neck pediment and 8 day movement by George Scott of Sunderland with moon phase dial and two subsidiary dials on brass dial with pierced brass spandrels.